Wood Paintings

ABOUT Peruvian Cuzco School, Madonna & Child, Untitled. Oil on canvas, pre 1970. CREATOR Unsigned. DATE OF MANUFACTURE c. pre 1970. MATERIALS AND TECHNIQUES Oil on Canv...

English 18 century oil on canvas of horse and jockey painting in carved giltwood frame. This 18 th c English oil on canvas beautifully depict...

Presenting a captivating and historically significant folk art painting from the late 19th century: an oil rig scene believed to date circa 1892. This remarkable artwork, executed in oil on board, offers a rare glimpse into the early depictions of the burgeoning oil industry...

Antique French early 20th century oil on canvas painting of a French infantry march during the Franco-Prussian War, signed "Edouard Detaille" (1848-1912).

Antique miniature landscape oil painting on Masonite panel - complete with original ebonized soft wood frame with gilt filigree - signed/initialed by the artist - R.G.H.S. - mid 20th...

This is a wonderful example of Charles Alston's figurative work. This piece is a rare oil on masonite board. The composition features three figures that may be choir singers at churc...

Expressive Abstract painting of machinery. Randall uses deep reds complemented with greenish-yellows. The piece sits in a patinated grey frame. Randall had a fascination with labor...

A subtly toned river landscape with cottages on the tree lined bank of a river under gray skies. The watercolor professionally framed and presented in a fluted gilt wood frame with ...

A sweet little painting depicting two dressed up circus dogs. The dogs are painted against a sober background. The painting is oil on panel and dates from...

A beautiful antique oil painting by the Dutch painter Laurens Plas. The painting shows a romantic landscape of sheep in the meadow. A beautiful performance with a beautiful display o...

Grapevine Anonymous. Korean, 17th century. Wall panel, ink on paper. Upper seal: Kou Kinun in Lower seal: Kaigen Dimensions: Measures: 98.5 cm x 29.5 cm (39” ...

A Chinese ancestor painting on silk in faux bamboo frame, 20th century. 17 ¼ by 30 inches

Beautiful ocean beach scene with waves crashing on the rocks at night. Very well done by a listed artist noted for seascapes. Period thin edge frame. In...

Experience the elegance of the 18th century with this Belgian painted oil on canvas 3-panel screen. Each panel connects the intricate scenes of pastoral life, delicately hand-painted...

A traditional Russian icon of St. Nicholas portrayed in a frontal, half-length view, dressed in bishop's attire. He blesses with his right hand while holding the open Gospels in his ...

A master-level painting surrounded by a thick and detailed gold leaf frame, this large oval oil on canvas has an impressive scale for a nature morte (still-life) painting. The painting, which dates to circa 1850, is by an unknown, yet extremely talented French artist. In stark contrast to the dark gray background, the subject of the painting is a brightly colored floral bouquet. The vibrant flowers (blue, red, yellow, pink, and white) reside in a brown woven basket that sits atop a stone baluster railing. A cluster of darkly colored grapes is strewn across the top of the railing, next to the basket, as two butterflies flutter above the bouquet. If you look closely, you will even see a third butterfly perched on one of the large green leaves that accompany the irises, carnations, and sunflowers. The equally impressive original frame is adorned with rings of beading, foliate rinceaux, and spiral fluting, with a deep convex molding carved with additional fluting. In 19th-century France, an entire school devoted to floral still-life paintings emerged, located in Lyon, which was the capital of floral design. Although originally still-life art was classified as unimportant, acceptance by art historians of the 20th century elevated the public opinion of nature mortes. A painting such as our large and striking oval floral...

An English oil on board painting from the late 19th century depicting a hunting scene and set in antique frame. Created in England during the last quarter of the 19th century, this o...

Found in Europe, this Early 20th Century Oil on Canvas was painted in the early 1900's. Artist signed Kate Von Muhlenstein, suggest the art has a German origin. This interior paintin...

F.G. FRASER (Frederick Gordon Fraser) - Antique fine quality Cambridge spring/summer river view - watercolor and gouache painting on watercolor paper - signed by the artist lower lef...

An oil landscape painting on wood signed «Mendes da Silva» by the portuguese painter Mendes da Silva (1903 to 1987), the Painter of the Night or Flowers, a great nocturne painter of ...

After the original 17th-century by the famed Flemish painter, David Teniers II (usually referred to as “David Teniers the Younger”, as his father David Teniers the Elder was also an accomplished painter), this fabulous painting depicts a vibrant scene, both in color and theme. Our version, which was painted in the 1700s, is by an unknown, but very talented artist. The painting is surrounded by a giltwood frame with two layers of beading. Both Teniers were known for developing the “peasant genre” or “tavern scene”, where members of the working class were shown actively celebrating life. The earthy tones of the interior of the inn (brown and beige) are offset by citizens in brightly colored attire consisting of green, red, black, and gray. The scene is divided into two rooms, with seven patrons (mostly men) gathered around a barrel table in front of a very large fireplace. Two of the men are playing cards and there are two tankards visible. The calmness of this group is a drastic difference from the 11 people gathered in the foreground. A man in blue stands on top of a wine barrel table...

Dipinto Fiammingo del 1600 a olio su rame raffigurante uno scorcio di paesaggio con figure, una scena di genere con una moltitudine di personaggi affollati in una strada con delle ar...

19th Century Painting with Swans on a Lake at Sunset The antique oil painting, presented in a gilded wooden frame, was created on canvas in the l...

18th Century, Italian Pair of Paintings on Glass in Giltwood Frames This exquisite pair of paintings executed on glass is presented within finely carved and gilded wooden mirrors da...

Impressionist artist who was noted for New York scenes. This is an oil on canvas depicting downtrodden figures, refugees, according to the title, in various poses in front of the Bro...

Gorgeous original oil on canvas southwest desert plein air landscape painting by listed artist Dorothy Glascow, circa 1950s. This wonderful piece measures 33.25" x 27"and it is signe...

An extraordinary and monumental pair of 18th century École Française Oil on Canvas portraits of Marie-Josèphe of Habsbourg of Austria (1699-1757), wife of Frederick Augustus II of Saxony, Elector of Saxony, and of their son Frederick IV of Saxony (1722-1763), bearing the Imperial and Royal Order...

A half-length portrait of a young lady, her costume à la Turque and wearing a double strand of large and lustrous pearls. She is deep in somewhat pensive thought, her right hand resting lightly against her chin, her left hand gently clasping the neck of a pottery flask...

Ada Pratella (1901-1929) Houses at Capri, oil on canvas in gold frame, signed lower left. Italy, circa 1920 Dimensions: 17" W x 14.5" H x 1.88" D; sight 12.5" W x 10.25"H.

Magnificent Chinese scroll ancestor painting showing patriarch and matriarch of a high ranking status civil official. This unusual scroll depicts the dignitary couple seated below a ...

An exceptional Continental late 17th century oil on canvas still life painting, in a 19th century giltwood frame. The beautiful painting displays a wonderful array of vivid colors an...

Presenting a magnificent 19th-century Orthodox icon:The Pantocrator. This piece is painted in tempera on a wooden panel, exemplifying traditional religious artistry from this era. ...

Oil Painting from the Early 20th Century, Winter Rural Landscape We present you this oil painting from the early 20th century depicting a winter rural landscape. The painting is in ...

Large religious icon made in Russia in the early 18th century depicting the Veneration of St. Michael. He is shown surrounded by Saints and Prophets. They are painted delicately in t...

A vibrant Post-Impressionist painting of a Parisian flower market at Place de la Madeleine, signed by François Claver and dated on the reverse frame. The scene captures the essence o...

Stunning gouache painting of a dancer-like figure by the artist Austino Obi Okafor. "The dancer salute" gives the artwork a full expressive dimension with their long span stretching ...

1990s Oil Painting on Canvas of Bali Woman Faces Signed: Awan Bali ‘96 Carved Wood Frame Some corners of frame need to be reattached as shown in pi...

An imposing religious-themed painting depicts the scene of the "Assumption of the Virgin". The iconography in this 19th-century painting follows the tendencies of Baroqueization and ...

Charming 19th Century nautical painting of a British merchant steamship at sea. In the painting, the Red Ensign flag or "Red Duster" can be seen flying on the back of the boat along ...

The hand-written notes on the back of this miniature watercolor tell what was, at the time, a scandalous story. The portrait is of Hanah Tichbon. The inscription reads in part, "wen...

This beautiful boiserie panel depicting an allegory of Spring and the Arms of France was hand-painted in France, circa 1840. Boiserie is ornate wooden paneling that covered walls and ceilings of luxurious chateaus in France. The use of these panels became more prevalent at the end of the 17th century, before exploding in popularity during the 1700’s, thanks to multiple installations at the Palace of Versailles. Lengthy paintings such as this (ours is over 112 inches long) would often be placed above a doorway, forming a continuous theme with the rest of the room. The arrival of Spring is depicted by four winged cherubs frolicking among pink, white, and yellow flowers. None of the cherubs are clothed, although two of them are draped in colored textiles. The putto on the far left has a billowing peach colored material hanging from the left shoulder as he holds a sheer piece of fabric. The transparent veil stretches across most of the canvas, extending to the right hand of a female cherub wearing a jeweled tiara on the far right. On the same side of the canvas, but more medial, is another putto loosely draped in green fabric. To the left is the fourth cherub, a female with a laurel leaf tiara that is holding onto the edge of the Arms of France. A gold oval medallion, adorned with volute scrolls at the top and bottom, encircles a representation of the coat of arms of France from the Bourbon Restoration (1814/1815-1830). There is a large, curled leaf rising from the top volute with a husked border surrounding the light blue background with three gold fleur de lys. Our magnificent French painting gives off a warm and lively feel. Although it could still be used as part of a boiserie room...

I love the vibrant colors! This is a set of large scale oil paintings hand done on silk by Chelsea House. They are Asian inspired with their birds on branches surrounded by fruit and...

This remarkable oil painting, titled **"Old New Bedford Whaler – Andrew Hicks"**, is an exquisite maritime artwork that captures the spirit of 19th-century whaling. The painting, exe...

Mitani Toshuku (1577-1654) “Falcon” Wall panel, ink and light color on paper. Upper seal: Mitani Lower seal: Toshuku Dimensions: Each 118.5 cm x 51 cm x 2 cm (46.5” x 20” x .75”) Individual falcon paintings by Mitani Toshuku (1577-1654), an early artist of the Unkoku School. Founded by Unkoku Togan (1547–1618), a master of the Momoyama period, the Unkoku school enjoyed long lasting patronage in southern Japan. Togan was a retainer of the Mori family in present day Yamaguchi prefecture. Members of the school considered themselves to be in the artistic lineage of Sesshu Toyo...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Still-life 'Flower Arrangement' Oil Painting made by Danish Artist Emmy Thornam in the 1920s. * Still-life oil painting of a flower arrangement. Black vintage frame. Signed ‘E. Thor...

Vintage framed Still Life Oil Painting of Fruit with Pitcher. Framed in a lovely wooden frame. Ready to hang with wire along the back. French, circa 1920. Size of frame: 16 x 18 i...

Rare set of portraits of Napoleon with his wife Marie Louise of Austria. Hand painted and framed in ebony. ref. O/7439/2.

A Korean Folk Art painting watercolor on silk mounted with brocade border and framed. The watercolor was likely dated from late 19th century to the tur...

In the style or School of the Important Old Master Guido Reni (Italian, 1575-1642). A stunning Old Master 18th or possibly 17th century Italian Baroque School religious portrait painting...

According to a bio written by Alex Bialy, "Daniel Schmidt adopted the name Dan Smith by 1890, when he began his career as a staff reporting artist for Leslie...

Magnus Jørgensen (1683-1738), Denmark. Painting: "Two Gentlemen at a Well-Laid Table." Signed: Magnus Jørgens(en) Pinxit et invenit Ao 1724. Oil on canvas, mounted in later black fr...

A beautiful Italian 19th century oil on canvas painting. The painting depicts a beautiful Italian scene of personages going about their day with charming boats and a house on the wat...

An 18th century French Louis XVI style trumeau mirror with a large painting depicting Venus at the Forge of Vulcan. Fine quality oil on canvas with vivid color. Gilded wood frame is ...

Lovely 18th century Italian painted panel featuring chinoiserie images. Vibrant colors of blue, pink, green and gold. Such an interesting piece ...

Vintage festive abstract oil on canvas with a simple lathe frame bu Barbara Tuch.

Oil on board titled "Sky" by outsider artist extraordinaire Robert Loughlin, painted in 2011. Set into an aluminum jet engine turbine fan. The only work of numerous I've handled that I commissioned from Robert, a friend, colleague, and frequent supplier of vintage modern design. The turbine fan was a cool found object in the Machine Age tradition that I had no idea what to do with so I asked Robert to use it as a frame for one of his paintings. "Sky" was the result--an iconic image of The Brute with a jet stream of cigarette smoke...

Striking oil painting by Bengt Orup, with a concrete motif in yellow, red and black.

Charles Levier born of a French Father and American mother. He was was active/lived in New York, California / United Kingdom, France and is known for landscape, still life and figura...

Midcentury abstract painting by Arnold Taraborrelli, American, circa 1959. It is entitled "Break-Away" and is executed in gouache on artist board and retains it's original frame. Tar...