1810s Furniture

Gottfried Mind (1768-1814) OEUVRE DE GEOFROI MIND de Berne receuilli de différens Cabinets particuliers et publié par J.P. Lamy, Editeur d'Arts à Berne et Bâle. Livraison acco...

This is an interesting survivor. A Barr, Flight and Barr porcelain bowl that is painted in underglaze blue as the base for the "Japan" fence ...

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, 1819 Unframed. Repair to a corne...

An attractive Regency dining table in figured mahogany, the veneered frieze above three elegant 4 splay bases: handsome turned pillars and sabre legs with carved moulded tops and the...

Das Dreyzehige Faulthier. Bradypus tridactylus. The pale-throated sloth, occasionally known as the ai, is a species of three-toed sloth that inhabits tropical rainforests in northern South America. It is similar in appearance to, and often confused with, the brown-throated sloth, which has a much wider distribution. Landmark stone lithograph on fine Ziegler watermarked paper. Extremely rare 1816 antique hand colored stone lithograph by Carl Joseph Brodtmann from his extremely rare series: Naturhistorische Bilder Gallerie aus dem Thierreiche Lindau, Brodtmann [1816]. Here in fine original hand colour. Measures : 42.5 x 32.5 cm Superb plate from this famed incunabula of lithography. Reference Winkler 105. Brodtmann is considered a pioneer in the art of lithography employing techniques for "texture" that are quite similar to that of an aquatint. He produced his lithographs in the post-Linnaean "Age of Enlightenment" as books illustrations and sets of natural history prints, as Naturhistorische Bilder Gallerie aus dem Thierreiche, with the more expensive sets being hand coloured. Natural history specimens...

A George IV Period Bowfront Chest in Figured mahogany, with four graduated and cock-beaded drawers, the top with a molded edge, on a shaped apron base and graceful splayed feet...

English oak three drawer side table, the top with molded edge above three drawers cross banded with mahogany, original swan neck brass pulls, n...

Antique French giltwood wall mirror, Empire period, circa 1810. Antique gold leaf frame, period Empire, adorned with palmettes and vegetal mot...

Georgian Mahogany Longcase Clock with Rocking Ship Automation, Joseph Kent, London. Fine flame mahogany case with break arch hood, reeded pillars with...

This is an exquisite English antique old Sheffield Plate salver bearing the makers mark ( a hand) for Smith, Tate, Nicholson and Holult, circa 1...

Pair of English Regency gilt wood and gesso articulated carved foliage wall mirrors. Mirrors retain the original glass and wood backing. Early 19th century.

Great map of The Eastern and Western Hemispheres On 2 sheets Copper-plate engraving Drawn and engraved by Thomas Clerk, Edinburgh. Published by Mackenzie And Dent, 1817 ...

This is beautiful teacup and saucer made by New Hall around the year 1810. The set is in decorated in the sophisticated Neoclassical style of the Regency era. We also have an entire tea service in the same pattern available, please see separate listing. The New Hall factory started as a cooperative of several Staffordshire potters making use of the porcelain license of Bristol Porcelain...

A fine George IV burr oak and brass inlayed centre table The circular top with a brass inlaid border, above a carved gadrooned edge, resting on a p...

George III Inlaid Walnut dressing mirror, toilet, mirror, Scotland 1810, H032 Scotland 1810 Solid Walnut + Veneers Original finish Shaped inlaid dressing mirror...

Impressive pair C19th Italian limewood carved Corner shelves Carving in the Renaissance & Baroque manner, Fine Limewood carved, mask heads, Mythical Creatures, floral & leaf carving, exceptional fine detailed carving Pine Back boards...

Rectangular marble top over a frieze drawer flanked by columns with bronze capitols , lower plinth shelf.

A rare and exceptional Georgian Worcester porcelain spill vase hand painted with a scene of Malvern Priory by Doe & Rogers and dating from around 1810/20. This finely made vase stand...

A rare and early pair Swansea, Welsh, hand painted porcelain breakfast cups hand painted in the Chinese famille rose style with the Mandarin pattern d...

Used originally to cart plates to the dining room in country house England. Great beside a fireplace. With bail handles and brass strapping.

Great image of an egret Drawn and engraved by William Daniell Aquatint engraving on fine Japan paper Published by Cadell & Davies 1812 Unfr...

Great image by Thomas Rowlandson from the “Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, 1813 Unframed.  

An unusual and rare early 19th century mahogany collapsible butlers tray on stand, hinged rectangular top on X frame stand collapsing flat with locking device. Circa 1810.

pair of English Regency triform candlesticks. Ormolu, patinated bronze and antique marble vert. Set on a green marble base the sticks sit on a tria...

Landmark stone lithograph of large size and issued in the ‘Incunabula’ period of stone lithography prior to 1820. Print on fine Ziegler paper. Extremely rare. Hand colored stone lithograph by Carl Joseph Brodtmann from his extremely rare series: Naturhistorische Bilder Gallerie aus dem Thierreiche Lindau, Brodtmann [1816]. Reference Winkler 105. Brodtmann is considered a pioneer in the art of lithography employing techniques for "texture" that are quite similar to that of an aquatint. He produced his lithographs in the post-Linnaean 'Age of Enlightenment’ as book illustrations and sets of natural history prints, as “Naturhistorische Bilder Gallerie aus dem Thierreiche”, with the more expensive sets being hand colored. Natural history specimens...

A 3 ½ inch Regency Lane’s pocket globe, dated 1818, the terrestrial globe with the seas in light green and the land masses outlined in darker green, contained within a hinged black shagreen case, the concave interior of the case applied with the engraved celestial charts...

Hand-painted in France, this handsome grisaille overdoor painting is from the neoclassical period, circa 1815. Grisaille is a monochromatic painting ...

A Fantastic and Very Important Empire Period German Ormolu-Mounted Mahogany Jardiniere Mounted on Dore Bronze Turtle Feet, In The Manner Of Johannes Klinkerfuss And Casimir Münch. Th...

Having a rectangular top above a conforming case housing three drawers, one faux drawer, and a fall front desk with a leather writing surface and interior shelving and secret drawers...

With convex glass and ebonized band in a conforming frame with mini spherules all around, flanked by acanthus leaves and headed by an eagle standing on a conch shell. The base of the...

A Federal breakfast table in mahogany with a rectangular top and drop-leaves whose corners end in cyma curves, with inverted turned wooden fini...

This is a beautiful and very rare dessert service made by Flight, Barr & Barr between 1815 and 1820. The service consists of a central comport, two sauce tureens with covers, a squar...

American Hepplewhite applewood one drawer stand. The drawer retains its original turned wood drawer pull. American, Lower Delaware Valley, Pennsylvani...

A rare and grand Scottish example of a early 19th century Georgian Edinburgh’s New Town Carved Pine & Lime wood fireplace surround. A break f...

Fine miniature French Empire clock in ormolu. Dating from the First French Empire period with original ormolu and with fine enamel dial and movement signed The clock stands upon fine and delicate toupee feet. The the base is an applied ormolu mount of crossed standards tied with ribbon and with laurel branches. To the left of the dial stands a soldier in greatcoat and bearskin chapeau with moustache epaulets and his arm in a sling and a decoration on his breast. He has his left hand raised and resting on a forget-me-not flower and laurel wreath in front of two crossed battle axes. The white enamel convex dial...

Beautiful writing desk, Vienna 1810-20, in the style of Josef Danhauser, walnut veneer. The hexagonal legs have a gorgeous herringbone veneer pattern. The top stands out for its root veneer grain. The desk comes refinished with a shellac hand polish. The design of this unique table shows definitely the influence of the famous Austrian Biedermeier furniture...

Circa 1804-1815 first empire bronze dore lamps with curved handles and lion heads. Attributed to Claude Galle a French Bronzier. The urn itself is sixteen i...

Whitcombe, Thomas, artist; Sutherland, Thomas, engraver Capture of La Furieuse, August 6th. 1809 Grey toned aquatint. Engraved by T. Sutherland for The Naval Chronology of Great B...

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

A stunning early 19th century French Empire period chateau longcase clock with eight-day comtoise movement handcrafted of solid walnut, circa 1815, all original. This tall, handsome chateau longcase clock, with a deep, rich patina that reveals the beauty of age, features a hood with a stepped cornice over a shaped front dial case door...

English Regency period satinwood kidney shaped writing table with pedestal ends and saber legs ending in brass casters. This elegant writing table has...

Paire of Patinated Bronze Empire Period Medici Urns

This painted chest comes from Germany, year 1811

English cherry one drawer table with beautiful figured cherry top, the single drawer with original brass swan neck pulls, tapered legs.

4 chairs for a dining room, around 1800, provenance probably from a noble household in the Baltic States Mahogany, backrests and seat frames decorated with brass wire, designed in s...

We are delighted to offer for sale this exquisite original X Framed circa 1810-1820 Regency Reclining brown leather Chesterfield tufted armchair that has been fully restored What a...

A fine early 19th century Regency period Mahogany 2 door cabinet having crossbanded and brass galleried rectangular lobed top with brass edging...

With a rectangular cross banded with rosewood hinged top with bowed ends and central small painting of two hunting dogs opening to a fitted interior for an officer.The frieze with fo...

We are delighted to offer for sale this exquisite pair of original Regency circa 1810-1820 mahogany open library bookcases with Italian marble tops surmounted with brass gallery rail...

George III Mahogany Chest-of-Drawers, with a banded top, with two short drawers over three long graduated ones, each with cockbeading and oak linings, with canted and molded front co...

Featuring an exceptional early 19th Century American Sheraton bow front chest of drawers. The case is constructed of Honduran Mahogany. The drawers utilise yellow pine secondary woods as does the back and dust panels. There are four drawers all fitted with the original brass pulls. The gorgeous flamed top has a nice scroll cut back splash. There are four turned legs. This is a fine example of Early American period furniture...

We are delighted to offer for sale this super rare, original circa 1810-1820 Regency Chesterfield green velour library armchair A very well made and unique armchair, originally de...

A set of four, Italian, ormolu, neoclassical, two arm/branch, electrified, acanthus leaf, wall sconces, -Fluid, naturalistic, classical form, in one continuous, scrolling piece -...

Empire period ormolu and enamel Ceres mantel clock after Thomire. French, c.1810 Measures: height 46cm, width 38cm, depth 13cm. This superb mantel clock was made in the First Fr...

This mantle clock is by a well-respected Paris maker in a fashionable style. The oval base supports a vase shaped clock case in turn supported by winged dolphin heads and flanked by ...

We are delighted to offer for sale this large and collectable fully restored Regency circa 1810-1820 metamorphic armchair which converts into Library steps attributed to Gillows of Lancaster and London This wonderful piece of English history has been on a journey of restoration, the frame has been washed back and French polished by a Victorian trained polisher, the leather upholstery is all new, it is Italian cattle hide, upholstered plain then hand dyed six times, antiqued and sealed, it has a lovely rich reddish brown colour to it. This chair is larger than any other of its type you would have seen, it is an important and extremely expensive looking thing that commands attention in any setting. You can see the same model made by Gillows currently viewed in the Victorian & Albert Museum, below is an extra from their listing. The period 1800-1825 was a great one for ‘patent’ or ‘metamorphic’ furniture This chair, which transforms into a short set of steps for use with bookshelves, is close to a design for a ‘Library Chair’ published in Rudolph Ackermann’s Repository of the Arts in July 1811, which was made by the London firm of Morgan and Saunders, of Catherine Street, Strand. They were well known for their ingenious furniture, including reading chairs with writing surfaces attached and a great variety of travelling beds...

A beautiful Georgian brass and steel dog grate. The railed basket with fine engraved openwork fret consisting of scrolls and foliage, set on turned brass leg...

An exceptional, fine and impressive, rare antique Georgian English sterling silver Old English Thread and Shell fish slice / server made by Paul Storr; an addition to our silver flatware collection. This exceptional antique George III sterling silver fish slice / server has been crafted in the Old English Thread and Shell pattern. The anterior and reverse surfaces of the handle are embellished with thread decoration paralleling the shape of the handle and encompassing the rounded heel, in addition to an impressive shell design to the terminal. The anterior surface of the handle terminal is further embellished with the contemporary bright cut engraved crest of a dragon. The handle of this antique silver...