1820s Wall Decorations

Costume Print: Italian Gestures with Traditional Dress, “Cattivo!” Series, 1820s This delightful hand-colored engraving is part of a rare and humorous series titled *Italian Gesture...

A original hand coloured copperplate engraving from George Smith’s The Cabinet-Maker and Upholsterer’s Guide published by Jones & Co, London, 1826. George Smith was upholsterer and ...

Elegant painting portrait of a lady from the first half of the 19th century. Oil on canvas artwork depicting a female half-length figure in sumptuous Baroque attire. The lady wears s...

Pair of large decorative and impressive circa 19th century Swedish baroque wooden carvings of swirling acanthus and scrolls. Painted in deep ochre colour with traces of underlying gi...

A rare original large folio size hand-colored etching, plate # 2 in Audubon's "Birds of North America." This is a rare printing of a first edition by Lizars. Only 50 copies of the fi...

American oil on board landscape of young lady standing by rabbit in foreground with the original molded pine frame and wood backing. Early 19th century.

Francois Nicholas Riss (1804-1886) Portrait of a child signed and dated center left, Riss 1829, oil on canvas, partly retouched, stretcher renewed, framed Dimensions: height 62 cm - width 50,5 cm François Nicholas Riss (1804 Moscow-1886 ibid) Born in Russia, he studied painting in Paris...

Biedermeier reverse glass painting with silhouette Portrait of a lady in a lavish robe. This fine and decorative work is almost monochrome. Only th...

Pair of French gilt wood and gesso decorative carved foliage and gadrooned hanging wall brackets, Early 19th century.

A large and rare early C19th carved heraldic panel of the Prince of Wales’s feathers, consists of 3 white ostrich feathers encircled by a gold coronet with fleur-de-lys, with a ribbo...

A beautifully painted oil on canvas of a lady, circa 1825, merged with a period gilt-wood frame.

Pair of Italian carved wood painted and gilt wall brackets with scrolled floral and tassel arms supporting upper shelf. Early 19th Century

Costume Print: Traditional Dress of Rome, 1820 Hand-Colored Engraving This charming hand-colored engraving depicts two figures in traditional dress from Rome, Italy, capturing a mom...

This is an hand-colored illustration of an officer from the King's German Legion, specifically the 3rd Hussar Regiment, also known as the Duke of Cambrid...

19th century child portrait, 1820 Beautiful 19th century child portrait in its original frame, pupil of Jean-Baptiste Greuze, certainly Jeanne Philiber...

Traditional Headwear from Italy: Turin, Rome, Subiaco and More – 1823 Print This hand-colored lithograph, marked “No. 3,” is the third plate from a striking early 19th-century series documenting traditional European costume, particularly regional headwear. Published in London on December 1, 1823, by Baldwin, Cradock & Joy, this print showcases six distinct styles worn by women across Italy, offering a comparative glimpse into local identity, ceremonial dress, and religious symbolism. At the center top is a dramatic blue hooded garment labeled “Penitent.” Worn with the face obscured, this penitential garment features a small red cross emblem, likely representing affiliation with a religious brotherhood or spiritual order. It stands out starkly from the other portraits and introduces a solemn, sacred tone. To its left, a view from behind shows a woman from “Settimo” wearing a stylized crown of hairpins radiating like a sunburst, secured by a horizontal golden bar. Below her elaborately embroidered collar, a red ribbon is neatly tied. To the right, a woman from “Turin” wears an exquisite bonnet of pleated white lace, creating a fan-like halo above her head. Her large gold cross...

Japanese Edo Period Ko-jo Mask of an Old Man, ca. 1820 Edo Period (1603-1868) DIMENSIONS: Length: 15” (with beard) Length: 8” (without beard) Height: 4” Width: 5.5” ABOUT A Japanese Edo Period (1603-1868) Ko-jo Mask of an Old Man refers to a traditional theatrical or ceremonial mask crafted during Japan’s Edo period (1603–1868). Here's a breakdown of what this object typically represents and why it's significant: The term "Ko-jo" (or Kojo) roughly translates to "old man" or "aged person" in Japanese. A Ko-jo mask often portrays the face of an elderly man, typically with exaggerated age features: deep wrinkles, sagging skin, a long nose, bushy eyebrows, and sometimes a beard. These masks are usually used in Noh, Kyogen, or folk performances, and occasionally in Shinto rituals. In Noh theater, masks are used to express character types, moods, and spiritual roles. The Ko-jo mask might represent a wise elder, a spirit of age and wisdom, or even a deity. In Kyogen, which is the comedic counterpart to Noh, old-man masks are used more playfully, often satirizing elderly characters in lighthearted scenes. The Ko-jo mask may also symbolize ancestral reverence or longevity, tying it to folk beliefs and ritual performances. Edo period masks...

Regency period Norfolk Sampler, 1828, by E A Giscard Aged 12. The sampler is worked in silk threads on a linen ground, in cross stitch and Algerian eye. Meandering strawberry and lea...

Traditional Headdresses from Italy and France: Florence, Ostia, Castà – 1823 This hand-colored lithograph, marked “No. 5,” is the fifth plate in a captivating 1823 series published in London by Baldwin, Cradock & Joy, illustrating traditional headdresses from across Europe. With a focus on Italian regional fashion, but also including a figure from Languedoc (France), the print showcases the diversity and creativity of 19th-century women's headwear in both ceremonial and everyday contexts. At upper left, a woman from Montefiascone wears a simple yet elegant white veil draped loosely over her hair and shoulders. Her scarlet sleeve ribbons and golden earring add a dash of vibrancy to an otherwise modest ensemble. In contrast, the central figure from Lariana dons one of the most dramatic headpieces on the sheet: a large, bright yellow hat embellished with blue ribbon and multiple ornamental loops. Her necklace with a red cross pendant suggests a religious or festival connection. To the upper right, the figure from Languedoc is rendered in profile wearing a striking purple bonnet with vertical ridges, trimmed with white lace, and set against a yellow collar. This French addition provides an interesting cross-cultural comparison within a primarily Italian series. The bottom row continues with a woman from Florence, shown from behind with her dark hair intricately braided and adorned with a long pink and white ribbon that drapes down her back—an emblem of grace and femininity. The central bottom figure from Ostia wears a wide-brimmed felt hat...

A lovely naive portrait of a young girl Interesting provenance on the verso Watercolour on paper. Condition report- Some surface loss, foxing and a tiny hole top left Presented ...

1820 Large Framed English Sampler by Mary Leak. A naively yet grandly conceived work of flowers, trees, animals & a verse of warning. The central 8-sid...

Costume Print of Naples Woman with Grapes, Published London 1824 This finely hand-colored print titled “Naples: A Female Costume” presents a richly detailed portrayal of a Neapolita...

Great images by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after drawings by Rowlandson. Published by Ackermann, dated 1819-1820 Some foxing to some of th...

Agricultural Print: Haycart in Rome, 1820s Hand-Colored Engraving Description: This charming hand-colored engraving, titled "Haycart – Rome," offers a picturesque glimpse into rural...

Antique print, titled: 'Ile Timor.' - ('Timor Island'). Full-length portrait of a native female from the Indonesian island Timor. Source: 'Voyage autour du monde sur les corvette...

We are delighted to offer for sale this lovely Portrait of the Infanta Margarita Teresa Juan Bautista Martínez del Mazo (Queen of Spain) A very sweet ...

Nictago Jalapa (Marvel of Peru) – Hand-Colored Botanical Engraving by Desmares, circa 1825 Description: An original hand-colored copperplate engraving of the flowering plant Nictago Jalapa, commonly known today as Mirabilis jalapa or Marvel of Peru. This elegant botanical illustration features large, vibrant leaves and trumpet-shaped blossoms in striking yellow, red, and variegated tones. The print is engraved by Desmares, as indicated by the signature "Desmares, Sc." beneath the Latin name. This plate was published in Paris by Panckoucke around 1825 as part of the renowned series "Le Jardin des Plantes: Histoire Naturelle des Plantes," an ambitious natural history project associated with the Muséum national d'Histoire naturelle. Known for its scientific accuracy and exquisite hand-coloring, the series was a landmark in early 19th-century botanical publishing. This print exemplifies the refinement of French Enlightenment-era botanical art and is ideal for collectors of antique florals, natural history prints, or early scientific illustration. Keywords: antique botanical print...

Title: Tivoli Costumes & Temple of Vesta - 1819 Etching of Italian Heritage Description: This enchanting 1819 etching, titled "Costumes of Tivoli," ...

Botanical Print: Common & Spanish Hazelnut, Le Jardin Fruitier, 1821 This captivating botanical print features two varieties of hazelnuts: the Common Hazelnut (Noisette franche) and...

Title: Roman Carnival Horse Race & Festive Corso - 1820 Etching Description: This dynamic 1820 etching, titled "Horse Race at Rome, in Carnival," vividly captures the exhilarating a...

Traditional Headwear from Assisi, Naples, Viterbo, and Beyond – 1823 Print This charming hand-colored lithograph, labeled “No. 2,” is part of a series documenting traditional European costumes, focusing here on regional female headwear. Published in London on December 1, 1823, by Baldwin, Cradock & Joy, it was designed for an English audience eager to explore the rich cultural diversity of the Continent through costume. The print features six finely rendered bust-length portraits of women from different locations in Italy and France, each showcasing distinctive regional headwear. Their names are labeled beneath each figure: Assisi, Near Naples, Vallestirna, Lyon, Meaux, and Viterbo. The woman from Assisi wears a delicate lace veil structured in a geometric latticework over her head, with a red flower tucked near her ear and golden hoop earrings adding warmth. Center top, the figure from Near Naples is seen from behind, with her hair elegantly coiled and secured by a horizontal golden pin, finished with blue and red shoulder ribbons—an unusual rear view that highlights hair arrangement and ornament. The woman from Vallestirna dons a sharply folded white headdress with decorative red and blue shoulder ties and pendant earrings. Her appearance is modest, yet festive. In contrast, the figure from Lyon (bottom left) is depicted in one of the most dramatic regional costumes, wearing a sculptural headdress resembling a bishop’s mitre, paired with a heavy cross pendant and ochre dress...

Title: Capuchin Monks & Roman Serenity - 1820 Etching of Devotion Description: This serene 1820 etching, titled "Capuchin Monks, Rome," offers a glimpse into the quiet, contemplativ...

Traditional Head Dresses of Dieppe, France – Costume Study, 1823 This hand-colored lithograph titled “Head Dresses at Dieppe” offers a refined visual study of traditional French female headdresses from the coastal town of Dieppe in Normandy. Published in London on December 1, 1823, by the well-known firm of Baldwin, Cradock & Joy, the print forms part of a broader early 19th-century fascination with regional European costume, particularly among British collectors and travel enthusiasts. The composition is striking in its simplicity and elegance. Three distinct women’s headpieces are displayed against a clean, uncluttered background, allowing their design and symbolism to speak clearly to the viewer. The headdresses are meticulously detailed and richly hand-colored, suggesting both ceremonial and regional variation. On the left, a profile view reveals a tall, conical headdress in lavender with a long, flowing veil pinned at the top. This type is reminiscent of medieval hennins and suggests local continuity in ceremonial dress. The woman wears a gold hoop earring and a striped shawl, emphasizing her social and regional identity. At center, a woman in three-quarter profile wears a fan-shaped, white headpiece with radiating pleats, secured by a decorative blue band across the crown. Her deep red shawl and golden earring contribute to a look of formal dignity, suggestive of local festivals or important social occasions. On the right, a frontal view shows a woman wearing a purple cap over a white veil that falls along the sides of her face, topped with a large gold cross...

This captivating hand-colored engraving from the 1820s, titled 'Italian Gestures', presents three figures in traditional Italian costume, each demonstrating a distinct and expressiv...

Costume Print: Italian Gestures with Traditional Dress, 1820s Hand-Colored Engraving This engaging hand-colored engraving, titled *Italian Gestures*, captures a lively moment in Ita...

Costume Print: Female of Civita Castellana, 1820 Hand-Colored Engraving This engaging hand-colored engraving depicts a woman in traditional attire from Civita Castellana, a pictures...

Isaac Titsingh, Bijzonderheden van Japan. Het huwelijksprotocol uitgebeeld. This print is from a work of Titsingh, who had a long and successful career in Asia. It shows the cere...

1823 Hand-Coloured Engraving - Gaucho Hunting Ostrich with Bolas in the Pampas Description: This 1823 hand-coloured copperplate engraving by Theodore Goetz is from Friedrich Johann...

Antique 1828 Satirical Print "The Monkey-Cupid" by Thomas Landseer — Hand-Colored Etching from Monkeyana This rare and whimsically satirical hand-colored etching titled "The Monkey-...

An early C19th pair of finely detailed gouaches, depicting unusual scenes of the bays of Naples and Sorrento. In charming light colours and excellent condition. Circa 1820. H: 45 cm...

Title: Antique Primate Engraving of a Sapajou Atèle Hybride and Macaque Domestique - 19th Century Description: This exquisite antique print captures two fascinating primate species,...

Title: Antique Primate Engraving of a Sapajou Atèle Hybride and Macaque Domestique - 19th Century Description: This exquisite antique print captures two fascinating primate species,...

Antique map titled 'Geographical, Statistical and Historical Map of Russia'. Old map of the Russian Empire, encompassed on three sides by English language text. Originates from L...

William Roscoe Botanical Large Print, Curcuma Aeruginosa, Monandrian Plants of the Order Scitamineae, 1828 From a set of four -sold individually. A spectacularly large and beautifu...

"Botanical Illustration of Sonchus oleraceus (Common Sow Thistle)" Description: This exquisite hand-colored copperplate engraving by F. Guimpel, from the early 19th century, featur...

Antique print, titled: 'Vue du Tombeau de Raja de Taybeno, sur l'Ile Timor.' - ('View of the Tomb of the Raja of Taybeno on the island Timor'). View of the tomb, adorned with the VOC (Dutch East Indies Company...

Bourbon Restoration portrait of French man. Dating from c. 1825, this handsome oil on canvas painting depicts a *homme bourgeois* displaying all the earmarks of the of the less-milit...

Title: Lilium speciosum (Elegant Lily) – Hand-Colored Botanical Engraving by Desmares, circa 1825 Description: This exquisite hand-colored copperplate engraving features Lilium sp...

Antique 1828 Satirical Print When First I Saw Thee Graceful Move Hand-Colored This engaging and humorous hand-colored etching is titled 'When First I Saw Thee Graceful Move' and was...

Antique 1828 Satirical Print The Impotence of the Uniform Hand-Colored This dramatic and humorous hand-colored etching, titled *The Impotence of the Uniform*, is part of Monkeyana, ...

Gilt-framed oil painting on board, signed "W. Mulready." Mulready was an Irish painter who worked in London, and a member of the Royal Academy, whose work today hangs in the V&A Muse...

Martynia Proboscidea (Unicorn Plant) – Hand-Colored Botanical Engraving by Desmares, circa 1825 Description: This original hand-colored copperplate engraving depicts *Martynia prob...

The print is from "Il Costume Antico e Moderno" by Giulio Ferrario, specifically depicting the "Le Lullunge" feast in Senegambia. This festival is illustrated as part of the extensive series detailing the customs, costumes, and daily life of people from different parts of the world. The illustration captures a lively and culturally significant dance that forms part of the "Le Lullunge" celebrations, showcasing traditional attire and communal participation, which are central to the event in Senegambian culture. The illustration not only serves as a vibrant representation of the dance and celebration but also as an ethnographic record from the early 19th century, emphasizing the richness of Senegambian traditions. The term "Senegambia" historically referred to a region in West Africa that encompassed parts of what are today known as Senegal and The Gambia. This area is known for its rich cultural heritage, including vibrant festivals and communal celebrations like the one depicted in the illustration. The "Le Lullunge" feast, as illustrated in Giulio Ferrario's "Il Costume Antico e Moderno," captures the traditional dances and social practices of the peoples in this West African region. This original antique hand-colored print depicts a vibrant scene of Native African dance, possibly part of a ceremonial or ritualistic activity. The individuals are animatedly engaged in dance, with their limbs dynamically positioned, suggesting vigorous movement. Each figure is adorned with elaborate feathered headdresses and carries feathers or other items as part of their dance. These accessories likely have cultural significance, possibly denoting status, role in the ceremony, or spiritual symbolism. The attire of the dancers is simple yet functional for their vigorous activity, consisting of skirts that allow for ease of movement. Their outfits are decorated with additional elements that may indicate tribal affiliation or personal achievement. The dancers are barefoot, connecting them physically and symbolically to the earth, which is a common aspect in many African cultural practices emphasizing a connection to nature. The setting of the dance is outdoors, under a large tree, indicating the importance of natural surroundings for the event. This could be a communal gathering place, chosen for its significance within their community or for its natural beauty and tranquility. Overall, this image captures a moment of cultural expression, highlighting the importance of dance in Native African traditions as a form of communication, celebration, or spiritual practice. The detail and color used in the depiction aim to convey the vibrancy and energy of the scene, reflecting the artist’s perspective on these cultural practices. In more detail: From: ‘Il Costume Antico e Moderno …, l’America.’ , by Giulio Ferrario, published in Milan in 21 volumes by Antonio Fortunato Stella in 1827 (first edition, second issue). The 17 volumes of the first issue were published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide. Made by ‘Gallo Gallina’ after ‘Giulio Ferrario’. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson...

This print from "Illustrations of British Ornithology" by Prideaux John Selby features the Little Auk in both its summer and winter plumages. The illustration captures the distinctiv...

Antique horse print titled 'Plate 5th Courage, dedicated by permission to his most Gracious Majesty George the Fourth (..)'. Artists and Engravers: In 1827, British artist Henry Barnard Chalon (1770-1849), designed and lithographed a portfolio of six prints illustrating the “passions” of horses. Chalon had been appointed animal painter to the Duchess of York...

The print is a beautifully detailed hand-colored lithograph from the early 19th century, attributed to Carl Wilhelm Hahn. It showcases the Spangled C...

1829 Sampler made by Elizabeth Ann Edmonds in period frame, English. An attractive George IV silk stitched sampler on fine background. Exquisite tiny stitches present a religious poe...

Explore the enchanting beauty of a 19th-century gouache painting depicting the breathtaking Gulf of Naples in Italy. This exquisite artwork, crafted with the opaque watercolor mediu...

Antique map titled 'Essai sur la Geographie de l'Ile Timor.' A map showing Timor and the surrounding nearby islands (Floris, Sabrao, Solor, Lomblem, Panter, Ombai and Wetter. Wit...

This attractive map of Massachusetts presents a finely detailed overview of the state in the first quarter of the 19th century. Transportation ...