Acrylic Paintings

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Title: Cosmic Mirage: Unveiling the Illusory Nature of Reality Size: 60''x60'' Medium: Acrylic and Mixed Media on Canvas Description: The illusory nature of reality is unveiled, beck...

"Laughter" by Louis Shields Abstract mixed-media on canvas Structural Series 2018 Measures: 20" H 16" W Colors: Tan, grey with accents of red.

"Veiled Paths" by Louis Shields Abstract architecture mixed-media on canvas Element Series, 2020 Measures: 36" H, 48" W Colors: White, blue, bronze, accents of gray.

"Reflections" by Louis Shields Abstract mixed-media on canvas Singed Millennium Series 2018 Measures: 48" H 36" W 1.75" D Colors: Yellow, brown, and gray.

"Beyond" by Louis Shields Abstract mixed-media on canvas Reductive Series Signed Delu 2015 Measures: 48" H, 60" W Colors: Predominate blues, greens and purple.  

"Touching the Void" by Louis Shields Figurative mixed-media on canvas Dancer Series 2018 Measures: 40" H, 30" W Colors: White, grey, and black.

"Fantastical Realms: A Nondual Landscape" is a breathtaking painting that captures the wonder and magic of a world beyond the boundaries of reality. The scene is bathed in a soft, ethereal light, giving everything an otherworldly glow. At the center of the canvas, a group of fantastical creatures roam freely amongst towering, twisted trees...

Very dynamic and modern painting with rich colours, natural wooden frame. Need we say more? This is a very radical expressive work done by a German artist. We have not been able to ...

A witty art-object piece by Mexican artist Cisco Jiménez. It's an Sayer Lack wood inks catalogue intervened by the artist with collage and acrylic. The piece resembles a cassette cat...

Incredible acrylic painting by Ron Pelley, signed and dated 1979. Subject is a cold loggers gaze of satisfaction.  

Charming French painting, oil on paper, unsigned, 19th century Measures: H. 22 W. 32 cm H. 8.6 W. 12.5 in.

"Defender" Oil on Canvas Original Painting in Wooden Gold Leaf Frame, 2005 An incredible and mystical collection of paintings, after a unique artist Andrew Ryabov - “Travelers of Ci...

Erika Rothenberg (B. 1950) "7 Hours, 10 Minutes, a Day" Signed, titled and dated 'Erica Rothenberg 1987 7 hours, 10 minutes a day' (on the reverse) Acrylic on canvas: 50 x 66 i...

This one of a kind painting by John Brevard was one of the earliest in his collection. After a series of black and white drawings (now mostly sold) John created only 10 paintings of ...

Gouache paintings, "The Circle Series" we actually have four. Price individually @ $ 2600 each. We have 4 altogether sold individually.

This is a very vibrant & expressive work from Milan Klimes (1945 – 2013), Czech artist created in the 70s, it is a mixed technique on cardboard with a new cedar wooden frame. The ...

This is a very vibrant & expressive work from Milan Klimes (1945 – 2013), Czech artist created in the 70s, it is a mixed technique on cardboard with a new cedar wooden frame. The ...

In this John Brevard painting, we see a strange and surreal creature that seems to inhabit a multidimensional world. The overall theme of the painting...

In this John Brevard painting, we see strange and surreal creatures that seems to inhabit a multidimensional world. The overall theme of the painting ...

Michael Young American, 1952-1993 “Site Terra Firma” Soil, sand, acrylic, resin on canvas 32 by 32 in. Circa 1990 Michael Young Biography: 1952...

Set of three oil on canvas paintings of saints: one full-length one of Saint Peter holding the keys to heaven and two smaller ones. Would make a fabu...

Spring Vibes - Alain Carpentier Acrylique sur toile 25F - 81cm x 65cm 2022 1800 euros

Kharkiv... Devastation - Alain Carpentier 100cm x 100cm Acrylic on canvas 2022 3500 euros

Myriam Caumes, signed. Oil on canvas with a white textured background on which appears a grey grid. French contemporary work.   

This fun painting explores art and its history throughout time. What we consider "art" ranges from truly creative, original works to simply clever designs...

Abstract acrylic on canvas painting. Signed: Alexander Hecht, titled “Domino Chair” and dated 2010, backside of the canvas, canvas size 36" x 60" x 1.75" ...

The abstract paintings of Ethan Boisvert often begin with a random sketch and find form and narrative through an overlay of direct painting, drips, homemade print making  techniques ...

The abstract paintings of Ethan Boisvert often begin with a random sketch and find form and narrative through an overlay of direct painting, drips, homemade print making techniques a...

Very interesting oil painting of Igor Stravinsky Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizens...

A fabulous vintage Boho original oil painting on canvas. Beautiful brush strokes and a strong use of color dominate this composition. Acquired from a Palm Beach estate.

This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...

This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...

This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...

This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...

This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...

Bold, gestural paint strokes and scribed "graffiti" sketch lines are illustrative of the technique that Christopher Draghi has adopted throughout his years in fine art. This work in...

"ATLAS 14" "Atlas" proposes a disruptive vision of the space-time concept, as a reflection between the ancestral and the comic, making us wander about the connection between both ...

"ATLAS 12" "Atlas" proposes a disruptive vision of the space-time concept, as a reflection between the ancestral and the comic, making us wander about the connection between both ...

ATLAS 04 "Atlas" proposes a disruptive vision of the space-time concept, as a reflection between the ancestral and the comic, making us wander about the connection between both and t...

Composition 0967 by Matière 28°, acrylic on plexiglas Matière 28° is the pseudonym of a Paris-based artist who was born in St. Petersburg and has liv...

collage and acrylic painting on wood frame set of 9 pieces.

ATLAS 02 "Atlas" proposes a disruptive vision of the space-time concept, as a reflection between the ancestral and the comic, making us wander about the connection between both and t...

ATLAS 01 "Atlas" proposes a disruptive vision of the space-time concept, as a reflection between the ancestral and the comic, making us wander about the connection between both and t...

This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...

We present here a unique piece that is part of a set of 3 watercolours painted on 100% cotton paper of 190 gms. They are unique and unrepeatable pieces as they are preliminary studie...

BIO The career of Peruvian-Palestinian artist Omar Ananias:

Ananias's artistic career began with sculpture and drawing under the guidance of his mother as his principal mentor, following in the footsteps of his family's long tradition of opera singers, musicians, classical dancers, painters, writers, and other artists. She owns "The House of Nymphs," an exquisite oceanfront artist retreat in Peru with a very unique private collection of artists, including friends, relatives, and Omar's earliest works.



Omar has also trained as a professional contemporary dancer and a yoga/mindfulness teacher since he was fifteen years old and, as a result, sought accreditation as an art therapist.

His work with sexual workers, the disabled, indigenous populations living in the Amazon Rainforest, prisons, and orphanages has brought him well-known recognition. He has worked for more than 20 years with various governments and organizations all over the world.



Techniques and inspiration used by Ananias:

His artwork has drawn inspiration from various sources including: the natural world, his personal encounters with marginalized communities, and the indigenous knowledge of the rain forest. Additional inspiration is drawn from Kris Gebhardt, Viviana Quea, Gam Klutier, Hideaki Yamanobe, and Carola Kastman.



Omar Ananias's love of the natural world also inspires him to create landscape designs and live plant sculptures made of clay, glass, and wood, in addition to his digital portraits and mixed-media abstract paintings on canvas.

He uses many self-made and unconventional instruments/materials for his paintings such as condor feathers, Peruvian gold...

ABOUT THE ARTIST Lennie Lee, born 1958, Johannesburg, South Africa, is one of the original East London artists and curators. His house has been a London landmark for more than twent...

Clider, "Dame à vélo", acrylic on canvas signed.

Detlef HAGENBÄUMER “Genesis”. Acrylic on canvas in a set of two.

KIEFERS Violet Quartz. Abstract painting in vibrant colors in a red spectrum. Ready to hang, framed with a passepartout in a handcrafted ash wood picture frame behind anti-reflective...

Junger sitzender Mann by Helga Müller from 1997. Acrylic on handmade paper. Framed in a beech wood frame. Size without frame: W 50 cm x H 70 cm.

A large scale hard edge painting executed by listed artist Jason Crum. This example hung in Vladimir Kagan’s personal apartment in New York. Executed in 1971 the painting is aptly ti...

"Remanso En El Tendido" Acrylic on canvas abstract artwork by Mexicasn artist Maricruz Hernandez Covarrubias 1947-2016 Painting measurements: Width 39.25 Height 33.25 Maricruz H. ...

Contemporary painting, Bestiary I, by Spanish artists Rubenimichi, Acrylic on canvas, with a thick lacquered wood frame. Measurements: Painting: 21×27 (H) cm Frame: 36 x 3.5 x ...

Contemporary painting, First Motherland, by Spanish artists Rubenimichi, Acrylic on canvas, with a thick lacquered wood frame. Measurements: Painting: 21 x 27 cm Frame: 36 x 3.5 x 4...

"Nidos" 2003 Felicidad Moreno Mixed technique of acrylic, enamel, varnish and acrylic spray on canvas.