European Paintings

Peter Keil, Third Eye Abstract Portrait Germany, Circa 1970s This masterwork measuring 22 inches wide x 30 inches high is an oil on prepared artist board/masonite. Presented in ...

English oil on canvas portrait dating from the late 1700s painted in the manor of Joshua Reynolds. We believe the giltwood frame could be the original as it is right for the period. ...

A lovely vintage French still life oil painting on panel of a red hyacinth in bloom, the vibrant hue of the flower is striking against the muted blue and beige stripe background. Art...

18th Century Spanish Colonial Painting of Christ on the Cross with a floral border. Painting inscribed at bottom BER DADERAFE DELSD LOS MILAGROS(translates to “True Faith of the Lord...

English 18 century oil on canvas of horse and jockey painting in carved giltwood frame. This 18 th c English oil on canvas beautifully depict...

This is a gorgeous landscape painting by well known Dutch painter Johan Diderik Cornelis Veltens, 1814-1891. Oil on Board entitled "In't Gein Bij Abcoude." In a beautiful, period gil...

This is an absolutely incredible early 17th century oil on canvas painting representing Holy Family-Virgin Mary, St.Joseph, St. Elisabeth, John the Baptist and Baby Jesus. Sir Peter ...

Alfano Dardari (Italian, 1924-1988) “surrealist clowns painting” A fantastic 1950’s Italian oil on canvas painting depicting colorful clowns gatherin...

18th century French school, portrait of an aristocrat woman circa 1760 - 1770, oil on canvas set into a Louis XVI style frame (the frame is a 19th century production ; it is gilt wit...

Nils Johansson (1922-2014), Sweden. Oil on board. Abstract composition. Dated 1961. The board measures: 40 x 32 cm. The frame measures: 1.5 cm. In ...

Danish original antique oil on canvas painting with landscape motive of small village with Danish flags. The painting is signed by the artist in the lower right corner and framed in...

Framed Oil on Canvas By the French Artist Jerner, "The Opening." Dated 1953. Provenance: sold by the famous Parisian 'Galerie J. Le Chapelin,' Faubourg St, Honoré. This painting capt...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also an artistically talented woman, took her son and struggled her way to West Berlin...

John Haanstra (Dutch, b. 1940), signed and dated 1985 on lower right. A charming oil painting, showing a winter landscape. Skaters are enjoying seasonal fun on a frozen canal while others go about their daily activities. A typical Dutch windmill can be seen in the background. Typical Dutch style housing can be seen in the foreground. The sky seems to be laden with more snow, creating the sense of more winter fun...

Gonzalez Alacreu is already a classic, as is also a great impressionist, since Impressionism is the classic art of the last two centuries of painting, and when we see children and wo...

18/19th Century Floral Still Life, Oil On Canvas, Painting in an 18th century giltwood Frame. Painting has a colorful profusion of flowers in a gray-silver colored urn. Flowers are i...

A beautiful painting, a portrait of a Cavalier King Charles Spaniel dog. The painting was made by the Belgian artist Robert Detrixhe. The painter was born in 1935 and was particularl...

Naïve Art Oil Painting, Countryside Landscape, Village and Farmers, France 1950s Signed "P.LEFEBRE" at the bottom right corner. This vibrant painting by French artist P. Lefebre is...

Monumental and quite extraordinary, this utopian scene -- all cast in a lovely, warm glow -- depicts a wide range of nude figures, mostly male, in a grassy river valley between mount...

Drenched in rich color and somehow both modern and classical, this scene of nude male figures is presented as a frieze of men along a horizontal plane -- as if they are peopling a mu...

19th-century Spanish School: "Portrait of a Musketeer," HSP. (chip on the cartouche). Dimensions: 80 x 59 cm. good condition

This painting shows a portrait of a gentleman wearing a red jacket. His face and his hands are very well detailed. It wears age and use. The painting is in France and will be shippe...

Charles D. Hartley (British/American, 19th Century) Scottish Highlands landscape oil on canvas canvas: 30 by 18 inches Frame: 33 ½ by 21 ½ inches

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also a...

Carl Euler - Bear Hunt in the Zillerthaler Alps, Oil Painting on Wooden Board 1889 An impressive oil painting depicting a high mountain landscape with mount...

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

Large Oval Berlin 'K.P.M.' Porcelain Plaque of a Harem Dancer Germany, circa 1890 This exceptional Berlin (K.P.M.) porcelain plaque showcases an exquisitely detailed painting of a veiled, exotically dressed...

PIETER GERARDUS VAN OS Dutch, 1776-1839 Shepherd with Flock in a Pastoral Landscape (1821) Oil on canvas Signed lower left "PG Van Os f 1821" Item # 204GPP23A An extensive and brilliantly detailed scene, this fine woodland pastoral landscape highlights the ability of Pieter Gerardus van Os to manipulate light for dramatic and somewhat ecclesiastical effect. There is a certain other-worldly insinuation in the golden light as it pierces the dense cover of the leaves to highlight the shepherd and his flock as the focal point for the painting. Here we find the young boy entirely at peace on the bank surrounded by long golden grasses with his hat and staff tossed aside while watching the action of the small waterfall on the otherwise tranquil stream. His small dog stands beside him while the sheep graze carelessly, each showing total disregard for the two men and their dog hunting in shadows of the woods behind them. Across the bank a pair of unattended billy goats graze on the trees of the deeply shaded forest floor. There is a harmony and perfect sense of balance in this intricately detailed scene, an effective infusion of the transcendental into a quiet landscape scene. The work is signed lower left in his typical scrawling script "PG [intertwined] Van Os f 1821" and the back of the frame retains an early Christie's label. It is presented in a very fine carved giltwood frame. PIETER GERARDUS VAN OS Born in The Hague on October 8th of 1776 into the renowned Van Os family of painters, Pieter would spend his early years studying under his father Jan together with his brother Georgius Johannes Jacobus (Dutch, 1782-1861) in their father's studio. The three men had remarkable careers and would become some of the most influential painters in the Netherlands throughout the first half of the 19th century. Unlike his brother and father, Pieter moved away from still-life paintings and focused his work on rural landscapes of the Dutch countryside. He was self-taught in this pursuit, first as a copyist of the renowned Dutch "Golden Age" painters Karel Dujardin (Dutch, 1626-1678) and Paulus Potter (Dutch, 1625-1654) while also being heavily influenced by the landscape work of Jacob van Ruisdael and the allegorical landscapes of Nicolaes Pieterszoon Berchem. From his studio in Amsterdam, Pieter taught such notable pupils as Wouterus Verschuur...

Italian painting dated 1980. Oil painting on canvas signed Ferruccio Rosini (Livorno painter born in 1932) depicting a seascape in impressionist style, without authentic. Beautifully...

Presenting an exquisite print by Pablo Picasso, a testament to the artist's prowess and innovation. Dated on the stone as 3.4.59, this drawing print captures a mesmerizing bullfighte...

Max Finné (German, c.1880-c.1960) A Portrait of the Hanseatic merchant Georg Giese, copied from the original of Hans Holbein the Younger by Max Finné, 1922-23. signed lower left: M...

Portrait painting of old master artist Raphael. Early 19th century Italian watercolor. Unsigned. Contemporary frame.

An exceptional, museum quality very large 18th century Greek icon of the Pentecost. Egg tempera and gold leaf on wood, primed with gesso. Attributed to Mount Athos...

Continuing a tradition going back decades, Josef Pieper painted a series of seaside scenes with multiple nude male figures, riding and leading horses along the shore, their strong bodies...

Oswald Grill, a native of Vienna, was a freelance artist active in Dachau since 1906 after studying painting under Karl Karger at the Vienna School of Arts and Crafts, as well as Car...

VILLEMONT (19th - 20th Century): Shepherd with his Flock Oil on canvas, signed lower left. This vibrant and charming piece captures a pastoral scene with a flock of sheep and the sh...

As found in a French market, a peaceful French painting on board depicting a landscape featuring a rooftop scene with houses and a building with flags in the background. Certainly, a...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Enamel portrait of a lady with pow...

Unknown Scandinavian artist. Oil on canvas. Abstract composition. 1960s. The canvas measures: 80 x 60 cm. The frame measures: 6 cm. In excellen...

Boldly painted in an expressionist palette that calls to mind the work of Edvard Munch and other Nordic painters who were in the artistic vanguard of the 20th century, this depiction...

A fine collection of Five original silhouette portrait miniatures by the Miniaturist painter Dorothy Turton ( 1900 to 1990s). These are all hand painted...

A stunning oil portrait in the manner of Allan Ramsay, a Scottish painter who was renowned for his portraits in the 18th century. (1813-1784) This is a beautifully executed painting...

This is an original antique oil on canvas landscape painting estimated to be from the 1920s. The painting is signed by the artist in the lower left corner and framed in a gold paint...

Gérard Calvet French (b. 1926)  Expressionist Gruissan Mountainous Landscape French painter and sculptor (1926–2017) An exquisite oil on canvas by renowned French painter and sculpt...

Antique Vanitas Oil Painting, Antique Memento Mori Oil Painting, Antique Skull Oil Painting, Gothic Antique Painting, 19th Century Vanitas Still Life Oil Painting. Early 19th Century French Vanitas Oil Painting on Canvas. The Old Master Vanitas Still Life Painting depicts a skull, book and rosary. Oil on canvas, lined. Unsigned. In gold gilt period frame. Very well painted, attractive & highly decorative Vanitas skull...

A splendid 17th century Flemish painting. Oil on canvas artwork depicting a mythological subject of great charm, Meleager offers the boar's head to Atalanta. The Fates had predicted ...

The Antique Painting, Vase Of Flowers paintings on canvas depicts a beautiful bouquet of flowers with Dahlias, Asters and Chrysanthemums above a table. The flowers are gathered in a...

A wonderful Italian painting depicting peasants at rest under trees, with haystacks and farm buildings in the distance. Oil on board, late nineteenth century or early twentieth centu...

A beautiful and important painting by the great artist Enzo Benedetto, an absolute protagonist of the so-called ‘Second Futurism’. It depicts a seascape captured in its essence of natural energy with the waves of the sea crashing powerfully on the coast, probably a glimpse of his homeland, Calabria. This artwork, never before on the market, comes from an important private collection and is beautified by an impressive original frame in wood, in almost perfect condition. Enzo Benedetto (Reggio Calabria 1905 - Rome 1993) Benedetto, called Record by Filippo Tommaso Marinetti, approached the Second Futurism in 1924 after meeting Mino Somenzi and was active as a Futurist until his death, becoming a tenacious continuer of the movement's principles, revisited in 1967 with the Futurism Today manifesto. Benedetto theorised and practised the union of colour with the word and coined the term chrome-paroise to define the synthesis of painting and writing. In 1926 he promoted the futurist hall for the 4th Calabrian Art Biennial in Reggio Calabria where Depero, Dottori, Tato, Fillia, Pozzo, Benedetto Marinetti and himself, amongst others, exhibited. In 1927 he participated in the National Futurist Exhibition in Palermo. He moved permanently to Rome in 1927 and joined the Manifesto in 1931. In a short time he took part in the ‘great Futurist exhibition’ in Imola, the ‘first exhibition of Calabrian art’ in Rome, the ‘33 Futurists’ exhibition at the Pesaro gallery in Milan, and above all the ‘great Futurist exhibition’ at the ‘international artistic circle’ in Via Margutta in Rome. Benedetto had begun flying in 1926, as a photo of the time documents. That same year, inspired by the exploits of the aviator of the same name, he had executed the painting De Pinedo. He adhered to the Manifesto already signed by Balla, Marinetti, Depero, Dottori, Tato, Prampolini and Fillia, which advocated the triumph of a spatiality enhanced by flight in its dynamic effects and freed from the fixity of the horizon. In World War II he was imprisoned in Africa by British troops until the end of the conflict. Benedetto continued his Futurist activities in the second half of the 20th century. From 1939 to 1946 he volunteered for the African campaign and was sent to Libya, after which he was imprisoned for six years in the concentration camps in Alexandria, Ismailia, and in India in Bangalore and Yol in Kashmir. During this imprisonment he was able to paint and some canvases from this period were brought back to Italy, rolled up as personal luggage, In January 1943, he painted Yol, a new psychological oil portrait of Francesco Tommaso Marinetti. In 1946, he returned to Italy and in April 1947 presented his first solo exhibition in Rome. The exhibition dedicated to the great Italian poet and founder of Futurism was opened by Benedetta Marinetti. He adhered to the Manifesto already signed by Balla, Marinetti, Depero, Dottori, Tato, Prampolini and Fillia, which advocated the triumph of a spatiality enhanced by flight in its dynamic effects and freed from the fixity of the horizon. In World War II he was imprisoned in Africa by British troops until the end of the conflict. Benedetto continued his Futurist activities in the second half of the 20th century. From 1939 to 1946 he volunteered for the African campaign and was sent to Libya, after which he was imprisoned for six years in the concentration camps in Alexandria, Ismailia, and in India in Bangalore and Yol in Kashmir. During this imprisonment he was able to paint and some canvases from this period were brought back to Italy, rolled up as personal luggage, In January 1943, he painted Yol, a new psychological oil portrait of Francesco Tommaso Marinetti. In 1946, he returned to Italy and in April 1947 presented his first solo exhibition in Rome. The exhibition dedicated to the great Italian poet and founder of Futurism was opened by Benedetta Marinetti. In 1948 he had a personal exhibition in Capri at the gallery, ‘l'oblò’, and in Reggio Calabria in the Hall of the ‘Francesco Cilea’ Municipal Theatre. In 1949 he took part in the Calabrian Biennial in Reggio Calabria. In 1950 quanta took part with ceramics in the Selective Exhibition of Artistic Craftsmanship in the Angelicum in Milan, and with paintings in the Historical Review of Futurism in the Palazzo di Re Enzo in Bologna. He then held an important solo exhibition in Milan, at the ‘Centro d'Arte San Babila’ and participated in the sixth Quadrennial in Rome. He had a solo exhibition in Fano and another exhibition in Rome in the Galleria del Palazzo delle Esposizioni and in the Galleria del Teatro ‘il Millimetro’. In 1951 he took part in the collective exhibition ‘Mostra Nazionale della Pittura e della Scultura futurista’ (National Exhibition of Futurist Painting and Sculpture) in Bologna, Palazzo del Podestà, with Acquaviva, Giacomo Balla, Primo Conti, Tullio Crali...

A Large Continental Oil on Canvas "The Prohibited Reading " after Karel Ooms (Belgium, 1845-1900). This beautiful executed painting depicts a historical scene of an old man and a young woman who are huddled over a bible. The pair is gazing in apparent concern or alarm, over the old man's shoulder, towards something outside of the picture. The scene is likely set in the 16th or 17th century when Protestants were prosecuted, amongst others, for reading the bible in the vernacular, a practice prohibited by the Catholic Church at the time. Signed (l/r) A. Ribas 15-12-913. Within a giltwood carved frame. circa: Probably Belgium, 1913. Karel Ooms was born in Dessel on January 27, 1845 as the youngest son of a large peasant family. At school his extraordinary talent for drawing was discovered. When he was twelve his hometown provided financial support which allowed him to study at the Antwerp Academy of fine Arts. One of his teachers at the Academy was Nicaise de Keyser, one of the key figures in the Belgian Romantic-historical school of painting and a painter of mainly history paintings and portraits. After graduating from the Academy 1865 Karel Ooms was welcomed with pomp in his home town Dessel. He painted two altarpieces for the local church Saint Nicolas, to express his gratitude to his city. Karel Ooms settled as an independent artist in Antwerp around 1871. He quickly established a reputation as a portrait painter. In addition, he received commissions for religious paintings and history paintings. He gained particular recognition with two large paintings...

19th Century Neoclassical Spanish Large Genre Painting attr. Stunning oil painting on a large-scale canvas features a Gypsy musician serenading a group of nobility, including elaborately dressed ladies. The scene takes place in a romanticized garden setting on an early evening. The background is adorned with colonnades, statues and additional people. This Spanish painting has distinctive characteristics of French and Italian influence of the Baroque and Neoclassical periods. The brilliant artist has mastered the perfect use of chiaroscuro, the interplay of light and dark. The subject and masterful technique indicates it was created by the hand of Jose Jimenez Aranda...

This gorgeous work by the French artist Madeleine Doillon-Toulouse presents a mountain landscape with an expressionist aesthetic. The expressionist landscape does not faithfully rep...

George Vempley Burwood, British (1844-1917) signed and dated. Sailing ship, schooner diorama, shadow box with figures and painted background.

"Les bienfaits de la nature offerts au plus grand nombre" “Nature's Goodness offered to more people” An Impressive and Decorative Art Deco oil on canvas painting Original frame Signe...

Measuring 24 inches in height and 32 inches in width unframed, this large oil on canvas painting from the early 20th century depicts a pastoral scene at the riverside. In the lower l...

An absolutely exquisite pair of Italian 19th century Neapolitan gouaches in 20th century giltwood frames. One depicts the volcano eruption of 1822 in Naples, the other is an affluent...

Valentina Guido Crepax lithograph 1980s multiple 90/99. The item is in excellent conservative condition, there are no major cosmetic or structural defects to report, just slight an...

Fine danish expressive / abstract oilpainting 1930s-1950s. Oil on canvas. Signed back "P-Østergard".or " P-Ødtgård " Original frame. Incl frame: H. 80 cm / W. 70 cm / D. 4 cm pain...