Engraving of Allegorical Celebrations of the British Victories in America, 1880

Antique print titled 'Ceremonie, observée par un des Rois de la Floride (..)'. Two images on one sheet. 1. A ceremony that takes place before they set...

Antique map titled 'Map of The British Possessions in North America'. Original antique map of the British Possessions in North America. This map originates from 'An Atlas of the Worl...

This exceptional antique map, titled "Nouvelle Carte Marine de Toute les Cotes de l´Amerique" and alternatively known as "Nieuwe groote en seer Curieuse Paskaart van Geheel-WestIndie...

Antique print titled 'Der ungluckliche Zufall der beeden Frazösischen Kriegs (..) - Etat malheureux de Quebeck et de la Surveillante (..)'. An engraving of a painting by Richard Paton of the three and a half hour long naval battle of 6 October 1779 which was fought off Ushant between HMS Quebec, under the command of Captain George Farmer, and the Surveillante, under the command of Captain Couédic de Kergoaler. The Quebec caught fire and exploded, and the British crew were rescued by the French. Captain George Farmer (b.1732) died in the battle. American War of Independence...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

A very nice Hollywood movie original lithograph for the film The Treasure of the Sierra Madre, directed by John Huston. Starring Humphrey Bogart, Walter H...

After Vander Smissen 'Mrs Sarah Porter, Queen of the Touters at Tunbridge Wells', a mezzotint, engraved by William Pether circa 1770, glazed in ebonised, ...

A fine antique 18th century map of the North American seaboard. Entitled "A New Map of North America from the Latest Discoveries 1763". By the Cartographer/Engraver - John Spil...