1820s Wall Decorations

Title: Industrial Panorama: Nottingham, England in the 19th Century Description: This finely engraved and subtly hand-colored print depicts a 19th-century view of Nottingham, Engl...

Early 19th Century Seascape by Thomas Buttersworth (English: 1768 - 1842), circa 1820, an oil on canvas view of a ship, brig and small craft in the English Channel off the Cliffs of ...

Antique print titled 'Caroline Ferdinande Louise Duchesse de Berry'. Lithograph of Marie-Caroline de Bourbon-Sicile, duchesse de Berry, an Italian princess...

Handcolored Copperplate Engraving of Cashmere Goats and Sheep, Friedrich Johann Bertuch, 1823 This is an exquisite handcolored copperplate engraving depicting a group of Cashmere go...

Antique map titled 'Plan du Détroit de Madura'. Detailed map of the Madura Strait in Indonesia. The eastern part of the island Java with the city of Gresik and the western part o...

Untitled print depicting Arab men and women praying towards Mecca. This print originates from 'Il Costume Antico e Moderno ...' , by Giulio Ferrario, published in Milan in 21 volumes by Antonio Fortunato Stella in 1827 (first edition, second issue). The 17 volumes of the first issue were published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Artists and Engravers: Giulio Ferrario was founder of the 'Societa Tipografica de Classici Italiani' and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina...

Traditional Costumes from Frascati, Perugia, Albano and Monastic Orders – 1823 This hand-colored lithograph, labeled “No. 4,” continues the beautifully detailed series of European c...

Funeral Procession in Rome with Hooded Figures and Clergy, London 1820 This remarkable hand-colored print, titled “A Funeral Procession in Rome,” offers an evocative portrayal of a traditional Roman Catholic funeral rite in early 19th-century Italy. Drawn by the artist K. Brodtmann in 1820 and published by William Sams in London, this lithograph provides a vivid, carefully staged glimpse into a deeply ceremonial aspect of Roman religious life. At the center of the composition is the coffin, ornately draped and carried on a litter adorned with tall white candles. Hooded penitents in long white robes, known as *confratelli*, process solemnly in front of and behind the bier. These members of religious brotherhoods, identifiable by their distinctive pointed hoods and blue cord sashes, traditionally took part in such rituals of public devotion and mourning. Behind them follows a group of clergy in white surplices and black cassocks. One priest stands out in an elaborate gold-embroidered chasuble, emphasizing his seniority or special role in the rite. To the right, more acolytes and a hooded standard-bearer carrying a religious banner complete the scene. At the far left, a layman hefts a large wooden cross...

Street Musicians in Rome with Mandolin and Fiddle, London 1824 This hand-colored lithograph, titled “Street Musicians, Rome,” captures a vibrant and theatrical moment of everyday li...

Harness Print: Traditional Mule and Oxen Tack in Italy, 1820s Hand-Colored Engraving This fascinating hand-colored engraving, titled *Harness of the Mule & Oxen in Italy*, presents ...

Genre Scene Print: A Letter Writer in Rome, 1820s Hand-Colored Engraving This delightful hand-colored engraving, titled *A Letter Writer, Rome*, captures a charming and now-vanished...

Great map of China Drawn under the direction of Arrowsmith Copper-plate engraving Published by Longman, Hurst, Rees, Orme and Brown, 1820 Unfr...

Agricultural Print: Ploughing in the Campagna di Roma, 1820s Hand-Colored Engraving This engaging hand-colored engraving, titled "Ploughing in the Campagna di Roma," captures the qu...

Costume Print: Roman Butcher at Work, 1820s Hand-Colored Engraving This evocative hand-colored engraving, titled "Roman Butcher," offers a fascinating glimpse into daily life in 19t...

Title: Botanical Print: Mirabelle, St. Catherine, White Plum & Apricot, 1821 Description: This beautiful botanical print features four varieties of European stone fruits: the Mirabe...

Charming 1828 Botanical Illustration of Pink Wood-Sorrel – A Delightful Antique Floral Print This illustration is from a botanical series likely...

Royal House Antiques Royal House Antiques is delighted to offer for sale this rather stunning, 1828 dated needlework sampler made during the reign of King George IV I have three ot...

Title: Antique Animal Engraving with Sloth, Armadillos and Pangolin – Early 19th Century Description: This striking early 19th-century hand-colored engraving captures a fascinating ...

Antique horse print titled 'Plate 2nd Love, dedicated by permission to his most Gracious Majesty George the Fourth (..)'. Artists and Engravers: In 1827, British artist Henry Barnard Chalon (1770-1849), designed and lithographed a portfolio of six prints illustrating the “passions” of horses. Chalon had been appointed animal painter to the Duchess of York...

Antique print titled "Danze de' Chiliesi" (Dance of the Chileans), from the historical work "Il Costume Antico e Moderno" by Giulio Ferrario. The print, created in 1821, showcases a traditional Chilean dance, vividly captured in line and aquatint etching with original hand coloring on wove (vellin) paper. The scene depicts a group of Chilean dancers in a circular formation, engaging in a traditional dance. The dancers are adorned in colorful attire, featuring breechcloths, leggings, and vibrant headdresses with feathers, which reflect their cultural heritage and the festive nature of the dance. The setting is outdoors, possibly during a community celebration or ritual, indicated by the natural backdrop and the casual yet organized arrangement of the figures. Cultural and Historical Significance This print is significant as it provides a visual documentation of Chilean cultural practices from the early 19th century, emphasizing the traditional dances that were an integral part of community gatherings and celebrations. The artwork, by C. Bramati and Paolo Fumagalli after designs by Giulio Ferrario, is part of a larger series that aimed to capture the costumes and customs of people around the world, offering insights into the diversity of cultural expressions during a time of burgeoning global awareness. The detailed depiction not only highlights the dance but also serves as an ethnographic record, preserving aspects of Chilean culture that might have evolved or faded over time. This work, along with others in the series, was widely distributed and appreciated for its educational and artistic value, making significant contributions to the understanding of global cultural heritage in the 19th century. ‘Tavole XXVIII. Danze de’ Chiliesi.’ Line & aquatint etching with original hand colouring on wove (vellin) paper. Sheet size: 33 x 23,5 cm. (13 x 9,3 inch). Image size: 21 x 15,5 cm. (8,3 x 6,1 inch). In more detail: From: ‘Il Costume Antico e Moderno …, l’America.’ , by Giulio Ferrario, published in Milan in 17 volumes (first issue), published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. This Italian volume has the date 1821. The second issue was published in 21 volumes in 1827. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide including van Humboldt, von Wied etc. Made by ‘C. Bramati and Paola Fumagalli’ after ‘Giulio Ferrario’. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson...

Title: Antique Engraving of Rodents: Hamster, Jerboa, Pocket Gopher, and Beaver - 19th Century Description: This fascinating antique engraving depicts four distinct rodent species: ...

Antique print titled '1. Echinus verticillatus 2. Echinoneus semilunaris (..)'. Old print of the sand dollar and other sea urchins. This print originates from 'Iconographie du rè...

Title: "Detailed Botanical Study of Persicaria bistorta (Common Bistort)" Description: This hand-colored copperplate engraving, created by F. Guimpel, illustrates the Persicaria bi...

Antique Print - Plaza de Mayo, Buenos Aires, 1820s - Jules Ferrario This historically rich print, titled "Plaza de Mayo, Buenos Aires," originates from Jules Ferrario's renowned series "Le Costume Ancien et Moderne," specifically from Volume II, plate 2. The print offers a captivating depiction of the Plaza de Mayo, one of the most significant public squares in Buenos Aires, Argentina. It beautifully captures the essence of the plaza during the early 19th century, featuring local inhabitants engaged in daily activities, architectural landmarks, and a dynamic urban atmosphere. The intricate detailing and careful hand coloring enhance the visual impact, providing a window into the architectural and social fabric of Buenos Aires during this period. This piece is invaluable for collectors interested in South American history, urban landscapes, and antique lithography. It not only serves as a decorative artwork but also as an important document that highlights the urban development and cultural milieu of Buenos Aires in the early 1800s. It remains in good condition, with colors that have retained their depth and vibrancy, making it a prized addition to any collection of historical prints. In more detail: Line & aquatint etching with original hand colouring on wove (vellin) paper. From: ‘Il Costume Antico e Moderno …, l’America.’ , by Giulio Ferrario, published in Milan in 17 volumes (first issue), published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. This Italian volume has the date 1821. The second issue was published in 21 volumes in 1827. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide including van Humboldt, von Wied etc. Made by ‘D.K. Bonatti’ after ‘Giulio Ferrario’. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson...

Regency Sampler, 1824, by Eliza Brewster. The sampler is worked in silk on a linen ground, mainly in cross stitch. Meandering floral border. Colours green, red, brown, gold, silver, blue and pink. Verse reads, 'Let me be wise in Youth, O Lord that so, I safe may tread the way, I ought to go. Lead me and teach me what, Is right and just, And in thy help O GOD, To place my trust.'. Signed and dated, 'Eliza Brewster Finish'd this Sampler June 18...

Title: 1829 Etching of Temple Bar in Bustling Regency London Description: This remarkable antique print portrays Temple Bar, the historic gateway that once marked the boundary betwe...

Antique print titled 'Het Opperhoofd der Botocoedos Kerengnatnuck en zyn gezin'. Original antique print of a Botocudo chief with his family. Botocudo are South American Indian pe...

Great map of Hungary Drawn under the direction of Arrowsmith. Copper-plate engraving. Published by Longman, Hurst, Rees, Orme and Brown, 1820 Unframed.

Great map of South Africa. Drawn under the direction of Arrowsmith. Copper-plate engraving. Published by Longman, Hurst, Rees, Orme and Br...

Pair of Georgian woolwork embroidered pictures of girls with their pets. Both are worked in wool threads on a silk ground, in a variety of stitches. With the girls' heads and arms ha...

Elegant Plaque in cast iron. Swedish King Karl XVI Johan as a Roman General from the 1820s. Made by Finspång Bruk in Östergötland, Sweden Wear consistent with age and use

Great map of Central America. Drawn under the direction of Arrowsmith. Copper-plate engraving. Published by Longman, Hurst, Rees, Orme and Brown, 1820 Unframed.

Large original hand-colored antique ornithological print made by Selby and published around 1826. The print from Prideaux John Selby's "Il...

A beautifully detailed print from Prideaux John Selby's "Illustrations of British Ornithology," depicting the Little Gull in various stages of plumage. The artwork features an adul...

This original antique engraving features a pair of Dippers, also known as water ouzels, which are small, stout, aquatic songbirds. This print from Prideaux John Selby's "Illustration...

Large original hand-colored antique ornithological print made by Selby and published around 1826. This engraving is an exquisite print fro...

This original lithograph is a hand-colored lithograph from the early 19th century, depicting a vibrantly colored bird identified as "Tanagra Episcopus Linn. Mus." This refers to the Blue-grey Tanager (Thraupis episcopus), a small bird found in Central and South America, known for its striking plumage which includes various shades of blue and grey. The term "Tanagra" is an older name that was historically used for this group of birds, which are now more commonly referred to as "Thraupis" in scientific nomenclature. The label "Die Pfarrelis Aertze. Mann." is more challenging to interpret, as it does not correspond to modern scientific or common names. It could be an archaic or poetic name for the bird, or possibly a transcription error. The lithograph, designated as "Iste Lieferung 3te Tafel," suggests that it is the third plate of the first installment of a series. The delicate and precise hand-coloring brings the illustration to life, highlighting the bird's detailed feather patterns and bright coloration. This piece is marked "nach der Natur gezeichnet von C.W. Hahn," indicating that Carl Wilhelm Hahn...

This print is an old-colored lithography by Carl Wilhelm Hahn from around 1820 and it's listed in Nissen's bibliographic catalog of zoological books,...

This print is an old-colored lithography by Carl Wilhelm Hahn from around 1820 and it's listed in Nissen's bibliographic catalog of zoological books,...

Large original hand-colored antique ornithological print made by Selby and published around 1826. The image is a colored etching from "Ill...

Antique horse print titled 'Plate 4th Affection, dedicated by permission to his most Gracious Majesty George the Fourth (..)'. Artists and Engravers: In 1827, British artist Henry Barnard Chalon (1770-1849), designed and lithographed a portfolio of six prints illustrating the “passions” of horses. Chalon had been appointed animal painter to the Duchess of York...

This engraving is from Prideaux John Selby's "Illustrations of British Ornithology," depicting two species of plovers. It shows the Ring Plover in two different stages of life—adult ...

Large original hand-colored antique ornithological print made by Selby and published around 1826. The text identifies the species depicted i...

Large original hand-colored antique ornithological print made by Selby and published around 1826. This particular print from Prideaux John...

Description: Antique map titled 'Europäisches Russland'. Two individuel sheets, joined together they depict Russia in Europe. These maps originate from 'Stielers Handatlas'. Publis...

Maker: Sams, W. (1793-1842). Title: "Distribution of Wine on the Morning of St. Louis." Handcolored etching and aquatint from W. SAMS, A Tour through Paris (1822-1824), with ...

Antique 1828 Hand-Colored Satirical Print Great Skills Have They in Palmistry This charming and humorous hand-colored etching is titled Great Skills Have They in Palmistry and was p...

highly specialized subject of a riding arena/academy in Venice, Italy, matted in a period giltwood frame

Copperplate engraving printed on paper, after the portrait by John Jarvis of Commodore Stephen Decatur. Framed in a Rosewood veneered molding with gilt bezel. Circa 1825.

Antique print, titled: 'Ile Timor. Vue prise aux Environs de Coupang.' - ('Timor Island. View taken near Coupang'). Source: 'Voyage autour du monde sur les corvettes Uranie et la Phy...

Antique print titled 'Les Patineurs'. Old lithograph of an ice skating scene made after a painting by Xavier Leprince. Artists and Engravers: L...

1826 Anglo-American framed sampler by Julia Rogers. Silk pictorial acrostic sampler with exquisitely worked squirrels, stags, urns & baskets of flowers...

Antique print titled 'Interior of the late Theatre Royal Drury Lane (..)'. Old print of the Theatre Royal, Drury Lane, as it was between 1794 and 1809 showing the tiers of boxes stage left and the chandelier-lit auditorium with a small party of visitors standing in one of the boxes, as if being shown around. The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially known as "Theatre Royal in Bridges Street", the theatre's proprietors hired prominent actors who performed at the theatre on a regular basis, including Nell Gwyn...

Untitled print depicting an Arabian / Muslim Imam and other men. This print originates from 'Il Costume Antico e Moderno ...' , by Giulio Ferrario, published in Milan in 21 volumes by Antonio Fortunato Stella in 1827 (first edition, second issue). The 17 volumes of the first issue were published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Artists and Engravers: Giulio Ferrario was founder of the 'Societa Tipografica de Classici Italiani' and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina...

Antique print, titled: 'Ile Timor. Vue de notre Premier Debarquement a l'Etablissement Portugais de Dille.' - ('Timor Island. View of our first disembarkation at the Portugese se...

Antique print titled 'Chinoise de Qualité'. Old print of a Chinese lady holding a bird, China. Also shows pagodas. Source unknown, to be determined. Artists and Engravers: An...

Antique print titled 'Survey of Winter Harbour Melville Island, June 1820'. Chart of the bay or harbor on Melville Island where William Parry's expedit...

Antique print, titled: 'Coupang: Ile Timor. Divers Costumes.' - ('Coupang, Timor Island. Various costumes'). Three figures in the native dress of the Indonesian island Timor. A y...

American sampler under glass with the original gilt Birdseye maple molded edge frame, Early 19th Century. Signed by maker Mary Ann Browning, Age 12.

American engraving of Commodore Stephen Decatur printed on laid paper. Decatur was the naval hero of the War of 1812 and the Battle of Tripoli. His house is a National Historic Site ...