1810s Serveware, Ceramics, Silver and Glass

Exceptional pair of Ironstone vases, Mason's manufacture, England, 19th century, circa 1820. With a hexagonal profile, this beautiful pair of vases features refined and exquisite flo...

An exceptional, fine and impressive antique Georgian English sterling silver christening mug; an addition to our christening gifts collection. This exceptional, fine and impressive ...

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

Typical form rectangular with hinged removable domed lid with engraved crest and cast loop finial, wood handle unscrews expose fill hole for hot water to b...

Important 33 piece set of 1st Empire Cut-Glass Tumbler glasses from Sainte Anne crystal factory in Voneche, 1810 circa. Similar pieces are in fundus of the Louvre collection. "Gobele...

Early 19thC Mahogany Butler’s Tray the Cuban mahogany oval panelled tray fitted with brass hinged fittings on the original turned X-Frame stand - 38"w x 30"d x 29"h open - 28"w x 20"...

English Coalport Imari Champaign Cooler with Lid and Paw Feet, ca. 1810

A fine set of 5 antique Neoclassical German porcelain bowls. By Meissen. Each with hand painted Deutsche Blumen floral sprays to the center wit...

Important 33 piece set of 1st Empire Champagne Cut-Glass Flutes from Sainte Anne crystal factory in Voneche, 1800 - 1830 cca. The set provenance: Collection Baron Charles Jean Mauri...

"Conchological, each shaped based on that of a real shell and enriched in shades of pink, yellow and iron red. Literature: Robin Reilly, Wedgwood Vol. II, Page 25 Fig 13 and 14. 1 Argonauta Argo Compote and tellin Radiata Stand, 4 Angornia Covered Bowls with Serpoula Finials and Four Stands (1 stand Restored), 6 tellina radiata dishes (one as is), 3 pitolas (?) aestatus dishes (one as is), 1 large tellina radiata stand, 23 pecten japonicum plates, pair of tellina radiata dishes (both restored), pair covered creambowls (both restored). Wedgwood's 1878 Illustrated Catalogue of Ornamental Shapes [fig. 1] illustrated under the heading of 'Comports' the various shells that comprised the forms of its 'Wreathed Shell...

A fine and elegant antique Georgian Regency Rococo Sterling silver teapot, from the reign of King George III, by John Wakefield, London 1819. The teapot is lavishly and profusely de...

An exceptional, fine and impressive, large antique Georgian Scottish provincial sterling silver Fiddle pattern soup ladle; an addition to our early 19th century silverware collection. This exceptional and large Scottish provincial sterling silver ladle has been crafted in the Fiddle pattern. The anterior surface of the handle is plain and unembellished. The reverse of this impressive example of antique silverware features a rounded heel to the plain oval bowl. This exceptional ladle is a large example for its type. This Scottish provincial silver ladle combines functional utility with regional silversmithing heritage, reflecting the distinctive craftsmanship associated with provincial Scottish workshops. Its balanced form and durable silver construction support practical table use, while its historical provenance enhances collectible significance. As both a domestic object and decorative artefact, it offers enduring charm, cultural character, and timeless appeal, making it particularly suitable for collectors of antique silver or as a commemorative gift for significant occasions. Condition This antique large silver ladle is a superior gauge of silver, exceptional quality and is in exceptional condition. The Scottish hallmarks struck to the reverse of the handle are all very clear. Reflections in photographs may detract from the true representation of this piece of Georgian silver flatware...

An exceptional, fine and impressive, large antique Georgian English sterling silver covered serving dish; an addition to our silver dining collect...

A scarce antique English Staffordshire bone china teacup and saucer hand decorated with a red lion by Thomas Wolfe (Factory Z) and dating from...

A pair of Geo III antique Sheffield plate telescopic candlesticks by the important maker Thomas & James Creswick who came from the famous family of a long line of silversmiths. His G...

Purchased at Sothebys in New York twenty years ago for 10,000 this unusual piece with two bottle compartments with removable cover. Brass strapped mahogany case with rounded corners....

Canton Style Davenport England A beautiful porcelain dish and 5 side plates Printed in light to medium blue with the Two Temples chinoiserie pattern, the inner borders with distinc...

Comprising footed compote, pair of covered sauce tureens, one gallery (partially restored), pair of lozenge-shaped dishes, pair of kidney-shaped dishes, four shell dishes, four squar...

Iron-red uppercase Spode mark and pattern 2213. Richly painted in the Imari palette and enriched in pale-blue, green and gold with flowering shrubs and a tree, the border with alternate radiating panels of the same shrubs and of gilt double diamonds...

George III silver gilt wine bottle coaster. Made by Edward Farrell in London in 1817. Everted leaf and scroll rim; open bottom inset with concentric wood liner. Sides in relief in st...

The Vonèche-Baccarat Connection: A Historical Verification The Sainte-Anne crystal factory in Vonèche is literally the birth mother of Baccarat Crystal, as well as Belgium’s own Val ...

Antique Georgian Silver Serving Spoon, London 1818 William Eley and William Fearn. Fiddle pattern, monogram. Length 11.125 inches. Weight: 132 grams. Condition: Good. Reflections pur...

Hallmarked in London in 1813 and 1814 by Paul Storr, this striking Regency period sterling silver tea and coffee service is typical of the maker's design, featuring a coffee pot on a...

Hallmarked in London in 1810 by John Crouch II, this impressive, George III sterling silver tray is of substantial size and elegant form. The tray is rectangular with rounded corners...

Immerse yourself in the opulence of the early 19th Century with this exceptional pair of Hand-Painted & Gilt Decorated Vases, a true testament to the craftsmanship of the era. Ea...

This remarkable silver and filigree spice container, crafted in Lemberg in 1814, is a masterful expression of early 19th-century Judaic artistry. Designed in the form of a miniature ...

Flight Barr & Barr Oval Platter or Tray w Brown Vines & Berries, 1815-1820

Pair of Spode spill vases, circa 1820. Cobalt blue and gilt with finely painted scenic panels, both depicting Cathedral City views. Marked to bases 'Durham/Spode' and 'The Cathedral ...

Large Paris porcelain map of Italy cup and saucer, circa 1810.

Scottish Regency mahogany hinged cellarette with foliage cartouche, gadrooned molded edge, original brass circular side handles, lead lined interior with stopper, and resting on carved foliage scrolled triangular feet...

English 1810 George III cut glass ships decanter. All-over faceted cut glass pattern. No makers mark or signature. Purchased at Taylor B. Williams antiques...

Carrying Dutch assay marks for 1816 in Amsterdam, and the retail shop mark for Willem Diemont, this very handsome set of 18, 934 Standard Silver Plates, have an elegant reed border, ...

This is an antique toddy ladle. An English, silver and mahogany long serving spoon, dating to the Georgian period, hallmarked in 1813. Fascinating Georgian example, with tactile han...

Introducing a magnificent find from the early 19th century – a sizable Italian Sterling Silver Two-Handled Vase or Decorative Piece, an epitome of grandeur and craftsmanship. This re...

An exceptional, fine and impressive antique George III English cast sterling silver mustard pot; an addition to our Georgian silver condiments collection. This exceptional antique G...

Early 19th century silver drageoir or candy dish adorned with Egyptian head and on the collar with openwork palmette motifs. On the two spiral handles are suspended two twisted rings. The base is decorated with curving tubular patterns. The removable lid features floral finial. The interior of the candy dish is entirely lined with vermeil. The candy dish is characteristic of the Egyptian style that developed after the return of the Egyptian campaigns of Napoleon the first. With the «Description of Egypt...

American Federal walnut hinged bottle box on stand with central oval and corner patera inlays, exposed dovetails, original interior bottle dividers, lower single drawer with oval aco...

Hallmarked in London in 1811 by Paul Storr, this magnificent antique Regency period sterling silver entree dish is of a traditional rectangular form. The dish features a robust gadro...

A complete George III sterling silver supper dish with domed cover and original lampstand, hallmarked London 1818, maker's mark W·B, probably William Burwash or possibly William Bate...

Chinese Export Rose Mandarin pattern porcelain cider jug with double or cross strap handles which are painted with delicate blossoms. There are cloud form ca...

Hallmarked in London in 1808 and 1814 by Emes & Barnard (the spoons by Eley, Fern & Chawner, 1814), this classic George III sterling silver egg cruet is of a square form with...

French Empire Gilt Bronze Mirror Plateau with Mascaron Feet, Paris, circa 1810 An elegant and refined Empire mirror plateau in fire-gilded bronze, most likely Parisian work from the...

Important 12Cordial glasses set of 1st Empire Cut-Glass from Sainte Anne crystal factory in Voneche, 1800 - 1830 cca. These Glasses are very rare. Museum pieces. The set provenance:...

These impressive porcelain dinner plates are by the Paris porcelain manufacturer Feuillet. Feuillet produced goods during the Restauration period, the name given to the period when ...

French Empire Ormolu Mirrored Plateau with Mercury Glass, Paris, 1810s An elegant French Empire mirrored plateau, executed in finely chased ormolu and dating to the 1810s. Most like...

A magnificent, fine and impressive pair of antique Georgian English sterling silver wine coolers made by Paul Storr; an addition to our antique wine and drink related silverware collection These magnificent antique George III sterling silver wine coolers have a classic campania shaped form onto a plain knopped pedestal and domed circular spreading foot. The surface of the upper portion of each body is plain and embellished with two large applied tied oak leaf wreath cartouches, one side bears the contemporary bright cut engraved coat of arms* depicting a pile engrailed with three cross-crosslet fitchy, all surmounted with the crest displaying a cock's head. The second cartouche on each holder bears the contemporary bright cut engraved presentation inscription 'Given to William Rigden, In Remembrance of William Galdork, by W.H.B'. These silver wine bottle holders each have an applied moulded decorated border to the flared rim. The lower bulbous portion of each wine cooler is encompassed with exceptional chased fluted decoration below an applied ribbed border. Each wine cooler is supported by a domed circular spreading foot embellished with a chased egg decorated border and a plain collet style rim. This exceptional pair of Georgian wine coolers were crafted by the renowned and important London silversmith Paul Storr. * This coat of arms pertains to the Rigden/Rigdon family. Condition These antique silver wine bottle holders...

A Palatial and Important Empire Period Gilt-Bronze Three-Piece Surtout de Table, Attributed to Denière, Paris. Comprising three mirrored platform sections with a rectangular centra...

Hallmarked in London in 1798, 1815, and 1823 by Emes & Barnard this rare George III antique sterling silver set of six graduated beakers is of a plain, tapering cylindrical form ...

An exceptional, fine and impressive set of four antique Georgian English sterling silver salts; an addition to our silver cruet and condiment collection ...

An exceptional, fine and impressive set of three antique Georgian English sterling silver salts made by Paul Storr; an addition to our silver cruet and condiment collection. These...

Elaborately cut glass Regency claret jug with mushroom stopper.

A magnificent, fine and impressive, large antique George IV sterling silver wine ewer/flagon made by William Bateman I; an addition to our range of collectable wine and drinks related silverware. This magnificent antique George IV sterling silver flagon...

A fine pair of Regency diamond and step cut decanters.

Hallmarked in London in 1815 by Joseph Angell I, this handsome, Regency period, Antique Sterling Silver Toast Rack, stands on 4 ball feet, and will hold 6 pieces of toast. The toas...

A fantastic quality pair of Russian Empire cobalt blue and gold ground swan handle porcelain vases. Each piece is of Amphora form with a gorgeous 24K gold matted, burnished, and shiny front and backside decoration. The front panels consist of a young girl and a young boy, where the young girl is seen holding food on her head with a water pale in her hand walking through the town, while the boy is seen holding a basket of fruit up and walking it back home. The reverse of each of the vases is also elaborately decorated with one of the scenes being a comfy home with a beautiful woody landscape with a deer running through the backyard, while the other vase has a gorgeous landscape scene with a man riding a horse in the background. On either side of the vases are two-tone matte and burnished 24K gold swan form handles. Underneath the handles are 24K gold hand-painted decorations over a cobalt blue ground. The body runs down a waisted gold neck onto a rounded base which sits on a square gold plinth...

A papier mâché tray of the Battle of Erie by Jennens & Bettridge, 1817, of rectangular form with an everted lip, painted with a naval battle scene, a paper label on the reverse state...

William Bateman pair of sterling silver salvers or footed trays, with a gadrooned rim, from 1812 (Georgian era), standing on 3 feet, with an engraved coat of arms. They measure 9'' i...

Important 12 glasses set of 1st Empire wine Cut-Glass goblets from Sainte Anne crystal factory in Voneche, 1800 - 1830 cca. The set provenance: Collection Baron Charles Jean Mauric...

A fine pair of slice and diamond cut Regency decanters.

Elegant French Empire Table Plateau in Bronze with a lovely patina. Worn in the original mirror glass. (see pictures). Made in France during the 1810s Wear consistent with age and ...