16th Century Furniture

Presenting an absolutely stunning 16th century carved Spanish oak writing desk and cabinet, with amazing provenance and historical and literary significance. This desk/cabinet was purchased by a wealthy Dallas family from a French antique auction held at the club room in the Stoneleigh court (hotel), Dallas on Wednesday the 2nd April 1930. (Now the meridian hotel). The auction was titled: “works of art and furnishings of the Chateau de Turique (Nancy) and the Conde-Rougemont home (Touraine). The cover of the catalog also has a seal of a coat of arms. The second page gives a brief description of the auction contents and states that " this exhibition will be presented by M. Fernand M. Adda of Paris France". The desk/cabinet was lot no: 565 and was described in the auction catalog as: "Carved Spanish writing desk and cabinet...... 16th century period....Upper section a cabinet with two doors which are paneled and display a fine carving. The interior is fitted with eight engraved drawers, and a writing tablet is disclosed in the lower portion. Sustained and central arcade of columns. From Fontana Rosa collection. Supported on four turned legs with bulbous feet." Fontana Rosa is a historic garden situated on the avenue Blasco Ibáñez in Menton, Alpes-Maritimes, on the French Riviera. The Spanish writer Vicente Blasco Ibanez (1869-1928) began to build it from 1922 on, and he set up home here with his second wife, Elena, and died there in 1928. Vicente Blasco Ibanez was a journalist, politician and best-selling Spanish novelist in various genres whose most widespread and lasting fame in the English-speaking world is from Hollywood films adapted from his works. The provenance is impeccable, it belonged to Ibanez and was part of his collection at Fontana Rosa when he died in 1928. The auction in which it was first sold in Dallas was in 1930, which makes perfect sense from a 'timeline' point of view. Ibanez is a very important literary figure. Having regard to the fact that this is a writing desk means that in all probability, Ibanez would have 'penned' some of his famous works at this very desk and using the surviving slope/shelf. Fontana Rosa is a historic garden situated on the Avenue Blasco Ibáñez in Menton, Alpes-Maritimes, on the French Riviera. The Spanish writer Vicente Blasco Ibáñez (1869-1928) began to build it from 1922 on, and he set up home here with his second wife, Elena, and died there in 1928. This garden with Spanish and Menton pottery is found in avenue Blasco Ibanez, near Garavan station, and was created a Historical Monument in 1990. It is also called “Le Jardin des Romanciers” (El Jardín de los Novelistas/The Garden of Novelists), and was frequented by celebrities such as Jean Cocteau. It was the place where Blasco Ibáñez wrote Mare Nostrum, a novel filmed later in 1926. The garden inspired by Andalusian and Arabian-Persian styles contains species such as Ficus macrophylla, Araucaria heterophylla , palm trees, banana trees or scented rosebushes. It is a tribute to Vicente’s favourite writers : Cervantes, Dickens, Shakespeare or Honoré de Balzac, whose busts can be found at the entrance and to whom he dedicated several fountains and rotundas. Its main buildings are a small elevated villa with polychromatic pottery which houses a library and a personal movie projector...

Experience the timeless elegance of the Brussels 16th Century Pillow, measuring 19 x 9. This exquisite piece captures the essence of historical charm, adding a touch of sophisticatio...

Good Condition, Original Design Modified.

An exceptional Bronze standing Buddha from Thailand, Ayuthaya Period, 15-16 th Century, great patina and shine of the antique patinated Bronze, Buddha in Abhaya Mudra pose, sign of p...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Belgium / 16th century / wooden sculpted panel / oak / Gothic / Rustic / Antique A panel in oak wood enriched with Gothic graphic carvings. Hand carved in Belgium in the 16th centur...

Fontainebleau renaissance cabinet bearing the Dodieu’s family coat-of-arms Origin : ILe De France, School of Fontainebleau Period : Second ...

Beautiful Renaissance walnut armchair. Origin: Italy. Period: 16th Century. Dimensions: height: 110 cm. length: 66 cm. depth: 50 cm. Material: walnut wood. leather t...

Belgium / 16th century / wooden sculpted panel / oak / Gothic / Rustic / Antique A panel in oak wood enriched with Gothic graphic carvings. Hand carved in Belgium in the 16th centur...

A stunning early 16th century Coffre - Trunk from the Bourgogne region of France. Beautifully constructed from very handsome walnut with lovely linen fold detailing, a beautiful lock...

Great Ming plate with a Kraak lay out. Most likely 16th century. Southern China - Swatow - Zhangzou. Decoration of 1 deer at night under a clouded moon and ...

Beautiful Renaissance Carved Walnut armchair Origin : Italy Period : 16th century Dimensions: Height: 114 cm Seat height: 52 cm Widt...

Mid-16th Century Brussels Tapestry Pillow - 19" X 9", Authentic and Antique , Woolen

RARE SPANISH CONSOLE   ORIGIN : SPAIN PERIODE : 16TH CENTURY   Height: 83,5 cm Width : 118 cm Depth : 49,5 cm   Original handles and locks. Walnut   This rare Spanish console rests o...

A copper-red produced in Jingdezhen, China, during the Ming to early Qing dynasty (15th–17th century). It features a copper red applied over a bluish-white glaze, which is glaze type...

XVI Century, Italian Renaissance wood chest. This important noble chest of the Tuscan Renaissance was built towards the end of the sixteenth centur...

16th-century antique Flemish tapestry pillow 25'' X 21''. Empire and traditional.

Rectangular body casket with semicircular lid made of carved wood and covered with a worked leather that has been reinforced with a series of forged iron fittings, material in which ...

A panel of four square Ottoman Empire ‘Dome of the Rock’ tiles, painted in underglaze cobalt blue with a trellis of split and winged palmettes with cloud-scroll collars, framed. Syrian, 16th century. 15 in square, framed 17 ½ in square. Provenance: Property of a private European collector. Footnote: This design was first seen on the Dome of the Rock in Jerusalem, which was tiled on the instructions of the Ottoman Sultan Suleiman the Magnificent around 1545. Soon after similar tiles appeared on several building in Aleppo, most notably Bait Jumbiatt, the Ummayad Mosque and the Khosrowiyya Mosque, as well as numerous private houses. There are also near identical tiles in the Ramanazoglu Mosque in Adana (Turkey). See Arthur Miler ‘Damascus Tiles...

Chinese statue representing Kwan Yin/ Guanyin seated in rajalilasana on a throne, holding a child on her knees, two servants on either side. Cizhou porcelain with cream and brown gla...

Venetian School, second half of the 16th century Tobiah and Sarah led to Nineveh by the archangel Azariah Oil on canvas, 48 x 56 cm - Framed, 58 x 72 cm The present canvas, made w...

An exceptionally rare antique German Renaissance carving by Stephan Rottaler (1581-1533), Bavaria circa 1500. The carving is by Stephan Rottaler, Landshut, Germany, an architect who ...

This Renaissance Cabinet reveals the great mastery of the Lyon workshops which are at the origin of its realization. Sculptors and wood-carvers worked here in symbiosis to express an...

This pair of important Italian Renaissance marble baths belonged to the Warrior Pope Julius II, one of the most powerful and influential Pop...

A Flemish historical tapestry from the second half of the 16th century, depicting Tomyris’ victory over Cyrus the Great, with Tomyris, the leader of a ...

Danish or North German oak trestle table of interesting design. The table can be easily dismantled, by taking the two-plank top off, then the two stretchers, held in by cleats, can b...

16th Century Antique Flemish Silk And Wool Biblical Scene Tapestry, Country Of Origin: Belgium, Circa Date: 16th Century. Size: 10 ft 8 in x 11 ft 3 in (3.25 m x 3.43 m)

Large and very nice Blue and White Charger/Dish from the Jiajin/Wanli Period. Additional information: Material: Porcelain & Pottery Region of Origin: China Emperor: Wanli (1572-1620...

Dream of a saint. Carved and polychrome wood. Flemish school, 16th century. Relief made of carved and polychrome wood that shows an old man with a particular headdress (reminiscent of some chaperones) lying on a bed and accompanied by two friars dressed in habits, who talk to each other. Iconographically, the figure of the old man lying on the bed (note the cushion that raises the upper part of the body, following the common use of the time) who has not died (probably) because he was not completely lying down, is reminiscent of how he was usually represented, for example, to San Antón, San Jerónimo, etc. It is not very likely that it is the subject of the Transit or Death of Saint Francis of Assisi due to the absence of the Stigmata and due to age. It would be part of a cycle of scenes in the altarpiece of a church, an accompaniment that would give the viewer more clues about the identity of those represented. Stylistically, Flemish sculpture...

Beautiful antique French Gothic Coffer in bleached oak, the coffer has the typical Gothic Paneled front and side decorations, nice patina and shin...

Amazing Lidded Jar from the Ming period, kraak porcelain. Nicely potted and with beautiful Kintsugi restoration. ⁠ ⁠ Ongoing scene of a typical Kraak landscape. The lid with a nice f...

400 - 600 year old Burmese carved sandstone sculpture. Calf standing under the mother. From Buddha temple or Hindu temple in Burma. Untouche...

Fantastic old master painting of a women, 16/17th century With frame: H. 107 W. 90 D. 10 cm H. 42.1 W. 35.4 D. 3.9 in Without frame: H. 80 W....

A fine and large Chinese brown ochre glazed stoneware storage jar, commonly known as a Martaban or Martavan jar, Ming dynasty, 15th-16th century. The elegant ovoid jar with a slen...

400-600 year old sandstone figure of a "Demon" carved in deep relief. In good original condition with a natural age-related patina that emphasizes the figure's age and authenticity. ...

A striking example of Late Renaissance craftsmanship! This 16th-century Italian credenza was made in Tuscany circa 1570 and exhibits the bold architectural lines and refined ornament...

Column of carved and polychrome wood that has a capital reminiscent of the classical order (volutes, acanthus leaves in levels), a series of moldings separating the shaft from the re...

Paper holder bronze, 16th century. Bronze paper holder with a flat curved handle on the back that features a relief decoration organized in the front through an architectural composition with a classical influence usual in the Renaissance. Under the columns on the sides there are two heraldic shields (without bonnet, laces with tassels on three levels) with a Latin cross in the middle zone; the center shows a birth of Christ under a winged dome with heads of winged angels in the corners; at the top and under a semi-circular arch, the bust of Saint Dominic...

Fireback from 1561 with the coat of arms of Jacques de Tige, son of Gobert de Tige and Catherine de Serainchamps, and Blanche de Villelongue, daughter of Jean de Villelongue and Clau...

Antique monumental fireplace, of great value and great size, in beige stone carved entirely by hand, wavy legs and protruding hat with large molure, built in the late 1500s / early 1...

A very striking 16th century statue - head of a nobleman - crafted from Roman concrete - opus caementicium. Roman concrete is durable due to its incorporation of volcanic ash, which...

SMALL TUSCANY TABLE FROM THE RENAISSANCE PERIOD ORIGIN : FLORENCE, ITALY PERIOD : 16th CENTURY Height: 69,4 cm Length: 59,4 cm Depth: 51 cm ...

Discover the beauty of this antique Indian wooden temple fragment, a remarkable 16th-17th century artifact showcasing traditional craftsmanship. Carved from solid wood, this exquisit...

Beautiful funerary terracotta urn called from the Bura region (Niger) in West Africa. This cylindrical anthropomorphic sculpture is adorned with geometric designs. It depicts a human...

This rare fragment was salvaged from an entryway on a building in Fontvieille, near the city ancient Arles, France. There is a worn and carved center cartouche depicting a very small...

Inkwell Calamelli workshop (attr.). Faenza, second half of the 16th century Height 4.33 in; length 8.07 in; depth 2.95 in (11 cm; 20.5 cm; 7.5 cm) Weight: 0.800 lb (363 g) State of conservation: some chipping to the top of the mask around the mouth. Handle glued, without any restorations; minor chips in some raised areas. This object has the shape of a foot wearing Greek-style footwear, as can be seen in some raised areas. The foot is anatomically modeled with bare toes, while the ankle is partially covered by the footwear. On the heel, there is a small circular handle to support the object. The mouth of the container is shaped like a mask. The interior, completely enameled, suggests that the piece was intended to be used as an inkwell or to contain some other liquid. The base, however, is not enamelled. The painted decoration, scant and brief, consists of rapid cobalt blue shading between the toes of the foot, with more precise emphasis on the nails. It is accompanied by yellow citrine accents to enhance the forms. The mask is painted with the tip of the brush, to accentuate the tense nature of the eyes and to accentuate their outline. Thin strokes of yellow-orange line the interior of the mouth. Since the Renaissance, this decoration has been referred to as "compendiaria" and it characterizes the period of production extending from the mid-16th century to approximately the middle of the following century. It significantly influenced tastes at the time. It evolved from the polychrome style "istoriato" and transformed into a new style that "summarized" (compendia), or condensed, the ornamentation of the works into a few colors, placing greater prominence on the shapes. It was often inspired by metal specimens. Since the Renaissance, this decoration has been referred to as "compendiaria" and it characterizes the period of production extending from the mid-16th century to approximately the middle of the following century. It significantly influenced tastes at the time. It evolved from the polychrome style "istoriato" and transformed into a new style that "summarized" (compendia), or condensed, the ornamentation of the works into a few colors, placing greater prominence on the shapes. It was often inspired by metal specimens. This artwork finds parallels in similar objects all characterized by this refined style and produced in the city of Faenza and other Italian centers starting from the mid-16th century. The closest comparable example in majolica is a foot acquired by the British Museum in 2011 (inv. 2011, 8008.1). This was previously published by Carmen Ravanelli Guidotti in 1996 and later by Dora Thornton in 2016 during the conference on Renaissance ceramics...

Italy / 16th century / Venetian chest or Cassone / oak, polychroom / antique / renaissance A large carved and gilt painted Venetian marriage chest made in oak in the 16th century i...

Beautiful renaissance carved walnut armchair Origin : Italy Period : 16th century Dimensions : Height : 111,5 cm Seat height : 52 cm ...

Large Virgin and Child Statue in Majesty, seated, holding Christ in her left hand. Sixteenth century Mosan(?) work. Oak wood, hollowed out at the back. No traces of original gilt no...

Baby Buddha- represents the Buddha right after his birth pointing toward Heaven and Earth so they can witness his first steps. Twenty years ago I had a near identical Japanese Baby Buddha. This one has a finer patina and may be more finely cast, but is extremely similar in almost every way. It was made in the same workshop, probably by the same hand. Fortunately, the other one had an inscription on it (this one does not, but is almost certainly the same age as the other one plus or minus 30 years). The woman I mentored at the time was able to read Japanese- she translated the year to late 15th century Japan...

Tapestries were ubiquitous in the castles and churches of the late medieval and Renaissance eras. At a practical level, they provided a form of insulation and decoration that could b...

A rare pair of carved sandstone Burmese temple guards. Originates from paragode in Burma c. 15-17th century. Handcarved with fine details. Each guard ...

Imposing Refectory Table of Unusual Design with half-round ends and a Medieval Look. The almost 3.5 inch thick top adds to its bold appearance. The center of the top adorned with a d...

Late 16th century-early 17th century Flemish tapestry.

Important German Tabernacle Museum Piece 16th-17th century IMPORTANT GERMAN TABERNACLE IN MUSEUM 16TH-17TH CENTURY EXCEPTIONAL SOUTHERN GERMAN TABERNACLE...

Spanish Renaissance casket, 16th century In carved, polychrome and gilded wood decorated with a vase with horns of plenty, heads of cherubs and fruits. In the lock a shield with two ...

16th C. Portuguese Renaissance Painting “Our Lady of Navigators” Dutch Ripple frame. Very early and extremely rare Old Master Painting from the 16th century Portuguese School depict...

Bowl from the late Ming dynasty cargo. An identical piece is included on page 136 of the Bin Thuan catalog titled 'The Age of Discovery: Asian Ceramics Found...

This very large and unique granite stone mortar from the 16th century has a beautiful and rare color palette. This impressive piece has a great patina and character. It looks impress...

500-600 year old sandstone carving. The sculpture is depicting 'Two demons riding on elephants'. From Buddha pagoda / temple in Arakan, Burma, 1400-1500. Untouched and in original condition with great patina. Mounted on light sandstone plinth...