Wood Paintings

A traditional Russian icon of St John; the Theologian in Silence, where he appears to be holding the Gospel. The scene's title derives from the saint's hand gesture in which his fing...

French School, 18th century. Oil on Canvas painting set in an antique giltwood frame. Unsigned. An 18th century portrait painting of a young Philip V or at this time Duke of Anjou....

American oil on canvas landscape with a flowing stream, trees and mountains, watering cows in the foreground, sun in the background, encompassed on the origi...

FOR SALE: Stunning Folk Art Oil Painting – Andean Woman & Child with Birds Bring color and culture into your space with this marvelous folk art (outsider art) oil painting on a wood...

Antique Italian painting from late 19th century. Oil painting on masonite depicting landscape, view of mountain village in impressionist style. Signed painting on the lower left G. M...

Possibly Southern United States. The painting set in a gilt wood frame. Oil on canvas showing a house on a lake with orange trees and landscape with a woman sitting on grass.

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...

Oil on canvas winter landscape by the renowned Swedish-born American Impressionist painter, John Fabian Carlson. Framed in a lemon gold molding. A...

Italian Mid-Century Modern Anamnesi acrylic paint work on canvas by Lucio Del Pezzo, 1960s. Colored acrylic paint work on canvas entitled Anamnesi with abstract subject with multicolored geometric shapes, on a mustard-colored background, and wooden frame with friezes with a golden finish. Drawing by Lucio Del Pezzo from around 1960s. Good conditions. Measures in cm 91x3x70h If you are interested in this product or need photos or additional information, we are available to respond any question as soon and quickly as possible. Remember to check our product in the listing of this our store, where we present fantastic original vintage products...

A French Napoleon III period still-life painting from the second half of the 19th century, signed and set in giltwood frame. This French still-life painting was born at the end of th...

Antique Oil on Canvas Landscape Painting, Mountain Lake Scene with Country Road, Giltwood Framed, C1890 Measures- 18.75''H x 24.75''W x 2.75''D

Peter Keil, Black & White Portrait Facing Left, Oil on Board, Signed, 12” x 36” Striking black and white oil portrait by German artist Peter Keil (b. 1942), known for his bold, expr...

Decorate an office or study with this beautiful antique pastoral painting. Hand painted in Italy circa 1870, the painting depicts a tranquil ...

The Triumph of Bacchus" late 19th century oil painting on canvas after Diego Velázquez. Signed and dated: M. De Saivin, 1897 Dimensions: Ca...

19thc French Antique Masterpiece Oil on Board Painting "Woman Imploring The Cross In Ocean" Signed and Giltwood Framed. This is a stunning piece of art that moves you when viewed.

Pier Francesco Cittadini (Milan, 1616-Bologna, 1681) "Jacob and his family go to Egypt" Oil on canvas, cm 109 x 190 (canvas only) The valuable painting, made in oil on canvas, depicts Jacob and his family go to Egypt and we believe it can be, given the high quality painting, autograph work of Italian Pier Francesco Cittadini (Italy Milan, 1616 - Bologna, 1681) made after 1647. The work, in excellent condition is accompanied by a coeval frame in wood finely carved and golden. The scene depicted, which was confused with the Flight to Egypt in the past years, is instead identified with the biblical episode of Jacob’s journey. In the foreground, reading the painting from left to right, we see a caravan composed of animals, including donkeys, dromedaries, goats, dogs and horses and people, women, men and slaves, who carry on their journey along the banks of a river, following a path that to the right, would seem to lead to the through of a bridge. In addition to the watercourse is described an environment characterized by large rocks and impervious come far to cover the entire verticality of the canvas. On the left, in the distance, we see the tail of the caravan that runs along the steep path. Large trees enliven and harmonize the environment, as well as white and grey clouds characterize the predominantly clear sky and illuminated on the right by sunlight. The story is told in the Bible, Book of Genesis, 30, 25, passage in which is described the flight of Jacob from Haran after the contrasts with Laban, father of his wife Rachel. Jacob is the third great patriarch of the Bible. From his descendants originate the twelve generations of the people of Israel. He is the son of Isaac and Rebekah, who led him to flee from the wrath of Esau to Haran to seek refuge from his brother, Laban. At his uncle’s house Jacob met his daughter Rachel. As soon as he saw his cousin, Jacob was taken. Jacob will stay seven years in the service of Laban to marry his beloved Rachel. But Laban, with a deception, will give him in marriage first Lia, the least beautiful eldest daughter, and only after another seven years the splendid Rachel. From his first wife he will have several children, while Rachel will give birth to the beloved son, Joseph, who will become viceroy of Egypt. After years of service, Jacob asked to be paid with every dark-coloured garment among the sheep and every spotted and dotted garment among the goats. Laban accepted and sent away from his sons all the leaders of that kind. So Jacob took fresh branches of poplar, almond and plane tree, and flayed them, and put them in the troughs. The optical suggestion induced the goats and the sheep to conceive and give birth to dark, striped and dotted garments. He also ensured that all the strongest and healthiest leaders of the flock of Laban would drink near the barked branches, thus assuring a genetic superiority to his part of the flock. His flocks grew numerous and strong and he became richer than his relative, arousing envy. It was clear that Laban would not respect him much longer. At the suggestion of the Lord, Jacob decided to return to Canaan. Trying to avoid any possible dispute, he left with his family while Laban was absent for shearing sheep. But when, three days later, his uncle returned home, he became angry, feeling offended because Jacob had gone secretly and had not allowed him to greet his daughters and grandchildren. In addition, his teraphim, statuettes, or idols, which depicted the family deities, had disappeared. After 7 days of pursuit, Laban and his men reached Jacob’s group on Mount Gilead, in the mountainous region west of the Euphrates River, where his uncle and grandson had a stormy conversation. The younger man was outraged at being accused of stealing idols and told Labano to rummage through his family’s tents at will. Neither of them could know or even imagine that it was Rachel who took the idols and hid them in the saddle of the camel. During the search, she sat down firmly on the saddle, apologizing for not being able to get up, «because I usually have what happens to women» (Gen 31:35). So the loot wasn’t discovered. The author of this work was inspired by the composition of an engraving by Stefano Della Bella (1610-1664) of circa 1647. The engraving by Stefano della Bella bears the title "Iacob sur ses vieux jours quitte sans fascherie pour voir son filz Ioseph, sa terre et sa patrie" and is signed on the bottom left "Stef. of the Beautiful In. et fe." while on the right it is declared "Cum privil. Regis", that is with license of the king. Stefano Della Bella (Italy - Florence, May 18, 1610-Florence, July 12, 1664) was born in a family of painters, sculptors and goldsmiths and was left early orphan of his father sculptor, he dedicated himself first to the art of goldsmith at the school of Giovanni Benedetto Castiglione and Gasparo Mola, then turning his attention to drawing and engraving. He soon began drawing figures and copying the etchings of Jacques Callot, which inspired his early works. Under the protection of the Medici, in particular of Don Lorenzo, cadet son of Grand Duke Ferdinand I, Della Bella has the opportunity to make study trips to Rome, where he stayed from 1633-1636; In Rome he met French engravers and publishers of prints such as Israël Henriet and François Langlois, who influenced his decision to move to Paris in 1639, four years after the death of Callot. In Paris he soon reached, thanks to the engravings commissioned by Cardinal Richelieu, the success also worldly; he frequented courtiers, theatre artists and writers, while refusing too oppressive honors. In 1646-1647 he continued his travels in the Netherlands to Amsterdam, Antwerp and Dordrecht. He returned to Florence in 1650 and resumed working under the protection of the Medici court, working for his patrons. In 1656 he became a member of the Academy of Apatists. The painting object of this study is reasonably attributable to Pier Francesco Cittadini, or Pierfrancesco Cittadini, called the Milanese or the Franceschino (Italy - Milan, 1616-Bologna, 1681) as some exemplary stylistic comparisons proposed to follow can prove. Pier Francesco Cittadini was an Italian baroque painter, mainly active in Bologna. His artistic training first took place with the painter Daniele Crespi...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

An exceptional French 18th century oil on copper painting in its original giltwood frame. The wonderfully executed painting depicts a beauti...

Belgium / 1950 / painting with frame / R. Remmerie / wood, canvas / Rococo / Baroque / Mid-century Charming and beautiful framed painting of the Belgian artist R. Remmerie of a land...

1930s Italian Signed Still Life Painting Still life with cactus Oil on canvas signed Piccari. On the back the artist's address Via Maddalena 2 Rom...

Antique hand-painted porcelain plaque, "Flora" after Titian signed by Rau. This beautifully executed 19th century porcelain plaque has been hand-painted with a luminous version of Renaissance painter Tiziano Vecellio's famous oil painting...

Step into the elegance and nobility of the 18th century with this striking original oil portrait, titled “Chasseur”, attributed to the French School. Depicting a regal gentleman hunt...

19th century French oil on wood orientalist painting with frame. Dimensions with frame: 47 x 34 x 5.

Decorative painting by Decarli of French alp

Vintage Pool Score Board - Unique Artwork from Circa 1960 by Unknown Artist This vintage Pool Score Board, dating back to around 1960, is a remarkable piece that effortlessly combin...

Pair of Mid-20th century oil paintings by Mario Fattori, circa 1950s Wonderful pair of oil paintings. One shows a young woman standing in a barn interio...

Rare extra-large (cm 59 x 85) antique watercolour of capital from a collection of architectural details of Florence monuments painted in Italy in the middle of 19th Century. Black ma...

Oil on board depicting a summer landscape with a leafy tree in the center, a figure fishing in the lower right, blue rolling hills in the distance and set against a cornflower blue c...

20th Century heavily textured signed skull painting raised on a linen background and framed in a 19th Century black and gilt frame with crossbones at each corner.

Late 19th Century French Victorian oval miniature watercolor on vellum portrait of a woman with a light blue dress in an ebonized frame.  

Charles Levier born of a French Father and American mother. He was was active/lived in New York, California / United Kingdom, France and is known for landscape, still life and figura...

A set of four Italian chinoiserie painted panels, each within frames, depicting fanciful chinoiserie birds, vegetation, pagodas and figures at leisure, circa 1820. Possibly from Piem...

Antique painting of Frederick II/Frederick the Great after Anton Graff Oil on canvas painting of King Frederick II or better known as Frederick the Great of Prussia. Original black ...

Berthe Pascault (XIXth-XXth) Green Fairy with Roses Berthe Pascault La Fée Verte aux Roses Hand-painted polychromed oil on porcelain Signed lower left Original gilt wood frame Circa...

PRESENTING a FANTASTIC and LARGE Oil on Canvas Painting of ‘Venus & Cupid’ After the original masterpiece by renowned artist, Hans Zatzka. This is a mid to late 20th Century, circa ...

Winter Landscape Snow Scene Country Road Painting Oil on Canvas Framed Argnegger . Late 19th-early 20th century winter landscape / snow scene, by...

Lucien Bleyfus (French, 1878–1953) Hillside Village Oil on Board This captivating Impressionist work by Lucien Bleyfus exemplifies the artist's mastery in capturing the serene beaut...

A fine quality circa 1780 oil on canvas portrait painting of a gentleman in powdered wig, coat, waistcoat, and frilled shirt housed in a period giltwood frame having bead and lamb's tongue design. Red wax seal collection...

Vintage Hand Painted scenic oil painting panels - a pair Additional information: Materials: Giltwood, Paint Color: Blue Period: Mid-20th Century Art Subjects: Landscape Styl...

Frame with dimensions 126 cm. x 95 early 20th century, Austria - Vienna. The frame structure is made of fir wood, a material chosen for its lightness and workability, while the surfa...

Abstract Expressionist painting entitled "All Manner Of Thing," by William H Littlefield (1902-1969). Littlefield was a Provincetown and New York painter who studied under Hans Hofma...

Vintage Frank Walcott mixed media abstract painting, 1970s Offered for sale is a 1970s Mid-Century Modern Frank Walcott mixed media abstract 3-dimens...

A fine and large French 19th century old master school oil on canvas titled "Leda and The Swan" within a giltwood frame. Leda and the swan is a motif from Greek mythology, in which Z...

Set of 4 -1940's Asian Hollywood Regency Period Artisan Hand Painted [on a gilt cork ground] .Flowers and Birds depicted. These are beautiful and the set is framed with gilt faux Bam...

For sale a charming European late 18th, early 19th Century Georgian/Regency era oil on board portrait painting of a youthful person, possibly a scholar, believed to have been painted...

Abstract Expressionist oil painting by Austrian-born, Brooklyn artist Frederick Terna entitled "Radiant Pledge" circa 1970's in recessed wood frame trimmed in brass-tone metal. Fred Terna...

Antique portrait painting of Pope Paul VI on wood. This beautiful piece depicts a small portrait of Pope Paul VI. This painting is one wood and unframed. Pop...

Original hand colored lithograph on paper of the multi colored Japanese Pheasant, with accompanying notes by John Gould. The work was drawn on stone ...

From Italy an original colorful view of Milan depicting the Ticinese Darsena Navigli Canal with boats and buildings, an oil on canvas painting signed lower lright C.Castelfranchi Mil...

Vintage French "Winter" landscape painting. Beautiful French traditional style frame.

A pair of Art Deco painting of industrial scenes. Both signed J. Hollister. Measures: Sight 12" W x 13.5" H Framed 13.5" W x 15" H x 1.25" D.

Small silk printing figuring a romantic scene in the 18th century style. A stand woman wearing a red and white dress reaches her hand to kiss to a ...

The Deck series. This screen-printed skateboard triptych was designed in 2014 by The Skateroom with the Estate of Jean-Michel Basquiat. It is a reproduction of Basquiat's 1983 work, In Italian. Float-mounted on encaustic painted boards. Framed in maple float frame with 24 K gold leaf front. Art Dimensions: 48 x 36 H inches Framed Dimensions: 49.5 W x 37.5 H x 4.5 D inches Over a year in the making, Decks is a mixed media series combining O'Hara's favorite medium, encaustic wax, as the backdrop and base for art-edition skate decks. The skate decks, screen-printed with contemporary art by Warhol, Basquiat, Haring, and more, are float mounted onto board. With a nod to pop art and street art, each board is painted to complement the decks that sit atop. In works like Deck 15 and Deck 18, O'Hara float mounts sets of Keith Haring decks...

A couple of paintings, depicting two men dressed in the fashion of the Renaissance. Oil paint on panel. The frames are carved and gilded with gold leaf. Here and there some small pieces of gold leaf are missing. Below you will find more detailed information about the artist Constantin Stoitzner...

Large Mural sized hindu painting on silk cloth. Measures: 44.5 x 76 x 1.5. Framed in a Gilt wood frame.

Beautiful acrylic painting on a 1800's deed by contemporary artist Afsoon Thayer. Abstract design painted with acrylics and gold leaf on an original antique vellum...

Italian Renaissance style Set of three gilt icon wall plaque with swirl columns and religious figures.

Italian orientalist oil on canvas painting. 20th century. The fine oil painting depicting an orientalist woman dressed in traditional garments w...