1930s Seating

Restored Bauhaus Armchair by Mücke - Melder. New Upholstery In High-Quality Fabric. Source: Czechia (Czehoslovakia) Period: 1930-1939 Material: Upholstery, Chrome-Plated Steel, ...

Pair of French slipper chairs style of Jacques Adnet upholstered in mohair. Has black lacquered legs.   

Rare side chair by unknown designer. Probably produced in Sweden.

Art Deco pouffe manufactured in the 1930s in Great Britain. The furniture is characterized by a unique shape. The walnut pouffe has been thoroughly renovated. The wooden elements hav...

Pair of French Art Deco club chairs, circa 1937.

Restored Bauhaus Pair of Armchairs. Designer: Karel E. Ort Maker: Hynek Gottwald Source: Czechia (Czehoslovakia) Period: 1930-1939 Material: Chrome-plated Steel, Fabric Newly profe...

Made by Mücke Melder, an influential modernist furniture manufacturer specializing in tubular steel designs. The chrome parts have been cleaned and professionally restored. It ha...

Set of 4 classic industrial metal side chairs by Ohio Steel, pressed painted steel, retain original finish and patina.

Four French wrought iron gold gilt chairs. Manner of Gilbert Poillerat. Upholstered in brown velvet. Chairs have slightly curved backs.

Tabouret en chêne , travail français des années 30/40 en bois tourné dans le style d' Axel Einar Hjort, Charlotte Perriand

Set of 3+1 from the house "salon de provence" by Gaston Viort - 1930s Wear consistent with age and use - "As-Is" Industrial - Original patina - Garden Chairs

This item is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beach...

Leather Art Deco sofa. Tan leather with brown piping and wooden legs. Leather rip on top of sofa.

Armchair in chromed metal with legs and arms forming a half-circle. Legs linked with each other by a stick stretcher. Rectangular shape red l...

Restored Bauhaus Armchair by Mücke - Melder. New Upholstery. Source: Czechia (Czehoslovakia) Period: 1930-1939 Material: Upholstery, Chrome-Plated Steel Made by Mücke Melder,...

Depression era WPA plywood work chair made for the Eugene Oregon Sewing Project. Unique plywood work chair with stow for sewing projects to be kept. Th...

1930s Italian swivel wood framed sculptural designed chair. Tripod legs. Looks great from all angles. Newly covered grey brushed twill seat.

Set di sedie anni '30 in stile Chippendale con struttura in legno di noce e seduta imbottita in stoffa multicolore. Si prestano per una sala da pranzo o per essere abbinate ad ambie...

1930’s Pair of Mucke Melder Original armchairs – Fully Restored (Blue Fleck) 1930’s Pair of Mucke Melder Original armchairs – Fully Restored. Founded in the 1920?s in Fry?t?t, in ...

Designed by Alvar Aalto. This chair 69 was manufactured in the 1930s. It has a structure that seems to be an early product that is not found in current products. The paint film from ...

"Made by Mücke Melder, an influential modernist furniture manufacturer that specialised in tubular steel designs. It has been restored and reupholstered by our professional refurbi...

Set of 6 Art Deco walnut chairs, brass foot clogs.

Rare armchair in Bauhaus design from the 1930s. High-quality chromed steel tube with original black lacquered wooden armrests. The seat and backrest have been reupholstered and cover...

Art Deco desk chair Wood Year: 1930 Country: France If you are looking for a desk chair to match your desk, we have what you need. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Why are there so many antiques in Argentina? In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place. 1st World War took place between 1914 and 1918 2nd World War took place between 1939 and 1945 The immigrants options were New York or Buenos Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done. Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them. In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life. Between the years 1895 and 1896, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war. The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street. With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace. It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”. Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies. In the year 1936, the Kavanagh building was inaugurated, it was the tallest reinforced concrete building in South America. During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture. At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site). In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca. The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil. Antonio Bonet, a Spanish architect who worked with Le Corbusier in Paris, arrives in Argentina in 1937, where he carried out several architectural works and in 1938 designs the well-known BFK chair...

Pair of Art Deco armchairs, walnut and fabric, circa 1930.

Maker: O. Zoufalý, Brno (Czechoslovakia) In pristine original condition, the upholstery has been professionally cleaned, and its polish revived by our refurbishing team in Czechia. ...

Variation of Marcel Breuers S 64 armchair from Robert Slezák. Very rare armchair manufactured by Slezák company in Bystritz, former Czechoslovakia in 1930s. C...

Lajos Kozma was one of the most authentic representatives of Hungarian Art Nouveau in the early-20th-century. He had an unprecedented influence on the European design through his dra...

Low chair or fireplace chair in the style of Charles Dudouyt solid oak structure, mulched seat in excellent condition, patina consistent with age good general condition - {seat heigh...

Charlottenborg lounge sofa. 2 seats, by Arne Jacobsen. New edition. The curved shape, which later became very characteristic for Arne Jacobsen’s many famous chairs, is already suggested in this very early piece of furniture. The Charlottenborg sofa has quite an unconventional shape, where the elegant curved rattan frame integrates the back seamlessly with the armrest at the bottom of the sofa. The frame of rattan is mounted with an upholstered cushion, available in a range of hardwearing fabric types. The elegant design of this 2-seat sofa will beautifully accessorize any living room, hall or vacation home. It is a known fact, that the Charlottenborg chair...

Beautiful Gispen 413 with original sixties warm red skai upholstery and black armrests.  This easy chair is in good condition, but shows some traces of use like some spots on the up...

Designed by Mart Stam, a renowned Dutch designer, and architect pivotal to mid-century design. Stam was a Dutch architect, urban planner, and furniture designer. Stam was extraordina...

"Vilstol 36" lounge chair by Bruno Mathsson. ca. 1936. Laminated beech, bleached linen webbing. Replaced webbing. Manufacture label dated 1939. Designed by Bruno Mathsson in 1936, produced by Firma Karl Mathsson. One of the earliest commercial designs of Bruno Mathsson. Literature: Hedqvist, Hedvig, Bruno Mathsson, Orosdi-Back, Stockholm, 2014, p. 50, 72 Bruno Mathsson (1907-1988) is one of Swedens most internationally recognised designers. He made a breakthrough with his first exhibition held at Röhsska Konstslöjdmuseet in Gothenburg in 1936. He continued to gain attention at the Paris Expo...

3 oak stoolss, from the 30s/40s in turned oak in the style of Axel einar hjort, Charlotte Perriand 2 of the dame height : 39 cm one less hight : 35 cm

Art Deco walnut armchair and its footrest, circa 1930 to be restored Measures: stool 35 x 55 x 55 cm.

Elegant pair of French Mid-Century Modern stools or end tables from the 1930 era. The steel legs are finished with modified sabot and the steel frames support tops of mahogany that a...

Designed by Alvar Aalto. This is chair 69 . Deep blue paint is applied all over. This chair was manufactured in the 1930s.

Walnut Bauhaus sideboard by Robert Slezak. Source: Czechia (Czechoslovakia) Period: 1930-1939 Material: Chrome-Plated Steel, Walnut, Glass Number of drawers: 3 Revived poli...

Art Deco walnut stool circa 1930 in the style of DIM. patina and coating to be redone.  

Pair of Art Deco Colonial Armchairs in Carved Wood, French Algeria, Circa 1930 We are delighted to present this elegant pair of Art Deco Colonial armchairs, crafted from carved wood...

This item is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beach, check last pictures on this listing and/or find more details on his family name plus eu, is for sale soon too. :-) Set of two tubular chairs with light yellow wooden...

Bauhaus Chair office Armchair in solid wood By Giroflex Stoll 1930s The chair is in good condition Measurements: Height : 76 cm------ 88 Width: 46 cm Depth: 43 cm Height to ...

Armchair with black lacquered metal structure. Seat and arms upholstered in cotton melacron and feet finished in brass pads.

1930s Pair of Webbed bentwood armchairs by Jan Vanek 1930s Pair of Webbed bentwood armchairs by Jan Vanek – made by Czech producer Up Zavody. Jan Vanek was one of the leading design...

In pristine original condition, the upholstery has been professionally cleaned, and its polish revived by our refurbishing team in Czechia. The chrome parts have been cleaned and p...

Beech and Ash Wheel Back Reclining Chair This is a good traditional Beech and Ash arm chair it has a hooped back in the traditional Windsor style, the b...

Art Deco chair, circa 1930, varnished wood and beige leather. 5 pieces available.

D.I.M PETIT & JOUBERT pair of elegant Art Deco armchairs, circa 1930 Fully restored armchairs, covered with Lelièvre Paris fabric, 2 pairs are available; these armchairs have been ...

This original Bauhaus chair manufactured by Vichr a spol is a perfect representation of the simplistic elegance of the Bauhaus Era. We guarantee the ch...

Restored Oak Writing Desk by Hynek Gottwald. Source: Czechia (Czechoslovakia) Maker: Hynek Gottwald Period: 1930-1939 Material: Oak, Chrome-plated Steel Leg space: Height: 74,5 cm ...

Set of two armchairs and two stools Armchair dimensions: Height: 83 cm (32.7 in) Width: 58 cm (22.8 in) Depth: 74 cm (29.1 in) Seat height: 41 cm (16.1 in) Stool dimensions: Height...

Restored Art Deco Positioning armchair. Period: 1930-1939 Source: Czechia Material: Beech solid wood with walnut veneer. Seat height: 40 cm ...

This is a very elegant and versatile swan neck chair with a beautiful black curved frame, Swedish circa 1930s. The chair has been newly upholstered in...

Dominique, four armchairs Art Deco period, circa 1935.  

Louis XIV style armchair with high back covered with tapestry, circa 1930.

Royal House Antiques Royal House Antiques is delighted to offer for sale this small absolutely sublime original 1930’s Liberty’s London leather...

Six armchairs Art Deco period, circa 1930. From France hotel, possibility of having more armchairs.

Set of six chairs designed by Josef Frank for Svensk Tenn, Model 725. Sweden. 1938. Mahogany and original leather. Literature: Kristina Wängberg Eriksson, Jan Christer Eriksson, "Josef Frank Möbelformgivaren", Carlsson Bokförlag, Stockholm 2014, p. K 18 H: 90 cm W: 58 cm D: 63 cm SH: 43 cm Armrest height: 69 cm (at the highest point) Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best...

Two large elegant Art Deco armchairs covered in leather, sled base, circa 1930. Accidents and wear on leather.

Salon de Provence - Gaston Viort 5 vintage aluminum armchairs of aerodynamic quality Manufacture of salon de Provence Circa 1930 Dimension...