1820s Wall Decorations

Antique Sugarcane Botanical Print – Saccharum officinarum, Hayne Plate 100 Description: This finely executed botanical engraving depicts Saccharum officinarum, the sugarcane plant, shown with scientific clarity and quiet elegance. The composition presents the full growth habit with segmented canes and flowering plume, accompanied by precise analytical details of the inflorescence and spikelets, as well as a separate cross-section of the cane. The balance between clarity and restraint is characteristic of early German academic botany at its best. The print originates from Friedrich Gottlob Hayne’s monumental work Getreue Darstellung und Beschreibung der in der Arzneykunde gebräuchlichen Gewächse, published in Berlin in the early 19th century. Hayne was one of the most important botanical authors of his time, and his work played a crucial role in standardizing the visual language of medicinal and economic botany across Europe. Each plate was engraved on copper and then carefully hand colored, combining scientific accuracy with refined aesthetic appeal. Sugarcane held enormous economic and medicinal importance in the 18th and 19th centuries, linked to global trade networks, colonial agriculture, and the production of sugar as both food and pharmaceutical ingredient. As such, this plate carries strong historical resonance beyond its botanical subject, appealing equally to collectors of natural history, economic botany, and early scientific illustration. Visually, the print works exceptionally well as a stand-alone sheet. The calm composition, generous margins, and soft hand coloring make it particularly attractive for interior settings, from classic libraries to contemporary spaces where natural history prints are used as architectural accents. Condition report: Good antique condition. Light, even age toning to the paper consistent with age. Minor surface marks and soft handling wear visible on close inspection. Plate impression visible. No major tears or losses. Framing tips: This print benefits from a wide mat to emphasize its scientific elegance. Recommended combinations include a black or dark walnut frame with an ivory or parchment mat for a classic look, or a slim natural oak frame with an off-white mat for a lighter, contemporary presentation. Avoid overly dark mats, which can overpower the delicate hand coloring. Technique: Copper engraving with original hand coloring Maker: Friedrich Gottlob Hayne, Berlin, early 19th century Keywords: antique botanical print, sugarcane print, sugar cane botanical, saccharum officinarum, antique plant illustration, hand colored botanical, 19th century botanical print, natural history wall art, framed botanical print, antique agricultural print, economic botany illustration, tropical plant artwork, colonial trade decor, kitchen botanical wall art...

A finely painted early 19th century Russian Orthodox icon, Saint Nicholas of Myra, circa 1820. This traditional Russian icon is finely painted with egg tempera paint and gesso on a l...

Austrian Grenz Regiment Soldiers in the Field, Early 19th Century Detailed description: This hand-colored lithograph, likely created in the early 1820s, features soldiers from the ...

Botanical Brilliance: Edward Dalton Smith’s Copperplate Engravings 1829 This exquisite pair of hand-colored copperplate engravings represents the precision and artistry of the celeb...

Pair of Hand-Colored Botanical Engravings of Decorative Garden Flowers, London 1828 Description: This exquisite pair of early 19th-century botanical engravings showcases the grace a...

Pair of Hand-Colored Botanical Engravings of Garden Flowers, London 1828 Description: This beautifully preserved pair of early 19th-century botanical engravings exemplifies the arti...

Antique 1828 Satirical Print When First I Saw Thee Graceful Move Hand-Colored This engaging and humorous hand-colored etching is titled 'When First I Saw Thee Graceful Move' and was...

Title: Pair of Hand-Colored Botanical Engravings of Wild and Cultivated Flowers, London 1828 Description: This vibrant pair of early 19th-century botanical engravings exemplifies th...

A finely executed Biedermeier oil painting from the 1820s, depicting a tranquil hunting scene with two dogs. Painted with meticulous detail, the composition captures the animals in a...

Regency period Sampler, stitched in 1825, by Emily White. The sampler is worked in silk threads on a linen ground, mainly in cross stitch. Meandering floral border. Colours green, co...

Title: Lilium speciosum (Elegant Lily) – Hand-Colored Botanical Engraving by Desmares, circa 1825 Description: This exquisite hand-colored copperplate engraving features Lilium sp...

Antique American Needlework Sampler by Maria Morris, 1827, a needlework sampler on linen panel having alphabet and numerals, above a religi...

Danish mangle board (clothing and bedding press) dated 1823. Made of wood with hand-carved edge and horse as handle. Richly decorated with hand-painted flowers in orange-brown, blue...

Italian Regional Costumes: Sarzana, Sesto, Rome and Florence, 1823 This hand-colored lithograph presents six detailed bust portraits of Italian women dressed in traditional regional...

Lovely painted picture frame Great piece of folk art Original paint. Painted on pine. The measurement given below is the outside of the frame Internally it measures 9.75 x 8.25 i...

Pair of Italian gilt carved wood, gesso, and painted hanging wall cherubs . Early 19th Century.

Wonderful pair of botanical prints Lithographs after drawings by W.Herbert Original hand color Published by S.Curtis. Dated 1826 Unframed. Free shipping

Pair of Hand-Colored Botanical Engravings of Spring Flowers, London 1828 This elegant pair of early 19th-century botanical engravings captures the charm and precision of British bot...

Flamingo & Swan – Antique hand-coloured lithograph, c.1828 Description: A graceful early 19th-century ornithological plate depicting two elegant waterbirds: the Flamingo (Le Flamand...

Wonderful pair of cactus prints. Lithographs Original hand color Published by S.Curtis. Dated 1826 Unframed.

The Antiquaries – Boilly Satire on Collectors, Hand-Colored, c.1823 Description: The Antiquaries is one of Boilly’s most enduringly popular compositions, portraying a group of elder...

Pair of Italian carved wood painted and gilt wall brackets with scrolled floral and tassel arms supporting upper shelf. Early 19th Century

Handcolored Copperplate Engraving of Cashmere Goats and Sheep, Friedrich Johann Bertuch, 1823 This is an exquisite handcolored copperplate engraving depicting a group of Cashmere go...

Antique print titled 'Interior of the late Theatre Royal Drury Lane (..)'. Old print of the Theatre Royal, Drury Lane, as it was between 1794 and 1809 showing the tiers of boxes stage left and the chandelier-lit auditorium with a small party of visitors standing in one of the boxes, as if being shown around. The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially known as "Theatre Royal in Bridges Street", the theatre's proprietors hired prominent actors who performed at the theatre on a regular basis, including Nell Gwyn...

Great map of Europe Drawn under the direction of Arrowsmith. Copper-plate engraving. Published by Longman, Hurst, Rees, Orme and Brown, 1820 ...

Antique Fruit Prints by Poiteau and Turpin, Hand-Colored Botanical Engravings Description: This exquisite compilation features three antique bot...

Fine Scottish silk-on-linen sampler worked by Elizabeth Muir, aged 13 years, Burton, September 8, circa 1822, of East Lothian parish, featuring alphabet and number panels above paren...

Wonderful prints of Regency furniture Aquatints with original color. From Ackermann's Repository. 3 dated 1825. One dated 1810 Unframed.

Pair of Hand-Colored Botanical Engravings of Garden Flowers, London 1828 Description: This beautifully preserved pair of early 19th-century botanical engravings exemplifies the arti...

A lovely naive portrait of a young girl Interesting provenance on the verso Watercolour on paper. Condition report- Some surface loss, foxing and a tiny hole top left Presented ...

Pair of Hand-Colored Botanical Engravings of Flowering Plants, London 1828 This graceful pair of early 19th-century botanical engravings captures the refinement and scientific curio...

Pair of Hand-Colored Botanical Engravings of Garden Flowers, London 1828 This refined pair of early 19th-century botanical engravings represents the artistic and scientific excellen...

Title: Roman Carnival Costumes & Festivity - 1820 Etching of Celebration Description: This lively 1820 etching, titled "Carnival at Rome," captures the vibrant spirit of a Roman car...

Pair of Cast Bronze bass relief early 19thC by Bertel Thorvaldsen 1824. One retains original paper label "Thorvaldsen The Seven Ages of Love" The other a Bacchanalian scene Origina...

Antique 1828 Satirical Print A Fool to Pleasure Yet a Slave to Fame Hand-Colored This hand-colored etching titled *A Fool to Pleasure Yet a Slave to Fame* was published in 1828 as p...

Portrait of Friedrich Wilhelm II, King of Prussia, circa 1810–1825 This finely executed antique print presents a distinguished profile portrait of Friedrich Wilhelm II (1744–1797), ...

A refined Flemish painting from the first half of the 19th century. Oil on canvas artwork depicting Salome with the head of Saint John the Baptist. Based on a famous invention by Mat...

Title: Botanical Print: Mirabelle, St. Catherine, White Plum & Apricot, 1821 Description: This beautiful botanical print features four varieties of European stone fruits: the Mirabe...

Antique Print - Plaza de Mayo, Buenos Aires, 1820s - Jules Ferrario This historically rich print, titled "Plaza de Mayo, Buenos Aires," originates from Jules Ferrario's renowned series "Le Costume Ancien et Moderne," specifically from Volume II, plate 2. The print offers a captivating depiction of the Plaza de Mayo, one of the most significant public squares in Buenos Aires, Argentina. It beautifully captures the essence of the plaza during the early 19th century, featuring local inhabitants engaged in daily activities, architectural landmarks, and a dynamic urban atmosphere. The intricate detailing and careful hand coloring enhance the visual impact, providing a window into the architectural and social fabric of Buenos Aires during this period. This piece is invaluable for collectors interested in South American history, urban landscapes, and antique lithography. It not only serves as a decorative artwork but also as an important document that highlights the urban development and cultural milieu of Buenos Aires in the early 1800s. It remains in good condition, with colors that have retained their depth and vibrancy, making it a prized addition to any collection of historical prints. In more detail: Line & aquatint etching with original hand colouring on wove (vellin) paper. From: ‘Il Costume Antico e Moderno …, l’America.’ , by Giulio Ferrario, published in Milan in 17 volumes (first issue), published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. This Italian volume has the date 1821. The second issue was published in 21 volumes in 1827. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide including van Humboldt, von Wied etc. Made by ‘D.K. Bonatti’ after ‘Giulio Ferrario’. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson...

English porcelain plaque, circa 1825.

Traditional Headwear from Assisi, Naples, Viterbo, and Beyond – 1823 Print This charming hand-colored lithograph, labeled “No. 2,” is part of a series documenting traditional European costumes, focusing here on regional female headwear. Published in London on December 1, 1823, by Baldwin, Cradock & Joy, it was designed for an English audience eager to explore the rich cultural diversity of the Continent through costume. The print features six finely rendered bust-length portraits of women from different locations in Italy and France, each showcasing distinctive regional headwear. Their names are labeled beneath each figure: Assisi, Near Naples, Vallestirna, Lyon, Meaux, and Viterbo. The woman from Assisi wears a delicate lace veil structured in a geometric latticework over her head, with a red flower tucked near her ear and golden hoop earrings adding warmth. Center top, the figure from Near Naples is seen from behind, with her hair elegantly coiled and secured by a horizontal golden pin, finished with blue and red shoulder ribbons—an unusual rear view that highlights hair arrangement and ornament. The woman from Vallestirna dons a sharply folded white headdress with decorative red and blue shoulder ties and pendant earrings. Her appearance is modest, yet festive. In contrast, the figure from Lyon (bottom left) is depicted in one of the most dramatic regional costumes, wearing a sculptural headdress resembling a bishop’s mitre, paired with a heavy cross pendant and ochre dress...

1823 Hand-Coloured Engraving - Gauchos Lassoing Cattle in Buenos Aires, Argentina Description: This 1823 hand-coloured copperplate engraving from Friedrich Johann Bertuch's "Bilderb...

A fine & large antique Russian Orthodox icon, circa 1820. This large antique Russian icon painted with egg tempera on wooden panel, depicts the "True Cross" to the center with S...

Elegant Plaque in cast iron. Swedish King Karl XVI Johan as a Roman General from the 1820s. Made by Finspång Bruk in Östergötland, Sweden Wear consistent with age and use

A horizontal port-scape on a large river with sailing vessels and numerous buildings with a mountainous terrain in the background, retaining period giltwood frame

Wonderful 1820's needlepoint by 12 year-old Ellen Roberts (American, b. 1817 - ?) of New York with flower boarder and quote: Count that day lost whose low descending sun. ...

Top of the line carving to this highly detailed American eagle themed gold gilt Federal wall bracket; with acanthus leave side drops; a diamond shaped fretwork backdrop; the eagle re...

Antique print titled 'Het Opperhoofd der Botocoedos Kerengnatnuck en zyn gezin'. Original antique print of a Botocudo chief with his family. Botocudo are South American Indian pe...

Title: Dacelo Gigantea Better know as the Laughing Kookaburra, by Shaw 1825. In eastern Australia, the raucous cackle of the Laughing Kookaburra is an...

The Road 1825: ‘Commercial Traveller’ — A Large Hand-Coloured Aquatint After Owen Bailey; published in London, Circa 1825–1830 A particularly large and imposing hand-coloured aquati...

Italian gilt and painted oval dressing - shaving mirror with decorative scrolled floral cartouche, flanking bell flowers, interior decorative lambs tongue frame resting on acanthus carved step back...

Early 19th century German cow painting doe board Beautiful colorsand gilt frame

Pair of Hand-Colored Botanical Engravings of Roses and Spring Flowers, London 1828 This charming pair of early 19th-century botanical engravings exemplifies the grace and precision ...

Title: Pair of Hand-Colored Botanical Engravings of Wild and Garden Flowers, London 1828 Description: This charming pair of early 19th-century botanical engravings reflects the refi...

Title: Pair of Hand-Colored Botanical Engravings of Ornamental Flowers, London 1828 Description: This striking pair of early 19th-century botanical engravings offers a vivid glimpse...

Pair of Hand-Colored Botanical Engravings of Garden Flowers, London 1828 Description: This elegant pair of early 19th-century botanical engravings beautifully illustrates the spirit...

Regency Sampler, 1825, by Mary Walter. The sampler is worked in silk threads on a linen ground, mainly in cross stitch. Meandering strawberry border. Colours green, dark brown, white...

Old solid iron stove, it is a very old stove is unknown the origin and manufacture, has slight details for the antiquity. It is very heavy and solid.

Royal House Antiques Royal House Antiques is delighted to offer for sale this rather stunning, antique 1820's Georgian Silk & Wool work, Stumpwork style...

Regency Sampler, 1824, by Eliza Brewster. The sampler is worked in silk on a linen ground, mainly in cross stitch. Meandering floral border. Colours green, red, brown, gold, silver, blue and pink. Verse reads, 'Let me be wise in Youth, O Lord that so, I safe may tread the way, I ought to go. Lead me and teach me what, Is right and just, And in thy help O GOD, To place my trust.'. Signed and dated, 'Eliza Brewster Finish'd this Sampler June 18...