18th Century and Earlier Decorative Art

17th century Italian painting of Jesus and Mary adorned with an 18th century Italian gold leaf pediment and bejeweled with green sapphires, carnelian pebbles, garnet, and fluorite. The painting depicts Christ inside of the Virgin Mary as he is yet to be born while wearing a crown and two angels crown Mary as well. The picture of the Madonna predicting the upcoming birth of Christ is an important work done by an unknown artist. The precious gems perfectly match the colors of the painting. The historic painting...

An Italian carved and gilt wood wall plaque from the 18th century. This antique wall ornament from Italy is a nicely sized piece at roughly four ...

17th century Portuguese Tile Panel Restored Measures: 56cm x 56cm 14cm x 14cm tiles With certificate of authenticity and export issued ...

Antique print titled 'Nymphe de la Chasse'. Old print of a sculpture of Jardin des Tuileries (Tuileries Garden), Paris. It shows a hunting nymph. Source unknown, to be determined. ...

Set of 2 original antique botany prints from the work 'Botanica Pharmaceutica exhibens plantas officinalis quarum nomina indispensatoris recentur, cum Iconibus (..)' by A. Happe. The...

Important German Tabernacle Museum Piece 16th-17th century IMPORTANT GERMAN TABERNACLE IN MUSEUM 16TH-17TH CENTURY EXCEPTIONAL SOUTHERN GERMAN TABERNACLE...

A fine mythological etching by the great Italian engraver Antonio Tempesta (Florence, 1555 – Rome, 5 August 1630) printed by François L'Anglois or Langlois (12 May 1589 (baptised) – 13 January 1647),also called F. L. D. Ciartres (" Francois Langlois from Chartres"). Beautiful sheet , very sharp . The dimensions below are inclusive of the frame, the print without the frame measures 27x19 cm Antonio Tempesta, also called il Tempestino (1555 – 5 August 1630), was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp. Much of his work depicts major battles and historical figures. He was born and trained in Florence and painted in a variety of styles, influenced to some degree by "Counter-Maniera" or Counter-Mannerism. He enrolled in the Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Flemish painter Joannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence. His favourite subjects were battles, cavalcades, and processions. He relocated to Rome, where he associated with artists from the Habsburg Netherlands, which may have led to his facility with landscape painting. Among his followers was Marzio di Colantonio. Tempesta and the Flemish painter Matthijs Bril were commissioned by Pope Gregory XIII to paint wide panoramas of the Procession to Transfer the Relics of St. Gregory of Nazianzus (1572) for the loggias on the third floor of the Vatican Palace. He completed frescoes in the Palazzina Gambara at the Villa Lante in Bagnaia (1578-1609). From 1579–83, Tempesta participated in the decoration of the Villa Farnese in Caprarola, notably of this villa's Scala Regia. He is also known to have collaborated on frescoes in the Villa d'Este at Tivoli and the Palazzina Gamara at Villa Lante, Bagnaia. He painted a series of turbulent and crowded battle scenes for the Medici. He also completed a series of engravings on outdoor courtly hunting scenes. Tempesta painted frescoes for the Palazzos Colonna, the Doria Pamphilj, and for the Marchese Giustiniani in his Roman palace, where Tempesta collaborated with Paul Bril, and at Bassano di Sutri. He painted a Massacre of the Innocents for the church of Santo Stefano Rotondo in Rome. Tempesta is now best known as a printmaker in etching and engraving. He also left numerous etchings, among them: Plates from the Old Testament; twenty-four plates from the Life of St. Anthony; a set of 150 prints from Ovid’s Metamorphoses; 13 plates on The Labours of Hercules and four plates on respectively The ages of man; The entry of Alexander into Babylon; Diana and Actaon, and The crucifixion (1612). In 1612 he engraved a series of plates under the title "Batavorum cum Romanis Bellum" after designs of the Netherlandish artist Otto van Veen, also known as Vaenius (1556-1629) and court painter to Alessandro Farnese. Van Veen was influenced by the Italian mannerists but had developed his own style anticipating the Flemish baroque of his pupil Peter Paul Rubens. The series consists of 36 numbered engraved plates and illustrates the armed struggle between the ancient Dutch tribes and their Roman oppressors as narrated in Tacitus' Histories. Each plate bears at the bottom an engraved legend in Flemish and in Latin while a detailed explanation is printed on the otherwise blank verso. Plate I, signed 'Ant.Tempesta f. Anno 1611', shows 'Roma' and 'Batavia' in battle dress with respective scenic backgrounds, symbolizing the two nations. Fifteen other plates bear Tempesta's monogram. The plates depict heroic events, sieges, and battle scenes. This historicist work was very popular in its time. Tempesta also drew many designs for tapestries. François L’Anglois or Langlois (12 May 1589 (baptised) – 13 January 1647), also called F. L. D. Ciartres ("François Langlois from Chartres"), was a French print publisher, print seller, engraver, bookseller, art dealer, and painter. He is widely considered to have been the first important print publisher in France and to have contributed significantly to spreading awareness of contemporary artists' work throughout Europe. François L’Anglois was born in Chartres and baptised there on 12 May 1589. He visited Italy on several occasions: Rome in 1613 and 1614 and Genoa, Florence, and Rome again in 1621. On these trips he met Anthony van Dyck and Claude Vignon, who both painted his portrait. He also became acquainted with the engravers Stefano della Bella and François Collignon. It was probably around this time that he acquired the nickname of Chartres (Ciartres in Italian). In 1624–1625 he was associated with Vignon as an art dealer (paintings) and acted as a print collector for Thomas Howard, 14th Earl of Arundel, and Charles I of England...

Antique print titled 'La croupe au Pilier au pas à Droite (..)'. This print originates from 'Des Welt-berühmten Herzog Wilhelms von Newcastle Neu-eröffnete Reit-Bahn. Welche erstlich...

PAIR OF MONUMENTAL CARVED PANELS FROM THE 18TH CENTURY IMPORTANT SPANISH BAROQUE 18TH CENTURY WOODEN PANELS ATTRIBUTED TO: Luis Bonifás y...

Small original antique print with two skulls. Source unknown, to be determined. Published circa 1790.

Antique print titled 'Il Monte avec la Main, les Eperons, et Gaule (..)'. Plate 4 from "La Methode et Invention Nouvelle de Dresser les Chevaux" by William Cavendish. This engraving shows William Cavendish, first Duke of Newcastle...

Antique print titled 'Colosse de Rhodes'. A vue d'optique of the Colossus of Rhodes, one of the Seven Wonders of the World. The Colossus of Rhodes w...

A mid-18th-century Italian terracotta relief of the Virgin & Child appearing to St Philip Neri In a silver filigree, gilt-bronze and gilt-copper-mounted, lapis lazuli and wood frame. Known as the ‘Apostle of Rome’ due to his labours amongst the sick and poor of the city, Philip Neri (1515-1595) became an influential figure of the Counter-Reformation. Many miracles were attributed to him, and he was beatified by Paul V in 1615. His popularity and place in the folklore of Rome created a demand for his depiction within the church. For example, Carlo Maratta’s painting for San Giovanni dei Fiorentini, the preliminary study for which bears relation to the present composition (Royal Collection, inv. 905553). The fresh and freely modeled handling of the present relief is in the tradition of Giovanni Antonio Mazzuoli’s (1644-1706) small-scale modelli for altarpieces (C. Sisi and G. Gentilini, La Scultura : bozzetti in terracotta, piccoli marmi e altre sculture dal XIV al XX secolo, Florence, 1989, nos. 92-95). Additional information: Origin: Italy Period: Circa 1750, 18th Century Style: Religious, The Virgin and...

Antique print titled 'Ex Museo Schadeloockiano'. Beautiful original antique print of various sea shells. This print originates from 'Verlustiging der oogen en van den geest; of Verza...

Antique print titled 'Von ihm wird Pegasus mit Sporn und Hand geritten (..)'. Original old print of the Marquess of Newcastle riding on Pegasus before an assembly of the Greek Gods a...

Figure 10 of first part: The French king Louis XIII (aged sixteen) standing at left, with Messieurs de Pluvinel and le Grand, a horse tethered b...

A beautiful late 18th century Moroccan Miquelet Flintlock Rifle. Features a 56" Octagonal barrel wrapped in embossed brass. The buttstock is bone ...

Figure 25 of second part: Schematic outlines of different volte manoeuvres; surrounded by frame on separate plate showing classical architecture and coat of arms of France and Navarr...

Antique snake print of a Saharan or desert horned viper, Cerastes cerastes. This print originates from George Shaw and Frederick Nodders 'The Natur...

An antique rectangular mirror inscribed in a Pinewood, gilded frame adorned with water leaves and pearl friezes, in good condition. The mirror is consisting its original mirror glass...

Antique print titled 'L'Amphitheatre de Rome'. A vue d'optique of a Roman amphitheatre. This is an optical print, also called 'vue optique' or 'vue d'optique', which were made to be ...

Antique print titled 'Le Derriere du Chateau Royal de sans Soucy'. A vue d'optique of the Sanssouci Palace, Potsdam, the title printed in reverse. The open...

18th Century front panel of an altar. This panel is originally from the private chapel of an important house in Montelimar. With beautiful decorative stitched floral design with fl...

Antique print titled 'Mausolee'. A vue d'optique of the Mausoleum of Halicarnassus, Halicarnassus also spelled Halikarnassos, one of the Seven Wonders of the World. The monument was ...

Antique bird print titled 'Auerhenne'. Hand colored original antique print of a Western capercaillie hen, also known as the Eurasian capercaillie, wood grouse, heather cock, cock-of-...

Set of 2 antique prints titled 'Der Nord-Vogel (..) - Avis Artica (..)'. Original antique prints of a male and female arctic bird with original/contemporary hand coloring. Engraved b...

Large manuscript sheet with Gregorian Chant on parchment "Sacerdos In Eternum" Gregorian Chant composition book sheet as wall decoration, Spain before XVth century...

George Edwards Set of Twelve Parrot Engravings with chinoiserie Frames, Natural History of Birds, Engraved by Georg Dionysius Ehret, Mid-18th cent...

This stunning 18th century French painting features a luxurious gold-leaf frame. The beautiful and detailed artwork showcases animals lounging in the fields, creating a tranquil scen...

Antique portrait titled 'Sr. Edward Coke Lord Chief Justice'. Sir Edward Coke SL (1 February 1552 – 3 September 1634) was an English barrister, judge, and politician who is considered the greatest jurist of the Elizabethan and Jacobean eras. This print originates from Thomas Birch's 'The Heads of Illustrious Persons of Great Britain'. The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue...

Late 18th Century, an antique Louis Seize period mirror in carved wood with gilded accents and foliage motifs, consisting its original mirror glass in good condition. Created in Fran...

This French Gold Leaf Framed Painting is a timeless piece of art featuring an outdoor scenery by the shore, painted in the 18th century. This unique ar...

Etching Mark Catesby, Anas Bahamensis (The Ilathera Duck) Chrysanthemum &c T93. Wonderful print by the “Founder of American Ornithology”, Mark Catesby, from his 18th century monumental Natural History, the first natural history of American flora and fauna. A later small edition etching original hand coloring. Plate imprint on the paper. Later frame, back unopened. This is one of the finest natural science prints...

An antique rectangular mirror inscribed in a Pinewwood frame, gilded, the pediment formed by an openwork flower basket spilling sinuous gar...

Indian Pair of Panels with Mirror Work and Hand-painted Glass.

17th century, Roman School Mystical marriage of Saint Catherine of Alexandria Oil on canvas, 32 x 23 cm Frame cm 45 x 36 The saint is depicted in front of the Virgin holding th...

Architectural Capriccio of Roman Ancient Ruins with Figures. Italian, 18th century large painting in oil on canvas is from the school of Giovan...

A fine example of an English Charles II silk needlework picture framed under glass with figures and animals in its border, and foliate decoration throu...

Interesting Flemish painting representing a characteristic tavern interior scene with characters intent on playing cards. Oil on canvas in a round shape. The frame is an original gil...

17th Century Italian Architectural Drawing of a Palazzo which has been done with pen and ink with a grey wash. Signed on reverse by Bart...

A gold, large antique French Louis XVI period barometer, signed by Torricelli in gilded wood and of oval shape with original scientific illustrations, in good condition. The detailed wall décor piece is consisting its original glass. Framed with gilt foliate trim and important pediment. Minor fading, due to age. Wear consistent with age and use, circa 1750, France. The Italian scientist Evangelista Torricelli...

Original antique print of various sea shells and molluscs. This print originates from 'Oud en Nieuw Oost-Indiën' by F. Valentijn. François Valentyn or Valentijn (17 April 1666 – 6 A...

A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...

The Holy Family by Matthias Oesterreich after Carlo Lotti. Matthias was a German Old Masters artist who lived 1716 - 1778. Measures: 20.25” x 2...

Views of the Veneto Venetian school of the XVll century with original frames. Not relining. Inventory labels on the rack.

Follower of Simon Vouet (Paris, 1590 - 1649) The Holy Family with bird Oil on glass, cm 20.5 x 23.5; with frame cm 27.5 x 29.5 The small painting examined, made on glass and...

Set of 3 antique botany prints. It shows the Flesh-Coloured Crane's-Bill, Winged Mahernia and the Purple Coronilla. These prints origina...

A gold, antique Swedish Gustavian rectangular wall mirror with its original mirror glass and blue color paint, made of handcrafted gilded Pinewood, in good condition. The wall decor ...

A rare find this 18th century Spanish altar front, original gilt on chestnut, hand painted, highly decorative wall art, different, genuine, love t...

Antique print titled 'la petite Beccassine'. Hand colored engraving of a small snipe. This print originates from 'Histoire Naturelle des Oiseaux' by Francois Nicolas Martinet, one of France’s foremost bird illustrators of the 18th century. Published in Paris from 1770 to 1786. It was a monumental effort to catalog 1035 known ornithological species of birds. A staff of 70 people, feverishly worked for an astounding 13 years to complete this amazing work by Francois Martinet and George LeClerc...

Antique portrait titled 'Henry VIII K of Engl (..)'. Old print of Henry VIII. Henry VIII (28 June 1491 – 28 January 1547) was King of England from 22 A...

Manner of Titian (Tiziano Vecelli - Italian, 1485-1576) An Oil on Canvas "Sleeping Cupid" within a gilt and black decorated gesso frame. A label on reve...

A wonderful set of four antique Dutch ‘Delft’ style manganese tiles hand decorated with biblical scenes probably originating from Rotterdam and dating f...

Set of four antique copperplate engravings with hand coloring. "Britannia Illustrata," the publication in which these prints originally appeared, was one of the most important topogr...

Flemish School, 17th century Live nature couple with animals Measures: Oil on canvas, cm 25 x 35 - With frame cm 37 x 48 The pair of canvases in question depicts two excited...

First used about 450-500 years ago to reflect and disperse heat from a fire, firebacks were often cast with themes specific to the homeowner. Sometimes the iron would feature a familial coat of arms, or in the case of this 17th century semis de fleur de lys fireback, decorative motifs would represent the owner. The rectangular fireback has an arched top and a thick multi-layered molding along all edges. In the center is a raised heraldic shield with multiple fleur de lys charges, arranged in a pattern known as semis. A crinkled ribbon transverses the top edge, beneath a papal mitre and crozier topped with a volute leaf, indicating that the original owner was possibly a member of the church, possibly even a bishop. The iron has developed a fascinating chalky gray patina and can still be used functionally in a traditional fireplace...

Allegorical scenes with ebonized frames.

Antique bird print titled 'L'Ara Vert'. Old bird engraving of a green macaw. This print originates from 'Histoire Naturelle, générale et particulière, avec la description du Cabinet ...