1820s Decorative Objects

A fine antique Georgian Regency period tall case 8 day inlaid mahogany grandfather clock with a rocking figure of Old Father Time, by Andrew Rich of Bridgwater Somerset, circa 1820. The clock is made of the finest figured flame mahogany & inlaid with satinwood stringing, the clock hood with twin arched 'swan's neck' pediment with brass rosettes & a central brass urn shaped finial. The hood door is flanked by a pair of turned columns with gilt brass capitals & bases, the door enclosing a painted dial with gilding & floral spandrel panels. The clock having an unsul feature of a winged Old Father Time, holding his scythe he rocks backwards & forwards in unison with the pendulum. The dial with black Roman numerals and having a seconds dial and also a calendar dial, the clock is signed to the center "Rich Bridgwater" (a prosperous historic coastal town & port in the Somerset area of the Southwest of England). The trunk of the case with carved 'ropetwist' pilasters, the door & base inlaid with satinwood stringing, the clock is raised on bracket feet. The clock has an eight day mechanism & strikes the hours on a mellow sounding bell, the clock chime can be silenced by not winding the chime arbor, original pendulum & weights, winding key is present. The clock is in excellent antique condition & has just been professionally cleaned and overhauled by a professional clocksmith, it keeps very good time, this elegant antique tall case clock...

Very charming Swedish miniature chest of drawers in birch in Karl Johan (Swedish Empire) from the 1820s. Perfect for jewels or other smaller items. Wear consistent with age and use

Lovely painted picture frame Great piece of folk art Original paint. Painted on pine. The measurement given below is the outside of the frame Internally it measures 9.75 x 8.25 i...

19th Century Georgian, Sheffield Silver Plate Candlesticks, Pair Pair of English, Georgian, George IV Sheffield silver plate candlesticks. Vintage, distressed silver finish. Silver ...

Early 19th Century Exquisite Brass Bound Hand Crafted Mahogany Writing Slope Burgundy Red Tooled Leather, Two Glass Brass Topped Inkwells & Two Or...

Bust made of terracotta and featuring beautifully chiseled and hand-painted polychrome details throughout in tones of burgundy, blue, and browns. This sculpture depicts the bust of a...

19th century pair of French figural glazed porcelain vases / urns with exterior gilt painted design scene details. Each vase / urn is in good condition. No chips, cracks, or restoration observed. Minor wear consistent with age / use. Each one stands about 19.5 inches tall x 8 inches wide X 4.5 deep pair of French figural porcelain...

George III grandfather clock with silver-plated dial Scotland (Aberdeen) Mahogany George III around 1820 Dimensions: H x W x D: 222 x 47 x 23 cm Description: Beautiful antique Scottish grandfather...

An exceptional, fine and impressive antique English 18 karat gold snuff box; an addition to our 19th century collection. This exceptional antique English 18k yellow gold snuff box has an oblong form with rounded ends. The body of this antique box is embellished with engine turned decoration, accented with tooled borders. This impressive antique 18k gold box is fitted with a hinged hallmarked cover ornamented with further engine turned decoration to the upper plateau; the underside of the box bears the same design as the cover. The anterior rim of the cover incorporates an impressive applied yellow gold thumbpiece, ornamented with cast floral festoon decoration. The interior of the cover is embellished with the contemporary engraved inscription 'Presented to Lieutenant-Colonel Charles Cother C.B. on his retirement from the Service by the Officers of the 83d Regiment, As a token of their respect and esteem, MDCCCXXIX'; these Roman numerals pertain to 1829. Condition This antique 18k gold snuff box is an exceptional gauge of gold, exceptional quality and in exceptional condition. The cast decoration is very sharp and the engine turned and engraved decoration is very crisp. The hallmarks to the interior of the body and part hallmarks to the interior of the cover of this English gold box...

Typical form with white enamel dial and reverse painted waist and pendulum door. With key and pendulum.

American Federal mahogany one day tall case clock with the original brass ball finials resting on three carved upper capitals, decorative intertwined fret work, arched hood with bras...

English zebra wood military campaign writing desk with brass bound molded edges, original recessed side handles, fitted leather interior with tooling and retains the original crystal ink wells...

Charles X-era travel nécessaire consisting of citronnier wood case, decorated with small polished steel studs and fitted with key, containing chiseled gold, turquoise (insets) and mo...

American Federal mahogany pillar and scroll mantel clock with a broken arch pediment, three urn wood finials, flanking ringed columns, hinged glass d...

A fine and stunning pair of Sevres porcelain figures, mid 19th century, of a female fruit picker and a male grape harvester, the bottoms with underglaze Sevres marks. Sevres porcelain at its best in this magnificent pair. A fine example from a New Orleans home in the lower garden district...

An exceptional, fine and impressive antique 1820s 12k yellow gold and carnelian vinaigrette; an addition to our collection of silver boxes and cases. This exceptional, fine and impressive antique 12k yellow gold vinaigrette has a cylindrical form. The surface of the sides, base and cover of this impressive antique vinaigrette are encompassed with concentric bands of tooled decoration, accented with punched circular motifs. The underside of the antique box features an impressive chased tiered floral motif, accented with further tooled decoration. The upper plateau of the cover is ornamented with an impressive collet set carnelian panel to the centre. The hinged cover opens to allow access to the original, hinged pierced decorated grille. Condition This 19th century antique gold vinaigrette...

Empire Inkwell in Mahogany and Ebonized Walnut with Gilt Bronze Mounts, circa 1820 A rare and finely crafted Empire inkwell, dating from around the 1820s. Made of richly grained ma...

A lovely 19th century mahogany eight day long case clock by Todd of Hull, having an arched painted dial with a seconds dial, the mahogany case has a pagod...

Chinese export rose Mandarin porcelain bowl, circa 1820.

An almost 4.5ft tall Plaster Fidelity Statue from the English Regency/ Victorian period. Good form and scale with some Historic restoration over the years, however as seen in the ima...

Venus de Milo is an original Carrara marble sculpture realized in 1820 by French sculptor manufacture. The beautiful sculpture represents a copy of the famous Venus De Milo, the a...

Rectangular hinged top with banded edge opening to an open compartment. Bail handles on sides. Later base.

Pair of American mahogany flanking Urn telescopic cutlery boxes with acorn finials, fluted medallion gallery, original interior cutlery slots, and resting on turned ringed circular s...

Large bronze and green glass box, Russian, circa 1825.

With a removable cover with gallery and finial, tapered body with spigot lacking handle, all above the rectangular basin.

This is a 100% original painted Swedish Mora clock, actually the style of this case is called "Friksdhal" from the mid-western part...

This porcelain Vase has been made by Jacob Petit, it is signed J.P., and the manufacturer is "Porcelaine de paris". It has been done in France in the 19th century. The decor ornemant...

Elegant pair of Empire Candlesticks in gilt bronze. Made in France during the 1820s. Richly decorated in period decorations. Wear consistent with age and use

An immaculate and elegant survivor from 18th century England, this exceptional tortoiseshell tea caddy showcases fine craftsmanship and exquisite materials. The caddy features sterli...

American hanging Apothecary show globe with a mounted cast iron painted and gilded eagle. Globe was filled with a colorful green or red liquid to...

This is a fine antique sarcophagus tea caddy. An English, rosewood and satinwood loose leaf tea case, dating to the Regency period, circa 1820. Of distinguished form and richly toned...

British Campaign water proof leather traveling trunk with leather fitted interior compartment, brass banding mounts, Royal coat of arms brass plate, brass side handles, and retains t...

Exceptional rectangular box or snuff box in four-tone gold. The hinged lid in fine relief has an astonishing composition: the central panel in Amati gold is decorated with symmetrica...

This is an antique drawing room tea blender's box. An English, mahogany loose leaf caddy, dating to the Regency period, circa 1820. Highly decorative craftsmanship accentuates this ...

A magnificent, fine and impressive antique George IV English sterling silver gilt table snuff box; an addition to our antique box collection. This magnificent antique George IV sterling silver gilt table snuff box has an oval rounded form. The body of this impressive antique snuff box...

This is a fine antique French Empire Revival ormolu and patinated marble casket, circa 1820 in date. Of rectangular form decorated with  a central sculp...

An elegant Regency brass mounted Gonçalo Alves campaign writing slope, circa 1820 in date. The beautifully polished goncalo alves case has a ...

Step into the enchanting world of the early 19th century with this exquisite Dutch Delft blue and white glazed ceramic covered urn. Graced with timeless charm, this decorative piece ...

Elegant pair of Empire Candlesticks in gilt and dark patinated bronze. Made in France during the 1820s. Very period design. Cool and unusual composition between gilded and dark patin...

A old antique swedish 18th century candlestick . Dated 1827 Very charming and solid. Lovely patina and very genuine. Made in wood & brass.

American cast iron copying press with a circular three spoke cork screw wheel, flanking scrolled support arms, pressure plate, and resting on the original r...

A fabulous pair of ormolu mounted cut glass candelabra of Sunburst form attributed to Apsley Pellatt. The round stepped bases with diamond cut column...

A large and beautiful pair of Empire Candlesticks in gilt and dark patinated bronze. Made in France during the 1820s. Very period design. Wear consistent with age and use

A pair of Antique busts of the French philosophers Rousseau and Voltaire. Unusually although from fairly standard portraits the busts appear to be English rather than French as they ...

This pair of elegant oval-shaped pearlware baskets and stands were made by Thomas Fell & Co**, St Peter’s Pottery, Newcastle upon Tyne, circa 1830. The baskets were made to hold brea...

This is an exquisite antique George IV Gonçalo Alves and amboyna marquetry inlaid tea caddy, circa 1825 in date. It is beautifully decorated with superb marquetry decoration to the ...

A pair of Gilded French Empire Candlesticks with charming decor from the 1820s. Beautiful decorated with flowers and other period empire decorations. Wear consistent with age and use

A fine early 19th century grand tour gilt bronze architectural model of the Arc de Triomphe, French, circa 1825. This very fine grand tour model of one of France's most celebrated monuments, having pediment with concealed hinged lid opening to a storage reservoir. The bronze having silver relief figural group plaques, the model is mounted on a black marble oval base, the model made by Leblanc Freres...

Mantel clock by Grant. An unusual mantel clock with the heavy bronze case in the form of a log cabin. The clock workings by John Grant, Fleet St...

A fine quality and handsome George IV/Regency inlaid rosewood dressing box, with the original sterling silver and glass fitted contents, London, 1824. The box having a lift-up hinged lid, finely inlaid with brass and bone marquetry of floral garlands & swags, the front having twin locking doors with corresponding inlay. Both the top, base and door panels have 'Dutch Ripple' molding and at each corner a hand-turned 'Barley Twist' column, both to the front and rear. The interior of the box also having inlaid satinwood stringing and three fitted compartments each with an etched crystal container...

each as an open blossom on a canted square base, the stem curled as the handle.

Pair of Regency Glass Cornucopia - The hand blown blue glass is in excellent undamaged condition and sits on the original white statuary marble plinth ...

A large and beautiful pair of Empire Candlesticks in gilt and dark patinated bronze. Made in France during the 1820s. Very period design. Wear consistent with age and use

Rectangular box with rounded corners. The hinged lid as well as the bottom are embellished with an intricate geometric pattern framed with rinceaux motifs on a matte gold background....

This is an antique tea caddy. An English, flame mahogany loose leaf tea container with glass mixer, dating to the Regency period, circa 1820. Attractive Regency period caddy with fi...

A very fine antique cut glass jar and matching cover dating from around 1825. The jar stands on a thick square star cut based foot with a narrow slice cut stem and round bulbous body...

A fabulous and most unusual tea caddy dating to the Regency era, around 1820. A rare combination of woods has been used, nutty Cognac coloured Walnut and rich graphic Tulipwood. Th...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

Pair of miniature English Georgian cast brass taper sticks. Birmingham, England, circa 1820.

Charles X period fire gilt bronze mantel clock with a Classical figure of Paris holding an apple & leaning on a tree stump. The stump is fitted with a Paris style, two train, hour st...