Antique Engraving of Malaysia, Brunei, Singapore, Java, Borneo, Sumatra, c.1750

Antique map titled 'Nieuwe kaart van de Sundasche Eilanden als Borneo, Sumatra en Groot Iava & c'. Detailed map of the Sunda Islands, Southeast Asia, extending from the tip of Cambod...

One of the first maps of the Indonesia islands of Java, Bali, Sumbawa etc. in early days of the Dutch Indies. Also showing Banten, Jakarta (Jacatra), Indr...

Antique print titled 'Orang-Oetang of Bosch-mensch'. This print depicts an Orang-Utan on Borneo or Sumatra, Indonesia. Originates from 'Hedendaagsche Historie, of tegenwoordige staat...

Antique map titled 'Carte des Isles Java, Sumatra, Borneo (..) - Kaart van de Eilanden van Iava, Sumatra, Borneo (..)'. Map of the East Indies including Sumatra, Java, Borneo and...

Great map of Java and Borneo Wonderful figurative borders From the celebrated Royal Illustrated Atlas Lithograph. Original color. Published by Fullarton, Edinburgh. C.1870 Unfr...

Golf mezzotint of 'Henry Callender Esq' (Captain of the society of Golfers at Blackheath) after Lemuel Francis Abbott (1760-1803). Henry Callend...

Cartographer from Germany 1678-1757. Hand colored. Gilt wood frame. Estate of William Hodgins.

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...