European Paintings

Emile Aubry, France, 1932 documentation, comparable with a similar work - catalogue "Salon des Independents" Paris from 1932 Muse´e des Beaux-Arts, Pau, Be´arn, Pyre´ne´es-Atlantique...

A very fine and large 19th century Louis XV style Whimsical Neoclassical Revival style Oil on Canvas "The Triumph of Flora" attributed to Ferdinand Wagner II (German, 1847-1927), school of François Boucher (French, 1703-1770). The impressive artwork depicting a semi-nude Flora hovering through the clouds surrounded by playful cupids, cherubs, love doves and a seated maiden, within white and grey clouds, offering her Spring flower bouquets and floral wreaths, within a banded giltwood frame. Note: Previously used as a ceiling painting. Unsigned, Circa 1870. Measures: Canvas height: 91 3/4 inches (233 cm) Canvas width: 59 inches (150 cm) Frame height: 61 3/8 inches (155.9 cm) Frame width: 93 1/2 inches (237.5 cm) Depth: 2 3/8 inches (6 cm) Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr Von Carolsfeld...

Bring pastoral elegance and equestrian charm to your space with this vintage Boho oil painting on paper, featuring a stately horse and rider set against a sweeping countryside backdr...

Vintage mid century expressionistic painting by Danish artist Freddy Halle (b. 1936) with organic motive of naked, twirling trees with a dramatic, dark background. The style is figur...

A delightful small painting, framed in a contemporary frame in carved and gilded wood, depicting a lively genre scene. In the background, an Italian garden opens up to reveal two you...

Impressive reproductions of paintings of classical Roman columns, specifically Corinthian and Iconic. The technique used to create these is paint on plaster over burlap. The original artist was Jacques Lamy of Italian decent. These oversized panels could fill up an entire wall in a home, retail or restaurant setting. Provenance: Baker, Knapp and Tubbs...

Excelente obra de temática costumbrista donde podemos observar una conversación entre bellas telas, instrumentos y armas firmado por el pintor Sánchez. Dimensiones marco: 59 x 49 cm ...

GOTTFRIED SCHULTZ German, 1842-1919 Still-Life with Fruits and Wine on a Marble Surface with a Small Fly Oil on linen Signed upper left "G. Schultz" Item # 402UJE16Z An intricately painted still-life scene centered around a blown glass goblet of white wine centered on a marble table top. Red and white grapes spill across the surface with a sprig of the grape vine together with several large leaves resting on the top while peaches, a pear, two plums and an open apricot are laid out on the table. A single fly looks on at the table of sweet fruits and juices, its tiny body casting...

Vintage original still life oil painting by French born artist, Charles Levier. 1920=2003. Painting depicts a vase of flowers on a table in front of a window with a balustrade and wa...

La Petite Course No. 9": Oil on Canvas after Alfred de Dreux. "La Petite Course" translates to "The Little Race" and was a series of paintings focusing on horse races, a popular pas...

19th century Italian School oil on canvas of Madonna and child. Gilt frame.

Italian school 17th / 18th century: oil on framed panel, representing The Virgin and Child Jesus, accompanied by Saint Elizabeth and John the Baptist as a child, in the foreground A...

French Victorian gilt framed oil painting of seated black and white terrier (signed DUBOUY, 1904).    

Monumental early 18th-century Italian fresco depicting Dominican Friars by Francesco Malcotto, who made this painting for Milan, for the Renaissance basilica Santa Maria delle Grazie...

Naïve Art Oil Painting, Countryside Landscape, Village and Farmers, France 1950s Signed "P.LEFEBRE" at the bottom right corner. This vibrant painting by French artist P. Lefebre is...

One of the most fanciful and dramatic depictions of the St. George and the Dragon story we have ever seen, this painting by Manne Östlund shows a shirtless, modern St. George slaying...

Peder Mønsted, 1859–1941 This atmospheric painting depicts a tranquil North African oasis where Bedouins and camels are gathered beneath towering palm trees. Rendered with Mønsted’s...

F. Leeman, Opium Smoker, 1860. Vivid English Orientalist oil of a well attired Turk in richly decorated opulent setting with red and white checkered marble tile floor, and wood panel...

Pair of English Victorian gilt framed oil paintings of white horse with saddle by wall (signed J. PAUL 1873).  

Lovely still of roses by Anna Hornby Vintage Still Life of Roses by Anna Hornby'Christmas Roses' by Anna Hornby is an exquisite portrayal of delicate hellebores, known as Christmas ...

Fine danish expressive / abstract oilpainting 1930s-1950s. Oil on canvas. Signed back "P-Østergard".or " P-Ødtgård " Original frame. Incl frame: H. 80 cm / W. 70 cm / D. 4 cm pain...

18th century old masters oil painting attributed to Claude Joseph Vernet, France. View of a Mediterranean port at sunset. Great pi...

Antique Vanitas Oil Painting, Antique Memento Mori Oil Painting, Antique Skull Oil Painting, Gothic Antique Painting, 19th Century Vanitas Still Life Oil Painting. Early 19th Century French Vanitas Oil Painting on Canvas. The Old Master Vanitas Still Life Painting depicts a skull, book and rosary. Oil on canvas, lined. Unsigned. In gold gilt period frame. Very well painted, attractive & highly decorative Vanitas skull...

Beautiful large oil painting on wood of nude woman. Shades of blue, peach, and brown with great texture. Unsigned. Newly framed in a natural walnut wood frame.

Late 18th century or early 19th century French school circa 1800, Louis XV style oil on panel picturing Chinese people in an ideal garden with a pagoda, a harpsichord : a beautiful 18th century style chinoiserie, showing an idyllic vision of China seen by 18th century European people. Our work was painted in the spirit of Pillement ; it brings to mind 18th century lifestyle and softness. Jean Baptiste...

Giovanni Antonio Raggi (Italian, late 19th century) Scene depicting and hookah smoker. Watercolor and gouache on paper. sight: 14 by 20 ¾ inches Frame: 23 by 30 inches

George Hedley (British), 1855 Still Life with Fruit signed 'G. HEDLEY / 1855' (lower right) oil on canvas 55 x 55 cm (21 5/8 x 21 5/8 in). framed 74.5 x 74.5 x 4.5 cm. (29 1/3 x 29 1...

Title: Anselm Kiefer (Venezia Contemporaneo) Publisher: Brand: Charta Publication Date: 1997 Binding: Soft cover An excellent overview of Anselm Kiefer_s long career. Over the past four decades, Anselm Kiefer has produced a diverse body of work in painting, sculpture and installation that has made him among the most important artists of his generation. His subject-matter ranges over sources as diverse as Teutonic mythology and history, alchemy and the nature of belief, all depicted in a bewildering variety of materials, including oil paint, dirt, lead, models, photographs, woodcuts, sand, straw and all manner of organic material. By adding found materials to the painted surface of his immense tableaux, he invents a compelling third space between painting and sculpture. Synopsis: This monograph presents Kiefer's complete work to date, reproduced in full color. Review: Writing about one of the most important and complex artists of our times requires the erudition, clarity, and broad view of a Daniel...

Italian Renaissance style (19th Cent) gilt framed oil painting of Madonna and child with 3 attendants.

Still life of flowers signed J van Neesen encased in gilt frame. Dimensions Height 26 Inches Width 22 Inches Depth 2 Inches

Watercolor & ink on paper depicting a landscape with bright yellow and orange sunflowers in the foreground, a large structure over-looking the blue waters and rolling hills off in th...

A Beautiful Italian Still Life oil painting on old canvas of a brass urn holding a bouquet of assorted flowers set on a ledge. 18th or ...

A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...

A Rare Parisian Gem: "Le Vert Galant" by Henri-Jean Pontoy This captivating oil painting by Henri-Jean Pontoy (1888-1968) offers a unique perspective on the famed Paris, France land...

Danish original antique oil on canvas landscape painting from 1925 by artist Rasmus Larsen (1867-1950). Rasmus Larsen was a renowned Danish painter known for his landscape motives a...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

This fantastic view of a great battle waged by a phalanx of nude male soldiers -- probably a scene from Sweden or France -- was painted by Nils Wedel, an important Swedish painter st...

Early 18th century Italian Venetian inland painting, a large size oil on canvas Baroque mountain landscape with stream, bridge, waterfall, wayfarers and a village in the background. The woodland is animated by figures, a caravan with horsemen fishermen. This monumental Italian Baroque landscape painting has a strong impact and an excellent composition balance, as it depicts in the center the luminous perspective of a fortified village, whose side wings consist of two mountain rocks with dark wooded vegetation crowded by characters, horsemen, paths, streams.On the left side, with respect to the observer, there is a path that runs alongside a stream that flows into a waterfall in the center of the composition. from a caravan of travelers on foot and on horseback traveling along it in both directions: going up the slope on the mountainous coast you can see a church and a village near the top. The right part of the painting depicts a more sparse and dry vegetation, painted in the chromatic tones of ocher, inside of which there are dead plant, dry branches and a smaller number of figures on the rugged mountain. The iconographic inspiration of this wooded representation seems to be in the large trunk of the withered conifer in a central position, which represents a dead tree, as a? reminder of the transience of everything in life, whose phases are summarized in the two mountainous coasts. In the background a village painted in light and soft blue colors, in stark contrast to the previous scene, seems  to reassure and project us into a future season. With a suggestive theatrical effect, more than 250 cm wide, this Baroque Italian painting comes from a private collection of Milan, the canvas has been lined and shows minor painting retouches at a horizontal seam of the canvas. It is unframed, it has just a wooden profile covering the canvas edge. It is an antique Italian landscape, the perfect opportunity to make a statement. Get the perfect size painting for a great living room, to create that eye-catching focal point. You can make an impact with a single large work by hanging this early 18th century Italian Baroque painting...

Striking original oil on canvas painting of Madonna and child with the infant Saint John the Baptist. Unsigned. After the original by Guercino (Giovanni Francesco Barbieri) dated ca....

A French Aubusson cartoon painting from the 19th century, with floral decor surrounding a cherub populated cartouche. Created to be used as a model to weave a tapestry in the Aubusso...

Original oil on canvas painting of St. Anthony of Padua and the Christ child, just under 3' tall. Unframed, no signature/unknown artist. Canvas has heavy craquelure, old cracks/crea...

Michael Qvarsebo (born 1945), listed Swedish artist. Oil on board. Abstract composition with impasto brushstrokes. In perfect condition. Signed and d...

This very large and substantial antique oil painting was done by the well known British artist, Robert Hillingfprd in circa 1880 in the style of Realism. The painting is framed in it...

Currently on hold. About silla antiques & art Established in 2009, we have available in our 9000 square foot brick-and-mortar gallery an ever-changing selection of carefully curated...

19th Cent print of a monumental Italian Renaissance classical urn in an ebonized and gilt frame

John Haanstra (Dutch, b. 1940), signed and dated 1985 on lower right. A charming oil painting, showing a winter landscape. Skaters are enjoying seasonal fun on a frozen canal while others go about their daily activities. A typical Dutch windmill can be seen in the background. Typical Dutch style housing can be seen in the foreground. The sky seems to be laden with more snow, creating the sense of more winter fun...

Baroque and Rococo Architecture and Decoration Book by Alastair Laing, Anthony Blunt, and Christopher Ernest Tadgell. A study of a period in art ...

Signed Pietri French Mid-Century Modern framed oil painting resting nude woman. Traditionally those paintings were hung above the bed in a master...

This is an Expressionist Style Lithograph Painting by Joan Miro. It depicts a red and white gingham fabric like background with the drawing in black color of an abstract figure looki...

Leonard Thorpe "Nelson's Column" original oil painting, circa 1960 Nelson's Column is a monument in Trafalgar Square in the City of Westminster, Centra...

Selection of colorful modern art or gallery wall, circa 1940s-1970s. They are: Top row, left to right: 1) Color Lithograph by Sonia Delaunay, French, circa 1950s. Pencil signed at lower right. It measures 16.5" H x 13.5" W. 2) Cubist oil painting, probably American, circa 1940s. It has been framed in a vintage gilt frame. Various rubs and wear as seen in photos. It measures 22.75" H x 19" W. 3) Naïve modernist portrait painting, American, circa 1950s. Retains original gilt frame. It measures 21.5" H x 19.5" W. Bottom row, left to right: 4) Color lithograph by Jean Lurcat, French, circa 1950s. It has been professionally framed in a black lacquer gallery frame under UV resistant glass. It measures 15.5" H x 19.5" W. 5) Colorful original painting of beach scene...

Continuing a tradition going back decades, Josef Pieper painted a series of seaside scenes with multiple nude male figures, riding and leading horses along the shore, their strong bodies...

Monumental oil on canvas from 1927 by french artist Georges Conrad in its wooden frame with gold leaf. Georges Conrad (24 February 1874, Aubervilliers - 7 December 1936, Rouen) was ...

Pair Framed Watercolor Landscape Paintings, Provence, France, 1926. Charming 'plein air' paintings of the Provencal landscape. Original fra...

A master-level painting surrounded by a thick and detailed gold leaf frame, this large oval oil on canvas has an impressive scale for a nature morte (still-life) painting. The painting, which dates to circa 1850, is by an unknown, yet extremely talented French artist. In stark contrast to the dark gray background, the subject of the painting is a brightly colored floral bouquet. The vibrant flowers (blue, red, yellow, pink, and white) reside in a brown woven basket that sits atop a stone baluster railing. A cluster of darkly colored grapes is strewn across the top of the railing, next to the basket, as two butterflies flutter above the bouquet. If you look closely, you will even see a third butterfly perched on one of the large green leaves that accompany the irises, carnations, and sunflowers. The equally impressive original frame is adorned with rings of beading, foliate rinceaux, and spiral fluting, with a deep convex molding carved with additional fluting. In 19th-century France, an entire school devoted to floral still-life paintings emerged, located in Lyon, which was the capital of floral design. Although originally still-life art was classified as unimportant, acceptance by art historians of the 20th century elevated the public opinion of nature mortes. A painting such as our large and striking oval floral...

Pair of early Swedish Rococo Folk Art wooden paintings or table tops.

A very nice antique hand-painted miniature portrait on porcelain of Princess Louise of England, circa 1900s. The piece is mostly likely a "Grand Tour" ...

Still life with flowers in a vase, oil on canvas, signed Manuela Bonati encased in carved frame. Dimensions Height 28 Inches Width 24 Inches Depth 2 Inches.

Dimensions: (FRAME)-H: 7 3/4in W: 9 1/8in D: 1 3/4in (PAINTING)- H: 4 1/2in W: 5 7/8in D: 1 3/4in This Miniature Antique Neoclassical Grand Tour Style Oil Painting On Board of A ...

We were fortune enough to purchase a collection of Roland David’s oil paintings in France and although he is not known very well in the states, ...