George Lamiè Furniture

A study in restraint and intention, Untitled No. 1 distills form to its most essential language—line, mass, and silence. Set against a warm, chalky ground, a dominant black field anc...

This vessel channels the quiet drama of the Mediterranean world in the 2nd century AD, shaped with a broad, flared mouth that feels both architectural and ceremonial. The form moves ...

The Hathor Egyptian Vessel is a sculptural interpretation of one of ancient Egypt’s most enduring divine figures — Hathor, goddess of protection, femininity, music, and solar rebirth...

A tribute to desert memory and elemental craft, the Nabatean Bowl by Maison Lamiè conjures the essence of ancient ritual vessels with quiet intensity. Inspired by the ceramic traditi...

The Amathus vessel draws its influence from the ancient city of Amathus, a coastal Cypriot stronghold known for resisting simple cultural definition. Positioned between trade routes ...

The White Lotus Vase by Maison Lamiè is striking in both proportion and restraint. Measuring 20 inches wide and 5.5 inches high, its broad, low form captures the eye with an elegant ...

This sculptural vessel draws from ancient Mediterranean storage forms, reinterpreted through a contemporary Maison Lamiè lens. The silhouette echoes classical amphora proportions, wi...

An ode to inversion, the Reversed Nabatean Bowl by Maison Lamiè turns ancient form on its head—literally. Inspired by the ceramic language of the Nabatean tribes of the 4th century B...

The Predynastic era, spanning approximately 4500 to 3100 BCE, marks the earliest shaping of Egypt’s visual and material identity. It was a formative age when utility, spirituality, a...

The Puabi Sumerian Vessel draws from the quiet authority of early Mesopotamian forms, reinterpreted through a contemporary, sculptural lens. Its silhouette feels both ceremonial and ...

An ode to inversion, the Reversed Nabatean Bowl by Maison Lamiè turns ancient form on its head—literally. Inspired by the ceramic language of the Nabatean tribes of the 4th century B...

This sculptural vase captures the quiet drama of contrast—light against shadow, stillness against movement. Inspired by the bloom of a lotus at night, its sweeping curves feel both a...

Rooted in North African tradition and sculpted through a contemporary lens, the Berber Algerian Bowl by Maison Lamiè is a quiet ode to memory, material, and Mediterranean soul. Craft...

The Lapithos Vessel takes its name from the ancient Cypriot city formed through stonework, coastal trade, and deep ritual continuity. Lapithos stood within the northern corridors of ...

This sculptural vessel by Maison Lamiè Studio captures the quiet drama of ancient Turkish ceramics while offering a contemporary interpretation. Handcrafted in the 21st century, it i...

The Lagash Vessel draws its name from the ancient Sumerian city of Lagash, one of the earliest centers of urban civilization in southern Mesopotamia nearly five thousand years ago. L...

Inspired by the ceremonial neckwear of the Ndebele tribe of Southern Africa, this one-of-a-kind garland is a bold exploration of form and contrast. Hand-cut and high-fired in small b...

Hand-sculpted and sun-aged, the Fayũmi Bowl is a poetic nod to Egypt’s Fayũm region, where natural textures, timeworn beauty, and ancestral craft intersect. Created by Maison Lamiè, ...

An ode to contrast and quiet drama, the Noir Grecian Vessel by Maison Lamiè is a sculptural meditation on form, texture, and antiquity reimagined. Crafted by hand in 2025 using Maiso...

This vessel is inspired by ancient Phoenician forms yet reimagined through a minimalist, modern lens—creating a striking silhouette that feels both timeless and architectural. Hand-s...

Inspired by the tribal bone garlands worn by the Vajrayana Buddhists of Tibet, this garland is a striking statement in sculptural minimalism, this hand-formed clay garland drapes ele...