1820s Wall Decorations

A rare original large folio size hand-colored etching, plate # 2 in Audubon's "Birds of North America." This is a rare printing of a first edition by Lizars. Only 50 copies of the fi...

Title: Industrial Panorama: Nottingham, England in the 19th Century Description: This finely engraved and subtly hand-colored print depicts a 19th-century view of Nottingham, Engl...

Great map of Central America. Drawn under the direction of Arrowsmith. Copper-plate engraving. Published by Longman, Hurst, Rees, Orme and Brown, 1820 Unframed.

Antique horse print titled 'Plate 5th Courage, dedicated by permission to his most Gracious Majesty George the Fourth (..)'. Artists and Engravers: In 1827, British artist Henry Barnard Chalon (1770-1849), designed and lithographed a portfolio of six prints illustrating the “passions” of horses. Chalon had been appointed animal painter to the Duchess of York...

An impressively scaled copperplate engraving on laid paper of the Pyramid of Cestius in Rome which is the tomb for Caius Cestius. It is built of brick faced with marble and like othe...

Handcolored Copperplate Engraving of Cashmere Goats and Sheep, Friedrich Johann Bertuch, 1823 This is an exquisite handcolored copperplate engraving depicting a group of Cashmere go...

Antique map titled 'Essai sur la Geographie de l'Ile Timor.' A map showing Timor and the surrounding nearby islands (Floris, Sabrao, Solor, Lomblem, Panter, Ombai and Wetter. Wit...

Antique print titled "Danze de' Chiliesi" (Dance of the Chileans), from the historical work "Il Costume Antico e Moderno" by Giulio Ferrario. The print, created in 1821, showcases a traditional Chilean dance, vividly captured in line and aquatint etching with original hand coloring on wove (vellin) paper. The scene depicts a group of Chilean dancers in a circular formation, engaging in a traditional dance. The dancers are adorned in colorful attire, featuring breechcloths, leggings, and vibrant headdresses with feathers, which reflect their cultural heritage and the festive nature of the dance. The setting is outdoors, possibly during a community celebration or ritual, indicated by the natural backdrop and the casual yet organized arrangement of the figures. Cultural and Historical Significance This print is significant as it provides a visual documentation of Chilean cultural practices from the early 19th century, emphasizing the traditional dances that were an integral part of community gatherings and celebrations. The artwork, by C. Bramati and Paolo Fumagalli after designs by Giulio Ferrario, is part of a larger series that aimed to capture the costumes and customs of people around the world, offering insights into the diversity of cultural expressions during a time of burgeoning global awareness. The detailed depiction not only highlights the dance but also serves as an ethnographic record, preserving aspects of Chilean culture that might have evolved or faded over time. This work, along with others in the series, was widely distributed and appreciated for its educational and artistic value, making significant contributions to the understanding of global cultural heritage in the 19th century. ‘Tavole XXVIII. Danze de’ Chiliesi.’ Line & aquatint etching with original hand colouring on wove (vellin) paper. Sheet size: 33 x 23,5 cm. (13 x 9,3 inch). Image size: 21 x 15,5 cm. (8,3 x 6,1 inch). In more detail: From: ‘Il Costume Antico e Moderno …, l’America.’ , by Giulio Ferrario, published in Milan in 17 volumes (first issue), published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. This Italian volume has the date 1821. The second issue was published in 21 volumes in 1827. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide including van Humboldt, von Wied etc. Made by ‘C. Bramati and Paola Fumagalli’ after ‘Giulio Ferrario’. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson...

Antique 1828 Hand-Colored Satirical Print Great Skills Have They in Palmistry This charming and humorous hand-colored etching is titled Great Skills Have They in Palmistry and was p...

The print is from "Il Costume Antico e Moderno" by Giulio Ferrario, specifically depicting the "Le Lullunge" feast in Senegambia. This festival is illustrated as part of the extensive series detailing the customs, costumes, and daily life of people from different parts of the world. The illustration captures a lively and culturally significant dance that forms part of the "Le Lullunge" celebrations, showcasing traditional attire and communal participation, which are central to the event in Senegambian culture. The illustration not only serves as a vibrant representation of the dance and celebration but also as an ethnographic record from the early 19th century, emphasizing the richness of Senegambian traditions. The term "Senegambia" historically referred to a region in West Africa that encompassed parts of what are today known as Senegal and The Gambia. This area is known for its rich cultural heritage, including vibrant festivals and communal celebrations like the one depicted in the illustration. The "Le Lullunge" feast, as illustrated in Giulio Ferrario's "Il Costume Antico e Moderno," captures the traditional dances and social practices of the peoples in this West African region. This original antique hand-colored print depicts a vibrant scene of Native African dance, possibly part of a ceremonial or ritualistic activity. The individuals are animatedly engaged in dance, with their limbs dynamically positioned, suggesting vigorous movement. Each figure is adorned with elaborate feathered headdresses and carries feathers or other items as part of their dance. These accessories likely have cultural significance, possibly denoting status, role in the ceremony, or spiritual symbolism. The attire of the dancers is simple yet functional for their vigorous activity, consisting of skirts that allow for ease of movement. Their outfits are decorated with additional elements that may indicate tribal affiliation or personal achievement. The dancers are barefoot, connecting them physically and symbolically to the earth, which is a common aspect in many African cultural practices emphasizing a connection to nature. The setting of the dance is outdoors, under a large tree, indicating the importance of natural surroundings for the event. This could be a communal gathering place, chosen for its significance within their community or for its natural beauty and tranquility. Overall, this image captures a moment of cultural expression, highlighting the importance of dance in Native African traditions as a form of communication, celebration, or spiritual practice. The detail and color used in the depiction aim to convey the vibrancy and energy of the scene, reflecting the artist’s perspective on these cultural practices. In more detail: From: ‘Il Costume Antico e Moderno …, l’America.’ , by Giulio Ferrario, published in Milan in 21 volumes by Antonio Fortunato Stella in 1827 (first edition, second issue). The 17 volumes of the first issue were published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide. Made by ‘Gallo Gallina’ after ‘Giulio Ferrario’. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson...

Title: Lilium speciosum (Elegant Lily) – Hand-Colored Botanical Engraving by Desmares, circa 1825 Description: This exquisite hand-colored copperplate engraving features Lilium sp...

Explore the enchanting beauty of a 19th-century gouache painting depicting the breathtaking Gulf of Naples in Italy. This exquisite artwork, crafted with the opaque watercolor mediu...

Antique horse print titled 'Plate 2nd Love, dedicated by permission to his most Gracious Majesty George the Fourth (..)'. Artists and Engravers: In 1827, British artist Henry Barnard Chalon (1770-1849), designed and lithographed a portfolio of six prints illustrating the “passions” of horses. Chalon had been appointed animal painter to the Duchess of York...

Great map of Hungary Drawn under the direction of Arrowsmith. Copper-plate engraving. Published by Longman, Hurst, Rees, Orme and Brown, 1820 Unframed.

Antique Print - Plaza de Mayo, Buenos Aires, 1820s - Jules Ferrario This historically rich print, titled "Plaza de Mayo, Buenos Aires," originates from Jules Ferrario's renowned series "Le Costume Ancien et Moderne," specifically from Volume II, plate 2. The print offers a captivating depiction of the Plaza de Mayo, one of the most significant public squares in Buenos Aires, Argentina. It beautifully captures the essence of the plaza during the early 19th century, featuring local inhabitants engaged in daily activities, architectural landmarks, and a dynamic urban atmosphere. The intricate detailing and careful hand coloring enhance the visual impact, providing a window into the architectural and social fabric of Buenos Aires during this period. This piece is invaluable for collectors interested in South American history, urban landscapes, and antique lithography. It not only serves as a decorative artwork but also as an important document that highlights the urban development and cultural milieu of Buenos Aires in the early 1800s. It remains in good condition, with colors that have retained their depth and vibrancy, making it a prized addition to any collection of historical prints. In more detail: Line & aquatint etching with original hand colouring on wove (vellin) paper. From: ‘Il Costume Antico e Moderno …, l’America.’ , by Giulio Ferrario, published in Milan in 17 volumes (first issue), published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. This Italian volume has the date 1821. The second issue was published in 21 volumes in 1827. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide including van Humboldt, von Wied etc. Made by ‘D.K. Bonatti’ after ‘Giulio Ferrario’. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson...

Title: "Detailed Botanical Study of Persicaria bistorta (Common Bistort)" Description: This hand-colored copperplate engraving, created by F. Guimpel, illustrates the Persicaria bi...

1829 Sampler made by Elizabeth Ann Edmonds in period frame, English. An attractive George IV silk stitched sampler on fine background. Exquisite tiny stitches present a religious poe...

This image is an illustration depicting a traditional scene or ceremony. The caption on the side reads "Costumi Caratteristici" which translates from Italian to "Characteristic Custo...

William Roscoe Botanical Large Print, Curcuma Aeruginosa, Monandrian Plants of the Order Scitamineae, 1828 From a set of four -sold individually. A spectacularly large and beautifu...

Regency period Sampler, stitched in 1825, by Emily White. The sampler is worked in silk threads on a linen ground, mainly in cross stitch. Meandering floral border. Colours green, co...

Elegant Plaque in cast iron. Swedish King Karl XVI Johan as a Roman General from the 1820s. Made by Finspång Bruk in Östergötland, Sweden Wear consistent with age and use

This is an hand-colored illustration of an officer from the King's German Legion, specifically the 3rd Hussar Regiment, also known as the Duke of Cambrid...

Large original hand-colored antique ornithological print made by Selby and published around 1826. The print from Prideaux John Selby's "Il...

Antique print titled '1. Echinus verticillatus 2. Echinoneus semilunaris (..)'. Old print of the sand dollar and other sea urchins. This print originates from 'Iconographie du rè...

Isaac Titsingh, Bijzonderheden van Japan. Het huwelijksprotocol uitgebeeld. This print is from a work of Titsingh, who had a long and successful career in Asia. It shows the cere...

Antique print, titled: 'Ile Timor. Vue prise aux Environs de Coupang.' - ('Timor Island. View taken near Coupang'). Source: 'Voyage autour du monde sur les corvettes Uranie et la Phy...

This print is an old-colored lithography by Carl Wilhelm Hahn from around 1820 and it's listed in Nissen's bibliographic catalog of zoological books,...

Large original hand-colored antique ornithological print made by Selby and published around 1826. The image is a colored etching from "Ill...

This engraving is from Prideaux John Selby's "Illustrations of British Ornithology," depicting two species of plovers. It shows the Ring Plover in two different stages of life—adult ...

Large original hand-colored antique ornithological print made by Selby and published around 1826. The text identifies the species depicted i...

This print is an old-colored lithography by Carl Wilhelm Hahn from around 1820 and it's listed in Nissen's bibliographic catalog of zoological books,...

Large original hand-colored antique ornithological print made by Selby and published around 1826. This particular print from Prideaux John...

Large original hand-colored antique ornithological print made by Selby and published around 1826. This engraving is an exquisite print fro...

This original antique engraving features a pair of Dippers, also known as water ouzels, which are small, stout, aquatic songbirds. This print from Prideaux John Selby's "Illustration...

Antique print titled 'Het Opperhoofd der Botocoedos Kerengnatnuck en zyn gezin'. Original antique print of a Botocudo chief with his family. Botocudo are South American Indian pe...

This attractive map of Massachusetts presents a finely detailed overview of the state in the first quarter of the 19th century. Transportation ...

Early 19 th c 1820 pair of oil on canvas still life quality paintings, European, style of Bogdani. Overall even craquellure, professionally conserved.

Antique print titled 'Arch of Titus'. Large aquatint of the Arch of Titus'. The Arch of Titus is a 1st-century AD honorific arch, located on the Via ...

Copperplate engraving printed on paper, after the portrait by John Jarvis of Commodore Stephen Decatur. Framed in a Rosewood veneered molding with gilt bezel. Circa 1825.

Antique horse print titled 'Plate 4th Affection, dedicated by permission to his most Gracious Majesty George the Fourth (..)'. Artists and Engravers: In 1827, British artist Henry Barnard Chalon (1770-1849), designed and lithographed a portfolio of six prints illustrating the “passions” of horses. Chalon had been appointed animal painter to the Duchess of York...

Early 19th Century Chinese Silk Embroidery ( 3' x 3'7" - 91 x 110 )

Antique horse print titled 'Plate 1st Rage & Agony, dedicated by permission to his most Gracious Majesty George the Fourth (..)'. Artists and Engravers: In 1827, British artist Henry Barnard Chalon (1770-1849), designed and lithographed a portfolio of six prints illustrating the “passions” of horses. Chalon had been appointed animal painter to the Duchess of York...

Antique print titled 'Les Patineurs'. Old lithograph of an ice skating scene made after a painting by Xavier Leprince. Artists and Engravers: L...

Antique print titled 'Interior of the late Theatre Royal Drury Lane (..)'. Old print of the Theatre Royal, Drury Lane, as it was between 1794 and 1809 showing the tiers of boxes stage left and the chandelier-lit auditorium with a small party of visitors standing in one of the boxes, as if being shown around. The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially known as "Theatre Royal in Bridges Street", the theatre's proprietors hired prominent actors who performed at the theatre on a regular basis, including Nell Gwyn...

A antique print depicting a 'Wolliger Kanguruh' (a kangaroo) and a 'Iavanisches Schuppenthier' (a Pangolin, a scaly anteater) from a German publication around 1825-1830. Heinri...

American engraving of Commodore Stephen Decatur printed on laid paper. Decatur was the naval hero of the War of 1812 and the Battle of Tripoli. His house is a National Historic Site ...

Antique print titled 'Survey of Winter Harbour Melville Island, June 1820'. Chart of the bay or harbor on Melville Island where William Parry's expedit...

Title: Carte geographique, statistique et historique de la Pensylvanie. Beautiful Hand-Colored 1825 French Map of Pennsylvania, with a List of Prominent Rivers, Descriptions of Mountains, Climate and Government as well as a list of Colonial and post-American Revolution Governors Produced by: J. Carez in Paris. (1825) Hand colored engraved map. Relief shown by hachures. Text and tables at sides and bottom. Prime meridians: Washington and Paris. A very interesting 1825 French hand-colored map of Pennsylvania from Lucas' 1822 map, which breaks down county populations by Whites and Free Blacks. "Carte Geographique, Statistique et Historique de la Pensylvanie" Originally published in 1822 by Carey and Lea and then revised and republished in 1825 by J. A. C. Buchon (1791-1846 ) in a French edition entitled Atlas Geographique des Deux Ameriques, printed by J. Carez. Fielding Lucas, Jr. (1781-1854), a Baltimore mapmaker and publisher, drew the map. original hand-coloring. Shown on the map are parts of Maryland, Delaware, New York and New jersey. Printed on the same page as the map is geographical, statistical, and historical information about Pennsylvania, such as descriptions of the state's important rivers, a list of Governors since its founding as well as important French and Indian...

Antique print, titled: 'Coupang: Ile Timor. Divers Costumes.' - ('Coupang, Timor Island. Various costumes'). Three figures in the native dress of the Indonesian island Timor. A y...

Antique Sampler, 1821, by Susanna Farrow. The sampler is worked in silk on a linen ground, mainly in cross stitch. Meandering strawberry border. Colour...

Antique map titled 'Plan du Détroit de Madura'. Detailed map of the Madura Strait in Indonesia. The eastern part of the island Java with the city of Gresik and the western part o...

Antique print titled 'Chinoise de Qualité'. Old print of a Chinese lady holding a bird, China. Also shows pagodas. Source unknown, to be determined. Artists and Engravers: An...

Antique print, titled: 'Vue du Tombeau de Raja de Taybeno, sur l'Ile Timor.' - ('View of the Tomb of the Raja of Taybeno on the island Timor'). View of the tomb, adorned with the VOC (Dutch East Indies Company...

Untitled print depicting an Arabian / Muslim Imam and other men. This print originates from 'Il Costume Antico e Moderno ...' , by Giulio Ferrario, published in Milan in 21 volumes by Antonio Fortunato Stella in 1827 (first edition, second issue). The 17 volumes of the first issue were published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Artists and Engravers: Giulio Ferrario was founder of the 'Societa Tipografica de Classici Italiani' and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina...

Antique print, titled: 'Ile Timor. Vue de notre Premier Debarquement a l'Etablissement Portugais de Dille.' - ('Timor Island. View of our first disembarkation at the Portugese se...

Description: Antique map titled 'Europäisches Russland'. Two individuel sheets, joined together they depict Russia in Europe. These maps originate from 'Stielers Handatlas'. Publis...

Antique print titled 'Het Kasteel Kroonenburg, gezien uit het Kattegat'. View of Kronborg Castle, Seeland, Denmark. This print originates from 'Denemarken in tafereelen' by Andre...

Maker: Sams, W. (1793-1842). Title: "Distribution of Wine on the Morning of St. Louis." Handcolored etching and aquatint from W. SAMS, A Tour through Paris (1822-1824), with ...