Louis XVI Furniture

Pair of Louis XVI Style Wood and Gilded Stucco Mirrors, Early 20th Century. Pair of wooden and gilded stucco mirrors, early 20th century, Louis XVI style. h:55cm, w: 37cm, d: 5,5cm

Louis XVI style clock in gilded bronze and porcelain: the base is very richly decorated: putti heads, flower garlands, knots and rosettes and porcelain plates decorated with golden s...

Antique French Louis XVI style chest of drawers topped with a rare brown, gray, white and some copper touch marble, called Brèche Nouvelle and from France. Fluted legs decorated wit...

This exceptionally majestic and unique reliquary bust carved in gilded wood represents a bishop adorned in golden robes. The torso is draped in a toga revealing a round cavity that o...

Marked on the dial Furet & Bon, Hrs du Roy, à Paris Measures: Clock – Height 98 cm (38 1/2 in.), width 70 cm (27 1/2 in.), depth 25 cm (9 3/4 in.) Candelabra – Height 116 cm (45 ...

Total height with mirror: 383 cm (151 in.) Console : Height : 97 cm (38 in.) ; Length : 291 cm (114 in.) ; Depth : 47 cm (18 in.) Height with pedestals : 178 cm (70 in.) – Width of pedestals tops : 36 x 23 cm (14 x 9 in.) Provenance: Hôtel de Bourbon-Condé, for the Conte de Chambrun, 12 rue Monsieur, 7th arrondissement, Paris. This magnificent white carrare and bleu turquin marble Louis XVI style console is embellished with carved and gilded bronze ornaments. The belt, adorned with a fluted frieze, masks of Bacchus and rosettes, is standing on six spirally fluted feet with foliage on the extremities. The part meant to be placed against the wall is divided in several pannels framed with moulded and beaded bronze. Above the console stands a giltwood and white-painted mirror, richly decorated at its top with a carved head of Apollo flanked by acanthus leaves and treillis. The mirror is framed by two patinated bronze female figures, each holding seven-light candelabra and standing on pedestals richly adorned with laurel garlands and bronze frames. These are casts by F.Barbedienne, after models by J.A.J. Falguière and P.Dubois (they are signed to the base, one ‘FALGVIERE and F.BARBEDIENNE. FONDEUR’, the other ‘P.DUBOIS’ and ‘F.BARBEDIENNE’). The original models of these bronzes were shown at the 1867 Exposition Universelle before being installed at the Château de Compiègne for the enjoyment of Napoleon III and Empress Eugénie. The masterful console was commissionned to Barbedienne around 1880 to garnish the interiors of the Conte de Chambrun at the Hôtel de Bourbon-Condé, 12 rue Monsieur, 7th arrondissement, Paris. This console was part of the sale of the count’s art and furniture collections that took place on the 18th of June 1900 after the count’s death (listed as lot n°52 in the sale catalogue). Born in 1810, died in Paris in 1892, Ferdinand Barbedienne, the most important caster of bronze pieces of art during the second half of the 19th Century, created and directed in Paris one of the major artistic founderies of his time. Barbedienne specialised in classical reproductions, whose models were exposed in famous European museums. Their illustrated catalogues included many diverse objects such as busts, ornemental sculpture (clocks, candelabras, cups) sometimes even life-sized and also bronzes for furniture. Apart from his own production, Barbedienne worked for the most renowned sculptors such as Barrias, Clésinger and Carrier-Belleuse. All his works were highly esteemed and he, himself honoured by contemporary critics. At the London exhibition in 1851 Barbedienne's firm won two « Council medals ». At the 1855 Universal Exhibition, he won a medal of honour. The success of Barbedienne's firm brought him many official commissions. At the London Universal Exhibition of 1862 Barbedienne won medals in three different categories : Furniture, Silversmith work and Artistic bronzes. Barbedienne was made an officer of the Légion d'Honneur in 1867 and Commander in 1878 when he was compared with « a prince of industry and the king of bronze casting ». His glory did not decline with the passage of the time for at the Universal Exhibition of 1889 the critics thanked Barbedienne for the example he set for other bronze-casters by the perfection of his bronzes. Paul Dubois (1829-1905) studied law before entering the workshop of Toussaint, then the School of Fine Arts. After travelling in Italy, he participated to the Salon of 1863 and won the third medal for the sculpture category. He won several other medals : the Medal of Honour with his Florentine Singer...

Direct from a private mansion in Paris, a magnificent 299 pc. antique French sterling silver flatware set by France’s premier s...

Each panel : Each panel = Height : 206 cm (81,1 in.) ; Width : 56 cm (22 in.) ; Depth : 4 cm (1,5 in.) Beautiful set of four tapestries representing children’s pastorals, woven by the Beauvais Manufacture on cardboards by F. Boucher, inspired by his serie of paintings delivered around 1751 to the marquise de Pompadour for her Château de Crécy...

A fabulous late 19th century carved giltwood wall mirror, its pediment crowned with a knotted ribbon motif encircling an oval floral medallion and flanked by sprays of acanthus and t...

Direct from Paris, a stunning 4pc. antique French 950 sterling silver Louis XVI tea set by France’s premier silversmith “Puiforcat”, currently owned by Hermes, in like new condition ...

A very fine and rare set of four baluster-shaped covered vases made of faceted ovoid cut Baccarat crystal and adorned with a bronze mount of exceptional quality and kept with its ori...

A fine Louis XVI style trumeau overmantle mirror in wood and gilded stucco. Its upper section features an oval-shaped reproduction of an original colour engraving of an 18th-century ...

This 18th century Louis XVI baguette frame giltwood mirror is full of vintage character, and features a slim but beautifully carved frame embellished with bands of carved decoration ...

We are delighted to present you with this wonderful Italian chest of drawers originating from the Louis XVI period. Its top displays stunning marquetry that enhances its aesthetic ap...

Rare pair of Louis XVI period armchairs in gilded wood with original double cane armrests. The fluted turned wood legs and hand-carved details are the result of remarkable craftsman...

Desk in precious wood and finely executed marquetry, inspired by the work of Giuseppe Maggiolini (1738-1814), a cabinetmaker renowned for his detailed neoclassical marquetry. Desk i...

Transport yourself to the opulent charm of the 18th century with this exquisite giltwood mirror from the era of Louis XVI. Adorned with a resplendent giltwood frame, this mirror boas...

A delightful little 18th century-style three-sectional room divider, crafted from fabric stretched over a wooden frame and skilfully printed with a deliberate reproduction of a nicel...

Antique French Louis XVI style bar buffet topped with a white Carrara marble, fluted legs finished with golden bronze clogs. One dovetailed drawer, two doors and a practical storage ...

This elegant 18th-century walnut chiffonnière is a testament to fine craftsmanship and timeless design. Crafted from rich, warm walnut wood, this piece boasts intricate details and a...

Add an elegant touch to your dining room with this set of six antique French dining chairs. Crafted from solid wood, these chairs boast a square shape and feature intricate carvings...

Rare Louis XVI period French giltwood mirror, circa 1780. Antique carved gilded frame with pearl decoration around the edges of glass mirror. Anti...

An attractive little Louis XVI style “sauteuse” chest of drawers, in veneered wood, with inlaid marquetry decoration and a 'Breche d'Alep' marble top. This 'transitional' style commo...

A tall and impressive 19th century Napoleon III rectangular mantle mirror in a wood and gilt stucco frame, surmounted by an imposing pediment of cherubs and dolphins...

Direct from Paris, A Magnificent 8-piece Sterling Silver Tea Set by one of France's Premier French Silversmith "Boin-Taburet", and includes 6 Faberge Imperial Egg espresso cups and saucers in fine Limoges porcelain. The world of silver-smithing has witnessed the rise and fall of many notable firms throughout its history. In the realm of French silver-smithing, the name "Boin-Taburet" stands as a symbol of enduring excellence, innovation, and craftsmanship. Fabergé, a name synonymous with opulence, craftsmanship, and unparalleled luxury, has captivated the world for over a century. The brand's remarkable journey from a modest Russian jewelry atelier to a symbol of prestige and sophistication is a testament to its enduring legacy. In 1885 Tsar Alexander III commissioned a lavish Easter egg for his wife, Empress Maria Feodorovna. This magnificent piece, known as the Hen Egg, was an extraordinary fusion of artistry and engineering, setting the stage for what would become Faberge’s most iconic creations - the Imperial Easter Eggs. The Imperial Easter Eggs, a series of intricately designed and meticulously crafted eggs, became the hallmark of Fabergé's artistry. Peter Carl Fabergé and his team of skilled artisans poured their hearts and souls into creating these masterpieces, which were intended as gifts from the Russian Tsars to their wives and mothers. The history of Boin-Taburet is closely linked to the two families that merged to create this iconic firm. The story begins with the Boin family, where Alexis Boin, a skilled silversmith, laid the foundation of the firm. Boin's craftsmanship and artistic abilities were quickly recognized, and his works gained prominence during the early 19th century. The Taburet family, on the other hand, was equally esteemed in the silver-smithing world. Auguste Taburet, known for his intricate designs and fine workmanship, brought the Taburet name to the forefront of French silver-smithing. It was the union of these two families through marriage in 1845 that established the firm known as "Boin-Taburet." The Imperial Easter Eggs not only showcased Fabergé's technical prowess but also solidified the brand's reputation as the jeweler to the Russian imperial family. They were exquisite symbols of love and devotion, and their creation marked a collaborative effort between Fabergé and the Romanov dynasty. The quality and craftsmanship of Boin-Taburet's silverware, exemplified in this stunning tea set, earned the firm a well-deserved reputation. Notably, Boin-Taburet received royal patronage from Emperor Napoleon III, which marked a significant milestone in their history. This recognition catapulted the firm to new heights, and they began creating exquisite pieces for the French royal court. Their exceptional work was displayed at prestigious international exhibitions, further enhancing their reputation on the global stage. The firm's achievements were not limited to France, as Boin-Taburet's pieces found homes in royal collections around the world. This is an amazing 8 piece set and in each of the sterling pieces have been professionally restored to near new condition. The majestic Samovar (Water Fountain) stands roughly 39.00cm. high to the top of the lid, is approximately 23.00cm. across to the tip of the spout and weights 2,270 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris" on the underside. The Coffee server stands roughly 21.50cm. high to the top of the lid, is approximately 22.00cm. across to the tip of the handle and weights 698 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Freres sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 49213 16" on the underside. The Teapot is roughly 18.50cm. high to the top of the lid, approximately 22.50cm. across from the tip of the spout to the outside of the handle and weights 701 grams. It also bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Freres sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 49208 16" on the underside. The Hot Chocolate server stands roughly 22.00cm. high to the top of the lid, is approximately 21.00cm. across to the tip of the handle and weights 733 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 51103 17" on the underside. The elegant Sugar Bowl stands approximately 17.00cm. high to the top of the lid, roughly 13.50cm. across to the outside of the handles and weights 560 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 49665 16" on the underside. The Cream Pitcher stand approximately 11.00cm. high to the top of the handle, is roughly 12.00cm. across from the tip of the spout to the outside of the handle and weights 195 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 49214 16" on the underside. The sturdy Candy / Biscuit Dish is roughly 6.00cm. high, approximately 15.00cm. in length to the tips of the handles and weights 275 grams. It also bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 48511 16" on the underside. The massive serving tray is approximately 63.70cm. in length, 51.00cm. across at its widest point and weights in excess of 3,100 grams. It also bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Freres sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris" on the underside. "The Imperial Swan Egg...

Antique French Louis XVI style bar buffet topped with a white Carrara marble, bronze and brasse details, fluted legs finished with golden bronze clogs. One dovetailed drawer and two ...

Direct from Paris, A Stunning Louis XVI, 4pc. Sterling Silver Tea / Coffee Set by France's Premier Silversmiths "Jacques and Pierre Cardeilhac (Christofle)" Silversmiths to the Aristocracy of Europe, with Accompanying "Boulenger" 950 Sterling Silver Serving Tray and 5 Anti-tarnish Storage Wraps, Circa 1890s. The French silversmith Christofle, formerly known as Cardeilhac, stands as a prominent figure in the history of silver craftsmanship. With a legacy that spans over two centuries, the house of Christofle has been synonymous with excellence in silverware, catering to the needs of French royalty, the elite, and connoisseurs of fine craftsmanship worldwide. Adolphe Boulenger...

Small giltwood Louis XVI style mirror with its original mirror glass France, circa 1760-1850 Weathered, small ,losses and old repairs.

Direct from private chateau near Paris, a truly magnificent pair of original 950 sterling silver Louis XVI 5-candle candelabra by one of France's premier silversmiths "Tetard Frères"...

Pair of Louis XVI style fauteuils, French open armchairs, made in the 20th mid-century period. The wood is finely scupted with plant motifs typical of the Louis 16 style. The upholst...

Pair of rock crystal candlesticks on a Louis XVI style gilt bronze mount. Circular molded base with gilt bronze ornaments such as beads and waterleaves friezes, also visible on the b...

Direct from Paris, A Magnificent 197 Piece, 19th Century, Louis XVI Model, Sterling Silver Flatware Set with 8 Serving Pieces and 10 Covered Individual Anti-Tarnish Storage Trays by Renowned French Silversmiths "Henri Soufflot...

Elegant Louis XVI style Bureau Plat in mahogany and marquetry in rosewood frieze. Beautiful ornamentation of very finely chiseled gilt bronze. Moroccan leather top surrounded b...

These authentic Louis XVI period armchairs, original and authentic, seduced me by their modernity. Very rare with their original cream lacquer, flat and square back "à la Reine", with their strict armrests and highly visible assembly, straight legs turned into quivers in the shape of a column tapered down and fluted. The foot ends in a dice that rests on the ground, while the top is cubic is decorated with a circular molding pattern quite rare contrary to the rosette pattern often used for copies - The queen chairs have perfect proportions in their elegant silhouette. In general, I am only interested in design and contemporary pieces, but in the course of my peregrinations I sometimes come across pieces that do not leave me indifferent. As for the lyres chairs, the baccarat chandelier and the large golden mirror...

The worlds of luxury and craftsmanship often intersect in fascinating ways, exemplifying the pursuit of perfection through design and skill. Two iconic brands that embody this union of artistry and elegance are Puiforcat, the French silversmith, and Hermès, the esteemed fashion house. Despite their distinct histories and expertise, both brands share a common thread of dedication to craftsmanship, quality, and timeless design. The House of Puiforcat (now owned by Hermes) was founded in 1820 by Emile Puiforcat, a visionary silversmith who sought to redefine traditional craftsmanship with a modern perspective. The brand quickly gained recognition for its commitment to exceptional quality and its avant-garde designs that pushed the boundaries of silversmithing. In its early years, Puiforcat became a favored choice for French aristocracy and European nobility, solidifying its reputation as a leading silverware manufacturer. Hermès, a name synonymous with luxury, began its journey in 1837 as a harness workshop in Paris. Founded by Thierry Hermès, the brand initially focused on crafting high-quality leather goods, primarily for horse riders. Over the years, Hermès expanded its offerings and ventured into the world of luxury fashion, establishing itself as one of the most prestigious names in the industry. What sets Hermès apart is its unwavering commitment to craftsmanship and its dedication to the creation of enduring, exquisite pieces. The relationship between Puiforcat (Hermès) and its artisans is a testament to the brand's commitment to excellence. While Puiforcat and Hermès operate in distinct domains—silversmithing and fashion—both brands share a deep-rooted commitment to traditional craftsmanship and quality. This commitment extends not only to the materials used but also to the expertise of the artisans who transform these materials into exceptional creations. The stories of Puiforcat and Hermès, though distinct in their origins and crafts, converge in their shared commitment to craftsmanship, tradition, and timeless design. The legacies of these two iconic brands are not just tales of luxury but narratives of artistry, dedication, and a pursuit of perfection. Puiforcat's innovative silversmithing and Hermès's enduring leather craftsmanship stand as beacons of excellence in their respective fields. Together, they remind us that true luxury is not just about wealth or opulence but is a manifestation of the enduring connection between art and craftsmanship. Puiforcat and Hermès have...

Antique Louis XVI style desk with cognac leather top and gold embossed frieze, fluted legs finished with golden bronze clogs. Three dovetail drawers with brass details. The locks wo...

An exceptionally fine Napoleon III parclose Mirror, with its original bevelled mercury glass mirror plate. The design is extremely decorative, its outs...

Pair of Louis XVI style commodes attributed to Krieger, in veneered wood and gilded bronze ; opening with three drawers, including one on the belt forming a writing desk and concealing two small side drawers. The commodes are decorated with an interlacing marquetry set with a double net on a green tinted wood background decorated in its center with florets. Rich ornamentation of chiseled and gilded bronzes decorated with acanthus friezes on the belt and garlands of flowers and frieze of posts at the corners, molded frames of water leaves on the side panels. They rest on four fluted feet surmounted by Corinthian capitals, and with a Griotte marble top. These commodes are inspired by those created by Jean-François Leleu delivered by order n° 32 of May 1st, 1773, with a third commode kept in London (Wallace Collection) for the bedroom of the Princesse de Condé at the Palais Bourbon in Paris. The central diamond, originally inlaid with a lily flower pattern, was changed during the Revolution. The pair is now exposed in the Petit Trianon in Versailles (see photo n°1 attached). Jean-François Leleu (1729-1807), Parisian cabinet-maker, began his career as an apprentice in Jean-François Oeben’s workshop. Installed on the chaussée de la Contrescarpe, he became Maître ébéniste in 1764 and moved to rue Royale-Saint-Antoine. He worked for an aristocratic private clientele, including the prince de Condé for whom he delivered furniture between 1772 and 1777, or the comtesse du Barry...

This nice mortar is made of white marble. This is a French work from 18th Century

Antique French Louis XVI mahogany secretary chest of drawers topped with a white Carrara marble, fluted legs finished with golden bronze clogs and thorough dressed in bronze and bras...

Keller 8pc. Tea Set – Description Direct from Paris, A Gorgeous 19th Century Louis XVI, 8 pc. 950 Sterling Silver Tea / Coffee Set by one of France's Premier Silversmiths, Gustave Keller, Includes a Large Sterling Silver Serving Tray...

Mahogany dinning table louis XVI style with eight chairs with bronze This beautiful mahogany table surrounded by a bronze gallery ,at each corner of the belt there is a bronze abov...

Elegant Louis XVI style coffee table dating from the 1950s. It is made up of a white marble top. The base is in gold and white wood. It is typically Louis XVI with tapered and fluted...

Antique French, Louis XVI style chest of drawers topped with a white Carrara marble, fluted legs finished with golden bronze clogs. Five dovetailed drawers with brass details, and a...

Beautiful mahogany chest of drawers with 2 drawers, with rich gilded bronze ornamentation: pearl threads, flower sprays highlight the play of the work of speckled or veneered mahogan...

Three-tones gold oval snuff box. The hinged lid is decorated with a country trophy medallion. The medallion is framed by a garland of green gold foliage and roses. The medallion is d...

This highly decorative Louis XVI style wall mirror is hand carved with astonishingly detailed motifs, and beautifully finished in a muted grey lacquer. It is crowned with an ornate p...

Large Louis XVI style sideboard with central projection presenting a rich marquetry decoration, with trellis enclosing floral-inspired motifs on the front, diamond motifs on the sides. Different types of exotic precious wood are used such as sycamore, mahogany and amaranth. The Fleur de Pêcher marble top has a very artistic veining with a very rich palette of colors. Finally, the rich ornamentation of gilded bronze and very finely chiseled completes the whole, giving an elegant opulence to this unique and rare piece. Opening with three doors on the front. Work from the end of the 19th century. The bronzes are marked on the back ZJ, attesting to the prestigious origin of this piece of furniture. Some details on this subject: The "ZJ" mark has long been controversial among experts on 19th century Parisian furniture, some attributing these pieces of furniture to the Zwiener house, others claiming that they are pieces of furniture from the Jansen house, the latter having bought the Parisian workshops of the famous Zwiener brothers in 1895. We can cite for example Christopher Payne, the leading expert on the subject who writes in his book "Paris la quintessence du meuble au XIXème siècle" in the chapter on "Jansen Jean-Henri (1854-1929)" on page 396: "The initials "ZJ" affixed to the back of the bronzes have long been attributed to Jansen, cited as "Zwiener Jansen". However, we believe that these initials also refer to the furniture made in Berlin by Julius Zwierner and not necessarily to those of Jansen. To complicate things, Jansen bought the "ZJ" master models. The latter being mainly of the type and style of those originally modelled by Léon Messagé, who was an independent sculptor until the end of 1890." Along similar lines, Christopher Payne writes in the chapter on "Zwiener Emmanuel...

Charming wooden jewelry or sewing box covered in brown leather, surrounded by a dark brown inlaid frieze and a decorative green frieze glued around the box. The leather is decorated ...

Charming pair of Louis XVI style medallion armchairs dating from the 1950s. The base is typically Louis XVI fluted and tapered. The legs are connec...

Louis XVI Style Painted Armoire in Carved Wood, France, Late 19th Century Dimensions: 170 cm W × 35 cm D × 255 cm H France, circa 1880 Elegant and stately, this Louis XVI style a...

Rare Louis XVI style notary writing desk made of mahogany frieze marquetry and light wood and rosewood fillet friezes. Four solid mahogany fluted legs joined by a spacer shelf. Fre...

Direct from Paris, a magnificent 5 piece silver-plate Collection Gallia, Louis XVI model tea set by France’s premier silversmith “Christofle – Silversmith to the King” and each piece...

This very nice and decorative pair of important figures representing two women with birds is made of porcelain. There is a little damage on one of the birds. This is a French work. C...

Magnificent Louis XVI style center table in mahogany and rosewood marquetry. Superb ornamentation of very finely chiseled gilded bronze. Opening a large drawer. Parisian work from...

Louis XVI style ormolu and white marble mantel set, 19th century. Louis XVI style white marble and ormolu mantel set, 19th century. Clock: H: 35cm, W: 29cm, D: 11,5cm Candelabra: H:...

This fabulous full-height Louis XVI-style trumeau mirror is crafted from wood and gilded stucco, its bevelled mirror plate enclosed within an elaborately carved triple-pearl and twis...

Dressing table in lacquered and carved wood, Louis XVI style, with its very large mirror (in woodwork): the dressing table has 4 drawers, and is decorated with carved garlands, a spa...