16th Century Furniture

A wonderful 16th century draped female torso in classical style. Made in France under Italian Renaissance influence this female torso is finely sculpted with great detail to the stol...

Elegant solid walnut small box, entirely hand-carved. The rectangular chest features an opening top, ideal for storing objects. The front, back, and sides are decorated with geometri...

A Brussels historical tapestry, attributed to Martin Reymbouts, late 16th century. From the Story of Scipio series, the renowned Roman general, victorious after the Punic War, with k...

This chayère chair of beautiful proportions stands on a rectangular box base enriched by vermiculure motifs executed in flat-plane. This base is topped by a moulding of strong gadroo...

Hand-carved Italian Corpus Christi with traces of polychromy. This sculpture reflects the transition from Gothic to Renaissance style.

Famous late ming dynasty chinese blue and white porcelain plate, double phoenix, from the shipwrecked binh thuan Period: Ming Dyn...

Italian school table of the 16th century "Crucified Christ with the Virgin, Saint John and Mary Magdalene" Oil on board Period frame 16th century ( gold frame parts ) Measures: 41cm ...

In a realm where time stands still, there exists a 16th-century masterpiece, a sculpture of unparalleled beauty that transports you to the heart of the Ming dynasty. Here, in a place of reverence and artistry, sits the Chinese Bodhisattva Guanyin, the embodiment of compassion, enshrined in a form of breathtaking elegance. Guanyin's divine presence is unveiled as he is seated in padmasana, the lotus position, a symbol of purity and enlightenment. His regal robes...

A very impressive Westphalian Gothic chest or ‚Stollentruhe’, Westphalia, Germany, circa 1500-1550. Wrought iron mounted oak, partially carved. The monumental rectangular standing ch...

Sharing with you this lovely bowl, painted with a landscape design. Dating: Jiajing, 16th century. Condition: some minimal rimfritting, 1 small chip to rim and firing bubble flaw n...

A quite large 16th century Italian so called 'coffre fort' . Coffers or chest like these were specifically made for cities or large villages to safegueard the gold and valuables. The...

Early Arista y cuenca tile made in Toledo. Tile decorated in renaissance with stylized flowers was probably made between 1550 and 1575.

A Renaissance Bed Valance Spain or Italy 16th century From a set of bed hangings originally part of the decor from a castle in France A long impressive ...

Frans Franken III and aid, Adoration of the Magi Good condition The oil painting on wood, with a gold background, depicts an Adoration of the Magi. The Magi are dressed in sumptuous silk and brocade dresses; they wear precious hats and jewelery. The richness of their garments is in contrast with the humility of the Holy Family and of the other characters who, around curious, observe the scene. The hut is simple, made of wood and straw: above it shines the Comet, symbol of the divine event. In the distance, a group of wayfarers walk along a path that is lost on the horizon, blending into the gold of the bottom. The representation proposes a traditional iconography, in which the painter inserts some details that he lends himself to symbolic interpretations. Among these is the appearance of the Magi, who from the XIVth century differs iconographically: the wise astronomers represent the homage to Jesus of the then known parts of the world, namely Africa, Asia and Europe. To the right of the Magi, in the foreground, sits a monkey, considered a demonic creature and a symbol of lies and sin. It is depicted on the sidelines, as a defeat, next to a fragment of a classical column: ruin alludes to the end of paganism, of the old world that collapses with the advent of the new one, marked by the birth of Christ and liberation from the Original Sin. On the ruins he climbs the ivy, symbol of the immortality of the soul. The work is attributable to the workshop of the Flemish painter Frans Francken III...

This is an absolutely exquisite rare Cooper-gilt ,silver-gold and three Sterling Silver angels Chalice originated from Augsburg (Germany ) in th...

Impressive wrought iron tabletop safe with engraved decoration and original patina. This type of safe was commonly used in the 16th and 17th centuries to hold valuables, alms, or doc...

A 16th century Spanish slate stone architectural fragment. Probably part of a commerative plaque. The Latin inscription only partly present but most likely being a religious referenc...

Collection Jean Thuile Around the mid-sixteenth century French furnishing evolves in its conception and ornamentation. The start of major archi...

Estienne, Charles De re hortensi libellus (A small book on gardening); . . . vulgaria herborum, florum ac fruticum qui in hortis conseri solent nomina latinis vocibus efferre docens ...

France / 1550 / sideboard / oak / rustic / antique / wabi sabi Hard to find antique sideboard in full oak with handcrafted sculpted panels, made in France, around 1550. This impress...

Portapaz. Silver in its color and gilded. Century XVI. Portapaz made of silver that has a handle (decorated with delicate plant motifs similar to those of the pilasters) and a female and a male bust at the bottom, as well as other architectural elements on the back, and, on the front, an architectural composition classicist basement (with busts flanking a flower and a cross), two pilasters (vegetal decoration and capital recalling the composite order) with entablature (flowers flanking an angel's head; moldings), and a semicircular arch finish with elements veined in relief under cross and flanked by two architectural motifs in the upper part. This composition frames and enhances a gilt silver relief where you can see the Lament or Cry over the Body of Christ, with the Virgin holding the head of Jesus, Saint John at her side, the Magdalene and other characters, a cross following the group and a landscape background with houses and plant elements. This architectural structure mentioned is similar to the one present in other 16th century portapaces, such as that of the Magdalena de Dos Hermanas parish (Hernando de Ballesteros el Mozo, around 1575); or that of the Galaroza parish (same author and date); or that of the portapaz of San Miguel de Jerez de los Caballeros (in some details); etc. As for the relief, it is possible to clearly see a strong Italian influence, and the similarity between it and important pieces such as the Portapaz known as “de Cisneros by Juan de Burgos (1493-1497; MuseoCatedralicio de Alcalá de Henares), as well as in paintings and reliefs. Also noteworthy are both the male and female busts in the lower area and the Maltese cross (or Saint John's) that appears in this area. This symbol was used since the 12th century as an insignia by the Knights Hospitallers of the Order of Saint John of Jerusalem, also known as the Order of Malta...

Rare carved Renaissance cabinet Period : 2nd half 16th century, ca. 1570 Origin : France, Burgundy or Languedoc This cabinet embody the produ...

This remarkable 16th-century Spanish altar cross is a stunning example of ecclesiastical silverwork. Crafted from solid silver, the cross features the traditional depiction of Christ...

Antonio de Leyva, Duke of Terranova, Prince of Ascoli (1480–1536) was a Spanish general during the Italian Wars. During the Italian War of 1521, he commanded Pavia during the siege o...

Paolo di Giovanni Sogliani (Florence 1455-1522) Processional Cross Florence, around 1515 Enameled, chiseled, engraved, stippled, and gilded copper; wooden core ; Inscription: "OPA...

Title: Original 16th-Century Map of the Ottoman Empire and Near East: *Turcici Imperii Descriptio* by Ortelius, 1571 This rare copperplate engraving, Turcici Imperii Descriptio, i...

1585 Mercator map of Ireland, entitled "Irlandiae Regnvm." Hand Colored Description: Published in Amsterdam by Mercator/Hondius ca. 1585. Artists and Engravers: 1585 Mercator map of Ireland, entitled "Irlandiae Regnvm." Copperplate engraving on verge type hand laid paper with watermark. Description: Published in Amsterdam by Mercator/Hondius ca. 1585.Artists and Engravers: Mercator was born in Rupelmonde in Flanders and studied in Louvain under Gemma Frisius, Dutch writer, astronomer and mathematician. The excellence of his work brought him the patronage of Charles V, but in spite of his favor with the Emperor he was caught up in the persecution of Lutheran protestants and charged with heresy, fortunately without serious consequences. No doubt the fear of further persecution influenced his move in 1552 to Duisburg, where he continued the production of maps, globes and instruments. Mercator's sons and grandsons, were all cartographers and made their contributions in various ways to his atlas. Rumold, in particular, was responsible for the complete edition in 1595. The map plates...

Early Arista y Cuenca tile, most likely made in Sevilla. Azulejo tile decorated with a gemetric pattern with 4 central leafs within a cirlce. Mid 16th century In very good conditi...

Hand made bespoke pillow A panel of Cisele Velvet . Venetian and dating from second half of 16th century An Ottoman Pomegranate design. The deep pile Magenta silk velvet voided ...

An absolutely stunning example of an early oak Wainscot chair, the carved foliate and scroll top rail above a paneled back, centered with an incised lozenge, initialed and dated ‘P D 1539’, over the board seat upon turned baluster front legs and plain rear legs united by peripheral cross stretchers. We don't know the relevance of the date seeing the chair was probably made in the later part of the 16th century. It is interesting to note that King Henry VIII was on the throne during the date on this chair. This was acquired by “The Englishman’s Antiques...

Sensational French antique fireplace surround for the connoisseur. Late 16th - early 17th century period chateau fireplace surround in great authent...

Superb 15/16thC Northern Thai bronze Buddha on custom base. This piece measures 5.5" tall and 6.75" on its custom base. Exquisite face, strong spirit...

This antique ceramic jar or vase is believed to be from the 15th century and is of the Mamluk period. It is made of a sandy earthenware and feature...

A pair of Ming dynasty sancai blue glazed pottery figures. Circa 1500 AD Ming Dynasty I have owned over 250 ming tomb figures including over 80...

Superb Italian Renaissance bronze mortar with his pestle - 16th century Very beautiful model with AN in its center surmounted by a cross below . The mortar is decorated with several...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

A magnificent antique fall-front box with scarce Medieval period bronze lockplate and hasp attributed to Jacopo and Lodovico del Duca. Featuring an important Lockplate and Hasp designed circa 1570, exact date of manufacture unknown, attributed to the late 16th century Roman foundry of Jacopo 1520-1604) and Ludovico (1551-1601) del Duca, with no apparent signatures or hallmarks which is typical of the era, but we did not remove it and inspect the back. Boxes such as this hand various uses but were frequently used by merchants as a writing box - slope during travel and trade, as a small coffer - strong box for storing important documents, money and valuables, as well as a jewelry casket. This hand-crafted European drop-front box dates to the late 19th century, signed L'PUPLET, adorned with a significantly older Italian fine quality cast bronze lockplate with intricate Renaissance era reliefs, including figures, coat-of-arms, and elongated hasp, mounted on a chest of drawers form solid wooden case, wrapped in exotic Japanesque embossed and gilded metallic paper, having a locking fall-front panel with original key included, opening to reveal three interior drawers, all lined in red velvet. circa 1875 The visually striking textured wallpaper covering the box's exterior displays bamboo, birds, and flowers in the oriental Japanesque taste popular in Europe in the 1860s and 1870s following the forced reopening of foreign trade with Japan in 1858 and the ensuing Japonisme craze. To the interior of the fall front panel is a gilt circular stamp with the somewhat obscured name of the workshop or store (likely) "L'PUPLET" and the city "Burxelles" which is in Brussels, indicating the box was likely made or retailed there. Marks to box: L'PUPLET, BRUXELLES Inscription: 13, 14, 15 (Interior drawers inscribed on the verso of their backboards in script from top to bottom, respectively) Provenance / Acquisition: The origin of the elaborate lockplate with hasp on the front of the piece is more intriguing. At least 76 lockplates of this design have been recorded in major museums, private collections, and in the antiques trade across the Western World. For example, lockplates of this pattern are in the collections of the Rijksmuseum in Amsterdam, the State Museum of Prussian Cultural Heritage in Berlin, the Museum Cicico in Bologna, The Museum of Fine Arts in Boston, the Dallas Museum of Art in Texas, the Victoria & Albert Museum in London, the Museo di Palazzo Venezia in Rome, the State Hermitage Museum in St. Petersburg, and the National Gallery of Art in Washington, DC.[1] Specialists in Renaissance bronzes, especially Charles Avery...

Early Arista y cuenca tile made in Toledo. Tile decorated in renaissance with stylized flowers was probably made between 1550 and 1575.

An exquisite and very rare 16th century renaissance Silk brocade fragments mounted and artistically displayed in the Glas case on the antique linen. Both fragments are greatly preserved and originated by its design from famous Palazzo Pitti in Florence. The ornaments contain flowers, jaguars, birds and Fleur De Lis- the symbol of royalty. The colours remain vibrant and parts of golden embroidery/ threads are in very good condition considering the age. Both fabric...

Large solid oak chest from the 16th century Gothic period Very pretty French, Norman work. Decorated with Gothic motifs on 5 panels on the facade. Note reassembly in the 18th and 19...

Annamese Blue and White Ceramic Dish, Bird Design, Hoi An Hoard, Chu Dau kiln, Vietnam, circa 1500. The sturdily potted form has a raised rim decorated in unde...

This rare Renaissance cabinet is richly decorated on the doors and drawers with carvings depicting the four seasons, and on the uprights and the entablature, alternating flower bouquets inlaid with mother of pearl. This is a beautifully conceived piece of furniture, representing a crowned portico with its entablature and cornice. The upper body Articulated separately in a ternary rhythm, as with the lower body, the upper part opens with two carved doors. The doors are framed by both the lateral uprights and the casing. There are cartouches carved into the casing in which mythological figures are depicted with flower bouquets. On the doors: On the right: Spring, a female figure crowned with a wreath of leaves, holding a basket full of flowers. She is wearing necklaces and bracelets on each arm, with drapery discretely wrapped around her body and is standing on a winged putti’s head. On each side are depicted a tree and a village with a steepled church. Above her head floats the three signs of the zodiac corresponding to the season: Aries, Taurus and Gemini. On the left: Summer, a bearded man crowned with ears of corn and bearing armfuls of corn. He is standing on a similar winged putti, flanked by a tree and an ear of corn. The following three signs of the zodiac appear: Cancer, Leo and Virgo. On the uprights and the central casing a number of smaller figures seem to represent virtues and vices that newly wedded couples should aspire to and avoid. On each side, at the bottom of the uprights, there is a dog representing fidelity. Above, a lion embodies power, wisdom, and justice. In between, on the left upright, there is a figure of noncombatant Athena wearing a helmet and holding a spear, an arrow pointing down and in her left hand, a shield, symbol of protective power. On the right upright, the goddess Venus controls the arrow of Cupid. The iconography here acts as a clear reminder of the required virtues that both parts of a young couple need to fulfill: fidelity, power, wisdom and justice. For him, the goddess Athena focuses on the power. Whereas for her, it is Venus who shows how to control Cupid’s arrow. On the central casing at the bottom, by way of contrast, there is a peacock, a symbol of pride and at the top, a monkey representing lust and mischief. In between, a woman holding a chain and a cup full of precious stones while on the floor sits a half empty opened casket. This can be interpreted as a symbol of extravagance. Above, the entablature, decorated with male figures resting on leaking urns, may symbolize the passing of time. They are flanked by two consoles decorated with acanthus leaves and separated by flower bouquets (inlaid with mother of pearl). Finally on top, a cornice acts as a crown for the piece of furniture. The lower body The moulded base stands on four round, flattened feet. Represented on the doors: On the left: Autumn, a stocky, naked man crowned with vine leaves, holding fruits in his right hand and with his left, picking a bunch of grapes from a climbing vine. Standing on a mound, he is surrounded by a vine and a hill, at the foot of which a man presses the grapes in a big vat after the harvest. Above the climbing vine appear the signs of Libra, Scorpio and Sagittarius. On the right: Winter, an elderly man wearing a fur cloak...

This is an exceptional and historic pair of Damascus enameled metalwork vessels or urns. These art objects show signs of rough use and handling through the centuries. Although it is ...

16th Century Antique Flemish King Solomon Tapestry, Country Of Origin: Belgium, Circa Date: 16th Century. Size: 11 ft 4 in x 12 ft 10 in (3.45 m x 3.91 m)

EXCEPTIONAL CABINET KNOWN AS THE SUMÈNE CABINET   ORIGIN : FRANCE, NÎMES PERIOD : 16th CENTURY   Height: 199 cm Width: 180.5 cm Depth: 69 cm   Walnut wood Good state of preservation ...

Marked Qian Long Dynasty. Large decorative painted bowl. Constructed from high quality, high temperature fired Chinese porcelain. Features hand applied images of an Asian courtyard s...

Early Arista y cuenca tiles made in Toledo. Tile decorated in renaissance with stylized flowers, probably made between 1550 and 1575. I have four of them available, please reach o...

A late 16th Century, refined Italian wall mirror made of hand carved Limewood from an antique villa near Verona, in good condition. The frame is flanked by a pair of intricately carv...

Peacekeeper. Bronze. Century XVI. Bronze purse with a handle on the back in the shape of an esse in the same material and a decoration in light relief on the front that shows, unde...

Early Arista y cuenca tile fragment made in Toledo. Tile decorated in renaissance with stylized flowers was probably made between 1550 and 1575. Losses and wear.

An Elizabethan oak carved refectory table dating back to 1580. This table is an extremely rare and fine example showcasing the highest quality o...

having a rectangular top with molded edge atop a conforming case with two doors housing interior shelving, the doors centered among tapering fluted pilasters with pronounced capitals...

16th Century Spanish Terracotta Vase Hand made marks around the vase.

Amazing Early 16th Century Peruvian Textile, Circa date: Late 16th Century

Elevate your collection with this breathtaking oil painting, "Adoration of the Magi," skillfully rendered on a magnificent 51x40 cm Cotognino Alabaster panel. This extraordinary piec...

A very handsome and high quality Italian late 16th century Baroque period Walnut Cassone. This exceptional Cassone is of museum quality with the phenomenal detailing and attention to...

1584 Abraham Ortelius Map of Lower Burgundy, France Description of the Map: This antique map by Abraham Ortelius, titled "Bvrgvndiae Inferioris Qvae Dvcatvs Nomine Censetur Des," w...

Original lock and key This piece of furniture shows no recess on its upper part. It opens with four folding-doors and two drawers within the belt. The key bears the date 1524 above cross motifs. Burgundy and Lyon regions subordinated themselves to architecture in a different manner than the other french schools. Rather than using particularly columns and pediments pieces of furniture from Lyon borrow architecture’s organization principles and rigorous designs. On the upper body a strong feeling of balance and symmetry appears with the folding doors reliefs. Swags of flowers and fruits held with knot cloth centered by a man seating on his arms. Here profiles, masks and chou de Bourgogne mingle with the structuring scrolls. The two lateral terms wear draperies and the goddess Diana in the center wears a belt of fruits similar to Hugue Sambin’s designs (Termes de Diane et de Venus, 1554, BNF). The two palm-leaves enriched drawers and the alternating scrolls belt balance the weight of the cornice with its alternatings consoles and tops. The lower body is also adorned by three terms with a feminine one in the center, all three are wearing fruits on their heads. The folding doors are centered upon a motif of cut cuirs by a mask in high relief. Wearing a feathered tiara...

Experience the allure of history with our Brussels 16th Century Pillow, measuring 19" x 8". Immerse your living space in the intricate beauty of 16th-century Brussels design, meticul...

Rare, small, late-Renaissance, Nuremberg, iron, 'armada box', strongbox or travelling safe with its original, naïve, painted decoration This is a rare, s...