Italian Paintings

Pair of 18th or 19th century Neapolitan gouaches of Virgil's Tomb, one with a view of Mount Vesuvius and the Bay of Naples. This is a wonderful high quality pair of a rare subject. A...

Vittorio Matteo Corcos, Italian, (1859–1933) Original portrait of Anna Maria Borghese by Vittorio Matteo Corcos. Oil on canvas. Unsigned. Ex-Sot...

Antique Italian painting from 18th century. Framework oil on canvas, on the first canvas, depicting a view with characters, animals and ruins of good pictorial quality. Large size fr...

Matteo Lovatti (Italian, b. 1861) a fine 19th century oil on panel "The Young Prince's Visit" Depicting an interior tavern scene with a jester introducing and welcoming a young Princ...

Very fine large scale 19th century Italian school painting of a landscape scene with birds. So pretty and framed in a lovely gold...

Splendid oil portrait on canvas of Count Bailiff Ludovico Caprara (1731-1812), as indicated by the writing inside the "tabula ansata," at the bottom of the frame of the painting. The...

Beautiful oil painting on canvas, framed in an elegant carved and gilded wooden frame, complete with mirror. This work, belonging to the famous Florentine painter Raffaello Sorbi, bears the artist's signature at the bottom right and is dated 1863, placing it in his early youthful production. Sorbi's stylistic characteristics are clearly visible, in which the warm Macchiaioli tones blend with neo-Gothic and romantic subjects, taken from the Renaissance and the Middle Ages. In this case the painting portrays the meeting between Dante and Beatrice, set in Florence, in front of a church, probably the Badia Fiorentina, a place frequented by both Dante, Beatrice and their respective families. Against the backdrop of Renaissance Florence, you can see people entering and leaving the church, while on the sides of the main scene there are figures of the people and a little girl sitting on the steps. The central scene represents the meeting between a young Dante, wearing the characteristic red tunic...

Maximilian Pfeiler (active Rome, circa 1694-circa 1721 Budapest) Still life with peaches, grapes, figs and pomegranate Oil on canvas, Measures: cm H 63,5 x W 47. With frame cm ...

This is a large vintage Tuscan landscape. An Italian, framed oil on canvas, dating to the late 20th century, circa 1990. Self taught, and known as 'the artistic voice of Tuscany', B...

Michele Antonio Rapos (Turin 1733-1819), Still life of flowers and fruits, Oil on canvas frame: cm H 133 x W 124 x D 8 (canvas: cm 108.5 x 108.5) The painting depicts a triumph of ...

Italian Renaissance style (modern) oil painting of Madonna & Child in antique gold carved frame

This oil on canvas painting was created in Italy, circa 1920. Set inside the original carved gilt frame, this painting depicts a European city scene bustling with people walking down...

An Italian oil on canvas still-life painting from the 19th century in carved giltwood frame, signed Florentine. Created in Italy during the 19th century, this still-life painting dep...

Spectacular large Balinese Painting on Silk with an outstanding bamboo and woven rattan frame. This marvellous painting was realized in Bali around the 1960s and is signed on the bot...

Allegory of ecstasy with Cupid, an 19th century Italian tempera and watercolor painting, oval composition within a rectangular greenish frame. The painting depicts the dream, the ec...

19th Cent print of a monumental Italian Renaissance classical urn in an ebonized and gilt frame

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Silvio Poma Landscape With Shepherds oil on canvas painting depicting a dirt road in the middle of a tree-lined countryside with farmers grazing a flock of sheep. On the left side of...

Still life with flowers in a vase, oil on canvas, signed Manuela Bonati encased in carved frame. Dimensions Height 28 Inches Width 24 Inches Depth 2 Inches.

Oil painting on canvas in its original frame representing a Parisian quarter with a church on the background. Painted by the Italian artist Professor Piero Solavaggione (Carmagnola (...

Rare extra-large (cm 59 x 85) antique watercolour of capital from a collection of architectural details of Florence monuments painted in Italy in the middle of 19th Century. Black ma...

An outstanding and grand scale oil on canvas painting of a nude male. Entitled "La Vittoria Della Verita' Sull'Insidia" - "The Victory Of Truth Over The Trap"..... Expertly executed ...

Painting Nude of a Seated Woman F.Spina 1978 Measures: Height 66 cm Width 50 cm In good conservative condition, present signs of time due to use and age. (Please see photos) If ...

In the style or School of the Important Old Master Guido Reni (Italian, 1575-1642). A stunning Old Master 18th or possibly 17th century Italian Baroque School religious portrait painting...

Magnificent Italian 17th century Portrait of Virgin Mary measures 52 x 68 cm without the frame. The colors are stunning and the paintin...

A Marvelous 19th Century Italian Oil on Canvas titled "The Cardinal's Present" by Arturo Ricci. This oil on canvas is truly incredible and one of Ricci's best works of art. The sce...

Large size antique Gothic Art painting 'The Apparition of the Virgin Mary to Saint James'. We are by no means connoisseurs when it comes to antique paintings, but we have seen enough antique paintings to know when something is special, decorative and truly inspiring and interesting to look at. And the large size of this antique work of art, makes it impressive too. Also, because it must have taken one very skilled painter an awful lot of time (probably weeks, if not months) to hand-paint this famous religious scene. According to ancient local tradition, on January 2nd of the year AD 40, the Virgin Mary appeared to James on the bank of the Ebro River at Caesaraugusta, while he was preaching the Gospel in Iberia. Looking at the perfectly painted ancient landscape and the kneeling figure who is in awe of what he is witnessing (by the river bank) we believe this is in fact the apparition of Mary to James. Following that apparition, by the way, St. James returned to Judea, where he was beheaded by King Herod Agrippa the first (in the year AD 44). Judging from the skillfully painted individuals in the Renaissance Style and the striking and lively colors, we believe, this late 1800s painting is the work of a true artisan. This work of religious art on the back reads 'Sacerdote Salvatore Rosa, Dipinse 1889' which means Priest Salvatore Rosa, Painted 1889. This priest clearly had a god given talent and god bless him for having created this masterpiece. Apart from some minor imperfections this large and nostalgic painting is in very good condition and we believe it will look particularly great in a church, monastery or chapel. At the same time, a one of a kind antique like this will ofcourse also look great atop the stairwell of a mansion or in the entry hall of a French castle etc. We don't know the 'exact' value of this large size antique painting...

19th century, Italian Painting Architectural Capriccio with the Pyramid of Caio Cestio, Roman painter, after Giovanni Paolo Panini, unsigned. Dimensions: cm H 48 x W 63.5, frame H 6...

Italian 17th century still life painting in period carved gilt frame Italian school still life painting from the workshop of a great master. The 17th century Baroque painting in oil...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Miniature on copper...

Monumental 16th century painting depicting the scene of the Visitation of Mary. Anonymous painter of the Lombard school. Coeval copy after Federico Bar...

Hand-painted in Florence, Italy, this fantastic oval wooden wall panel features a large urn with a scrolled handle. The urn is adorned with a fluted...

18th century, Italian oil on canvas still life by Pietro Navarra Oil on canvas, canvas measures: cm H 103 x W 164, framed measures...

Claude Monet Les Coquelicots 1873 A Quality Reproduction Oil Painting In Gilt Frame Wild Poppies, near Argenteuil painting was created in 18...

This Pop-Surrealist digital painting depicts a woman being tempted by a serpent in the Garden of Eden. Instead of an apple, she is holding a broken heart in her hands. The female figure stand out against a lush background of exotic foliage and flowers. Part of a signed, numbered Limited Edition. "Certificate of Authenticity" include. Basswood box frame. Year of Creation: 2015 Edition Number: 1/300 Artist’s Signature: Printed on the Canvas + original signature on Limited Edition Certificate...

Finely painted in an Italian palette with mythological and Roman battle scenes, each border rim painted with yellow enamel. With a large carved ebony...

A Beautiful Italian Still Life oil painting on old canvas of a brass urn holding a bouquet of assorted flowers set on a ledge. 18th or ...

Striking original oil on canvas painting of Madonna and child with the infant Saint John the Baptist. Unsigned. After the original by Guercino (Giovanni Francesco Barbieri) dated ca....

The colors remain vivid in this 4' tall original oil on canvas painting of Greek gods Zeus and Hera. Unsigned. This portrayal of the love of the gods includes Zeus, king of the gods ...

A very fine Italian 18th century oil on canvas "Madonna and Child" after Giovanni Lanfranco (Italian, 1582-1647). The young Virgin Mary attending to...

Wonderful old Italian master painting Madonna Oil on panel Alessandro Filipepi, also known as Sandro Botticelli, is the first artist that come...

Venetian school of the 17th century. Great oil on canvas artwork depicting a biblical episode, the sacrifice of Isaac. To test the faith of Abraham, a just and devout man, God orders...

Decorate a living room, bedroom or den with this elegant pair of colorful parrot paintings! Crafted in Italy circa 1960, each hand painted canvas is set in a carved arched and scallo...

17th century, Tuscan school Madonna and Child Oil on canvas, 31 x 21 cm With frame, cm 37,5 x 27,5 The pearly incarnations and the thoughtful play of looks between the Virgin, turned to the Son, and Questi, warmly open to the viewer, pour out the present painting with compositional perfection. Virginal fabrics become mottled at the folds, wrapping the Madonna in a thin vitreous mantle. The pastel colors, shining on the pink robe just tightened at the waist by a gold cord, enliven the faces of the divine couple in correspondence of the cheeks, lit by an orange warmth. Even the left hand of the Virgin, composed in perfect classical pose (Botticelli, Madonna with Child, 1467, Musée du Petit Palais, Avignon), is sprinkled with warmth thanks to the immediate touch with Christ. From the nimbus of the Mother a delicate luminous disk is effused, which takes back, in the most distant rays, the colour of the hair of the Son, from the tones of the sun. The Child Jesus is represented intent in a tender gesture of invitation with the right hand, while with the other he offers a universal blessing: with his hand he retracts the index and annular palms, extending the remaining three fingers, symbol of Father, Son and Holy Spirit. The painting welcomes and re-elaborates that typically Tuscan formalism that boasted in the rest of Italy the constant appreciation by the most up-to-date artists and collectors. Arrangement, composition and mixing of colors place the canvas in the middle between the changing mannerist and the sculptural figures of Michelangelo, essential yardstick of comparison in terms of anatomical and expressionistic rendering. In the present, silvery and pinkish powders act as three-dimensional inducers to the Child’s mentioned musculature and to the vivid folds of the clothes, expertly deposited on the lunar whiteness of the skins. While these colours recall the equally brilliantly transparent colours of Pier Francesco Foschi...

This six panel Italian screen is from the Baroque period, circa 1700. The four central panels have been affixed to a foldable frame, while the two outer panels are detached. When all...

Beautiful 17th century Italian school " Virgin of Sorrows " Oil on canvas Measures : 50.5 x 42.5 cm very good condition

This is a truly splendid antique oil on canvas painting featuring a period interior scene by Francesco Bergamini (1851-1900) Italian, signed and dated 1894. This beautiful oil pai...

Acrylic painting with Leopard. Hand painted in Italy. In the set of gold wood frame. Very nice decoration for every interior. Only one unique piece.

Y. Gianni (Italian) The Gulf of Naples, 19th Century. A beautiful signed "Y. Gianni" gouche on paper, framed and matted with description & name on matti...

Italian painting from 20th century. Framework oil on canvas depicting particular still life with ceramic objects and tomatoes in impressionist style. Painting of good size and impact...

An elegant and finely detailed pair of Italian late 18th century Gouache and Silvered Wood paintings, in the manner of Michelangelo Maestri. Each truly stunning painting of maidens playing musical instruments is framed within a Silvered wood rectangular frame. Both Gouaches depict nude maidens with cloud like garments gently wrapped around their body. One maiden is adorned in beautiful pearl jewelry...

Antique Italian painting from the 17th century. Oil on canvas artwork depicting a wonderful Holy Family. Painting of remarkable pictorial quality, particularly evident in the masterf...

Late 19th century Italian screen with a gorgeous oil painting of floral scene. The oil paint colors are vibrant and in good condition. The frame is made of canvas over a wooden frame...

Italian painting from the mid-20th century. Artwork oil on masonite depicting an elegant still life, vase with flowers, of good pictorial quality. Painting of good size and pleasant ...

A monumental 18th century Oil On Canvas Painting from Lucca, Italy. Delightful soft color and hues with handsome cracquelure. The painting will be the statement of its surrounding.

Pair of Italian School Paintings from the 18th Century. " Allegory of Summer and Autumn" Oils on canvas. In simplistic black frames with slight gilding.

Beautiful and important painting attributed to the great 19th-century artist Ippolito Caffi. Tempera on canvas pasted on panel. Depicts the Bay of Naples in all its resplendent beaut...

"Luz" Mario Arlati, 2007. Mixed technique on canvas. Dimensions: cm 170 x H 140 in 66.30 x H 55.12. Mario Arlati biography b.1947. Mario Arlati was born in Milan in 1947. ...