European Paintings

Painted Face of young woman Cappellini. Measures: Height 71 cm Width 61 cm Mixed Media on canvas In good conservative condition, present signs of time due to use and age. (Pl...

Our Lady of Valvanera, oil on copper. Spain, 17th century. Height: 20 cm - Width: 14.4 cm. Certificate of Govaert, 1986. Our Lady of Valvanera The Virgin of Valvanera is a Marian devotion from the Sierra de la Demanda, in La Rioja (Spain), a community of which she is the patron saint and one of the patron saints of the autonomous communities of Spain. The current image is a carving considered to be early Romanesque, from the end of the 11th century AD or beginning of the 12th century AD. The Catholic Church commemorates the feast of the devotion on September 8. The appearance of the image is recounted in the Historia Latina, written in 1419 by Rodrigo de...

Ancient Italian painting from the 18th century. Oil on canvas famework depicting a seascape with characters and architectures of good pictorial quality. Nice size painting and pleasa...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

This is a quite pleasant little English oil on canvas signed, in the lower left featuring some buildings with the traditional terra-cotta roof with a church steeple in the background...

Miguel Llabrés (Spanish, 1930 - 1983)Sacre-Coeur, Paris oil on canvas signedLlabrés (lower right); titled (on the reverse) 33 x 39 inches. Framed, 42.5 x 50”

A 19th century French Louis XVI style trumeau mirror with a sepia toned oil painting depicting a pastoral courtship scene. Pale green painted pine frame with gilded border trim. Orig...

An extraordinary and monumental pair of 18th century École Française Oil on Canvas portraits of Marie-Josèphe of Habsbourg of Austria (1699-1757), wife of Frederick Augustus II of Saxony, Elector of Saxony, and of their son Frederick IV of Saxony (1722-1763), bearing the Imperial and Royal Order...

Charming and full of light, this gouache painting of a young man in a black swimsuit lounging on a wide beach was painted by Louise Alix in the 1950s. The man's rosy complexion, the...

Oil painting "The Man in the Gold Helmet" Rembrandt van Rijn Portrait copy of the famous Dutch painter Rembrandt van Rijn, overpainted print, signed. Fr...

Painting Nude of a Seated Woman F.Spina 1978 Measures: Height 66 cm Width 50 cm In good conservative condition, present signs of time due to use and age. (Please see photos) If ...

A French oil on canvas animal painting signed Laroche from the late 19th century with giltwood frame. This French oil on canvas painting features two lovely kittens playing with a st...

Landscape painting by the French painter Fortune Car (1905-1970) Frame dimensions : 36 x 31 cm Painting dimensions : 22 x 27 cm

Our Stock # 24729 This is an antique river landscape painting. A Scottish, oil on canvas in gilt frame, dating to the late 20th century, circa 1900. Appealing oil painting from the...

Pair of Austro Hungarian hand panted litografi .Wooden frame .

This watercolour on paper is framed under glass and signed in the left corner. It shows the East Indiaman sailing downwind under full canvas. The rever...

Antique French or Belgian tapestry. Depicting Persian horseman capturing wild Arabian horses. It is in the original frame behind glass. The glass has preserved the vivid colors. Date...

Early 20th Century oil on canvas portrait of a Society Lady thought to be Dame Anna Neagle. Dimensions: Framed H 175cm W 113cm Picture H 161cm W 100cm Origin: English Date: 1947

GUIDO HAMPE German, 1839-1902 Alpine Landscape with Waterfall (1881) Oil on canvas signed lower right "G. Hampe '81" Item # 106QJY03C An incredibly powerful Romantic landscape of the Alpine mountains with a waterfall cascading into a valley, the river pouring over the rocks and curving around the bend, flowing past a pair of figures seated on a grassy noll with a transcendant unearthly lighting that creates a focal point of the couple. It is as if the clouds have opened up just to shine light on them, emphasizing the glorious day the man and woman are experiencing on this leisurely hike through nature. Painted by Guido Hampe in 1881, the painting was acquired by Charles S. Shultz, president of the Hoboken Bank in Montclair, New Jersey where it remained in his home until its deaccession from the home in 2021. The home was particularly interesting for its total originality, the interior looking almost identical throughout its entire life to how it appeared at its inception in 1896. Enclosed in the collection of images is a shot of the painting in situ over the living room fireplace as captured by the Montclair Magazine article on the home in 2020. The work is signed in his typical script lower right "G. Hampe / 81". It remains housed in the original and substantial giltwood frame, fully restored and a very powerful presentation. An article on the Charles S. Schultz home can be found by clicking here. Artist Listings & Bibliography: *. E. Benezit Dictionary of Artists, Vol. VI, Gründ, 2006, p. 1105 Measurements: 32 1/4" H x 42 1/2" W [canvas]; 48 1/2" H x 58 5/8" W x 5 1/4" D [frame] Condition Report: A fine presentation ready to place: frame with minor wear/abrasion/loss; canvas with trace grime in the mountain tops and sky and all-over moderate craquelure. Surface bright and vibrant. Retains the original frame that we have had professionally restored with trace regilding and inpainting, some elements recreated; the restoration has preserved the antique nature of the frame and all restoration has been toned to match the aged aesthetic of the frame. Painting was acquired with its apparently first surface, an incredibly thick grime layer that significantly obscured the image - this was likely due to its placement above the fireplace in the Charles Shultz...

Pair of original botanical watercolors of mixed bouquet of flowers, painted on paper, and framed in their original French Empire gold lea...

Magnificent Antique oil on canvas portrait painting signed A. Robert (1817-1890). A. Robert was a Belgian Royal Academy Artist. His works are on displa...

Jean Marie Daneis (French 1944-) Peches et Groseilles, (Peaches and Currants) Oil on canvas, Signed lower left. The still life painting , an oil on canvas, depicts three peaches an...

A 19th century grand tour copy of Fra Angelico's most popular work, "A Group Of Angels" painted on a circular 13" diameter wooden board. Features a group of six angels wearing blue, ...

This English oil on canvas painting, dated 1884, captures the quiet elegance of a white horse standing in a dimly lit stable interior. Painted with rich tonal contrasts and an eye fo...

A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...

19th Century copy of 18th century portrait of Robert Harley, 1st Earl of Oxford, (born 1661, London, died 1724, London). He was a British statesman who headed the Tory ministry from ...

A large 19th century German Meissen rectangular porcelain plaque depicting Mary Magdalene reclining reading from a book. After Antonio Allegri (Ita...

A vintage still life oil painting on canvas by Latvian painter Leonid Moshenkov(b.1927). It is not signed but came from the family.

A fine antique German hand painted porcelain plaque. In the Royal Berlin (KPM) or Royal Vienna style. Depicting the Reclining Mary Magdalene Reading In the Wilderness after Pompeo Girolamo Batoni. Mounted in a contemporary black foliate frame. Simply a wonderful antique porcelain plaque...

Abstract painting by the noted Italian artist Mario Titi. From a prominent Palm Springs estate. We have an associated smaller painting that is signed on the verso in script, with the artist’s full name. This painting is signed Titi on front. It is framed in a metal period frame that is quite elaborate with an inner metal part. The frame has some scratches on it and could be polished. The liners are not perfect but it is period so we left it as is. From Wikipedia the following; Mario Titi (1921-1982) was a painter of the Roman and Castelli Romani artistic scene of the 20th century; his works are shown in churches and museums of the Lazio, and all over the world. The artist frequented from a young age the academy of Belle Arti of Rome, sticking to the futurist movement. He was a follower of Tato (Guglielmo Sansoni...

signed bottom right "Rud Quittner" Lit.: Catalog "Herbstausstellung und Gedächtnisausstellung Carl Freiherr v. Merode und Rudolf Quittner", Künstlerhaus Vienna 1910, p. 39. Künstler...

Vincente Puig signed, oil painting "Europa", depicting the mythological subject of Europa on the back of Zeus turned into a bull. Signed top left. Newspaper article affixed to verso....

18th century French pair of oils on gold leaf panels. One is depicting an angel playing the violin, and the other one is holding the music book.

French 19th Century, Oil on Canvas, Wall Panels or Trumeau Paintings Set of 4 large 19th century oil on canvas wall panels Trumeau paintings. These finely painted panels are simply ...

The circa 1930 original watercolor by Jean Boris Lacroix, titled "Composition abstraite ," stands as a testament to the artist's mastery of color, form, and expression. Signed in the...

French Painting Hardcover collectible art book by Charles Stuckey– January 1, 1997 by Charles Stuckey (Author) Hardcover · 320 page Stuckey examines...

Beautiful early 19th century portrait dated and signed at the back. Portrait attributed to Berthon, student of David "The young girl and the c...

The young shepherd oil on wood panel signed Antoine Richard, 1822-1891. A painting representing a young shepherd daydreaming, leaning on his stick. ...

Modern Oil Painting, Urban Landscape by Joseph RAUMANN, France 1960s. Picturesque scene of a French village, with its typical buildings and street corners. Oil on canvas with very ...

Early 20th century Italian oil on canvas by M Zampella, "Cows by Stream", gilded frame, signed: lower right, M. Zampella.  

This tender painting is by Arthur Augustus Dixon, a great English artist who lived between the late 19th century and early 20th century. This painting is extremely rare for its subj...

Painted in a lovely, colorful palette and full of hope and symbolism, this painting by Jocke Åkerblom depicts a standing male nude figure looking into the distance, the sky swathed i...

Lucien Adrion was born May 25, 1889 in Strasbourg, France. He was was a French Post-Impressionist painter, draftsman, and printmaker known for his depictions of the French countrysid...

Giuseppe Pitto (Italian 1857 - 1928) is often known for his paintings depicting pretty women in Italian street markets. This exuberantly painted scene i...

A circa 1920s Spanish Colonial painting of an angel holding olive branch. Measurements: Height: 27.5" Width: 21.5" .

A French framed oil on canvas still-life painting from the 19th century depicting fruits, signed Morin. Created in France during the 19th century, this oil on canvas painting features mouth-watering cherries and prunes displayed in wicker baskets and flanked with a copper strainer...

Wonderful painting of nudes titled "Oreades". Oil paint on gesso relief. On board. Great colors and technique. Painted in an Art Deco style. It ...

Post Impressionist Grand Tour style Venetian oil painting on prepared Masonite panel - titled verso 'PALAZZO DUCALE, VENEZIA' - featuring the Doge's Palace on the Grand Canal with bo...

18th century French Rococo Painting Circle of François Boucher This idyllic pastoral oil painting shows Boucher’s impact on this f...

Superb impressionist folding screen with 4 panels in painted canvas. The painting depicts the shores of a canal. We see a fisherman on the right bank, accompanied by his little white dog quietly sitting in the grass. The man observes the 2 boats (a sailing boat and a barque) which sail on the water. Woods appear in the background. The painting is of very good quality, well done and bright. Signature lower left: "CH Frechon 1894" for Charles Frechon...

Two paintings, sold as a pair, from Italy circa 1880. Curved tops. Measurements: 39.75'' W x 71'' H x 3'' D.

1970s Original Abstract Modernist oil on canvas by Elgin, original wood frame , beautiful colors nice original condition. Great for any Mid century , Danish modern home decor. Gorgeo...

Copy of French Painting showing marriage of Napoleon to Josephine in Notre Dame Cathedral.

Abstract Oil Painting on Canvas by Fausta Dossi (B 1936) Description This is an abstract oil painting on canvas created by Fausta Dossi, a renowned Italian artist from Milan, in 20...

A very fine portrait of a British military officer signed and dated Thomas Beach 1774 in the lower left. This oil on canvas is presented in a period gilt frame and is ready to hang....

Large oil painting on a plate with a nicely patined pine frame. Made by Danish Artist Jytte Hansen in 1996. The painting features a rich and complex palette of colors, with deep bl...

A beautiful antique oil painting, a still life with flowers and a sculpture. The painting is in good condition. Sold without frame. The painting is signed K.M. Claessens. Karel M...

A striking painting of Erik af Sillén. Erik af Sillén (1895–1977) was a Swedish nobleman and military officer who held various distinguished positions throughout his career. He serve...