Photography

Fifty Years of Pep: A Storied Past. A Promising Future. Hardcover – January 1, 2015 by Andrew Postman (Author), Indra K. Nooyi (Foreword) "This book contains the story of our first...

Jan Saudek, Czech photographer, born 1935 Original Silver Gelatin print, photograph Title : Mother # 836/2, Model print Finished , June 4 , 1892 2.14 pm Signed lower right, Silver ...

Photograph of Marilyn Monroe by G. Barris Photograph taken in 1962 Printed in 1987 Photograph signed by the photographer on the lower righ...

Jan Saudek, Czech Photographer, Silver Gelatin Print, Titled Purgatory Nr. 351 Title : Purgatory Nr. 351 Number nr. 351, Model print Finished August 5, 9 AM, 1891 (Jan dated his...

Holocaust Museum in Washington Hardcover – September 15, 1995 by Jeshajahu Weinberg, Rina Elieli Recounting the making of the United States Holocaus...

Edition of 7. Signed. Series, Études Topographiques, Aguada Blanca Tougas took the photograph on his Hasselblad 500cm - a medium format camera...

For your consideration is a rich, vibrant, contemporary photograph depicting a Haitian mountain scene by award winning photographer Chantel James. Dimensions: 16 H X 22 W (framed). In excellent condition. Chantal James...

Jan Saudek, Czech photographer, born 1935 Original silver gelatine print, photograph Title: "Olga, mother again, after 18 years" #827 Model print Finished November 22, 1892 Sign...

Carl (Karl) Everton Moon (American, 1878 - 1948) A Portrait Photograph of 'Hostin Nez." or 'Hostin Nnāez or Nez - Diné' (Najavo), depicting the head and shoulders portrait of a young man in corduroy shirt, bead necklace, hoop earrings and headband, within its original walnut frame, behind glass. Circa: Pasadena, California 1914. Stamped: 1914 Karl Moon...

Jill Freedman Kissing FDNY 1976, black & white photo on Kodak Endura, Signed. Image also known as ‘Brotherly Love.” This is a black and white photograph ...

Vintage photography, antique Alpine mountaineering photograph. 'CLIMBER' Simelistock, Switzerland, a new mounted black and white photographic image after an original 1930s mountaineering photograph. Black and white alpine photos are the perfect addition to any home or ski lodge. Engelhoerner is the name for a group of limestone mountains that are hidden behind several higher mountains like the Wetterhorn and Wildgerst. These small mountains (Rosenlauistock (2198 m), the Kingspitz, Simelistock, Mittelgruppe, etc.) are well sort after by rock climbers...

Original pair of black and white photographic production stills for Quentin Tarantino Classic, 1994 cult thriller starring John Travolta, Samuel L. Jackson, Uma Thurman and Harvey Ke...

- Czechoslovakia - Museum of decorative arts in Prague - suitable for framing - photographed by Illek and Paul jr.

Original American double weight glossy finish studio photograph for the 1941 film Citizen Kane This film starred Orson Welles, Joseph Cotten and was directed by Orson Welles. Ther...

Dramatic art photography still life on watercolor paper. Purchased in 1990 in NYC; artist is Waco Moore. We love the still life image of a singular pepper in the most beautifully li...

Polaroid by Nobuyoshi Araki hand signed. Nobuyoshi Araki born May 25, 1940) is a Japanese photographer and contemporary artist. Having publ...

Own a Piece of Jazz History: Framed William P. Gottlieb Photograph of Frank Sinatra - "The Golden Age of Jazz" For the discerning collector of jazz memorabilia...

Contemporary Photography "Vestígios de Fogo" (Traces of Fire) from the "Arqueologia de Futuras Ruínas" (Archeology of Future Ruins) Series by Brazilian Photographer Felipe Varanda. ...

PLEASE NOTE: This original photo from the amazing Michael Roberts exhibition at Hamilton's Gallery in London, England of "Michel in a Toga" was used in promotional pieces for the exhibit. It is signed/ nuymbered 1/25, but this is the actual photograph from the exhibit, and no other image was made/printed. IT IS AN AMAZING IMAGE. * This image of Michel wearing a sheer greek key toga. He is nude underneath and although subtle, it is a nude. Michel was a high fashion male model thet Michael Roberts adored and used him for many fashion campains for Joeph's London. A rare large black and white hand printed silver gelatin photograph of Michel by the legendary fashion icon, Michael Roberts, London. This image was part of a Michael Roberts show in 1989 at Hamilton's gallery, London. Signed on back. Black metal simple frame. Image: 15" x 19", framed: 22' x 26". This image was in the gallery show in London.The images from the show are very rare and now highly sought after and collected after Mr. Robert's death. two images were purchased from that Exhibit. The second one, "Nude of Michel" is available on separate listing. We hope they are purchased together as they were hung next to each other in the exhibit. MICHAEL ROBERTS: The preferred medium of the fashion journalist Michael Roberts was Canson art paper, which he scissored freehand into crisp-cut collages, or snipped into minute dots to reassemble into mosaics, for magazine covers or book illustrations. His art, bit by bit putting it together, reflected his life in fashion. He wrote about it, commissioned unexpected others to do so, photographed for media and ads, and charmed cranky legendary lensmen into snapping for him. He could source the clothes, choose the crazy locale, stage the shoot’s story, and write a witty critique of the enterprise. He was also always the most elegant person involved, effortlessly cool. Roberts, who has died aged 75, never bothered with a résumé, since every new role or venture seemed to just develop, but they totted up to a serious career. He was a writer on the Sunday Times in the 1970s, when new couture catwalk drama and heightened designer celebrity demanded a fashion voice that was both theatre critic and gossip columnist. Then from 1979 he was art and style director of Tatler magazine, when the editor, Tina Brown...

Horst P. Horst (German/American 1906-1999) Title 'Electric Beauty', (Blanche Grady), Paris, 1939. Signed in Pencil. Edition 5 of 10. Platinum Print Refere...

- Czechoslovakia, 1952 - Maker: Carlssons Mobelindustri - Museum of decorative Arts in Czech republic - Suitable for framing - Photographed by Illek and Paul. jr

Colonial tent pegging photograph, Poona 1903. Rare sepia toned late Victorian Colonial photograph showing a group of horsemen 'Tent Pegging' with the caption 'Poona 1903'. The photo has been embossed...

Presented is a beautiful photogravure showing a Klamath man hunting from a dugout canoe. This image is Plate 458 from Volume 13 of Edward Curtis' epic project The North American Indian. The photogravure was published in 1923 by Suffolk Engr. Co., in Cambridge, MA. The Klamath people are from the inland region of Northern California and Southern Oregon. Their oral history records the volcanic eruption that created Crater Lake over 7000 years ago Edward S. Curtis created one of the most enduring and iconic visual records in the history of the photographic medium. He was an award-winning artist, a consummate craftsman, a visionary, an intrepid entrepreneur, and was highly regarded as a respected ethnographer and publisher. Curtis began photographing Native Americans in the mid-1890s and selling these images in his successful downtown Seattle studio. One of his earliest models was Princess Angeline, the aged daughter of chief Sealth, the Suquamish Indian after whom Seattle is named. At the National Photographic Convention of 1899 Curtis was awarded the grand prize for three of his soft-focused, sepia-toned images of Puget Sound Native Americans: Evening on the Sound, The Clam Digger, and The Mussel Gatherer. Curtis spent the summer of 1900 with George Bird Grinnell observing the Sun Dance at an encampment of Blood, Blackfeet, and Algonquin in Montana. This was a pivotal experience for Curtis, confirming his desire to study and photograph the Native tribes of North America. A trip to visit the Hopi reservation in Arizona a few months later further fueled his enthusiasm. Curtis envisioned a plan to create a massive scholarly and artistic work that would document the tribes west of the Mississippi, their ceremonies, beliefs, daily life, and landscapes. In 1906, Curtis approached railroad tycoon J.P. Morgan to request financial assistance for his project. Morgan agreed to pay him a total of $75,000, or $15,000 a year for five years. Morgan and Curtis decided that Curtis' masterwork, The North American Indian, would be a set of 20 volumes of ethnographic text illustrated with high quality photoengravings taken from his glass plate negatives. Each of these volumes would be accompanied by a portfolio of large size images, all sumptuously bound in Moroccan leather. The papers used for printing would also be of the best quality: a Dutch etching stock by Van Gelder, a Japanese vellum, and for the most discerning subscribers, a translucent Japanese tissue paper. To fund publication, Curtis would sell subscriptions at approximately $3,000 per set, with a total of 500 sets to be published. An ambitious and extensive project, Curtis spent much of his life documenting as many Native tribes as possible. The importance and the urgency of the task was clear to him, as he wrote in the introduction to his first volume of The North American Indians in 1907, "The information that is to be gathered ... respecting the mode of life of one of the great races of mankind, must be collected at once or the opportunity will be lost." In 1930, some 24 years after his initial request for funding, the last two volumes, Vol. 19 and Vol. 20, were published and The North American Indian project was finally completed. Curtis took over 40,000 photographs and made over 10,000 wax cylinder...

A beautiful Set of 20 Postcards with original photos of Arab cultures of North Africa created and commercialized by Lehnert & Landrock and signed "Editeurs L&L". This was a photographic studio run by Rudolf Franz Lehnert (Germany 1878-1948) and Ernst Heinrich Landrock (Bohemia 1878-1966) active in Tunisia and Egypt in the early 20th century, noted for producing Orientalist images of North African people...

'SCHUSS' Murren, Switzerland, a framed and mounted black and white photographic image after an original 1930s skiing photograph. The frame is a hand colored reeded wooden black frame...

Karl Blossfeldt photogravure from the edition of the book 'Wunder in der Natur' in 1942. Photography number 30. 'Chrysanthemum Leucanthemum. Gemeine Wucherblume, große Maßliebe, M...

Ibex Mont Blanc Photographed by: Christiaan Nies Date: July 2017 Dimensions: Width 120 cm x Height 150 cm. Width 47.24 inch x Height 59.06 inch Limited edition of 5 + 1 AP in t...

Marilyn by Bert Stern "The Last Sitting Very rare print by Bert Stern for the launch of his book "The Last Sitting" Volume 2 Published at 10 ...

Vintage Ski Photography, antique Alpine Ski Photograph. 'Descent in Powder’, a new mounted black and white photographic image after an original 1930s s...

Contemporary Photography "Adorno Vítreo" (Glassy Adornment) from the "Arqueologia de Futuras Ruínas" (Archeology of Future Ruins) Series by Brazilian Photographer Felipe Varanda. ...

Stunning lifetime signed dye transfer print by Arthur Siegel. Although color photography was available to the public in the late 1930s, most respected "p...

Manolo Hugué archive photography of sculpture. Printed, circa 1960. In original condition, with minor wear consistent with age and use, preserving a beautiful patina. The phot...

Karl Blossfeldt Photogravure from the edition of the book 'Wunder in der Natur' in 1942. Photography number 12. 'Phacelia tanacetifolia. Bienenfutterpflanze. Blüterispen in 4 fach...

Karl Blossfeldt Photogravure from the edition of the book 'Wunder in der Natur' in 1942. In original condition, with minor wear consistent with age and use, preserving a beautiful...

Photogram by Enrico Garzaro from the Flora serie, 2015. Gelatin silver paper.

Franck Leclerc was a reporter in the daily press for thirty years. Today, he takes his time. The time to look at his contemporaries in a slightly different way. With the same curio...

Artist: John Patrick Dugdale (New York, b. 1960) Title: Margie Medium: Cyanotype Year: 1996 Edition: number 2/10 Measurement: Sight H 9", W 7.5"; with artist fame H 14.5", W 12.5" Pr...

Jan Saudek, Czech photographer, born 1935 Original silver gelatin print, photograph Title : "Mothers & daughters" Model print # 186 Finished , September 17 1892 Signed lower right ...

Artist: Philippe Halsman (1906-1979) Medium: Gelatin silver print Title: Dali Fishing Date: 1954; Printed in 1981 as part of the ten-piece Dali Portfolio...

Philippe Halsman (1906-1979) Marilyn Monroe (At a drive-in, eating a hamburger), 1952 Gelatin silver print, printed 1981, numbered '226/250' in ink and portfolio copyright credit sta...

For your consideration is a rich, vibrant, contemporary photograph depicting a Haitian village by award winning photographer Chantel James. Dimensions: 16H x 22W (framed). In excellent condition. Chantal James...

An original one-off large format Polaroid photograph of Laura Bailey for the Vivienne Westwood Active Resistance limited edition book produced by Opus. By photographer Zenon Texeira. Signed by Laura Bailey in marker pen. Large-format polaroids are extremely rare and unique and as the name suggests, they are of a large scale, the visible image dimensions being 52 cm x 67 cm. It is an autographed and one-off, unreproducible photograph, as there is no negative. Large Format Polaroids: The Polaroid 20×24 camera is a very large instant camera made by Polaroid, with film plates that measure a nominal 20 by 24 inches. Throughout its history, it has been used by many famous photographers, including Robert Rauschenberg and Andy Warhol. Ansel Adams also used the camera, notably to make the first official photographic Presidential portrait, of President Jimmy Carter in 1979. To celebrate Lady Gaga's new role as Creative Director of Polaroid, a portrait of her was shot with the 20×24 camera on June 30, 2010, at the Massachusetts Institute of Technology. This is the actual one-off Large Format Polaroid Photo taken on one of three of these cameras in existence which are soon to be obsolete because no more of the photographic paper can be made. The rare Polaroid 20 x 24 camera was brought from Prague to Paris and London for three separate photo shoots for The Official Vivienne Westwood Opus. Featuring Vivienne Westwood’s family and friends wearing clothes from her stunning collections, 97 selected Polaroids, shot by Zenon Texeira in black-and-white, colour and sepia, are displayed in the Opus. The photos were shown in various venues including the Serpentine Gallery in London on a worldwide tour to promote the book. Participants included: Vivienne Westwood, Pier Vittorio Aureli, Hilary Koob-Sassen, Ingo Niermann & Zak Kyes, Rasheed Araeen, Peter Cook, Richard Wentworth, Gilbert & George, Ben Vautier, Jonas Mekas, Jean-Jacques Lebel, Tom Mccarthy, Mark Wallinger...

Our gallery is pleased to be have the opportunity to represent the internationally renowned Photographer Nicola Majocchi. The photograph is printed on Mettalic paper. This photograph...

For your consideration is a rich, vibrant, contemporary photograph depicting Haitian village of women by award winning photographer Chantel James. Dimensions: 16 H X 22 W (framed). In excellent condition. Chantal James...

For your consideration is a rich, vibrant, contemporary photograph depicting a Haitian man on scooter by award winning photographer Chantel James. Dimensions: 16h x 22w (framed). In excellent condition. Chantal James...

A framed vintage gelatin silver photograph print by American surrealist photographer Arthur Tress (1940-). The work belongs to the artist's "Dream Collector" series. Entitled "Girl i...

A framed black and white street photograph by Vivian Maier (American, 1926-2009), entitled "New York, NY, September 3, 1954", this is a gelatin silver pri...

Photograph by Alain Daussin Black and white print 1998 Annotated, signed and dated on the back 46x30 cm Price : € 700

Jan Saudek, Czech photographer, born 1935 Original silver gelatin print, photograph Title : "The Devotion", # 363/6 "Oddanost" Edition of this print to ( ) prints. This has Nr. (han...

Original vintage travel poster - El Escurial La Maravilla del Renacimiento Espanol Panteon de Reyes / Escurial Wonder of the Spanish Renaissance the Pantheon of Kings - featuring a s...

Biker in a mirror black and white photograph Gravure print by Burk Uzzle 1980 Gravure print (1984, France). Burk Uzzle is an American photojournalist, previously member of Mag...

Original 1966 American photographic production still used to promote this science fiction comedy starring Bill Murray, Dan Aykroyd and Sigourney Weaver. The film was directed by Ivan...

A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...

Artist: Philippe Halsman (1906-1979) Title: Marilyn Flirting Medium: gelatin silver prints Date: 1952 printed in 1981 Edition: 178/250 Size: image 12.5" x 8.75"; with frame 20.25" x...

Weegee (Ukranian/American 1899-1968) Title: 'Cafe Romance', New York 1953 Gelatin silver print Signed, titled, dated in ink au verso 'Corkin Gallery' label au verso stamped "weegee the famous" au verso Image size: 11" x 13.5" Mat size: 21" x 24" Biography: Probably few policemen have seen as much violent sin as Arthur Fellig, better known as Weegee, did. Specializing in crime and catastrophe, Weegee’s work is regarded as some of the most powerful images of the 20th century. His profound influence on other photographers derives not only from his sensational subject matter and his use of the blinding, close-up flash, but also from his eagerness to photograph the city at all hours, at all levels: coffee shops at three in the morning, hot summer evenings in the tenements, debutante balls, parties in the street, lovers on park benches, the destitute and the lonely. No other photographer has better revealed the non-stop spectacle of life in New York City. During the 1930s and 1940s Weegee worked as a freelance news photographer in New York City, and was the first private citizen to gain access to police radio transmits. He lived across the street from Manhattan police headquarters waiting for the inevitable call that would announce another gangland execution, botched hold-up, or crime of passion. Weegee’s first book, Naked City, was a runaway success, making him an instant celebrity who suddenly had assignments from Life and Vogue. He was among the first to fully realize the camera’s unique power to capture split-second drama and exaggerated emotion. By the mid-40s, Weegee photographed...

Step into the enigmatic world of Man Ray, a trailblazer in the realms of Dada and Surrealism, through this exceptional black and white photograph. Carefully framed in an early 20th-c...

A vintage gelatin silver photographic print by American photographer Ralph Gibson (1939-) Untitled, the photograph depicts an antique stone female statue from the back showing the to...

Jan Saudek, Czech photographer, born 1935 Original Silver Gelatin print, photograph Title : Not titled '' #382 '' Model print Finished April 9, 1890 Signed lower left Silver gelat...