Brazilian Furniture

Incredible pair in concrete planters by Willy Guhl signed ETERNIT circa 1952

Available today, with domestic shipping in NYC metro area included, this Brazilian Modern Dresser with Six drawers in Hardwood, Jorge Zalszupin, c. 1970s is nothing less than gorgeou...

Maré Coffee Table by Wentz Dimensions: D 80 x W 160 x H 25 cm Materials: Granite, Steel. Also available in Black Brazilian Granite, White Brazilian Quartzite. The Mesa Centro...

Rare Early 19th century Capriccio view of Rio de Janeiro Painting Probably painted circa 1810 by one of Jean-Baptiste Debret, Italian Students. Painted on Sailcloth. Historical Context of Early 19th Century Portuguese Colonial Brazil 1.1 Transition from Colony to Empire During the early 19th century, Brazil underwent a seismic shift in its political status. Originally a colony under the Portuguese Empire, the arrival of the Portuguese Royal Court in Rio de Janeiro in 1808 rapidly elevated the city’s cultural and political importance. By 1815, Brazil was declared a kingdom united with Portugal, setting the stage for the emergence of the Empire of Brazil in 1822. This period of transformation—often termed the transitional period from colony to empire—fueled a wave of artistic production in cities like Rio de Janeiro. 1.2 European Artistic Influence in Brazil With the French Artistic Mission in Rio (initiated in 1816) and the presence of various Portuguese and European artists, Brazilian art of the early 1800s began to reflect diverse influences, from neoclassical painting to the early rumblings of romanticism. Painters such as Jean-Baptiste Debret, and Nicolas-Antoine Taunay, and local luminaries like Manuel de Araújo Porto-Alegre contributed to the fine arts tradition in Brazil. Their works featured scenes of local life, portraits of Brazilian society, and imaginative vistas—sometimes referred to as “capriccios,” in which real elements were combined with artistic liberties to create an idealized panorama. 1.3 Rio de Janeiro as Cultural and Political Hub Rio de Janeiro, often called the Imperial capital after Brazil’s independence, was home to foundational institutions like the Imperial Academy of Fine Arts (Academia Imperial de Belas Artes). Later evolving into the Escola de Belas Artes (School of Fine Arts in Rio), these academies nurtured the talents of emerging painters, who found patronage under the Royal Court and, subsequently, the Imperial Court. The city’s significance was further enhanced by the construction of significant buildings, the modernization of infrastructure, and the mingling of European courtly customs with the traditions of local inhabitants. . Description of the Octagonal Oil on Canvas: A Capriccio View of Rio de Janeiro 2.1 Composition and Layout The most striking characteristic of this 19th-century Brazilian art piece is its octagonal shape, a relatively unusual format that draws the viewer’s gaze toward its centre. The composition showcases Rio de Janeiro’s shoreline in the early 1800s, brimming with merchant ships and smaller boats anchored near the shore. On the sand, there is a bustling crowd of local people—men and women carrying food and goods on their heads, loading and unloading boats, and engaging in everyday commerce. The backdrop of soaring mountains suggests Rio’s iconic topography, embodying the landscape that famously defines the city. 2.2 Architectural and Religious Landmarks On the left side, one can discern the silhouette of a church believed to be Santa Lucia, a significant religious structure in the heart of early 19th-century Rio. This element provides viewers with a tangible reference point, linking the scene to an actual location. However, because this painting is labelled as a “capriccio,” the artist might have taken creative liberties by rearranging or amplifying certain features of the city. The melding of real and idealized elements is characteristic of these imaginative vistas. 2.3 Evoking Daily Life in Colonial Rio One of the painting’s greatest appeals lies in its portrayal of daily life during the colonial era. Men and women from various backgrounds populate the scene. Some appear to be carrying goods on their heads, a common practice in Brazil that has persisted through different centuries. Others appear to be haggling or trading near small vessels, revealing the commercial pulse of an active port city. This focus on local people, combined with the grandeur of merchant ships, captures the tension and synergy between the every day and the extraordinary—a hallmark of Brazilian colonial painting that balances the grand narratives of empire with the rhythms of ordinary life. 2.4 An Amalgamation of Neoclassical and Romantic Influences Although academic art in early 19th century Brazil was highly influenced by neoclassicism, the onset of romanticism can be spotted in the emotional portrayal of the sky, the lively palette, and the dramatic emphasis on nature’s beauty (the mountains, in particular). This duality reflects the fine arts tradition in Brazil during the transitional phase when artists were embracing multiple styles. As part of the School of Rio or the Rio de Janeiro school, painters often integrated academic techniques learned from European masters with emerging local subjects and influences. 3. Institutions and Artistic Movements 3.1 Imperial Academy of Fine Arts Originally known as the Royal School of Sciences, Arts, and Crafts, the Imperial Academy of Fine Arts in Rio de Janeiro was instrumental in shaping 19th-century Brazilian art. Influential artists and teachers from Portugal, France, and other European nations congregated at the Academy, imparting their expertise to native students. As the monarchy consolidated power, the Academy enjoyed royal patronage, leading to the creation of Imperial Academy-style works that combined European academic rigour with Brazilian-themed subject matter. 3.2 Impact of the French Artistic Mission The French Artistic Mission, which arrived in 1816, played a pivotal role in introducing advanced European artistic techniques, thereby elevating the overall quality of painting in Brazil. Artists like Jean-Baptiste Debret not only documented Brazilian society but also spearheaded the development of a local visual identity that aligned with both academicism and the national context of a blossoming empire. Debret, alongside others such as Nicolas-Antoine Taunay, mentored Brazilian artists, sowing the seeds of what would become the Brazilian academic art movement. 3.3 Religious, Historical, and Landscape Paintings In addition to everyday scenes and historical compositions, religious iconography remained crucial throughout Portuguese colonial and imperial Brazil. Churches were omnipresent in cityscapes like Rio de Janeiro. Many colonial-era Brazilian portraits...

Leather organizer baskets. Natural color.

"The Great Force of Nature" by Elvio Becheroni is a majestic sculpture, part of the series "Amazonia - Disenchanted Forest," embodying the artist's deep respect for nature and, at th...

Winter II Pendant Lamp by Aver Dimensions: D 23 x W 154 x H 13 cm. Materials: Glass, metal, crystals, and white quartz. Available in different finishes. All our lamps can be wired ...

Carlo Hauner and Martin Eisler are most known for well-shaped armchairs made in iron, but the production is far more complex, hand-crafted, and extensive. The wood pieces produced by...

Articulated floor coat or hat rack, developed with Brazilian stones from the disposal of large marble industries. To remember the issue of sustainability, we always keep a stone diff...

Sculptural Brazilian rocking chair in the style of Joaquim Tenriero. Amazing quality and design. Original cane seat in need of restoration. (see photo). Hand delivery avail to New Yo...

Genuine Brazilian cowhide leather of beautiful brindle colour in very good condition. A great way to add personality to your interior.

This contemporary stool is part of the Cloud collection, which was created around the concept of trees. These contemporary stools and benches are made with cotton fabric and foam str...

A beautiful pair of lounge chairs in rattan by Carlo Hauner and Martin Eisler, made by Forma Móveis in Brazil in 1955. The chairs are in fully original condition and have never been ...

Oslo II Wall Lamp by Aver Dimensions: D 5,5 x W 12 x H 111 cm Materials: Frosted glass and metal. Available in different finishes. All our lamps can be wired according to each coun...

Inspired by human anatomy, the Fly chair by Tiago Curioni has a metallic skeleton, and cushions that refer to the musculature of the human body. Fully covered in leather, the chair...

Available today, this Brazilian Modern Dining or Conference Table in Hardwood and Metal by Sergio Rodrigues is THE find of the year! This large dining/ conference room table (can fi...

THE COLLANA SERIES – WHERE ARTISTRY MEETS COMFORT IN EVERY CURVE." Introducing the Collana Chairs, Armchairs and ottomans Collection, a testament to the seamless integration of aest...

ORGUS collection is composed of pieces with organic shapes of different types, such as mirrors, lamps and seats. All executed by hand with paper pulp, and resin mortar. All the pi...

Janice Side Table by Samuel Lamas, 2022 The Janice Side Table is a versatile and minimalist piece that embodies the elegance of contemporary Brazilian design. Crafted from solid Bra...

Biomorphic Abstract Tabletop Sculpture White by Hanna Englund Ceramics Dimensions: ⌀ 35 x H 45cm Materials: Plaster, casted and hand carved. Matte white painted, slightly textured. E...

This expertly polished Smoky Quartz sphere from Brazil is a museum quality and boasts high levels of transparency and reflectivity, making it a val...

Available today, this set is nothing less than spectacular! This set of eight dining chairs was designed by Giuseppe Scapinelli in the 1950s. The structure of the chairs is in hardw...

André Ferri (né en 1990) Table d'appoint - Balançoire "Viga", 2018 Freijo, laiton et corde Dimensions : 72 x 44 x 13 cm (28.3 x 17.3 x 5.1 in) The Viga side table by André Ferri is ...

This Contemporary Lasca lamp in Cast Brass and Crystal was meticulously handmade by master artisans one piece at a time. It is therefore quite difficult, if not impossible to make id...

3x4 lounge chair by Rodrigo Ohtake 1/4 limited edition.

Available right now, this beautiful Brazilian modern sofa, designed by Joaquim Tenreiro in the sixties, is absolutely stunning. The model is cal...

Mid-Century Modern Square Glass-Top Hardwood End Table, Brazil, 1960s Structured in molded plywood revested in hardwood veneer, this 1960s square end table features a glass-top over...

The MP-01 is the first armchair model produced by the world renown Percival Lafer, and set the stage for his unique style and subsequent designs. The sensual curves of the seat are c...

A long and imposing 1960s slatted bench or coffee table in solid Rio rosewood. Of vintage Brazilian origin, this bench has many similarities to the designs of Sergio Rodrigues, in ...

Quartz and Bronze Wall Light I by Aver Dimensions: W 18 x D 16 x H 27 cm Materials: Natural rocks, high-quality cut crystals, jewelry chains, hand blown glass, other. Also Available:...

Acrylic Fish Figure by Abraham Palatnik from the 60s Acrylic figure by the Brazilian designer Abraham Palatnik, in this piece we can see the representatio...

Available today, this elegant sideboard or dresser was designed in the 1960s. It is crafted from Brazilian Rosewood, meticulously refinished by our skilled artisans in Brazil, highli...

Mid-Century Modern Center Table by Brazilian Designer, 1970s Center table structured with solid wooden slats, with metal details and marble top, manufactured by Unknown Brazilian Designer...

Quartz Pendant Lamp II by Aver Dimensions: D 59 x W 100 x H 30 cm Materials: Natural white quartz, metal, ceramic. Available in Gold Plated, Silver Plated, Aged Gold Plated, Aged S...

A Turn teak wood armchair with natural cane back. *Please check availability prior to purchase*. The Turn armchair by Sérgio Batista for Uultis is a refined blend of natural materia...

Alessandra Delgado was once thinking about wire. What would emerge if one started to fold lengths of wire randomly? Bruna chair is the materialization of t...

Madagascan fossil tree trunk slice.  Measures: 25 cm. 29 cm. 5 cm.      

A Ura counter height stool designed by Uultis Studio with walnut finish and beige fabric upholstery. *Please check availability prior to purchase*. The Ura counter stool showcases a harmonious blend of contemporary design and functional sophistication, making it a standout addition to any space. Handcrafted in Brazil by Uultis Studio, this stool features an elegant walnut finish complemented by an upholstered seat in Wheat Thin Twill Weave. fabric. Its solid wood frame is sustainably sourced, underscoring a commitment to eco-conscious craftsmanship. Ideal for both residential and commercial use, the Ura stool...

Rafael Triboli’s new collection synthesizes the foundational aspects of his practice, bringing together techniques and resources that have long inhabited his repertoire, but now achi...

Designed by Carlo Hauner and Martin Eisler, the bar cart is made of Rosewood, Glass, and Steel. Composed of three removable serving trays and steel casters for Forma S/A Móveis e Obj...

Available today, this spectacular Brazilian modern dining chair set made in Hardwood and Cane, by Celina Decoracoes, in the sixties is n...

The 2017 "Bullet Proof" Bench by the contemporary Brazilian designer Alê Jordão is structured in welded steel and armoured glass, featuring the unique shots...

Contemporary pair of "Buati" stools by DJ Papagaio, Brazil, 2022. Stool composed of different types of Brazilian woods. With the use of traditional woodworking techniques, the desig...

These diverse “Anfora” vases by contemporary Brazilian artist Domingos Tótora are prime examples of the artist’s ars poetica: “I’m a mix of artist, designe...

Mid-Century Modern Brazilian sculpted bold angles of design Floor Lamp. Designed with a striking tripod base that's crafted from solid Walnut Wood and accented with antique-brass finished metal. It can be complemented by a large Linen Lamp...

A pair of wood and metal side table produced by Fatima Arquitetura e Interiores, Brazil, c. 1960. Dimensions: 21.75” H x 19.75” W x 17”

Produced in São Paulo, Brazil. This outdoor wall light was meticulously handmade by master artisans one piece at a time. It is therefore quite difficult, if not impossible to make...

The D33 collection is intended to enhance the foam, a material very present in furniture, yet always hidden. Abusing its main characteristic, absorption, the entire volume of the mat...

Elestial Amethyst Crystal Specimen with Brazil’s Legendary Cacoxenite ▫️ Description An exceedingly rare mineral masterpiece: a Matrix Cacoxenite Amethyst specimen is gracefully se...

This chaise Lounge is one of the fantastic designs by Martin Eisler (1913-1977) and produced by Móveis Artesanal and then Forma S.A. Móveis e Objetos de Arte. Galeria Artesanal, the first showroom that presented the furniture and objects created by Moveis Artesanal and HG Ceramica, used to sell this design. The traditional chaises...

The Cane Chair was designed in 1952 by Jacob Ruchti and produced by Branco & Preto, an architecture and design firm that opened in 1952 in São Paulo. Branco & Preto was one of Brazi...

Available today, with domestic shipping in the NYC metro area included, this Brazilian Mid-Century Set of Two Swivel Chairs by Forma, c. 1970s, is nothing less than gorgeous! These...

Available today, this Brazilian Modern Bar Cart in Hardwood by Peter Kraft, 1960s is nothing less than stunning! This meticulously crafted bar was designed by renowned architect Pet...

Pair of Easy Chairs and Stool in Jacaranda and Leather by Sergio Rodrigues, 1957 Additional Information: Material: Jacaranda and leather Style: Mid century, Brazil Rare pair of...

This tall and elegant Amethyst Cathedral from Brazil showcases a dazzling column of deep purple crystals, framed by a beautifully polished edge. Its graceful height and rich colorati...

Bauhaus Lounge Chair by Doimo Brasil Dimensions: W 70 x D 56 x H 71 cm Materials: Metal, Boucle Fabric . With the intention of providing good taste and personality, Doimo decipher...

Handmade and one-of-a-kind, this stunning tapestry is crafted from Aquafil recycled yarn, showcasing a sustainable approach to textile art. Designed by Paola Müller & Michell Lott, t...

Introducing the ultimate in comfort and style: the large Brazilian three-seater sofa made with a Jatoba wooden frame and a soft camel-colored upholstery designed in the style of Jean...

Eila Ampula fiber art floral tapestry handcrafted in Brazil, 1980s. Eila Ampula was a well-known Brazilian artist who specialized in tapestry design. Her work has been exhibited in ...

Spectacular Large Amethyst Butterfly: A Amethyst Butterfly Wings of Unheard Beauty ▫️ Description If I were to draw a butterfly, it would look exactly like this Amethyst Geode. Nat...