16th Century Furniture

This rare Renaissance cabinet is richly decorated on the doors and drawers with carvings depicting the four seasons, and on the uprights and the entablature, alternating flower bouquets inlaid with mother of pearl. This is a beautifully conceived piece of furniture, representing a crowned portico with its entablature and cornice. The upper body Articulated separately in a ternary rhythm, as with the lower body, the upper part opens with two carved doors. The doors are framed by both the lateral uprights and the casing. There are cartouches carved into the casing in which mythological figures are depicted with flower bouquets. On the doors: On the right: Spring, a female figure crowned with a wreath of leaves, holding a basket full of flowers. She is wearing necklaces and bracelets on each arm, with drapery discretely wrapped around her body and is standing on a winged putti’s head. On each side are depicted a tree and a village with a steepled church. Above her head floats the three signs of the zodiac corresponding to the season: Aries, Taurus and Gemini. On the left: Summer, a bearded man crowned with ears of corn and bearing armfuls of corn. He is standing on a similar winged putti, flanked by a tree and an ear of corn. The following three signs of the zodiac appear: Cancer, Leo and Virgo. On the uprights and the central casing a number of smaller figures seem to represent virtues and vices that newly wedded couples should aspire to and avoid. On each side, at the bottom of the uprights, there is a dog representing fidelity. Above, a lion embodies power, wisdom, and justice. In between, on the left upright, there is a figure of noncombatant Athena wearing a helmet and holding a spear, an arrow pointing down and in her left hand, a shield, symbol of protective power. On the right upright, the goddess Venus controls the arrow of Cupid. The iconography here acts as a clear reminder of the required virtues that both parts of a young couple need to fulfill: fidelity, power, wisdom and justice. For him, the goddess Athena focuses on the power. Whereas for her, it is Venus who shows how to control Cupid’s arrow. On the central casing at the bottom, by way of contrast, there is a peacock, a symbol of pride and at the top, a monkey representing lust and mischief. In between, a woman holding a chain and a cup full of precious stones while on the floor sits a half empty opened casket. This can be interpreted as a symbol of extravagance. Above, the entablature, decorated with male figures resting on leaking urns, may symbolize the passing of time. They are flanked by two consoles decorated with acanthus leaves and separated by flower bouquets (inlaid with mother of pearl). Finally on top, a cornice acts as a crown for the piece of furniture. The lower body The moulded base stands on four round, flattened feet. Represented on the doors: On the left: Autumn, a stocky, naked man crowned with vine leaves, holding fruits in his right hand and with his left, picking a bunch of grapes from a climbing vine. Standing on a mound, he is surrounded by a vine and a hill, at the foot of which a man presses the grapes in a big vat after the harvest. Above the climbing vine appear the signs of Libra, Scorpio and Sagittarius. On the right: Winter, an elderly man wearing a fur cloak...

This engraving illustrates the capture of Limburg by Spanish forces under the command of Alexander Farnese, Duke of Parma, in 1578 during the Eighty Years' War. The scene vividly dep...

Large Chinese Blue and White "Grape Dish", Ming Dynasty, Jiajing Period, 16th Century Large blue and white "Grape Dish". Ming dynasty (1368-1644), Jiaj...

This 16th century Tzedakah Charity Box is an incredibly rare and unique museum quality piece. It’s made out of walnut wood and has an original 16th century silk material all over it from outside as well as in the inside, bronze plug in the front and the Star of David with two lions from the left and right side of the Star. There are also two round bronze handles to lift the box from both sides. The Tzedakah Box...

The quality of these exhuberant backstools demonstrate why Italian Renaissance furniture was as highly prized as old-master paintings. Th...

The art of decorative stone work - known as Pietre Dure, or polychrome hardstone inlay resurfaced in Rome in the sixteenth century with the flowering of the Italian Renaissance. Tabl...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Superb Italian Renaissance bronze mortar with his pestle - 16th century Very beautiful model with AN in its center surmounted by a cross below . The mortar is decorated with several...

Belgium / 16th century / wooden sculpted panel / oak / Gothic / Rustic / Antique A panel in oak wood enriched with Gothic graphic carvings. Hand carved in Belgium in the 16th centur...

Large wedding chest in tinted and gilded walnut, the lid animated with a frieze of pearls, the sides with compartments, the belt decorated with gadroons. It rests on four claw feets.

Antique Chinese cloisonne on copper arrow vase, possibly Ming Dynasty 16th century. Bottle form with pair of "arrow" tubes on either side of ...

Beautiful Renaissance two-body buffet with four doors and six drawers. On the upper part of the buffet, who hide two secrets drawers, an alternating band of three masks, represents a mythological scene: Zeus changed into a swan seduces Leda on the banks of the Eurotas. The sides of the buffet are decorated with foliage and vines. The doors cornices...

Add a touch of Renaissance charm with our Brussels 16th Century Pillow. Measuring 18" x 15", its timeless design and generous size make it a luxurious addition to any sofa or bed

This map, "Asiae I Tab:", features the region corresponding to modern-day Iran and Iraq, intricately depicted in Gerard Mercator's edition of Claudius Ptolemy's "Tabulae Geographicae...

A late 16th century Renaissance richly carved walnut center table France, The Loire Valley area Dimensions: h. 33.46 in., w. 59.45 in., d. 36.22 in. Our remarquable table is a fabu...

Early Arista / border tile made in Toledo. Tile decorated in renaissance with stylized flowers was probably made between 1550 and 1575. Catalogue: La Azulejería Toledana a Través ...

Title: Huum opp. condrusorum caput (...) Anno partae salutis 1574. **Type:** Print (Colored Copper Engraving) **Year:** Circa 1580 **Technique:** Colored Copper Engraving **Medium:...

Rare Buddhist alter shrine, made in pine wood. Rich on carved figural sceneries. Original polychrome lacquer, beautiful and untouched condition. From Shanxi Province in China.

Set of two 16th century oak panels, one representing a character accompanied by a dog, the other a character in flames, probably saints. These ...

Title: "Braunschweig and Lüneburg Duchies: Authentic Depiction by Abraham Ortelius" This is an exquisite example of Abraham Ortelius’s cartographic craftsmanship: an original antiqu...

16th Century Flemish Tapestry Pillow 19" X 12"

Indulge in the opulence of the Renaissance era with our exquisite "Renaissance Splendor: 16th Century Brussels Pillow," measuring 13" x 9". This unique pillow captures the grandeur o...

Large Annamese Blue and Enameled Ceramic Box, Chu Dau kiln, Vietnam, circa 1500. The cover with a flat top decorated with landscape design of mountains and tre...

Early Arista y cuenca tile made in Toledo. Tile decorated in renaissance style with interlacing lines ending in four stylized flowers was probably made between 1550 and 1575.

1579 Ornate Map of Burgundy County by Ferdinand de Lannoy Description of the Map: This is a beautifully detailed map of the Burgundy region, titled "Bvrgvndiae Comitatus Recentiss....

This is a terracotta olive jar from central Spain. It has a wonderful aged patina with chalky painted finish. It makes a great statement as a sculpture in a room on a pedestal, alone...

A rare 16th-century Italian painting. An oil on panel painting depicting a refined Madonna with Child, this artwork is of extraordinary pictorial quality. The most popular iconograph...

Healing of the Paralytic. Oil on panel. Castilian School, 16th century. Partially rebuilt. A religious scene set in a prestigious interior, made of two-tone stone, depicting a ser...

Impressive wrought iron tabletop safe with engraved decoration and original patina. This type of safe was commonly used in the 16th and 17th centuries to hold valuables, alms, or doc...

The lower part of the facade is adorned with a foliated and fruit garland. The facade’s central panel bears a low-relief decor framed by a rais-de-cœur frieze. The central scene a...

Annamese Blue and White Ceramic Dish, Bird Design, Chu Dau kiln, Vietnam, circa 1500. A sturdily potted plate with raised rim, decorated in under glaze cobalt ...

This is a wonderful bird's-eye plan/view of the oldest city in Sweden. Visby, the largest city on the island of Gotland was an important Viking city and the main centre of the Hanseatic League...

Rare Elizabethan or Jacobean turned fruitwood and ash three legged chair, often referred to as a "thrown" chair because all the parts are turned on a lathe (think thrown as on a pott...

A wonderful and very special piece. This bronze buddha hand sculpture, perhaps a fragment of a larger piece at one time, originally came from the prestigious Doris Wiener Gallery ...

16th Century Flemish Tapestry Pillow 20" x 20", Authentic 16th Century piece handmade

Catalan Baroque S.XVI The Adoration of the Magi Oil on wood 92cm x 68cm Dated 1527 At the beginning of the Renaissance period, Gothic forms coexisted in Catalonia with other new solutions, in which religious fervor was mixed with the attention to detail of everyday life. Following the medieval tradition, the altarpieces are thought from a narrative vision, and flat painting...

Sharing with you this lovely stemcup with wrapping. Dating: Jiajing, 16th century. Condition: Size: DiameterxHeight Condition Rimfritting, 3 hairlines. Size 13 x 10.5cm Period 16t...

Bronze in its color and gold, lapis lazuli, rock crystal, enamel. In the centre of the work is presented, enthroned, the figure of Mary, with a mantel (fireplace) on her shoulders and hair and holding on her knees the child, who appears addressing one of the angels. The virgin is also sheltered by an ogee arch supported on turned columns, and raised visually by steps. This composition achieves a very striking contrast: the dark bronze figure, in contrast to the lapis lazuli background and the part of the arch and the outside of it, in gilded bronze. Under the steps there is a heraldic enamel shield with a key on an azure background. The angels, kneeling, are flanking this figure, and, appearing in dark bronze, visually share the "category" of religious figures with Mary, while their (lower) position gives more status to both the Mother and Jesus. The rest of the composition is completed with a delicate landscape: constructions and walls on mountains, clouds in the sky, plants, stones, etc. To the outside, another lapis lazuli frame is placed decorated in the corners with appliques, giving way to carved and polychrome wood. The lapis lazuli is a semiprecious stone already known in the seventh millennium BC., found in deposits from the Caucasus to Mauritania. From the end of the middle ages, it increased its export to Europe, its use being more frequent since then both to use it as a pigment in paintings after grinding it (giving rise to the finest and most expensive of the blues, and of the colors in many occasions), as for backgrounds of paintings, incrustations in works of art, jewelry and, a little later, in the well-known "hard stone works". The figure of Mary still shows an influence of Gothic models, although more European than Italian, along with elements that could already show a closeness to the Renaissance: although the nakedness of Jesus is already shown in Gothic works (Madonna with Angels by Fra Angelico ), the creation of space by playing with the cloth in front of Christ can be appreciated in more advanced paintings (Virgin with Child by Domenico Ghirlandaio, National Gallery of London); the presence of a powerful throne can be seen frequently in Italian Madonnas of the Quattrocento (and before), but not quite as presented here. As for the landscape, it is necessary to compare it, for example, with that of the fresco of the Condotiero Guidoriccio de Fogliano (Simone Martini, finished in 1328). This is a work of great technical and aesthetic quality, not to mention the materials chosen for its creation, comparable only to outstanding examples from around the world, such as those preserved in the Palazzo Madama in Torino (Italy), where the coral It also has an important role. It is essential to mention, also, works such as the plate of hard stones (lapis lazuli between them) with a relief of Mary with the Child in...

Good Condition, Original Design Modified.

A lovely carved sandstone torso of the Buddha, Ayutthaya period (1350-1767), Thailand. Wonderfully simplistic, the only ornamentation this torso displays...

Rare early 16th century Mudejar tile of the so-called ‘Aristo’ or 'cuerda seca' technique. Polychrome tiles had long been made in Spain in the cuerda seca (dry cord) technique, dati...

Entrance door of a city Moughal XVI-XVII century North of India Deeply carved Teak wood with floral desigs With iron rings and sticks to avoid the elephant hits . Maharashtra, ...

Ancient slate portal, black frame carved by hand with motifs of the time, very old and in perfect conservation conditions, of great value of the material and of the sculpture, and of...

This exquisite vintage pillow highlights a rich 16th-century Brussels tapestry design, adorned with vibrant fruits and floral motifs in earthy tones. The finely woven craftsmanship r...

IMPORTANT TRIPTIC FLORENTINE SCHOOL (Italy) 16th Century Oil on wood, representing the Eternal Father, Our Lady with Baby Jesus, Saint Bernadino of Siena, San León, Saint Stephen an...

This is an exceptional and historic pair of Damascus enameled metalwork vessels or urns. These art objects show signs of rough use and handling through the centuries. Although it is ...

Chest. Carved wood, metal. Spanish school, 16th century. Rectangular casket with a flat lid decorated on the outside with a series of figurative reliefs in a symmetrical arrangemen...

An authentic, ancient and exceptional Three Jina Shrine. For it’s age the altarpiece is in a very good condition and rather large. The image of three standing, nude Jinas flanked by the other 21 seated Jinas is rare. The lintel of the shrine is showing the nine comets and three seated figures...

Oil on copper representing the martyrdom of an unidentified saint (the angels passing over the scene) and bringing him the palm and the crown of martyrs, without any specific attribu...

A very impressive Westphalian Gothic chest or ‚Stollentruhe’, Westphalia, Germany, circa 1500-1550. Wrought iron mounted oak, partially carved. The monumental rectangular standing chest with full-height stiles, extensively mounted with wrought ironwork straps terminating in quatrefoil finials which ’wrap’ around the chest edges. These are fixed with convex head nails. The ironwork with some remains of an originally red painted surface. In addition, running along the edges of the lid at the front and sides is a plain iron band, close-nailed. The feet of the two front legs are finely carved on the front face, in low relief with a rectangular arched ’panel’ depicting on the left a lion, on the right a dragon holding each a coat of arms. Regarding the age of circa 500 years, this coffer is in exceptionally good condition, with only smaller restorations.  Comparative literature • Baumeier, Stefan, Beschlagene Kisten; Die ältesten Truhen Westfalens, Essen, 2012. • Falke, Otto von, Deutsche Möbel...

This is a fine example of a 16th century English tapestry in great condition.

Fine set of four wooden columns, entirely carved and gilded by hand, dating from the 16th century and of Spanish origin. The shaft has a two-level zig-zag carved pattern, (fishbone),...

Palatial portal made of Medicean breccia, a type of marble that owes its name to its extensive use by the Medici family in Tuscany in the 16th century for facings and decorations. Co...

The carvings of this marble stemma cartouche dates to the 1500’s. Hand-carved in Tuscany, Italy, the marble was mounted onto a geometrically shaped iron stand within the last century...

Rape of the Sabine Women, Flanders Tapestry, Late 16th Century - L4m22xh2m35 - No. 1473 Manufacture Des Flandres Epoque: 16th century Style: Haute époque-Renaissance-Louis XIII Condi...

Step back in time with our Brussels 16th Century Pillow. At 19" x 9", its historic charm and elongated shape make it a unique and stylish addition to any seating area or bed.

Rich Renaiscance period half-columns in Belgian Saint-Remy Marble for eclectic interior design. These 2 original antique, 16th century period, columns are mounted on a stand and has ...

Mid-16th Century Brussels Tapestry Pillow

The antique bronze Thai Buddha statue is a captivating and historically significant artifact. Crafted from bronze and bearing traces of 24-karat gold gilding, this statue stands at 2...

Monumental 16th century painting depicting the scene of the Visitation of Mary. Anonymous painter of the Lombard school. Coeval copy after Federico Bar...