16th Century Furniture

16th Century pair of Spanish wooden footings with medieval scenes of fantastic animals and floral motifs. Polychrome in dark colors on a vivid red background. Two pieces with grea...

Decorative English Oak "Food" or Aumbry Cabinet inspired by 16th Century examples, but of 19th Century manufacture. (See Victor Chinnery, Oak Furniture, the British Tradition...

A pair of Italian giltwood candlesticks from the 1500’s. This impressive hand-carved pair of candlesticks have stayed together for over 400 years. Gold and silver gilt is found on th...

A Renaissance Bed Valance Spain or Italy 16th century From a set of bed hangings originally part of the decor from a castle in France A long impressive ...

Pair of reliefs; grutescos or candelieri. Carved, polychrome and golden wood. 16th century, and later Pair of reliefs made of hand carved wood, gilded ...

Superb chest called cassone in walnut from the 16th century from the Italian Renaissance Very beautiful large chest in walnut where each side is made up of a single board which is a...

The relief of folded cloths was common in the Gothic furniture, coming from Flanders in the 15th century and used in Spain in a common way well into the 16th century, although 17th c...

16th Century Spanish Colonial Oil on canvas painting of the Virgin of the Immaculate Conception. In this representation of the Virgin Mary being f...

A Korean ceramic bottle form jar of Buncheong ware circa 15-16th century Joseon Dynasty. The surface of the jar features a celadon glaze and an elaborate incised design of large flor...

Large late Elizabethan dining, center, or library-table of stately elegance and superb proportions and design, with elongated melon-legs. The box stre...

Renaissance relief depicting two female figures dressed in a chiton Italy, probably Rome, 16th century Marble, wooden frame (provenance label on the back) 28 x 20 x 5 cm This beau...

Superb and rare Italian Renaissance walnut wedding chest or cassone from the late 16th century from the Tuscany region. Very beautiful chest with a wood marquetry coat of arms in it...

Brazier. Copper. Possibly Castile, 16th century. Brazier made of copper with a circular foot decorated with vertical bands, a low tubular shaft enhanced with a fine roped molding and a semicircular body, with a wide mouth that flares outwards, and two halfrectangle-shaped metal handles with a torso part on the sides. Of the piece. These types of pieces were used both in civil and ecclesiastical interiors with the aim of heating the occupants of the room as much as possible, and their conservation is rare because they are utilitarian elements that were discarded over time or due to be damaged They used to be objects destined for the upper class, and followed the same typologies whether they were destined for a sacristy or a private residence. This case, possibly intended for use in the sacristy, shows a typical typology in the Spanish school of the time. Compare, for example, with the brazier present in The Birth of the Virgin Mary of the Altarpiece assembled around 1520 by Pedro de Guadalupe from Valladolid and found in the church of San Esteban...

Material: bronze 60 cm high 34,5 cm wide and 22,3 cm deep Weight: 12.4 kgs Bhumisparsha mudra Originating from Laos 16th century With inlaid eyes of mother-of-pearl Long nec...

This pair of important Italian Renaissance marble baths belonged to the Warrior Pope Julius II, one of the most powerful and influential Pop...

Beautiful 16th Century buffet trunk from Italy, would make a great coffee table too!

The cabinet’s upper body, slightly recessed is topped by an overlapping entablature and cornice supported both in the front and the rear by four fluted columns. The lower body stands on four squared feet and a moulded base. Each door-leaf’s panel is centred by a low-relief carving presenting one of the four evangelists...

(4) Four Portuguese Tiles, 16th Century (1530/1550) Very Rare Collection Items Each tile 14cm x 14cm Original, unrestored They are very rare, they are collection items, museum ite...

AN EXCEPTIONAL MUSEUM QUALITY, ITALIAN, RENAISANCE WALNUT CASSETTONE WITH A FITTED BUREAU IN THE UPPER PART & EXCEPTIONAL BAMBOCCI CARVING, LOMBARDY - This exceptionally rare, museum quality, piece of early furniture was conceived and crafted as an artwork of the finest quality of its time. Throughout time it has been a luxurious, statement piece which has protected it, and fortunately it has survived in virtually, original condition. - This magnificent cassettone exudes the character and quality of the finest, late-Renaissance furniture. Northern Italian Renaissance furniture often had the sides, legs or angles, 'a Bambocci', incorporating carved figures which were considered unique sculptures in their own right. - The putti on this cassettone are beautifully carved and of sculptural quality. Each angel has one arm raised to heaven, a poignant touch. - The lion’s paw feet are a classical feature and make a great statement. - This cassettone was conceived to have visual impact through the quality of the carving, as well as being very practical with the writing compartment fitted in the top part. - It has survived in very original condition with a few small repairs and losses, and the colour and patina are warm and lustrous. - This cassettone is illustrated Illustrated in C. Alberici, Il Mobile Lombardo, Milan, 1969, p. 45, one of the seminal works on Lombardy furniture, and has been in two renowned collections. The hinged top in two sections faced with a solid moulded edge. The front part has a fall front and opens to reveal a writing compartment. The fall front retains its original lock and is concealed with a false drawer which is above three drawers. All with moulded panels, escutcheons and retaining the original iron handles. The front ends have exceptional, bambocci, carved putti raising their arms to heaven above trailing foliage. Standing on magnificent lion's-head carved feet. The sides are panelled. Exceptional original colour and patina. Literature : Illustrated in C. Alberici, Il Mobile Lombardo, Milan, 1969, p. 45. A Gonzalez-Palacois, Il mobile in Liguria, Genova, 1996 illustrates related pieces Measures: Length 147 ½ cm. 58 in, height 104 cm. 41 in, depth 75 cm. 29½ in, Provenance: Coll. Private Azzate The Collection of Sandro and Lidia Orsi, Ca’ Mera, Varese. Regarded as one of the most beautiful homes in Lombardy, Ca’ Mera, the country house of Sandro and Lidia Orsi was filled with beautiful objects from many different epochs. A renowned antiquarian from Milan, over his lifetime Sandro and his wife Lidia revived the Renaissance and Baroque character of the house and instilled their own unique vision into the interiors, which culminated with the creation of a Kunst – or Wunderkammer. “I have never seen such an example of poetical taste”, Sir John Pope...

Paper holder bronze, 16th century. Portapaz made of bronze with an "asymmetric" handle on the back, which presents a decoration in light relief framed in an architectural compositio...

A very nicely decorated plate with a beautiful scene of a flying Horse With a nice empty rim. Wanli, Tianqi or Chongzhen Period 1590 – 1640 These kind of dishes are will described...

Vanitas. Oil on panel. Surroundings by Vincent Sellaer (c. 1500-Mechelen, before 1589). Oil on canvas that shows, on a background with trees and hills, a child figure sitting on a ...

Typical stool with backrest and curved legs in solid walnut wood with dark patina. This type of bench is used in guard posts, for this reason the seat is small and uncomfortable, to ...

Dated 1705 (1121 A.H.). A romantic and poetic scene of two lovers with musical instruments. The main scene includes flowers, animals, and the calligraphy that says "The heart goes [f...

This piece is an example of Mingqi, items specifically crafted for burial to accompany the deceased into the afterlife. The terracotta army is the most renowned example of such buria...

An incredible palace size earlier 20th century Kermanshah rug in predominant blues, gray and raspberry. Woven with the finest of Manchester wool. Measures: 11'8'' x 21'8'' Kirm...

An exquisite and very rare 16th century renaissance Silk brocade fragments mounted and artistically displayed in the Glas case on the antique linen. Both fragments are greatly preserved and originated by its design from famous Palazzo Pitti in Florence. The ornaments contain flowers, jaguars, birds and Fleur De Lis- the symbol of royalty. The colours remain vibrant and parts of golden embroidery/ threads are in very good condition considering the age. Both fabric...

A finely carved mahogany Gillows design library stool/ coffee table. Turned and stylised acanthus leaf decorated legs with a solid brass top block to leg...

Very ancient and very important portal in walnut wood, richly carved by hand with bambocci and columns typical of the time, built entirely by hand by Italian artists in the 16th cent...

Annamese Blue and White Ceramic Jar, Chu Dau kiln, Vietnam, circa 1500. A globular form with narrow neck decorated in under glaze cobalt blue of lotus petals, ...

A finely potted Chinese porcelain bowl, decorated in underglaze cobalt blue with elegantly scrolling lotus motifs and classic fretwork borders. The design is executed with clarity an...

A late-16th Century, Museum Quality, Italian Walnut & Fruitwood Marquetry Marriage Chest with a Coat of Arms & Retaining Traces of the Original Gilded Decoration - Exceptionally rar...

Paper holder bronze, 16th century. Bronze paper holder with a flat curved handle on the back that features a relief decoration organized in the front through an architectural composition with a classical influence usual in the Renaissance. Under the columns on the sides there are two heraldic shields (without bonnet, laces with tassels on three levels) with a Latin cross in the middle zone; the center shows a birth of Christ under a winged dome with heads of winged angels in the corners; at the top and under a semi-circular arch, the bust of Saint Dominic...

Material: bronze 32,3 cm high 18,5 cm wide and 10,5 cm deep Weight: 2.833 kgs Bhumisparsha mudra Originating from Thailand 16th century With confirmed TL-test, see pictures A special Buddha...

Annamese Blue and White Ceramic Box, Chu Dau kiln, Vietnam, circa 1500. A globular form with concave depression on center of the flat lid, decorated with flower blossom on center sur...

Very unusual Chinese export porcelain bowl. It has bright colors with a lot of gold throughout. Height: 5 in, Width: 10 in, Base Width: 5.25 in

16th century Japanese sculpture of a Buddhist Tenbu, Late Momoyama period (1333-1598) sculpture dated "Bunroku 3", or 1594, in ink on the back. T...

Amazing and Rare 16th Century Panel Moorish composition 28cm x 28cm good condition

Rare 16th century Nuremberg box In iron, measurements: 13 x 18 x 12 cm Good condition.

This type of elements are basic in churches, chapels, etc. since they contain the Sacred Forms, reason why it is logical the abundance, with a series of typologies more habitual and traditional or old than others. There are also iconographies more common than others, a certain thematic preference according to the date or school to which the work belongs, etc., always related to the Sacrifice of Christ, Salvation, Transubstantiation, Eucharist, etc. for being a key element for Christianity (especially the Catholic) what they will always contain. The present work shows a chalice with Sacred Form in what would originally be the interior of the door (very usual iconography) and a somewhat more striking relief to the exterior. Inside that it is a Eucharistic Christ or Eucharistic Savior, the way of presenting it is more usual of the scenes of the Last Supper, being not so frequent to find it alone like this. Compare for example with works such as the door of the tabernacle attributed to Alonso Cano...

16th century Cambodian vessel found from shipwreck of the coast of Cambodia. Beautiful natural shells and barnacles from being under water for hundreds of years. Museum quality.

Large Virgin and Child Statue in Majesty, seated, holding Christ in her left hand. Sixteenth century Mosan(?) work. Oak wood, hollowed out at the back. No traces of original gilt no...

Friesland, Groningen, Drenthe, Overijssel – Antique Map by Sebastian Münster, 1574 This rare and finely colored woodcut map of Northern Netherlands depicts the provinces of Friesl...

16th century Cambodian vessel found from shipwreck of the coast of Cambodia. Beautiful natural shells and barnacles from being under water for hundreds of years. Museum quality

Peacekeeper. Bronze. Century XVI. Bronze purse with a handle on the back in the shape of an esse in the same material and a decoration in light relief on the front that shows, unde...

Acetre. Bronze. Century XVI. Bronze piece that has a circular foot, and a circular body, with an outwardly hollowed mouth at the top, and a decoration in relief in this last area o...

Suiboku is a style of ink painting that is reminicent of the way calligraphers paint. Masterfully painted Muromachi Period (1336-1573) painting, unique in style and strength for the period with very bold lines. Sesshu Toyo...

A collection of three bronze bowls from Korean dated to 14-17th century (late Goryeo to early Joseon Dynasty). It consists of an early example with a slight curvy wall and a high foo...

Important and imposing sixteenth-century slate portal, richly carved with winged lions in the cymatium that support the noble coat of arms of a wealthy Genoese family of the time. Large in size and with an important historical and artistic level, it is certainly a luxury decoration for your main entrances, important doors or charming shops. Classic and historic, it also fits well with contrasting modern interiors. Maximum external measure cm W 190 x H 323 x D 3, internal passage light...

This is a Chinese handcrafted porcelain provincial jar or vase, all hand painted in cobalt blue and dating to the Ming period of the early 16th century or possibly earlier. The jar ...

It is a very old jar in Japan. This is a pottery called Tokoname ware. Tokoname is a kiln located in Aichi prefecture, Japan. It is said to have originated around the 12th century. A...

Base of a carved wooden candelabrum, polychrome and gilded; cross painted on both sides. Umbria or Tuscany, 16th century 136 x 43,5 x 30 cm (The cross and the base of the candelabrum were later assembled) The base of the candelabrum is intricately carved and adorned with polychrome and gilded finishes. The shafts take on the shape of balusters reminiscent of ancient columns, feature ornate foliage decorations, garlands and winged cherub faces. The feet are crafted in the likeness of lion paws. The base is further embellished with depictions of four saint martyrs, among them Saint Barbara and Saint Catherine of Alexandria. The plasticity of the figures, outlined with strong contour lines, the clear and vibrant colors, are stylistic elements linked to the Umbrian tradition of the sixteenth century.The precisely defined and elegant drawing, along with the clear color palette applied with refined chiaroscuro modulations, became the signature of a style that would leave a lasting mark on the era to come. This is exemplified by a preference for vibrant, multicolored images, accentuated in this case by the use of red and pink in the saint's attire. A notable addition, introduced later, is a polylobed cross painted on both sides. On one side, the Crucifixion is vividly portrayed:The treatment of the corpus itself is in line with High Medieval practice, emphasizing pathos by showing Jesus dead, his arms sagging from the weight of the body. The upper section displaying a pelican pecks at her breast to feed her young with her own blood; a symbol of the sacrifice of Christ on the cross whose body and blood similarly nourishes the celebrant during Mass. The lower part depicts Golgotha. On the reverse side, the Resurrection is artistically presented in a Renaissance iconography, reminiscent of the renowned composition painted by Piero della Francesca, now housed in the Civic Museum of Sansepolcro. In terms of composition, with the frontal depiction of Christ holding the banner, this motif became particularly widespread in central Italy, spanning from Tuscany to Umbria throughout the 16th century.. The double-sided construction suggests that it may also have been carried in liturgical processions. In Umbria from the 14th century, the use of portable crosses painted on both sides had become a widespread practice, aimed at satisfying the monastic clientele that had significantly increased following the establishment of new religious communities. The earliest surviving Tuscan painted crucifix represent Christ as Christus Triumphans, or the “Triumphant Christ” with his head up and eyes open. This form was supplanted in the 13th century with the Christus Patiens, or “Suffering Christ” type who is shown often with his head fallen on his shoulder and his eyes closed, as In our cross. The iconography of the suffering Christ appears to have developed out of a new interest in Christ’s human nature, the development of the feast of Corpus Christi and with increased importance given to the Eucharist. The process of humanizing the figure of Christ reaches its peak with the abandonment of all the previous expressive conventions in favor of more realistic details we can observe in this Crucifix, such as the swollen belly, the arms stretched to the limit of muscle tearing, the body falling heavily forward, the abundant blood on the wounds, and the cross firmly embedded in the rock of Calvary. It's worth noting that Renaissance candelabra...

Amazing and Rare 16th Century Panel Moorish composition 28cm x 28cm good condition

Domenico Carnevale (Sassuolo, 1524 - Modena, 1579) Adoration of the Shepherds Oil on copper, 42 x 28 cm Frame 54 x 36 cm Expert opinion of Prof. Emilio Negro The painting represents the Adoration of the Shepherds, the Child in the center, next to the Madonna kneeling in prayer and an angel behind her; towards him in the foreground a woman with a child in her arms, a shepherd with a sheep on the right, a bagpiper on the left and various other male and female characters turn to him. The architectures of the background, between which a glimpse of the landscape can be glimpsed, are hidden in the upper part by the clouds, where a "celestial glory" encamps with three flying angels. The painting shows mannerist characters that can be traced back to the second half of the sixteenth century, and can be traced back to an author from the Modena area, with stylistic references to the Bolognese Samacchini (1532 - 1577) and Passerotti (1529 - 1592). More precisely, it can be attributed to Domenico Carnevale (1524-1579), one of the most important masters of the sixteenth century active in the local area. The Carnival was formed in Emilia, his homeland, where he worked for many years. However, his works also show a clear Roman influence, dictated by a long experience in the city, during which he also dedicated himself to the restoration of the Sistine Chapel. Trained in the late-mannerist environment of Modena, he is also linked to the Parmesan Corrorese and Ferrarese Dossesque tradition; Carnival also always maintains a slight archaic sentiment in his work, The main stylistic reference must be identified in a work similar in subject and iconographic setting, coming from the church of the Pio Istituto Orfanelle di San Geminiano di Modena, currently part of the Art Collection of the Province, attributed to the same influence as the Carnival. Another interesting comparison should be identified with A Presentation of Jesus in the Temple...

Amazing and Rare 16th Century Panel Moorish composition 28cm x 28cm good condition

Antique print titled 'Sit ferns exardet in circo tarus aperto, Cum sua terribili petit irritamina cornu'. No. 18 by A. Stradanus depicting a bull fight in Spain. Published in 1576.

Amazing and Rare 16th Century Panel Moorish composition 28cm x 28cm good condition

This 16th century Tzedakah Charity Box is an incredibly rare and unique museum quality piece. It’s made out of walnut wood and has an original 16th century silk material all over it from outside as well as in the inside, bronze plug in the front and the Star of David with two lions from the left and right side of the Star. There are also two round bronze handles to lift the box from both sides. The Tzedakah Box...