1820s Furniture

A small and beautiful pair of Empire Candlesticks in gilt and dark patinated bronze. Made in France during the 1820s. Very period design. Wear consistent with age and use

American Antique handcarved Jacobean chair with nice details. Some Loss to the seating area, that can be easily restored or covered with cushion, adds character to the period piece.

This is an antique drawing room elbow chair. An English, mahogany and leather desk seat, dating to the Regency period, circa 1820. Fine Regency example with good taste and elegance ...

Great map of Central America. Drawn under the direction of Arrowsmith. Copper-plate engraving. Published by Longman, Hurst, Rees, Orme and Brown, 1820 Unframed.

1820s album of floral and botanical watercolors, original watercolor 10 paintings and all painted by hand. Belonging to Elizabeth Carr of St. Annes. Each watercolor is labeled from n...

Set of Eight English Chippendale style mahogany dining chairs with acanthus carved splat back, gardrooned carved skirt, acanthus carved knee, removable leather seats, and resting on ...

Antique print titled "Danze de' Chiliesi" (Dance of the Chileans), from the historical work "Il Costume Antico e Moderno" by Giulio Ferrario. The print, created in 1821, showcases a traditional Chilean dance, vividly captured in line and aquatint etching with original hand coloring on wove (vellin) paper. The scene depicts a group of Chilean dancers in a circular formation, engaging in a traditional dance. The dancers are adorned in colorful attire, featuring breechcloths, leggings, and vibrant headdresses with feathers, which reflect their cultural heritage and the festive nature of the dance. The setting is outdoors, possibly during a community celebration or ritual, indicated by the natural backdrop and the casual yet organized arrangement of the figures. Cultural and Historical Significance This print is significant as it provides a visual documentation of Chilean cultural practices from the early 19th century, emphasizing the traditional dances that were an integral part of community gatherings and celebrations. The artwork, by C. Bramati and Paolo Fumagalli after designs by Giulio Ferrario, is part of a larger series that aimed to capture the costumes and customs of people around the world, offering insights into the diversity of cultural expressions during a time of burgeoning global awareness. The detailed depiction not only highlights the dance but also serves as an ethnographic record, preserving aspects of Chilean culture that might have evolved or faded over time. This work, along with others in the series, was widely distributed and appreciated for its educational and artistic value, making significant contributions to the understanding of global cultural heritage in the 19th century. ‘Tavole XXVIII. Danze de’ Chiliesi.’ Line & aquatint etching with original hand colouring on wove (vellin) paper. Sheet size: 33 x 23,5 cm. (13 x 9,3 inch). Image size: 21 x 15,5 cm. (8,3 x 6,1 inch). In more detail: From: ‘Il Costume Antico e Moderno …, l’America.’ , by Giulio Ferrario, published in Milan in 17 volumes (first issue), published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. This Italian volume has the date 1821. The second issue was published in 21 volumes in 1827. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide including van Humboldt, von Wied etc. Made by ‘C. Bramati and Paola Fumagalli’ after ‘Giulio Ferrario’. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson...

In very nice condition nicely French polished with fitted tin interior. Octagonal form with satinwood banding and central circular fan inlay. Hinged top. The base with reeded frieze ...

Beautiful 19th century of the period Charles X Italian set of 2 chairs antique in solid walnut wood. Characterized by an enveloping and refined backrest, embellished with an elaborat...

constructed of solid walnut and walnut veneers, both of the lighter shade with a deep patina this table has a circular top with matching wedge veneers and a centered light wood inlai...

A good quality Regency period brass inlaid Sofa table. Having two frieze drawers, outswept end supports each with brass mounts and the original brass cast...

Recent scholarship (see Emily Esser ) has argued quite convincingly that the group of very fine paintings that have been and are still being attributed to the hand of Jonas Welch Hol...

French 1820 Louis XV style leather top table with a single drawer.

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). With a palmette, detachable scone ...

A pair of charming and very rare Swedish brass candlesticks in Karl Johan (Swedish Empire) from the 1820s. Probably manufactured by Skultuna Messingsbruk, Västmanland, Sweden. Wear ...

Rara bussola nautica e orologio solare insieme, manifattura inglese della prima metà del XIX secolo, alloggiata in una scatola tornita in ottone completa di coperchio a vite. Rosa a sedici venti su carta da incisione su lastra di rame, meridiana in ottone con incise le ore diurne in numeri romani e gnomone mobile al centro. Orientando la bussola verso nord...

The print is from "Il Costume Antico e Moderno" by Giulio Ferrario, specifically depicting the "Le Lullunge" feast in Senegambia. This festival is illustrated as part of the extensive series detailing the customs, costumes, and daily life of people from different parts of the world. The illustration captures a lively and culturally significant dance that forms part of the "Le Lullunge" celebrations, showcasing traditional attire and communal participation, which are central to the event in Senegambian culture. The illustration not only serves as a vibrant representation of the dance and celebration but also as an ethnographic record from the early 19th century, emphasizing the richness of Senegambian traditions. The term "Senegambia" historically referred to a region in West Africa that encompassed parts of what are today known as Senegal and The Gambia. This area is known for its rich cultural heritage, including vibrant festivals and communal celebrations like the one depicted in the illustration. The "Le Lullunge" feast, as illustrated in Giulio Ferrario's "Il Costume Antico e Moderno," captures the traditional dances and social practices of the peoples in this West African region. This original antique hand-colored print depicts a vibrant scene of Native African dance, possibly part of a ceremonial or ritualistic activity. The individuals are animatedly engaged in dance, with their limbs dynamically positioned, suggesting vigorous movement. Each figure is adorned with elaborate feathered headdresses and carries feathers or other items as part of their dance. These accessories likely have cultural significance, possibly denoting status, role in the ceremony, or spiritual symbolism. The attire of the dancers is simple yet functional for their vigorous activity, consisting of skirts that allow for ease of movement. Their outfits are decorated with additional elements that may indicate tribal affiliation or personal achievement. The dancers are barefoot, connecting them physically and symbolically to the earth, which is a common aspect in many African cultural practices emphasizing a connection to nature. The setting of the dance is outdoors, under a large tree, indicating the importance of natural surroundings for the event. This could be a communal gathering place, chosen for its significance within their community or for its natural beauty and tranquility. Overall, this image captures a moment of cultural expression, highlighting the importance of dance in Native African traditions as a form of communication, celebration, or spiritual practice. The detail and color used in the depiction aim to convey the vibrancy and energy of the scene, reflecting the artist’s perspective on these cultural practices. In more detail: From: ‘Il Costume Antico e Moderno …, l’America.’ , by Giulio Ferrario, published in Milan in 21 volumes by Antonio Fortunato Stella in 1827 (first edition, second issue). The 17 volumes of the first issue were published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide. Made by ‘Gallo Gallina’ after ‘Giulio Ferrario’. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson...

About as exotic and decorative as they get, this magnificent playing card or games box has a deep red or burgundy background which is smothered in the most exquisite fine penwork wit...

Circa 1820 giltwood architectural style looking glass with a reverse painted woodland scene eglomise tablet flanked with reeded columns, beading and appliques. Historian Rodric Black...

Chrome yellow, paint-decorated settee in an unusual triple-back-slat design with bold, shield-shaped spindles, circa 1820-1830.

Swiss alpine folk art escabelle from St Moritz A 18.

American Federal mahogany and Spanish cedra one drawer hinged sugar chest on stand with carved molded edge, exposed dovetails, wooden knobs, silver escutch...

Antique horse print titled 'Plate 5th Courage, dedicated by permission to his most Gracious Majesty George the Fourth (..)'. Artists and Engravers: In 1827, British artist Henry Barnard Chalon (1770-1849), designed and lithographed a portfolio of six prints illustrating the “passions” of horses. Chalon had been appointed animal painter to the Duchess of York...

Antique 1828 Hand-Colored Satirical Print Great Skills Have They in Palmistry This charming and humorous hand-colored etching is titled Great Skills Have They in Palmistry and was p...

Elegant, hand forged, iron, pagoda-form, hexagonal chandelier featuring a pierced canopy, and scrolling embellishments throughout. Rewired for U.S. current.

Exclusive Pair of Miniature Gilt Bronze Candlesticks – Empire, France c. 1820 An exquisite pair of miniature gilt bronze candlesticks from the French Empire period, circa 1820. The...

J & G Meakin Hanley England Richmond white round serving platter with floral patter. No mark on back.

Pretty amazing large piece of French Toile. 19th century, possibly dating from the Empire period. With Napoleon Bonaparte on top of the bronze column in the Place Vendome. Also showi...

Lovely full length portrait of a young girl in this folk art painting; oil on canvas mounted on board. She is posing wearing an attractive and colorful red dress while holding a flor...

Antique map titled 'Essai sur la Geographie de l'Ile Timor.' A map showing Timor and the surrounding nearby islands (Floris, Sabrao, Solor, Lomblem, Panter, Ombai and Wetter. Wit...

Beautiful pair of Empire Candlesticks in gilt and dark patinated bronze. Made in France during the 1820s. Very period design. Wear consistent with age and use

19th century pair of gilt porcelain urn shape with exterior romantic scene design details table / task lamps. Each lamp is in good working condition. Minor wear appropriate with age ...

This exquisite early 19th-century English mahogany partner's desk is characterized by its robust structure and classic detailing. The molded black leather top, framed by a tooled gil...

Antique Print - Plaza de Mayo, Buenos Aires, 1820s - Jules Ferrario This historically rich print, titled "Plaza de Mayo, Buenos Aires," originates from Jules Ferrario's renowned series "Le Costume Ancien et Moderne," specifically from Volume II, plate 2. The print offers a captivating depiction of the Plaza de Mayo, one of the most significant public squares in Buenos Aires, Argentina. It beautifully captures the essence of the plaza during the early 19th century, featuring local inhabitants engaged in daily activities, architectural landmarks, and a dynamic urban atmosphere. The intricate detailing and careful hand coloring enhance the visual impact, providing a window into the architectural and social fabric of Buenos Aires during this period. This piece is invaluable for collectors interested in South American history, urban landscapes, and antique lithography. It not only serves as a decorative artwork but also as an important document that highlights the urban development and cultural milieu of Buenos Aires in the early 1800s. It remains in good condition, with colors that have retained their depth and vibrancy, making it a prized addition to any collection of historical prints. In more detail: Line & aquatint etching with original hand colouring on wove (vellin) paper. From: ‘Il Costume Antico e Moderno …, l’America.’ , by Giulio Ferrario, published in Milan in 17 volumes (first issue), published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. This Italian volume has the date 1821. The second issue was published in 21 volumes in 1827. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide including van Humboldt, von Wied etc. Made by ‘D.K. Bonatti’ after ‘Giulio Ferrario’. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson...

A very fine antique English Staffordshire pearlware blue and white plate decorated with a shepherd with his sheep dating from around 1820. The...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). The central loop carrying-handle w...

A simply magnificent and grand example of a Regency Penwork Tea Caddy dating 1820. The caddy stands on it's original large gilded bronze Lion's paw feet and the sides retaining the ...

This is a pair of beautiful small vases in the "shell and scroll" design with elaborately moulded rim picked out in gilt. One vase is maroon with elegant gilding and a beautiful flow...

English mahogany tilt top center table with octagon shaped pedestal, tripod base, and resting on the original lion's paw feet with brass casters. Table has original brass locking mec...

Beautiful pair of Empire Candlesticks in gilt and dark patinated bronze. Made in France during the 1820s. Very period design. Wear consistent with age and use

Impressive pair of English Regency side chairs, circa 1820. Constructed from rosewood with intricately carved crest rails and backs. The chairs are supported by reeded legs leading...

Title: "Detailed Botanical Study of Persicaria bistorta (Common Bistort)" Description: This hand-colored copperplate engraving, created by F. Guimpel, illustrates the Persicaria bi...

A large French Empire burr walnut ottoman / centre stool /coffee table, circa 1820 in date. The rectangular deep seat cushion is covered in blue velvet upholstery and opens to rev...

Beautiful 19th century of the period Charles X Italian set of four chairs antique in solid walnut wood. Characterized by an enveloping and refined backrest, embellished with an elabo...

This is a rare early 19th-century (c.1820) Chinese antique large lacquered gilt tea chest, containing an original pewter tea caddy liner. The chest is beautifully decorated with vil...

American Classical gilt carved wood Cornucopia and grape cluster oval wall mirror with flanking scrolling terminals bound by a lower intertwined ribbon pendent, Early 19th Century. M...

A fine antique Welsh porcelain cabinet trio decorated in the Kingfisher pattern by sought after maker Swansea and dating from around 1820. The trio comprises of a teacup, a coffee cu...

Fine antique Regency inlaid marquetry mantel clock having an outstanding inlaid marquetry case, octangular shaped top with pretty ornate brass mounts, b...

This map of Jamaica is an interesting historical document. This map is part of an atlas that was issued in six editions in English, French, and German ...

With a white marble-top above a frieze drawer and reeded columns flanking a paneled fall front which opens to reveal three lines of small drawers with pigeon holes above, the lower s...

This image is an illustration depicting a traditional scene or ceremony. The caption on the side reads "Costumi Caratteristici" which translates from Italian to "Characteristic Custo...

A pair of charming Karelian Birch Candlesticks in Swedish Karl-Johan (Swedish Empire) from the 1820s-1830s. Made in light Karelian birch and dark stained birch with brass light cuffs...

AUTHOR: WALTON, Izaak. TITLE: The Complete Angler - WITH - The Lives of John Donne, Henry Wotton, Richard Hooker, George Herbert, and Robert Sanderson. ...

Early 19th Century English Armorial Axminster Carpet (14'4" x 16'2" - 437 x 497) This is a particularly colorful late Regency period Axminster carpet,...

Pair of American two-tiered polished steel and brass coach lanterns with fluted vents and beveled glass, Early 19th century.

This is an exquisite and rare antique pair of English silver plated entree dishes, bearing the makers mark of Matthew Linwood of Birmingham, circa 1820...

Antique horse print titled 'Plate 2nd Love, dedicated by permission to his most Gracious Majesty George the Fourth (..)'. Artists and Engravers: In 1827, British artist Henry Barnard Chalon (1770-1849), designed and lithographed a portfolio of six prints illustrating the “passions” of horses. Chalon had been appointed animal painter to the Duchess of York...

Made circa 1820, this stylish, antique old sheffield plate tray, is in the Regency taste, featuring a shell and scroll border, an an engraved ...

Elegant Plaque in cast iron. Swedish King Karl XVI Johan as a Roman General from the 1820s. Made by Finspång Bruk in Östergötland, Sweden Wear consistent with age and use

An impressive Regency giltwood convex mirror with a leaf motif. Gilded, circa early 1820s.