Canvas Paintings

Unknown Scandinavian artist. Oil on canvas. Abstract composition. 1960s. The canvas measures: 80 x 60 cm. The frame measures: 6 cm. In excellen...

18th Century Religious Painting of a Nun Painted in Oil on Canvas Framed

The category Antique Paintings, Antique Portraits of Women offers a portrait of a Beautiful Young Breton Girl with typical headdress, an Oil Painting on Canvas, late 19th century. A...

This artwork is a portrait of General Goethals, who served as the commanding officer of the Province of Antwerp during the Bourbon Restoration era. It was painted in 1826 by the reno...

Ancient Italian painting from the 18th century. Oil on canvas famework depicting a seascape with characters and architectures of good pictorial quality. Nice size painting and pleasa...

Helge Ernst (1916-1991), listed Danish artist. Large painting. Oil on canvas. Abstract composition. 1970s. The canvas measures: 115 x 72 cm. The fram...

Interno di Chiesa, opera italiana dell'artista lombardo Achille Cattaneo, Dipinto ad olio su tela dei primi decenni del 1900, firmato in basso a sinistra, A.Cattaneo da Achille Catt...

J. Böréss, Swedish artist. Oil on canvas. Southern French landscape in fauvist style. Coloristic palette. Ca. 1930s. Exhibition label on the back. Signed illegible: John Böréss. In p...

This captivating, large-scale work of art by renowned American artist Henry Randolph Martz is a must-have for any maritime enthusiast or collector. Expertly crafted with Martz’s sign...

A decorative 1960's geometric abstract painting - acrylic on canvas, which we have had mounted in an elegant giltwood tray frame. An attractive, whimsical picture, we particularly l...

Unframed midcentury artwork painting signed by Queralt. Material: Oil, canvas Manufactured in Spain, circa 1977. Dimensions: D 1.8 W 73 H...

Fritz Stäger 'Village Green' Oil on Canvas 1928. This is a wonderful and very naively painted early work by Fritz Stäger, a Swiss painter. Great atmosphere and colors - lots to se...

Ester Nienhuis, Dutch b.1977 - Untitled, 2010; oil on canvas, signed and dated on the reverse 'Ester Nienhuis 2010', Provenance: Flowers Gallery, London private collection, L...

Erwin Kettemann Landscape in the Tyrolean Alps, Oil on Canvas ca. 1930 An original antique painting showing alpine meadows with moutains in ...

Landscape. Oil on canvas. XIX century. Natural landscape or a garden, with a lake in the foreground, which presents a series of trees towards the center of it. Both the theme and ...

Dimensions with frame : Height : 116 cm (45.7 in.) ; Width : 144 cm (56.7 in.) Dimensions without frame : Height : 85 cm (33.5 in.) ; Width : 118 cm (46.5 in.) Atrium with a rich Pompeian decor in which a young woman lying on a bed is playing with a sparrow, not paying attention to the man sat at her feet. This painting is a major work of art of C. G. Brun, well-know for the precision of his technic, by the elegance of its composition, the pureness of the colors, the refinement of the touch and the expressivity of the characters. This rare intimist scene in a interior decorated in the Pompeian style perfectly illustrates the taste of the time for the discovery of the villas of Pompei, thanks to the archeological excavations of the 18th century and the books published about them. To arrange its interiors based on the models of the Pompeian villas is then a trend that the most important people of that time will follow, as the Prince Napoléon, cousin of the Emperor Napoléon III, who orders the construction of a splendid Pompeian villa on the Avenue Montaigne, of which nothing remains but a few pictures and a painting by Gustave Boulanger, dated 1861 and called Répétition du « Joueur de flûte » et de la « Femme de Diomède » chez le Prince Napoléon. This painting illustrates the poem « Fletus passeris Lesbiae » from the collection « Carmina » written by Catulle (87-54 av. J.-C.) : in his work, the author, in love with Lesbie, a married woman living in Rome, puts on a show a sparrow as the main center of interest of its mistress who neglects her suitor. This theme has been represented many times in painting, like the version by Raphaël Poggi exposed at the Salon of 1865, or Lawrence Alma-Tadema in 1866 or Edward Poynter in 1907. Painting exposed, as reference number 467, at the Salon of 1861 on the picture rail of the Palais des Champs-Elysées Charles Guillaume Brun, born in Montpellier in 1825 and died in Paris in 1908, was registered in 1847 at the Paris Beaux-Arts school, where he studied under the direction of François- Edouard Picot (1786-1868) and of Alexandre Cabanel (1823-1889). His participation in the Paris Salon began in 1851 with genre subjects (Young girl doing her morning prayer), but as soon as 1853, he regularly sent Orientalist scenes, located in Algeria (Prayer in 1859, Rendez-vous in Constantine in 1861, Moorish woman...

Wear to canvas throughout with some punctures; requires restoration. From a private collection Free international shipping 18th Century Old Master Painting...

19th century child portrait, 1820 Beautiful 19th century child portrait in its original frame, pupil of Jean-Baptiste Greuze, certainly Jeanne Philiber...

"Saul with the Pythoness Evoking the Shadow of Samuel". Beautiful oil on Canva, work of the English school of the entourage of Benjamin West. This oil on canvas represents a bibl...

Métro Abbesses - Jean Wallis 2005 Acrylic on canvas Signed lower right Certificate of authenticity from the artist Size : 47x55x2cm Price : 900€ for the artist.

Straordinaria copia seicentesca de La regina di Saba offre doni a Salomone, (1584) dipinto Paolo Caliari detto Veronese appartenente ai Musei Reali alla Galleria Sabauda. Di notevoli...

Beautiful oil painting on canvas, framed in an elegant carved and gilded wooden frame, complete with mirror. This work, belonging to the famous Florentine painter Raffaello Sorbi, bears the artist's signature at the bottom right and is dated 1863, placing it in his early youthful production. Sorbi's stylistic characteristics are clearly visible, in which the warm Macchiaioli tones blend with neo-Gothic and romantic subjects, taken from the Renaissance and the Middle Ages. In this case the painting portrays the meeting between Dante and Beatrice, set in Florence, in front of a church, probably the Badia Fiorentina, a place frequented by both Dante, Beatrice and their respective families. Against the backdrop of Renaissance Florence, you can see people entering and leaving the church, while on the sides of the main scene there are figures of the people and a little girl sitting on the steps. The central scene represents the meeting between a young Dante, wearing the characteristic red tunic...

Important painting "Still life" oil on canvas of the second half of the 800 by the great artist Aémile-Auguste Vivier-Deslandes called "Baron Deslandes". Of rare intensity and beauty...

Couple of architectural capriccio with mythological scenes, oil on canvas, painter from Bologna active in the 18th century The two large and valuable pantings depict two architectur...

Painting, oil on canvas, by the painter Szasz, early 20th century. Oil on canvas, 20th century painting, signed Szasz, 1963. Frame: H: 44cm, W: 61cm, D: 3,6cm Painting: H: 38cm, W: ...

Scuola Ungherese Paesaggio con Figure e Armenti fine 1800 dipinto ad olio su tela orizzontale, raffigurante un’animata scena agreste. Sulla destra della composizione bucolica, una fi...

Vittorio Matteo Corcos (Livorno, 1859 - Florence, 1933) "Portrait of Princess Mariya Pavlovna Demidoff," 1911 oil on canvas, 77x61 cm. Signed and dated at lower right: "V. Corcos 1...

This oil on canvas, painted by Jean-Auguste Bard in 1838, was exhibited at the Salon the following year, as entry number 81. Jean-Auguste Bard (1812-1862) was a student of the renow...

This exquisite Biedermeier portrait from around 1820 is a true gem of early 19th-century German painting. Executed with remarkable finesse, the painting captures a seated lady in a s...

Jan Frans van Bloemen called Orizzonte (Antwerp 1662-Rome 1749). A Late 17th early 18th century Italian landscape with figures of the Roman Campagna. ...

A beautiful oil on canvas painting by Guido Agostini, Italian, 1865-1898, late 19th century in date. The sensitively painted landscape shows a girl on a country road with the cit...

A 19th century oil painting of a Danish landscape representing an Industrial area with person in 18th Century clothes. This antique artwork is sig...

The painting presents an unusual shape, that of the circle, a direct reference to the clipeated portrait of the Roman tradition. The frame is made of fruit wood finished in pastille ...

Agnes Slott-Møller, 1862-1937. Summer Residence "Villa Nostra," oil on canvas, in a contemporary gilded wooden frame designed by the artist. Signed: Agnes Slott-Møller 1909-11. "Vi...

Antique Original Oil on Canvas Painting Depicting Fruit A charming depiction of a menagerie of fruit on a pewter plate including bananas, apples, grapes, plums and an orange. Paint...

Intriguing tonal textile art piece, made with layers of fabric, loosely stitched. “Abstract composition in textile”, signed and dated verso DIMENSIONS h 83 cm w 57 cm d 1 cm ...

African Ethiopian painting imported to Italy by a diplomat during the Italian occupation of Ethiopia, in the late 1930s. This tribal folk art painting depicts a battle scene and the canvas is mounted on a parallelogram-shaped frame. It is a large battle painting...

Absolutely stunning Victorian style still life floral oil painting So vivid and bright would add light and energy to any room Brush work so detailed and the choice of colours works s...

Giuseppe Gambarini (Bologna, 17 March 1680 - Casalecchio di Reno, 11 September 1725) Loth and the daughters Oil on canvas; Measurements: cm H 73 x W 93; frame H 88 x W 108 x D 5,5 The painting, of beautiful pictorial quality, depicts the biblical scene of Lot and his daughters, with Sodom set on fire in the background, and is stylistically attributable to the italian painter Giuseppe Gambarini (Italy, Bologna, 17 March 1680 - Casalecchio di Reno, 11 September 1725). The canvas shows in the center Lot sitting and already drunk, depicted according to traditional iconography, old, gray and with long gray boat. With his left hand he grabs the wine flask that one of his daughters offers him. She is depicted kneeling and resting on large boulders of stone, described as an architectural base, dressed in a voluminous deep blue mantle, her hair covered with a humble headdress made of a knotted cloth; look at the viewer, as if to want to involve him directly in the scene. The other daughter is described on the left, from the back to the observer, with a bare back and dark hair gathered by a red ribbon. She too is intent on serving her father a cup in which to pour the wine. Around them a duck placed on a cloth, some bread and another wine flask enrich the composition describing a banquet in progress. The scene is set outdoors, where only a large tent supported by branches arranged in a hut serves as a shelter to the figures. In the background a forest landscape blends chromatically with the blue sky. To the right in the distance, is described the city of Sodom, already destroyed and on fire. Lot’s wife...

The category Antique Paintings, French Landscape, features an Oil Painting on Canvas from the Early Twentieth Century era, depicting a view of a river with water lilies that are sometimes called lotus flowers. XX century. These are landscape paintings depicting a bend in a river using warm, bright colors. The work is signed Emile Gauffriaud...

19th century German oil painting on canvas, depicting an officer on a black horse. Dimensions: (unframed) 65 x 55cm; (framed) 69 x 59cm. Provena...

This painting comes from Polland and is over 200 years old. Oil on canvas with little restorations.: let's not forget that there were two world wars in Europe. A lovely Madonna and c...

A colorful oil on canvas representing a group of children playing in a garden area near a Cathedral. Framed by a carved giltwood frame with foliage det...

Beauty Daydreaming by Joseph Pierre Olivier Coomans (1816-1889) The oil on canvas work depicting a classical beauty as she ponders while seated in a lacquered chair, wearing rich...

Francesco Aviani (Italy - Venice, 25-11-1662 / 1715) att. Couple of paintings depicting Capricci Oil on canvas, 135 x 183 cm, without frame The two large and fine paintings depict two illusionistic architectural renderings, with views of colonnades and arched buildings, animated by figures. The compositions are characterized by the harmony with which the painter introduces the sumptuous architectural monuments, the mirrors of water, the buildings in the distance and the views of the landscape. Dominates with a color on the tones of brown and ochre that stands out on the blue sky, marked by some cloud of steam. The insertion of the figures to enliven the architectural views also balances with the set. The Capriccio, an artistic genre that has made its way into Italian painting since the 17th Century, is characterized by the representation of fantastic architectures or prospective inventions, sometimes combined with elements drawn freely from reality. The two paintings are an example of this type and they are a very interesting and Fine artwork. The remarkable pictorial quality emerges both from the composition of the ensemble and from the way in which the artist describes the views with great attention to detail, highlights and refined, perfectly realistic, chiaroscuro. The same must be recognized for the figures: these are described with a wise brushstroke, quick and quick touches give the dynamism of the moment that is captured, as if time had stopped to show and narrate what is happening. The painting on the right represents a large Baroque building in stone and paved with marbles, two floors, with moving façade, large columns with corinthian columns, a large portal with a staircase with large footsteps, a balustrade with string, from which some figures appear, and two equestrian monuments in bronze. The sumptuous building overlooks a large POOL of water, with a gushing fountain, around which some characters sit. In the second floor is described a white palace from which rises a tower crowned by a structure with wrought iron loggia. In addition there is a bridge and some architectural ruins behind which some mountainous reliefs fade towards the horizon. On the staircase is described a particular scene. The people seem to be part of a very precise story. A woman, in the shadow of a parasol supported by a servant, would seem to drive out of the palace a man, who, taken under his arm by two maidens with a determined attitude, is led to a boat. The scene could be identified with the biblical episode of the parable of the prodigal son (Luke 15,11-32), at the moment when the prodigal son is robbed and driven away by the harlots. The episode tells of a man with two children. The youngest said to his father: “Father, give me the part of my inheritance”. And the father divided the substances. After not many days, the youngest son, collected his things, left for a far country and there he lost his substances with prostitutes and living as a debaucher. When he had spent everything, there came a great famine in that country and he began to find himself in need. Reduced to hunger, he was forced to be a pig herder to survive. He therefore meditated in his heart to go to his father and ask for his forgiveness and to be welcomed anew, even as a servant. While still on the road, however, the father saw him and ran towards him, receiving him with open arms. He then ordered his servants to prepare a great feast for the occasion, killing for the purpose the "fatty calf". The firstborn did not understand why his brother was given such treatment, and reminded the parent that he, who had always obeyed him, had never received a single kid to celebrate with his friends. The father answered him: «Son, you are always with me and everything that is mine is yours; but it was necessary to celebrate and rejoice, because this brother of yours was dead and came back to life, was lost and was found». The parable of the prodigal son was often portrayed in painting and the scene he finds most is certainly that of returning home in his father’s arms. Among the many is a canvas by the famous painter Giovanni Paolo Pannini (or Panini) (Italy – Piacenza, 1691– Rome, 1765) kept at the Hallsborough Gallery in London. Rather rare, however, is the scene of the prodigal son driven and robbed by harlots. There is an engraving by Hans Collaert II (1561-1620) in which this moment is described in the background compared to the moment, narratively later, in which he is penitent among the pigs. The second painting, certainly pendant of the first, represents a similar palace, with some characters overlooking the balustrade marcapiano and other figures around the large bathtub quadrilobata. In the foreground is described a monument with two large stone sculptures. In the distance some architectural elements and, beyond, the mountains are lost on the horizon. The studies related to the numerous painters of architectural views and caprices, active in Italy, and the archival documents found, which could better clarify commissions, biographies and certain works, are scarce and sporadic. Therefore there are still many difficulties in reconstructing a catalogue of autograph works for each author. Through paintings in private collections, in museums and paintings passed on the antique market it is however possible to advance some attributions in order to better delineate the various artistic figures. The style of the works studied here leads to a dating that runs between the 17th and 18th Centuries, with obvious influences dictated by the perspectives of the brothers Galli Bibiena. The analysis of the architectures and the chromatic palette suggests that we are in the presence of a northern Italian and Venetian author. Observing the decorations and the volutes, the brightness and the perspective disposition in fact, we find several analogies with those used by the Vicenza painter Francesco Aviani, excellent in pictorial perspective and architectural views. The biographical profile of Francesco Aviani (Italy - Vicenza, 1662-1715) was essentially traced in 1956 by Andreina Ballarin, then re-visited by Federica Spadotto in 2014 and Giancarlo Sestieri in 2015. Certain documents about his life are scarce, as are the documented works. He was born in Venice, probably on 25 November 1662, to Bernardo and a Magdalene whose surname is unknown, and was baptized on 3 December 1662. Between 1701 and 1703 he worked, together with his brother MarCo, sculptor, for the fresco decoration (now illegible) of the church villa in Soella (Vicenza). On October 16, 1703 he married Isabella Carcano. On March 26, 1715 he made a will and died on April 3 of the same year, in Vicenza. The frescoes in the refectory of the sanctuary of Monte Berico in Vicenza are considered authentic works by Aviani, probably made in 1708; the paintings preserved in the Civic Museum of Vicenza: “Landscape with Lazzaro and the rich Epulone”; “Christ among the doctors”; “The miraculous fishing”, works not datable but with attribution corroborated by style. In addition, the frescoes in the east and west corridors of the Villa La Rotonda, near Vicenza; the fresco in the apse basin of the chapel of the church S. Croce, Vicenza, now destroyed; the frescoes of the central hall of Villa Camerini a Montruglio (1714) and a painting of a “Porto Regio”, of which we have a print engraved by Dall'Acqua. From his works emerges the artistic background that animated the Venetian culture in the early eighteenth century. The scenic grandeur with which Aviani treats the architecture also suggests a stay in Emilia of the painter, in which he could have come into contact with the environment of the Bibiena. These contacts would be confirmed by the press of Cristoforo Dall'Acqua (Vicenza 1734-1787), “Il porto regio”, after a painting of Aviani. The press was part of a group of engravings, representing royal buildings, reproducing paintings of the Bibiena. In the eyes of Dall’Acqua, therefore, Aviani’s work was not foreign among those of the Emilians. Inside the sumptuous architectural whims, Aviani often depicts biblical scenes, in which the characters share the space and the narrative rhythm, along with figures drawn from everyday scenes, memories of the Veronese and Bassano heritage. Also in the works covered by this study the author does not seem to want to give up a biblical subject, though the purpose of the paintings appears to be clearly a staging scenography-architectural within which the characters are relegated to the role of extras. From the examination of the architectural Capriccio gathered under the name of Aviani then emerge common elements. The comparison between these works and the works in question highlights the proximity of the compositions. The imposing and scenic architectures are in fact equally characterized by the perspective-scenographic ability diffused in emilian “quadraturisti” and in Bibiena work. In fact, you can see the spectacular slender architecture in the lower part, the loggias that create chiaroscuro games with arches and binate columns placed on massive bases and overhung by projecting cornices. Significant also the comparison with two paintings with architectural whims in a night vision attributed to Francesco Aviani. In Aviani’s works it is possible to find a certain knowledge of the Roman Codazzi paint nd its early development of the eighteenth century, developed with the Locatelli, the Pannini and the less known Domenico Roberti. To Roberti have been recently attributed two works that have some compositional affinity with the canvases in question. The same can be done for a work on the antique market, attributed to Pietro Francesco...

In good condition From a private collection Free international shipping Signed Nude Portrait Oil Painting

A delightful oil on canvas, “At the Fountain”, by the Provençal artist Bernard Langrune (1889 – 1961). Known for his paintings of regional scenes, from pastoral views to city snapshots, Langrune has beautifully captured this atmospheric moment in a quiet and shadowy corner of a French town. You can almost hear the splashing...

Knud Horup (1926-1973), Danish artist. Oil on canvas. Figure in landscape. Mid-20th century. Signed. In perfect condition. Dimensions: 70 cm x 60 cm. Total with frame: 86 cm x 76 cm.

Marvellous and good size work of theater art. In the pre-television and pre-movie Arts and Crafts era much more was communicated via stage performers and via drawings and paintings. This naive style painting, in an artistic manner shows us some of the most recognizable of human emotions. Also because most people (circa 1900) could not yet read, clowns and mime players were some of the most important story tellers using body and facial expressions only. Most of them were so good at what they did that, even without words, everyone knew exactly what they were communicating. 'Floating in the air' and against the dark background these mime or clown masks...

19th Century Spanish Orientalist Framed Oil on Canvas Painting Measurements with frame: 61.5x72.5x4cm.

Early 19th century “Portrait of a Man in a White Shirt”, from the French school. Showing a young gentlemen classically dressed for the p...

Oil on canvas framed in a gold molding depicting a seated Ethiopian woman in an interior setting with a geometric background. The figure is dressed in traditional clothing and poses ...

This antique stunning portrait of Madonna in Sorrow came out from a Palazzo in Florence and an absolute eye catcher. The colors and details are incredible and very typical for an Ita...

Italian painting dated 1977. Oil painting on canvas depicting a country view in the Impressionist style. Beautiful and pleasant framework signed and dated in the lower right corner (...

This is a magnificent antique Dutch School floral still life oil on canvas painting with a stunning gilt gesso frame, late 18th century in date. This splendid painting is rectangular in shape and features brightly illuminated pastel-tinted roses and bi-coloured Carnations and Honeysuckle arranged against a ruined wall with trees in the background. Great attention has been paid to individual elements in the bouquet. Indeed each petal has been painted with diligent conscientious precision. It is housed in its magnificent original giltwood frame. Add this splendid antique Dutch painting to a very special wall in your home. Provenance: Property of Archibald Stirling of Keir Condition: In excellent condition the painting and frame having been beautifully cleaned in our workshops, please see photos for confirmation. Dimensions in cm: Height 55 x width 88 x depth 5 - frame Height 39 x width 72 - canvas Dimensions in inches: Height 1 foot, 10 inches x width 2 foot, 11 inches x depth 2 inches - frame Height 1 foot, 3 inches x width 2 foot, 4 inches - canvas Archibald Hugh Stirling, Laird of Keir (born 18 September 1941) is a Scottish theatrical producer, a former officer in the Scots Guards,and Laird of the Keir estate at Lecropt in the Stirling council area in Scotland. A still life is a work of art depicting mostly inanimate subject matter, typically commonplace objects which may be either natural food, flowers, dead animals...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Aksel Møller (1909-1994), Danish artist. Oil on...

A naturalistic oil painting depicting joseph, maria and the holy child in the barn of bethlehem. Oil painting on canvas with vigorous pastell colors. Framed with antique decorative g...

Swedish naive oil painting with the original frame, from the 2nd part of the 19th Century. This folk art work on canvas represents kids and a dog playing by a courtyard, opening the...

Beautiful still life with lots of flowers and A shabby chic frame Oil on canvas Painting signed.

A Pair of "Pompeian" Interior Scenes By Egisto Sarri of Florence Executed in oil on canvas, and housed in matching hand-carved giltwood frames, depicting intimate domestic life of t...