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Paul Evans, Argente Skyline Dining Table, USA

Price Upon Request

About

A popular form that Paul Evans would revisit through his career is a composition he called Skyline. Skyline pieces, such as this magnificent unique dining table, were comprised of individually hand-welded boxes of varying heights, shapes, textures and designs, bonded together as solid base. While this arrangement was used extensively in his welded steel, Sculpted Bronze, and eventually Cityscape works, there is no other record of Skyline works in the Argente series apart from this dining table and a corresponding low table commissioned by a Virgina collector. The dining table is constructed of 14 distinctive boxes. Perhaps one of the most expressive of Evan’s forms, the Skyline tables are reliably popular for their whimsical composition and utility.

Details

  • Creator
    Paul Evans (Artist)
  • Dimensions
    Height: 42 in. (106.68 cm)Width: 84 in. (213.36 cm)Depth: 28 in. (71.12 cm)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    1968
  • Condition
    Wear consistent with age and use.
  • Seller Location
    New York, NY
  • Reference Number
    1stDibs: LU800820830972

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: New York, NY
  • Return Policy

    This item cannot be returned.

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About Paul Evans (Artist)

A designer and sculptor, Paul Evans was a wild card of late 20th century modernism. A leading light of the American Studio Furniture movement, Evans’s work manifests a singular aesthetic sense, as well as a seemingly contradictory appreciation for both “folk art” forms and for new materials and technologies.

     Evans’s primary material was metal, not wood, which was favored by his fellow studio designers, and Bucks County, Pennsylvania, neighbors George Nakashima and Philip Lloyd Powell. He trained in metallurgy and studied at the Cranbrook Academy of Art, the famed crucible of modern design and art in suburban Detroit. For a time early in his career, Evans also worked at Sturbridge Village, a historical “living museum” in Massachusetts, where he gave demonstrations as a costumed silversmith.

     Evans’s earliest work unites these influences. The pieces that made his reputation are known as “sculpted-front” cabinets: wood cases faced with box-like high-relief patinated steel mounts laid out in a grid pattern. Each mount contains a metal emblem, or glyph, and the effect is that of a brawny quilt.

     Evans’s later work falls into three distinct style groups. His “sculpted-bronze” pieces, begun in the mid-1960s, show Evans at his most expressive. He employed a technique in which resin is hand-shaped, and later sprayed with a metal coating, allowing for artistic nuance in the making of chairs, tables and cabinets. Later in the decade and into the 1970s, Evans produced his “Argente” series: consoles and other furniture forms that feature aluminum and pigment-infused metal surfaces welded into abstract organic forms and patterns.

     Last, Evans's “Cityscape” design series meshed perfectly with the sleek, “high tech” sensibility of the later ’70s. Evans constructed boxy forms and faced them with irregular mosaic patterns that mixed rectangular plaques of chromed steel, bronze, or burlwood veneer. These, like all of Paul Evans’s designs, are both useful and eye-catching. But their appeal has another, more visceral quality: these pieces have clearly been touched by an artist’s hand.

About the Seller
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Located in New York, NY
Recognized Seller
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1stDibs seller since 2004
Typical response time: 9 hours
Associations
20th Century Specialists
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