Robert Loughlin Painting "Sky" in Jet Engine Turbine Fan Frame

Tantra series painting by artist and counter-cultural icon Ben Morea. Morea’s exploits during the 1960’s, as co-founder of the anarchist/activist collective ...

Tantra series painting by artist and counter-cultural icon Ben Morea. Morea’s exploits during the 1960’s, as co-founder of the anarchist/activist collective ...

Screenprint on linen with biomorphic animal motifs by Chicago-based painter, weaver, and fabric designer Angelo Testa. Literally the first student to graduate from Moholy-Nagy’s New ...

A typology of metal tubular chairs, with 2100 entries from Europe and the United States, covering the period from the mid-1920s to the late 1930s. Written and edited by Otakar Marcel in collaboration with the Vitra and Embru archives, and published in 2006 by Van Hezik-Fonds 90 Publishers. Includes work by (among many others) Gabriele Mucchi, Rene Herbst, Gilbert Rhode, Jean Royere, Josef Frank, Jacques Adnet, Alfred Altherr, Andre Arbus, Erik Gunner Asplund, BBPR, Oswaldo Borsani, Djo Bourgeois, Hin Bredendick, Marcel Breuer, Fritz August Brehaus, Jean Burkhalter, Pierre Chareau, Serge Chermayeff, Wells Coates, Hans Coray, Donald Deskey, Erich Dieckmann, Michel Dufet, Rene Gabriel, Paul Frankl, Norman Bel Geddes, Sigfried Giedion, W.H. Gispen, Jindrich Halabala, Poul Henningsen, Axel Einer Hjorth, Wolgang Hoffmann, Arne Jacobsen, Frederich Kiesler, Lajos Kozma, Paul Laszlo, Mogens Lassen, William Lescaze, Anton Lorenz, Hans Luckhardt, Robert Mallet-Stevens, Sven MNarkelius, Erich Mendelsohn, Werner Max Moser, Carlo Mollino, Bruno Munari, Eckart Muthesius, Walter von Nessen, Richard Neutra, Maxime Old, JJP Oud...

Painting on canvas by New York City picking and art legend, Robert Loughlin. Signed and dated on the back, “TARGET, RL 2005”. Featured in Patrick Parrish Gallery's “Robert Loughlin: ...

Paint on found wooden frame by New York City picking and art legend, Robert Loughlin. Featured in Patrick Parrish Gallery's “Robert Loughlin: 1998-2011” exhibition in 2021. ROBERT LOUGHLIN (1949 - 2011) may have been one of the most elusive artists in New York, but his work was everywhere. You might have noticed his signature graffiti of a square-jawed man, The Brute, randomly appearing on doors, signs, and walls all over the city. Like his fellow graffiti artists who emerged during the 1980s, such as Basquiat, Keith Haring, and Kenning Scharf, Loughlin has now become a collectible name. Once considered outsiders to the mainstream art world, graffiti artists now command top dollar for their work and are shown in museums all over the world. When he wasn't making his mark on the city streets, Robert Loughlin still incorporated a similar grittiness into his art. He would ransack antique stores, thrift shops, flea markets, galleries, and estate sales and emerge with treasures that he would use as his canvas. Nothing was sacred...

Paint on a framed, glass-protected painting by New York City picking and art legend, Robert Loughlin. Featured in Patrick Parrish Gallery's “Robert Loughlin: 1998-2011” exhibition in...

Marker on a cardboard box by New York City picking and art legend, Robert Loughlin. Featured in Patrick Parrish Gallery's “Robert Loughlin: 1998-2011” exhibition in 2021. ROBERT LOUGHLIN (1949 - 2011) may have been one of the most elusive artists in New York, but his work was everywhere. You might have noticed his signature graffiti of a square-jawed man, The Brute, randomly appearing on doors, signs, and walls all over the city. Like his fellow graffiti artists who emerged during the 1980s, such as Basquiat, Keith Haring, and Kenning Scharf, Loughlin has now become a collectible name. Once considered outsiders to the mainstream art world, graffiti artists now command top dollar for their work and are shown in museums all over the world. When he wasn't making his mark on the city streets, Robert Loughlin still incorporated a similar grittiness into his art. He would ransack antique stores, thrift shops, flea markets, galleries, and estate sales and emerge with treasures that he would use as his canvas. Nothing was sacred...