1810s Furniture

19th Century burr walnut centre / occasional table, the wonderfully figured shaped and moulded edge top having a single frieze drawer below, with stylised mouldings along the bottom ...

A 19th century Italian mirror panel. 19th century panel screen mirror. Four Paneled screens of carved, painted, and gilded gesso over wood. Each sec...

Early 19th century Mahogany shaving mirror, Circa 1810 Two drawer box veneered in flamed Mahogany, Original brass hardware and original mirro...

Presenting an exquisite duo of antique ginger jars, dating back to the year 1810. These captivating pieces showcase the renowned Famille Rose porce...

Neoclassic chair back window seat with upholstered box seat in Honduran mahogany. Note the defining carved back rail. American, New York, circa 1815.

American Federal gilt wood girandole convex mirror with perched spread wing eagle, connecting chains with hanging gilt balls, oak leaves with acorns, scrolled foliage medallion candle arms, circular brass bobeches, original ebonized reeded mirror with sphere mounted surround, and terminating with a lower foliage pendant...

This is a beautiful Spode creamware dessert service made in 1814, which was the Regency era. The service is decorated in a printed and hand-colored Chi...

This 2x10 antique Chinese textile runner is an incredibly rare and exciting new curation from Rug & Kilim—an early 19th century embroidery panel with a bold pictorial design, handwov...

1819 Sampler made by Ann Wareing in Victorian period frame, English. An exquisitly preserved silk on fine linen sampler by Ann Wareing, May 12, 1819. A late George III piece in a Vic...

Typical form rectangular with hinged removable domed lid with engraved crest and cast loop finial, wood handle unscrews expose fill hole for hot water to b...

Introducing a magnificent find from the early 19th century – a sizable Italian Sterling Silver Two-Handled Vase or Decorative Piece, an epitome of grandeur and craftsmanship. This re...

19th Century Empire Walnut Chest of Drawers with Marble on top France, 1810 Walnut Antique Chest of drawers with black marble on top. Beautiful grain of walnut on front and both sid...

Pair of early 19th century Empire Trajan's column ormolu candlesticks in the manner of P.-P. Thomire (1751-1843): Pair of large Empire ormolu candlesticks, the stem ressembling th...

AUTHOR: JOHNSON, Samuel. TITLE: The Works of Samuel Johnson. With An Essay On His Life And Genius, by Arthur Murphy. PUBLISHER: London: for many, 1810. DESCRIPTION: NEW EDITION. ...

Large, Georgian (George III), brass-mounted cowrie shell snuff box with hinged lid, England, Ca 1810. Measures 3 1/2 inches long x 2 1/4 inches deep x 2 1/4 inches high. Dark areas...

This pyramid-shaped secretary from the early 19th century impresses with its architectural design and high-quality craftsmanship. The gable-shaped top with segmental filling is accen...

This mantle clock is by a well-respected Paris maker in a fashionable style. The oval base supports a vase shaped clock case in turn supported by winged dolphin heads and flanked by ...

Royal House Antiques We are delighted to offer this important suite of museum quality, antique Colonial Gillows of Lancaster Attributed solid Rosewood dining chairs with ornately carved back splats Please note the delivery fee listed is just a guide and covers London only for the UK and local Europe for the rest of the world, if you are outside of this area please send me your address and I will provide you with an accurate quote Where to begin, if you’re looking at this listing then the chances are you know exactly how significant this suite is, Gillows of Lancaster & London was simply put, one of the most important furniture designers in the history of England, these chairs are the only Colonial examples I have ever seen and in Rosewood no less, they weigh roughly three times more than a standard dining chair of the same style and size, they are very substantial The chairs early 19th century circa 1810-1820, the carving is exquisitely executed and the chairs look sophisticated and elegant from all angles The suite has been sympathetically restored to include a deep clean, hand condition wax and hand polish, the seat covers have been left as they are, they are fine, the timber has a wonderfully aged patina that is honestly sublime Dimensions Height:- 81cm Width:- 45cm Depth:- 50cm Seat height:- 44cm Please note all measurements are taken at the widest point. Lot Essay These chairs are closely related to those in two recognised Chippendale commissions: Sir Gilbert Heathcote (d. 1785), 3rd Baronet for Normanton Hall, Rutland and William Crichton-Dalrymple, 5th Earl of Dumfries (4th Earl of Stair, 1699-1768) for Dumfries House, Ayrshire. THE RELATED CHAIRS The chairs are of identical decoration to the set of two armchairs and ten single chairs, circa 1765, formerly at Normanton Hall (1). In 1759, Sir Gilbert Heathcote (d. 1785), 3rd Baronet, succeeded to the vast inheritance established by his grandfather, also Gilbert, 1st Baronet (1652-1733), who was reputed to be ‘the richest commoner in England’ (2). The 3rd Baronet employed both Chippendale Senior and his son, Chippendale Junior, in the furnishing of his Palladian mansion, Normanton Hall in Rutland, and his London houses, 29 Grosvenor Square, London and Browne's House at North End, Fulham. Surviving Chippendale accounts, although incomplete, show that the firm was working periodically for members of the Heathcote family from 1768 to 1821. Most of the furniture listed in these accounts was intended for Browne’s House, although after 1798 when the family relinquished this residence some of the furniture was moved to Normanton Hall. The latter was sold in 1924, and any furniture not included in the Normanton Hall sale was taken to the Earl of Ancaster’s seat at Grimsthorpe Castle, Lincolnshire. Chippendale’s earliest invoice for Sir Gilbert Heathcote records the acquisition in 1768 of ‘6 India Back and arm chairs Japand to imitate the Bamboe’, signifying how the family embraced the highly fashionable chinoiserie taste. Although the Normanton chairs cannot be conclusively identified in the extant Chippendale accounts, their form and ornamentation led Christopher Gilbert to suggest that they were possibly by Chippendale (3). The set of four mahogany chairs at Dumfries House have nearly-identical pagoda-form cresting rails and identical terminals but differ in the arrangement of the 'Chinese' paling in the backs and side panels. Although no documentary evidence for the Dumfries chairs survives, in their execution and sophisticated carving of the toprails, they are extremely close to Chippendale’s hand. Another near-set of closely related chairs is at Saltram House, Devon, where Chippendale worked between 1771-2; these dates are based on payments in John Parker's cash account book, and probably do not reflect a true picture of the entire commission as Parker often paid tradesmen by banker's draft (4). Comprising two armchairs and seven single chairs, this set, circa 1765, is made of padouk, and has been described by the National Trust as ‘Chinese Export’ (5). The set was returned to Saltram in 1951 having been accepted by H.M. Treasury in lieu of full payment of Death Duty from the Executors of Edmund Robert Parker, 4th Earl of Morley (1877-1951). Some of the chairs are currently on display in ‘The Chinese Chippendale Bedroom’. A further set of four padouk chairs of the Saltram pattern was almost certainly at Kenwood House, London; some of these are recorded in 18th century inventories drawn up by Lord Mansfield. This set was removed to Scone Palace, Perth, prior to the auction at Kenwood in 1922, and subsequently sold from ‘Scone Palace and Blairquhan: The Selected Contents of Two Great Scottish Houses’, Christie’s, London, 24 May 2007, lot 298. Another pair of padouk chairs of this model sold ‘The Collection of Peggy and David Rockefeller’, Christie’s, New York, 10 May 2018, lot 647 ($193,750 inc. premium). THE DESIGN Conceived in the Chinese manner expounded by William and John Halfpenny in Rural Architecture in the Chinese Taste (1752), and Sir William Chambers in his Designs of Chinese Buildings, Furniture, Dresses, Machines and Utensils (1757), the pattern for this set of ‘Pagoda’ chairs relates to nine designs for ‘Chinese Chairs’ in the 1st edition of Chippendale’s Director (1754); the cabinet-maker describes these designs thus: Plates XXIII, XXIV and XXV are nine Chairs in the present Chinese manner, which I hope will improve that taste, or manner of work; it having yet never arrived to any perfection; doubtless it might be lost without feeling its beauty: as it admits of the greatest variety, I think it the most useful of any other. The sizes are all specified on the designs. The three last (No. XXV.) I hope will be well received, as there has been none like them yet made. The Georgian period witnessed the proliferation of such railed and pagoda-crested chairs in both the ‘picturesque’ Chinese tea pavilions of landscaped parks as well as in fashionable apartments hung with ‘India’ paper. The geometric ‘Chinese’ feet of these chairs are also found on a set of pedestals...

This is a stunning and rare Spode dessert service made between 1813 and 1822, consisting of a centre piece, a lozenge shape dish, four shell dish...

Old English Sheffield silver plate Regency style wine cooler / ice bucket .This exceptional Regency cooler retains the original detachable support frames, liners and push fit cover in a campana shape . It is made of silver on copper and fitted with an exceptional pair of decorative handles embellished with reeded decoration. It has a superb armorial engraving...

An elegant Empire secretary featuring a two-door lower cabinet, a smooth writing flap, and a top drawer. The piece is adorned with fine inlays depicting stars, lyres, and palmettes, ...

Danish mangle board (clothing and bedding press) dated 1814. It is made from oak wood which is hand carved and richly decorated abstract geometric flowers and branches with leaves a...

A fine pair of Regency hurricane lights the ormolu-mounted step cut bases supporting radial cut drip pans with fan edge hung with round end rule drop...

Circa 1810 George III bedpost now as a floor lamp, English. Created as a lamp circa 1900 in the Georgian Revival Era. Boldly reeded column with water leaves. High arched tripot base ...

A superb quality early 19th Century mahogany inlaid bowfront sideboard, having a lovely figured top above a central drawer and two deep drawers either side, all drawers are oak lined...

The images are original hand-colored engravings from William Alexander's "Picturesque Representations of the Dress and Manners of the Russians," published in 1814 by John Murray. Thi...

A pair of Empire candelabra for five candles each, crafted by Pierre Chibout in the early 19th century. The candelabra are made of patinated and fire-gilded bronze. The candelabras f...

A magnificent, fine and impressive pair of antique Georgian English sterling silver wine coolers made by Paul Storr; an addition to our antique wine and drink related silverware collection These magnificent antique George III sterling silver wine coolers have a classic campania shaped form onto a plain knopped pedestal and domed circular spreading foot. The surface of the upper portion of each body is plain and embellished with two large applied tied oak leaf wreath cartouches, one side bears the contemporary bright cut engraved coat of arms* depicting a pile engrailed with three cross-crosslet fitchy, all surmounted with the crest displaying a cock's head. The second cartouche on each holder bears the contemporary bright cut engraved presentation inscription 'Given to William Rigden, In Remembrance of William Galdork, by W.H.B'. These silver wine bottle holders each have an applied moulded decorated border to the flared rim. The lower bulbous portion of each wine cooler is encompassed with exceptional chased fluted decoration below an applied ribbed border. Each wine cooler is supported by a domed circular spreading foot embellished with a chased egg decorated border and a plain collet style rim. This exceptional pair of Georgian wine coolers were crafted by the renowned and important London silversmith Paul Storr. * This coat of arms pertains to the Rigden/Rigdon family. Condition These antique silver wine bottle holders...

Fete donnee au General Dentrecasteaux par Toubau, Roi des Iles des Amis Original antique engraving showing the party given to General Dentrecasteaux by Toubau, King of the Friendl...

George III Bracket Clock. Stunning mahogany case with Cupola top surmounted by a ‘pineapple’ finial, profusely inlaid with brass, fishscal...

A good Regency triple pillar dining table in figured mahogany, only 48” wide, handsome four splay pedestals with their original tops, the stems with 2 ebonised turnings matching the black ebony stringing in the sabre legs. The castors stamped with a crown & E S & P patent. Original catches in old lacquer. The blocks veneered in mahogany - unusually the bearers are screwed onto the blocks rather than dowelled which means the table can be easily disassembled and packed into a smaller crate...

Fine set of six George III painted Hepplewhite chairs, having squared backs with three splats each with central patera, over caned seats with...

This grand Spanish bed from the early 19th century is a masterpiece of craftsmanship, blending exotic and fruitwood with intricate marquetry and gilded details. The frame features ex...

Napoleon’s Battlefields: Views of Les Quatre Bras and La Belle Alliance, 1815 Description: This historically significant engraving, published in 1816 as part of The Campaign of W...

Explore our exquisite Biedermeier chest of drawers, dating back to 1815-1820, featuring a beautiful walnut veneer and unique hunting scene inlays. This elegant three-drawer dresser s...

Impressive pair of gilt and sculpted bronze candelabras with three branches. The stem of each candelabrum is a patinated bronze form of the winged goddess, Victory, who holds a gilt bronze torch in each of her hands. Her head is topped with a gilt bronze vase that transforms into the candelabra branches, which is embellished with griffins and rosettes. At the top of each candelabrum is a peacock standing on a globe, symbolizing the sun and immortality. Victory is standing on a cruciform-shaped base, which has a winged cupid on two sides and a caduceus on the other two sides. The intertwined snakes of the caduceus are a symbol of the Greek god Hermes (or the Roman god Mercury) and is a symbol of peace, eloquence and negotiation. Empire period. Perfect condition. Our model is inspired by the projects of Charles Percier and Franc¸ois-Leonard Fontaine, famous architects of the Emperor. Their most important work, entitled Recueil de decorations inte´rieurs (Collection of interior decorations), was published in France at the, end of the 19th century. The winged Victories, caduceus and griffins are some of the motifs present in this piece that demonstrate the adoption of Percier and Fontaine’s decorative...

Late 18th to Early 19th Century Portrait of a Sea Captain, by Charles Delin (Netherlands: 1756-1818), circa 1810, a fine period oil on canvas quarter-length portrait of Captain Mellens, an elegant gentleman in navy blue woolen double breasted sea coat, with high starched collar shirt and neck cloth, unsigned; retains an old collection label on the reverse identifying the artist and subject. The painting remains in fine condition, in its original carved and gilded frame. Although identified by name, we could not find any additional information on the sitter. The name and clothing indicates that the captain was American or English. The artist Charles Delin was highly regarded in his day and specialized in sea captain portraits...

George III Longcase Clock The maker of this Longcase clock was Stephen Hurst from Liverpool. The case is made from the finest mahogany with wonderful use of flame mahogany to the trunk door and base. It is beautifully decorated with boxwood and satinwood stringing throughout and ‘sheraton’ style inlay work of the highest quality. The trunk has reeded and canted corners, the hood is also reeded giving the appearance of double pillars, a feature of Liverpool clocks...

Napoleon's Defeat at Waterloo: French Cannons Seized and Transported, July 1815 This finely crafted engraving, published in 1816, captures a significa...

Fantastic patina on this candleholder from the early 1800's. We see this chamber candlestick on a coffee table with antique books. Wonderful addition to any collection of these sough...

Hand-Colored Engravings that were published in the 1819 sixth edition of "Getreue Darstellung und Beschreibung der in der Arzenykunde gebrauchlichen Gewächse" by Friedrich Gottlob Ha...

Large wall mirror in the Neoclassical Empire style, circa 1810. The rectangular frame is gilded and adorned with applied stucco ornaments, including stylized acanthus leaves and leaf...

c1810 Pair Expertly Cut Glass w/ Ormolu Candelabra/ Candle Holders. The cut glass is extraordinary, the Ormolu shines. This is a high quality piece of Gorgian history.

Golf mezzotint of 'Henry Callender Esq' (Captain of the society of Golfers at Blackheath) after Lemuel Francis Abbott (1760-1803). Henry Callend...

A very fine quality French Empire Napoleonic period Mahogany & parcel gilt wine cabinet/armoire, circa 1810. Made of the finest mahogany this cabinet has the shape of a secretaire ab...

Elegant ash wood settee featuring openwork side panels and a straight, accentuated backrest adorned with fine inlay decoration. Upholstered in a simple, neutral fabric that enhances ...

Pressed Tortoiseshell Design From our Tea Caddy collection, we are delighted to offer this Regency Architectural Tortoiseshell Tea Caddy. The Tea Caddy of bombe form with flared bas...

The image showcases six hand-colored botanical copperplate engravings on vellin paper from the early 19th century, attributed to Samuel Curtis's publication. Here's a description o...

We are is delighted to offer for sale this stunning original 1818 dated Antique German Marriage wardrobe in very a rare light blue paint I have recently purchased a very large collection of these original, antique painted wardrobes...

The hand-coloured images depict two individuals, presumably representative of the Aleut and Kuril ethnic groups, as part of a series titled "RUSSIA - PLATE 49" and "RUSSIA - PLATE 50...

Description George III sterling silver teapot, Paul Storr, London, 1810. Sterling silver teapot with a low, compact shape. Contoured gadroon edges at both the top and base of the tea...

English Regency mahogany bow front two drawer work table with original circular foliate brasses, diamond bone escutcheons, ebony string inlays, k...

Iron-red uppercase Spode mark and pattern 2213. Richly painted in the Imari palette and enriched in pale-blue, green and gold with flowering shrubs and a tree, the border with alternate radiating panels of the same shrubs and of gilt double diamonds...

A lovely and well-proportioned marquetry sofa with arched back, scroll arms and short Grecian curved legs in mahogany embellished with inlays of festoo...

A fine set of 5 antique Neoclassical German porcelain bowls. By Meissen. Each with hand painted Deutsche Blumen floral sprays to the center wit...

Royal House Antiques Royal House Antiques is delighted to offer for sale this extremely rare original Antique Regency circa 1810-1820 “Tete a Tete” Conversation couch in salmon valo...

Japanese Inro from the Edo period (1615-1868) created by Kajikawa. Beautiful Inro, created in Japan by one of the Kajikawa family during the Edo period (1615-1868), circa 1810. Has been carefully crafted in carved precious wood with applications of gilding maki-e and decorated with Japonism patterns. All dan trays are attached together with a himo cord. The detailed craftsmanship was a true pleasure to behold. Period: Edo period (1615-1868). Shogunate. Approximate Date: 1790-1810 Motif: A family of birds consisting of a cockerel, the hen and three chicks. Drawers: Five. Shape: Rectangular navette. Technique: Carved wood, lacquer and decorated in iroe-hiramaki-e on a gold ground. Ojime: 15mm 20mm, oval carved from natural translucent agate. Netsuke: None Weight: 47.70 Grams. Measurements: Inro is 78 mm by 55 mm by 18 mm (3.07 x 2.17 x 0.71 Inches). Signatures: Kajikawa Saku, in the underside with the signature KAJIKAWA. By a member of the Kajikawa family, signed Kajikawa 梶川 Japan, late 18th century to early 19th century, Edo period (1615-1868). The Kajikawa family Kajikawa family, flourished in the 19th century, they was Japanese lacquerware artists whose school in Edo (now Tokyo) flourished for more than 200 years. This family is perhaps the most famous of all the dynasties of Japanese lacquer artists, and certainly the name most often found on inro. The family is said to have been founded by Hikobei at Edo in the early 17th century, although some claim that the family’s great reputation really stemmed from his son and pupil Kyujiro. In any event, Hikobei worked for the shogunate, as did his successors until well into the 19th century. Kijirō excelled in designing particularly delicate lacquer inrō, portable medicine cases...

This is a beautiful and very rare dessert service made by Flight, Barr & Barr between 1815 and 1820. The service consists of a central comport, two sauce tureens with covers, a squar...

Exquisite Biedermeier Armoire, Vienna 1820 This exquisite original Biedermeier wardrobe stands out for its beautiful walnut root veneer. Ebonized half colu...

The image, an original antique aquatint, depicts "Egyptians Crocodile Catching." Historically, crocodile catching has been documented in various regions, primarily in Africa and Asia...