Ligne Collection, 'Light 2 - Pink Neon, White Glass', by Sabine Marcelis

Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich...

Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights and a fountain that feature glass as the main material. The rest of her work is informed by a similarly sophisticated playfulness, as evident in the charming forms she creates — she has designed doughnut-shaped rugs, the multifunctional resin Candy Cube side tables...

Size, color, design is customizable. This work is made of laminated dichroic glass. Production lead time is 2-3 months. Chinese experimental brand BUZAO’s latest collection HALO trigger a further interpretation of glass material after its laminated glass collection NULL released in 2019. The first batch of HALO’s release includes display furniture...

Crystal Series is a work inspired from nature. Yoon was especially inspired by the sky’s beautiful and rich colors, specifically those from sunset and s...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aēsop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights and a fountain that feature glass as the main material. The rest of her work is informed by a similarly sophisticated playfulness, as evident in the charming forms she creates — she has designed doughnut-shaped rugs, the multifunctional resin Candy Cube side tables...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aēsop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich...

Sabine Marcelis Floor lamp model “TOTEM” Manufactured by Sabine Marcelis Produced in exclusive for Side Gallary Rotterdam, The Netherlands 2018 Resin, Neon (+transformer). Contemporary design Meassurements 18 cm x 17 cm x 190 H cm 7.08 in x 6.69 in x 74 H in Edition Limited edition of 12 + 2AP. Sabine Marcelis (b.1985 New Zealand) is a designer living and working in Rotterdam, The Netherlands. Raised in New Zealand, she was recognized from a young age for her design abilities, being awarded the New Zealand Young Designer of the Year. Marcelis studied industrial design for two years at Victoria University in Wellington, and continued her studies at the Design Academy Eindhoven, where she graduated in 2011. When graduating the designer was nominated for a fleet of prestigious design grants, such as the ‘Unge Talenter Designpriser’ by the Norsk Designråd, the René Smeets Award, and the Keep an Eye Grant. Since graduating, she has been operating Studio Sabine Marcelis, working within the fields of product, installation and spatial design with a strong focus on materiality. Her work is characterized by pure forms and natural elements such as the reflections of light and water, which she believes highlight material properties. Growing up in New Zealand Sabine was surrounded by dramatic landscapes, always sensitive to the light of the sky, the ocean and the snow on the mountains, the artist was inspired by the communication of the natural elements. Her work captures these beautiful moments in nature on a smaller scale, as objects or installations. Over the last decade, the award-winning designer has become known for her work with resin and glass. Her receptiveness for these two materials is due to their manipulability; sharp angular shapes as well as spineless curves can be protracted giving the artist endless scope for form. Moreover, the translucency of the both materials can be adjusted from sheer transparency to milky or solid opaque finishes. Working in collaboration with industry specialists, Marcelis intervenes in the manufacturing processes using material research and experimentation to achieve new and surprising visual effects, applying a strong aesthetic point of you to the material development processes. The series Candy Cubes is an example of the designer’s complex material investigation; a polyester resin mold is used to cast the piece, followed by an intensive polishing process. The cast resin is light sensitive, as sun rays shine down onto the solid blocks, the light illuminates the edges, sugar coating the sides, making the aptly named “marshmallow” colored candy cube appear edible. As well as playing with natural light, Marcelis also experiments with artificial lighting in her work. The introduction of neon light to her material combinations expresses the relationship between light, color and transparency in a more constant context. In 2015 Marcelis produced the series Dawn Light whereby the introduction of a white neon tube to a series of different geometric resin objects was used to reflect a unique moment in nature; when the sun, clouds and sky all join together, creating a momentary riot of hues. The series was on show at the Museum Boijmans Van Beuningen in Holland. Since then Marcelis has continued to work with neon and resin developing complex colour recipes and finishes, resulting in her Totem Series commissioned and sold exclusively by Side Gallery in 2019. The collection is composed of four different sized lighting elements, two table and two standing lamps. The Totems are built with several stacked translucent resin...