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Large 19th Century Neoclassical Carved Painted Gilt Wood Mirrored Urn Statue
About the Item
A scarce, large and most impressive European antique urn-form mirrored wooden statue.
Late 19th century, most likely Italian, possibly French, hand carved, painted and gilded solid wood, exceptionally executed in luxurious Roman Neo-classical inspired King Louis XVI taste, tall and narrow, the monumental over three one-sided vasi-urn form panel with small circular cutout fitted with a mirror, flanked by garland swag carvings, surmounted by rounded finial, rising on tapering standard, with simple integral tripartite stand base. circa 1870
A truly rare and a bit unusual example, almost certainly a one-of-a-kind custom commission, likely originating as a religious Catholic altar reliquary, with the round mirror plate later added in replace of the church's relic; or less likely but possibly an interior architectural element, pocket watch holder or even an early trade sign.
Dimensions: (approx)
36.5" High, 13" Wide, 4.5" Deep
Provenance / Acquisition:
Acquired from the reputable auction house Bright Star Antiques Co., Sulfur Springs, Texas. August 2024 auction catalog.
Versatile & Unique:
Almost certainly a one-off, this unique, interesting, and most distinctive sculptural object is sure to be come focal point in any space!
We've been doing this a long time, with over sixty years combined experience between us and the auction house we procured this work from, and neither of us have come across another like it.
Having the ideal palatial size, narrow proportions and overall very small footprint for a variety of different uses, including as a floor standing sculpture, atop a console table, sideboard or fireplace mantle, hard to decorate recessed window niche or rail, decorative tabletop vanity mirror, low-profile corner, wall or hall accent, old religious artifact or folk art collector, home prayer room decor centerpiece, shrine, or inside a church as an altarpiece, tabernacle or monstrance, or simply placed in a foyer or besides the door as a stunning entry statement piece!
Condition:
Overall a remarkable example that presents well. Great antique condition with beautifully aged patina, retaining original antique character and charm throughout!
Condition Details:
Freestanding, very strong, sturdy, stable, structurally sound. Attractive appearance, with nicely distressed patina, worn edges, highly desirable exposed burnished gilding and minor chippy paint losses. The mirror plate with significant antique silver losses and clouding. All typical wear consistent with age, use and handling, nothing that detracts from the display or stability but only adds to the timeless classic style, elegant sophistication, rustic warmth and historical old world European charm that can only be acquired over very long periods of time!
- Dimensions:Height: 36.5 in (92.71 cm)Width: 13 in (33.02 cm)Depth: 4.5 in (11.43 cm)
- Style:Neoclassical Revival (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1870
- Condition:Additions or alterations made to the original: Likely later added antique mirror in replace of relic. Mirror plate with no visible fractures or damage but fairly significant age appropriate character marks such as silver losses and clouding. Wear consistent with age and use. Minor losses. Minor fading. Overall great antique condition w/beautifully aged distressed chippy paint patina, original antique character & charm throughout! Sturdy, stable, structurally sound. Wear commensurate with age/use. Please see description & photos for details.
- Seller Location:Forney, TX
- Reference Number:1stDibs: LU5977241779692
About the Seller
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Additional photos available upon request
Dimensions: (approx)
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History:
A reliquary (also referred to as a shrine, by the French term châsse or monstrance) is a container for important religious relics.
The earliest reliquaries were essentially boxes, either simply box-shaped or based on an architectural design, taking the form of a model of a church with a pitched roof. These latter are known by the French term chasse, and typical examples from the 12th to 14th century have wooden frameworks with gilt-copper plaques nailed on, decorated in champlevé enamel. Limoges was the largest production centre; NB the English usage differs from that of the French châsse, which denotes large size rather than shape.
Relics of the True Cross became very popular from the 9th century onward and were housed in magnificent gold and silver cross-shaped reliquaries decorated with enamels and precious stones. From about the end of the 10th century, reliquaries in the shape of the relics they housed also became popular; hence, for instance, the skull of Pope Alexander I was housed in a head-shaped reliquary. Similarly, the bones of saints were often housed in reliquaries that recalled the shape of the original body part, such as an arm or a foot.
A philatory is a transparent reliquary designed to contain and exhibit the bones and relics of saints. This style of reliquary has a viewing portal to view the relic inside. The feretrum was a medieval form of reliquary or shrine containing the sacred effigies and relics of a saint.
During the later Middle Ages, the monstrance form, primarily used for consecrated hosts, was sometimes used for reliquaries. These housed the relic in a rock crystal, or glass capsule mounted on a column above a base, enabling the relic to be displayed to the faithful. Reliquaries in the form of large pieces of metalwork jewellery also appeared around this time, housing tiny relics such as pieces of the Holy Thorn, notably the Holy Thorn Reliquary now in the British Museum.
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Local pickup available near Dallas, Texas
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Very good original unrestored antique condition with beautifully aged patina. Wear consistent with age and use, including scattered nicks, chips, and chippy paint losses. One glazed panel with losses to sides. Overall in great shape, strong, sturdy, stable, and structurally sound. Presents splendidly
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