Italian Paintings

Modern Art and Icons of the Past: Mixed Technique on Canvas with Vintage American Cars Modern art has the unique ability to unite past and present in a fascinating visual synthesis....

Italian painting dated 1945. Work oil on masonite depicting a particular view with characters Celebration of Spring of excellent pictorial quality. Nice size framework of pleasant de...

Beautiful framed wooden canvas from the end of the 19th century. The reference narrative is the one found in the Acts of the Apostles (Acts 2:14-42) in which Saint Peter starts pre...

COD-2588 Orazio Orazi (1906-1979) T empera on canvas Untitled (The Cat) 1949 signature and date on the front Italian painter very active abroad, recognized by the name of Orazì ...

Bruna Gasparini was an outstanding self-taught painter. He moved to Venice in 1937, where he cultivated his passion for painting, actively inserting himself into the cultural fabric ...

Abstract Venetian cityscape painting by Olivier Charles, Venice, 1959. (Signed "Olivier Charles 59, Venezia”).

Painting is signed by Walter Renold. Frame is marked Florence, Italy. This is a beautiful painting from about the 1920's. The painter is using dark green tones of oil paint with smok...

Italian Surrealist oil painting on canvas after Modigliani. This interesting framed oil painting on canvas with a glass front is of an elongated mal...

Antique Framed Oil Painting on Canvas of Venice by Mauretti is a superlative example of an Italian vedute, an art form originally intended for Venetian dignitaries and later blossomi...

19th century, English School Gentleman’s portrait Oil on canvas, cm 76,5 x 64 The painting in question portrays a gentleman of the second h...

Charming 19th century oil painting on boards cut to the shape of the painting depicting two parrots in a garden with fruit and flowers on a classical stand.

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

Italian painting from 20th century. Oil painting on canvas depicting an impressionist seascape of particular pictorial quality and pleasant decor. Wooden frame with fabric passe-part...

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An oil on canvas made by Sante Monachesi, measuring 50x70 cm, in the years between 1955 and 1965. Monachesi was an Italian painter and sculptor who founded the "Futurist Movement in ...

This original and fun custom canvas was made by Italian artist E. Art from the collective CB Art. Both the collective and the artist have made custom canvas for the most influential ...

A set of three Neapolitan street scenes. Gouache on paper. Not examined out of the frames. Apparently unsigned. Early 19th century. Possibly by Saverio della Gatta. Label on back from a prominent Boston frame...

Orazio Orazi (1906-1979) Tempera on canvas Untitled (The Fountain) 1949 Italian painter very active abroad, recognized by the name of Orazì and member of the Ecole de Paris. His ...

Particular and magnificent canvas made by painter M. Diklic in 1967. Postwar Serbian artist-painter transited briefly in Italy, leaving some on achievements such as this one, and the...

Original oil on board painting; Italian village portrayal with horse, blacksmith/ferrier, dog, horse drawn cart and more. Age related craquelure throughout. Painting will likely ben...

Beautiful oil painting on canvas framed in an elegant canvas frame and inside a carved and gilded frame with mirror. The work portrays a young woman with enchanting features, dark ha...

Be captivated by the evocative power of this postmodern Italian abstract painting, made in the 1970s. The work, signed in an unreadable manner, is a perfect example of contemporary p...

Veneto, Italy, early 18th century Oil on canvas 20th century frame carved and gilded in pure gold Dimensions: cm W 93 x H 78,5 x D 5.

Neapolitan school of the 17th-18th centuries Bacchus and Ariadne abandoned by Theseus Oil on canvas, 74 x 100 cm Framed, 89 x 111 cm The painting under consideration, attributab...

This is a beautiful original work of art depicting Venice, Italy with it's beautiful color and architecture from the early 1900s. There are no repairs on this painting it shows brill...

Venice Water colour painting by John Abernethy Lynas Gray (1869-1937) ''Betwixt The Light'' Venice with Gondolas in the for ground. Signed lower le...

Italian Neo-classic style print of various military arms, armor, and objects matted in stained walnut frame (part of a set of 15; associated pieces: 040101A-040101O)

Italian hand painted oil on board still depicting centered floral urn with flanking parrots resting on decorative floral painted border. Early 19th Century.

These posters, printed by Vallardi editore, were distributed mounted on wooden chopsticks by Merckelbach & Co of Amsterdam. The prints in warm colours on a black background are on linen sheets...

Davide Balliano "Untitled 1685" painting on board, Italy, 2014 Additional Information: Materials: Plaster, gesso and lacquer on wood Dimensions: 24" H...

Author : Biagio D'Antonio Mystic Marriage of Saint Catherine of Alexandria with Saint Jerome Period : 15th century Work by Biagio d'Anto...

Area of ??Giovanni Battista Ruoppolo (Naples, 1629 - 1697) Still life with fruit and little bird Measures: Oil on canvas, 62 x 83 cm The still life in question shows juicy citrus fruits, among which we can recognize oranges and cedars, together with red berries scattered on the ground. A cheerful little bird rests on the edge of a terracotta pot in which some pink-mottled carnations grow. The landscape that can be observed all around is veiled by clouds and shaded by shrubs, while in the distance there is a green hill. Dominating the foreground and standing out from the dark background is the fruit which, lush and juicy, stands out in the vivacity of the colors in contrast with the dark background. The full-bodied brushstroke that delineates the wrinkled peel of citrus fruits to restore the realism of the fruit, just as the green leaves of the stems softly folded on themselves are sketched with extreme truthfulness, they ascribe the work to a painter working in the circle of Giovanni Battista Ruoppolo. Ruoppolo is a Neapolitan artist, specialized in the genre of still life, indeed De Dominici himself in his Lives of Neapolitan painters, sculptors and architects recognizes him a primary role in the Neapolitan school of the genre. He studied, together with Giuseppe Recco (1634 -?), In the workshop of Paolo Porpora (1617 - 1673). He painted almost exclusively fruit and flower paintings...

Gold leaf painting with 18th century Italian fragment molding. The painting has strokes of gold, grey, and white colors on canvas wit...

Italian Neo-classic style print of various military arms, armor, and objects matted in stained walnut frame (part of a set of 15; associated pieces: 040101A-040101O)

Italian oil painting on board from 20th century. Artwork depicting popular scene The Sunday game in Impressionist style. Artwork of excellent pictorial quality signed lower right (se...

"Giardino" by Italian Artrist Olimipia Biasi.  

Roman school, second half of the 17th century Composition with lemons and small dog Oil on canvas, 97.5 x 74.5 cm Framed, 120 x 95 cm The work we describe here can be framed in t...

Contemporary Italian Claudio Granaroli abstract water colors. Signed by artist born 1939. Newly framed. From a collection of four. See images #4, P1410A #5, P1410B #6,P1410C.

This beautiful Oil Landscape Painting in Gilded Frame was painted around 1990. A unique piece which is a great eye-catcher for your antique, modern, space age or mid-century interior...

Painting mixed-media on masonite from 20th century. Italian painting signed and dated lower left (Giletti Carlo Maria - 1980). Work depicting a beautiful urban district. Carved and g...

Antique Bay of Naples Gouache Seascape with Vesuvius Erupting, 1906, a fine gouache on paper seascape with the panoramic Bay of Naples stretching wide, wit...

This Italian capriccio oil painting offers a vivid portrayal of Roman architectural splendor in ruins, crafted with skillful detail and a sweeping, atmospheric perspective. Set withi...

Aquatinta art technique combination by Rajko Kovacevic Yugoslavian Academic artist he was leaving and work in Italy in the late 1970s and begging of eighties inspired by Venice Carnival .He got a prize in La Biennale di Venezia for the Icarus . Serbian painter incorporated old school: Intaglio and dry point and create the Icarus painting...

Erulo Eroli (Italian, 1854-1916), circa 1900. An accomplished watercolor of a young boy. Possibly a study for a large scale piece as he was known for doing. Signed to lower left and presented in a great gilt wood frame. "His initial studies were in the Ospizio di San Michele in Rome under professor Ceccarini. He was able to win awards from his Institute and the Ministry of public education for Studio di un testa and Return to his family of a soldier wounded for his family. His painting of a Bacchante was awarded a silver medal at the Society of the Fine Arts in Rome. His works also include a candlelight painting...

A beautiful 1960s original watercolor, by Italian artist Antimo Beneduce listed artist nicely original frame nice condition with anti-reflective glass,...

This brigthing Fortunato Depero wonderful print on paper is a multiple of 250 printed by the authorization of Museum of Depero in Rovereto. This is number XI (eleven). Fortunato Dep...

This stunning abstract artwork was made in 1966, by the well known Italian artist Ermete Lancini. The artwork is a painting and a collage with newspaper sheet and other glued element...

Italian Venetian-style (20th Century) painting of a central canal flowing through an Italian village that is swathed in golden light and busy with figures moving throughout, under a ...

A neapolitan gouache depicting a Vesuvius eruption, circa 1840. Inscription on frame verso detailing provenance from Collins family of New York: "Charles Bush Collins bought this pi...

The painting is created by Italian artist Bomberbax in 2021. The painting the artist created is a sequence of Bits with special relevance to the artificial world. The deliberately in...

This unsigned portrait of a young noble woman is executed in the style of Renaissance Venetian painter Palma il Vecchio.

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Works of the famous Italian painter Max Marra, paint mixed technique on canvas dated 2004, titled "Judges II"9 and “Judges II” 14, on the back of the paintings we find a “Certificate of Authenticity”. Measures: Cm. 80 x 80 Max Marra was born in Paola, Calabria, in 1950. He lives in Monza and works in Lissone. Matured graphic and television experiences, from the 1980s he directed his research towards the integration of expressive technique in painting and sculpture with recycled materials. He works in the H: Orarte laboratory, which he shares with Mario De Leo. He links the teaching and commitment of cultural, organizational, and editorial promotion to artistic activity. With Mario De Leo, Luigi Bianco and other operators founded the Oason Movement in 1985 and then Harta, a bi-monthly cultural interaction, which was later joined by the Hartamotus Association. In 1988 he founded Lissone, with Mario De Meo, the interdisciplinary art studio H: Orarte, open to the consideration, dialogue, and confrontation of other artists, active in organizing cultural initiatives and events. His activity is linked to themes and specific cultural projects, identifiable in the contents and expressive tools. Strong hills, strong features, biting ideas, but also some stops in the white, which is air, which is infinite, to be captured in heavy frames, almost in a purification ritual. He exhibits in a personal exhibition in a private gallery, public institutions, participates in thematic exhibitions, and national and international collective exhibitions are present in Germany, France, Japan. Main exhibitions Cieli di terra, a cura di T. Coltellaro, Museo Archeologico, Lamezia Terme e Museo Civico d’Arte Contemporanea, Taverna, 2002; 57° Premio Michetti Laboratorio Italia, a cura di Philippe Daverio, Francavilla a Mare, 2006; Repubblica e costituzione: rassegna d’arte per i sessant’anni della costituzione italiana a cura di M. Domenicucci, F. Papale e C. Mosillo, Archivio Centrale dello Stato, Roma, 2008; Max Marra: Opere 1984 – 2009, Museo d’Arte Contemporanea di Lissone, 2009/10; Time passages, a cura di Omar Calabrese, Magazzini del Sale, Siena, 2011; Luoghi e realtà di ricerca tra identità e mutamento, a cura di T. Coltellaro, Collegio Sant’Adriano, San Demetrio Corone, 2011; Limen Arte vince il primo premio, Vibo Valentia, 2011; 54a Biennale di Venezia, Padiglione Italia per il 150° dell’Unità d’Italia “L’arte non è cosa nostra”, a cura di Vittorio Sgarbi, Sala del Re – Galleria Vittorio Emanuele II, Milano e Palazzo delle Esposizioni – Sala Nervi, Torino, 2011/12; Max Marra. Orizzonte senza approdo, a cura di C. Rizzi, Museo Parisi Valle, Maccagno, 2012; Cieli di cosmos, Sofia Arsenal, Museum for Contemporary Art, 2013; Equilibri materici, a cura di G. Bonomi, Centro per l’Arte Contemporanea, Rocca di Umbertide, 2015; E fu il terremoto, a cura di Vittorio Erlindo, Refettorio del Monastero di San Benedetto Po, Mantova, Monastero di Weingarten (Germania) 2018; IXION, MAC Lissone, a cura di A. Zanchetta; L’opera in bianco, a cura di S. Cortina, Galleria Cortina, Milano, 2018; Dal Rembrandt by himself all’io ritratto, a cura di G. Lepore, Accademia Nazionale delle Belle Arti di Sofia, Bulgaria 2018; Contributi al Novecento, Da Boccioni a Rotella ai contemporanei, Fondazione Stelline, Milano, a cura di B. Corà e T. Sicoli; Di studio in studio, Casa Museo Boschi Di Stefano, Milano, a cura S. Soddu, Comune di Milano e Politecnico di Milano 2019; Omaggio a Franca Rame, MusAlab Archivio Franca Rame e Dario Fò...

Italian Renaissance style framed print of a celestial map depicting how the Sun, Moon and other planets revolves around the Earth

Italian School Oil in the Renaissance Style Set in Carved Giltwood Frame A finely painted oil on canvas in the Renaissance manner, likely by an Italian studio of the mid 20th centur...

The present work of art titled "Urban Abstraction (ripped off posters)" is part of a series of paintings that the artist composed in the 1980s and 1990s inspired by the observation of the urban reality of those years. The artist take the cue from his walks in Florence, both in the center and in the suburbs, and by the observation of billboards and posters scattered throughout the city. The mass of information, colors, messages and words were carried on the canvas with acrylic colors, ideally reconstructing the tears and overlaps of all the information and advertising contained on these huge sheets of paper that invade our cities. The geometric lines are overlaid with jagged lines, overlaps and color dripping and also the choice in the color palette, with different shades of white, gray, rose, orange red and blue helps in rendering the result of the tears and ripped paper. The result is a beautiful multicolored modern abstract canvas, both aesthetically and ethically, with many rich layers of color, texture and expression in which the artist leaves his own message. The painting is housed in a simple modern white lacquer wood frame. Andrea Spinelli...

Combination of techniques , colaz and oil on carton Wood frame.

A rare of 6 mid C19th classical Grand Tour gouaches of unusual scenes depicting Naples, Pompéi and Vesuvius, with broad gold slips and ebonised reeded frames. Circa 1860 Largest 4 - ...

This exceptional surrealistic oil painting on canvas depicts Florence through the mind of artist, Tito Salomoni. It is beautifully detailed with vivid colors presenting an unfolding ...

Italian Neo-Classic Style (19th Century) Rust and Black Hand Colored Print 4 corner design in square black and gold trim frame (TABULA XX) (similar...

Federico Mazzotta (Italian, 1839-1897) A fine Italian 19th century Oil on Canvas "A Maiden with her Calf", depicting a joyous peasant next to her cal...