1820s Furniture

Rare pair of early 19th century porcelain wine glass coolers, circa 1820. Decorated with two medallions of miniature portraits of illustrious women o...

Large gilt bronze portico regulator clock from the Restauration period. It takes the form of an antique architecture with four smooth Corinthian columns with acanthus leaf capitals. ...

An exceptional large pair of Regency pillar and diamond cut glass and ormolu candelabra by John Blades with scolloped cut base mounted with a finely cut ce...

19th Century French Louis the XV style marble-top sideboard / server with mirror top. The server / sideboard features front inlaid design details and interior mirrored backslash. The cabinet / sideboard is in great antique condition. Very sturdy with appropriate wear consistent with age / use. Repaired marble top. The sideboard / server stands...

This finely carved and polychrome-painted wooden sculpture depicts the Immaculate Virgin Mary in a classic pose, standing atop the globe with a serpent beneath her feet — a powerful ...

Pair of Biedermeier Stools, South Germany, circa 1820 This elegant pair of Biedermeier stools originates from South Germany and dates back to around 1820. Crafted with the distinctiv...

With later black granite tops. Each Demilune shape with mahogany frieze with central diamond form brass inlay. Curved legs joining a lower conforming shelf. Square ebonized block fee...

Viennese flame birch veneered dressing table with flanking bronze eagle capitals mounted on ebony columns supporting an adjustable oval veneered framed mirror, centered drawer with b...

An extremely rare wave edge vase on a round foot with superb continuous landscape painting of a river scene with ruins and two figures, rich gilding on the upper edge, ball and foot....

What a lovely service with so many pieces. Made by the re known English factory, Spode and hand written species detailed in script to the back of each piece. This set features a rais...

This original 19th century Biedermeier Nightstand has a very pretty walnut veneer. The small cabinet has one door, behind the door is a shelf....

Hard paste porcelain with polychrome and gold leaf - iron bolt. Impasto decoration. Lovely colors. These classical form urns are clearly a pair, but not an identical pair. Each has a...

For sale this beautiful miniature blanket chest. Solid oak with Ebony details. early 19th century three panels on the front. Very nice patine on the oak wood. Hand carved. Still ...

Italian walnut mirror. Antique provincial bleached walnut mirror with later antiqued plate with clean modern classic lines. Italy, circa 1820. ...

Commemorative Staffordshire pitcher celebrating the coronation of the Prince Regent as George IV. The pitcher has a patterned field surface decoration centering on a cobalt blue circ...

This is a stunning George III Old Sheffield Plate swing handled cake/fruit basket bearing the sunburst makers marks of the world renowned silversmith Matthew Boulton, circa 1820 in d...

English porcelain gold-ground botanical patch box with Irish references, "Forget Not Erin" Motto, Attributed to Coalport, Circa 1820 This spectacular English porcelain box is of cir...

American hanging Apothecary show globe with a mounted cast iron painted and gilded eagle. Globe was filled with a colorful green or red liquid to...

Mahogany Regency period canned bench resting on casters. Provenance: estate of Barbara Allen de Kwiatkowski. This was purchased recently and will be pol...

Pair of Biedermeier chairs, Austria 1820, cherry veneer with plum wood inlays. Unique and exquisite pair of original Biedermeier chairs. Th...

Primitive Swedish stool/bench or perfect as a small sidetable. Made out of pine tree. Birth is something that we all celebrate or commemorate...

A rare and elegant marquetry Russian game table. With central floral marquetry motif and gilt bronze-mounted. Opening to reveal inset green based playing surface with marquetry inl...

19th century American Sheraton painted settee. Delicate hand stenciled leaf motif decorates the inlaid wooden chair frame. Newly upholstered in red moire fabric.

An exceptional, fine and impressive, antique George IV English sterling silver egg cruet set for three persons; part of our dining silverware collection. This exceptional antique George IV sterling silver egg cruet set consists of three egg cups and three associated spoons, displayed on a functional original purpose-made stand. The original hallmarked egg cups have a bell shaped form onto a circular spreading pedestal foot. These silver egg cups are embellished with cast and applied floral and foliate decorated borders to the upper portions, in addition to a band of leaf decoration to the each foot. The three associated hallmarked English sterling silver spoons have a plain tapering form with leaf ornamentation to the terminals. This silver cruet set is supported and displayed on the original and impressive cast sterling silver circular rounded stand, ornamented with foliate decoration. The surface of the stand bears three circular receivers enabling the egg cups to stand securely in situ; these supports alternate with integrated receivers for the three egg spoons. The receivers surmount an exceptional pedestal constructed of three putto figures stood with their arms elevated, bracing scrolling supports to the plain circular boss. The original antique stand features a central carrying handle modelled in the form of a foliate wreath. Each antique egg cup and egg spoon retains the original gilt interior. The initials displayed within the maker's marks, in addition to the standardization of the surround could pertain to a multitude of antique silversmiths; these silversmiths include William Eaton, Ellerby, Esterbrook and Eley II. In art and culture, a putto (plural: putti) is a chubby male child, usually nude and occasionally bearing wings. Condition These antique sterling silver egg cruet...

Offered here for your consideration is, A fine antique topographical porcelain cup & saucer. By Doccia porcelain manufactory circa 1820. ...

Beautiful and rare 19th-century domino set made by a prisoner of war in the 1820s. Entirely hand-carved and painted, depicting a bourgeois, young women, seascapes, bouquets of flower...

Rare, early 19th Century Antique Chinese Scholars Table Mirror/Screen from the Qing Dynasty. This collectors item is signed by the craftsman who ...

Two-door Biedermeier walnut cabinet with coffered doors and profiled cornice. The edges are set off in poplar.

Pair of English Spode porcelain botanical shell-shape dishes, circa 1820. Specimens are titled on the reverse.

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

A small Bathstone chimneypiece in the Jacobean manner. Beautiful scrolled strapwork with rose detail adorn the frieze. Scroll decoration framed within the fluted spandrel archs. Flut...

Gilt bronze cabaret decorated with water-leaf friezes, rows of pearls, the laurel-wreath grip surmounting a fluted shaft with palmettes and three bottle mounts. Resting on three mask...

A tall early 19th century French Louis XIII style jam cabinet or confiturier from Normandy, circa 1820s. Handcrafted of old growth oak with a rectangular beveled edge top over a sing...

Antique Regency 19th cent octagonal rosewood wine table, English, 1820 This is a very nice quality octagonal rosewood wine table, supported o...

This pair of early 19th century French chairs marries the elegance of walnut wood with the comfort of modern upholstery. The chairs feature a refined silhouette with gracefully curve...

An English Regency-period solid mahogany extending dining table of superb colour and figuring. Early-19th century, circa 1820. Retaining all of its original leaves of fine, well-figu...

Three step with new brown leather treads. Nice details to woodwork. Turned tapered legs.

Antique Fruit Prints by Poiteau and Turpin, Hand-Colored Botanical Engravings Description: This exquisite compilation features three antique bot...

Heading : Nantgarw porcelain teacup and saucer Date : 1818-20 Period :Regency Origin : Nantgarw, Wales. Possibly London decorated Colour : Polychrome Pattern : Three garden flower pa...

Rare wooden side / coffee butcher table in a primitive and wabi sabi style in pine wood produced in Sweden around 1820s. In good original condition. Very decorative with a lot of cha...

A teacup and saucer with milk jug in the “melted snow” shape with double drop handles, pale yellow ground with rich gilt and cobalt blue acanthus pattern and finely painted flower re...

Transport yourself to the elegance of the 19th Century with this exquisite English Sterling Silver Covered Top and Cranberry brilliant Cut Glass Pe...

This exquisite pair of armchairs features high, rounded backrests and C-shaped armrests. They stand on octagonal legs with leaf capitals and bases as well as sabre legs. The intricat...

This exquisite Biedermeier Sleigh Back Wing Chair, dating back to 1825–1830, is attributed to the esteemed architect and designer Karl Friedrich Schinkel. Originating from Berlin, th...

This is an elegant antique Regency period brass inlaid goncalo alves  chiffonier, circa 1820 in date. This magnificent cabinet has an arched shaped back and features a pair of grilled doors with powder pink silk linings that open to reveal a cupboard with a central shelf. There are two useful drawers in the frieze, the cabinet stands on elegant turned feet and the inlaid brass decoration compliments this piece beautifully. The chiffonier is equipped with the original working lock and key. Add a touch of class to a special place in your home with this beautiful antique sideboard...

Neoclassical Daybed, France 19th century Unique Neoclassical daybed, the slightly bent armrests are decorated with hand-carved decor showing a rosette in a diamond shaped field and a...

19th Century Biedermeier Miniature Chest of drawers 1820-1825, Germany Standing on conical feet miniature chest with three drawers. This piece of furniture is made of solid walnut w...

A fine pair of Neoclassical armchairs. Karelian Birch with carved details and central carved giltwood detail on the backrest.

Pair of American wrought iron and brass dome shaped hanging lanterns with decorative floral corner medallions, scroll work, and circular ring finials. Early 19th Century. Pair were o...

Royal House Antiques Royal House Antiques is delighted to offer for sale this important handmade made in England circa 1820 George IV hand carved mahogany & leather Cockfighting arm...

Elegant single chair, of the early Austrian Biedermeier period. All veneered in walnut wood, with inlays in lighter woods. As you can see from the photos, the back legs and the back...

A pair of elegant Biedermeier chairs crafted from cherrywood, featuring rectangular backrests. The chairs have been professionally restored, newly upholstered, and covered in a white...

A large Regency period antique Irish fireplace in Kilkenny marble. Usually referred to as the "Dublin Corbel" as they were typically used ther...

This set of 6 Biedermeier dining chairs has a pretty walnut veneer. The chairs stand out for their gorgeous backrest decor. They com...

Tall grey painted hanging glass cabinet in Gustavian style from circa 1820. The cabinet is in great vintage condition.    

A set of two Federal mahogany folding card tables. Handcrafted circa 1825. They are a near-identical pair with the legs varying slightly in...

Beautiful book-matched cherry veneer ans cherry solid wood. Refinished and hand polished with shellac. Dimensions: H 146 cm x B 68 cm x T 10.5 cm.

This 3 drawers chest of drawers is made of flamed mahogany. This is a French work from Louis-Philippe period. Circa 1820

Depicting an array of colorful flowers and fruit.

French Restoration Period Mahogany & leather Library chair Circa 1820s French Restauration Period 1815-1830s Mahogany Frame Open elbows with pair Carved Scroll Supports Shaped Scr...