18th Century Jewelry

ITEM DESCRIPTION Stone Shape: Horse head Diamond Diamond Weight: 1.97 CT Our Price: $9999.00 A free online diamond appraisal is included upon req...

An elegant brooch featuring a delicate arrangement of lustrous pearls, set in a graceful oval shape. The pearls are meticulously aligned along a slender gold frame, creating a refine...

Georgian diamond and enamel memorial ring. Centrally composed of an oval plaque of dark blue engine turned enamel, the centre set with three cushi...

Introducing the epitome of luxury and sophistication, behold the breathtaking Victorian inspired, Emerald Statement Ring, a true marvel in the world of fine jewelry. Crafted with pre...

A silver bracelet made of antique bible closure created in1700s/1800s. The free links of the bracelet depict different biblical figures on a floral background and are connected with each other by means of three row chain...

A striking pair of earrings from the Georgian (ca1750s) era! Crafted in sterling silver, these heavily patinaed earrings have an elaborate closed-back design encrusted with glinting Rose Cut diamonds weighing an approximate collective 2ctw. The ornate floral design is comprised of swirling leaves and potted flowers with marquise-shaped dangling details. 18kt yellow gold European wires secure the pair to the wearer's ears, and they frame the face beautifully. This magnificent pair would look phenomenal worn at a special event, and they would be an excellent addition to a Georgian collection...

A rare and refined piece, this antique cross pendant dates back to the 1700s and stands as a remarkable example of 18th-century craftsmanship and religious artistry. Handcrafted in 9...

Georgian Dated 1750-1800 silver and gold rose-cut diamond brooch. Approx. 4 1/2 cts of diamonds. Very fine workmanship. Weight is ap 17.2 dwts, Size is ap 3 .14 x 1.64 inches.

Beautiful Antique Victorian 9K Rose Gold Turquoise and Diamond Ring. This ring is crafted in 9k rose gold. The center holds a turquoise that has two small rose cuts on the sides. It...

A gorgeous diamond bracelet from the Georgian (ca1750) era! This fancy bracelet is comprised of 7 beautiful halo rose cut diamond links with 2 smaller belcher set rose cut diamond li...

A stunning, fine and impressive antique 1780's black enamel and 18 karat yellow gold, sepia mourning ring; part of our diverse antique Georgian jeweller...

Oval box or snuffbox in gold of several tones. The snuffbox is adorned with a guilloche pattern with parallel stripes and dots on the lid, side and ground. The border is decorated with a stylized laurel wreath frieze on amati background. The box has an alternation of guilloche panels and leafy and stylized patterns. Weight: 2.96oz (84g) L: 2.55in. (6.5) / W: 1.81in. (4.6 cm) / H: 0.78in. (2 cm). Gold marks Jurande mark: Henri Clavel (1781-1783) Charging hallmark: P crowned. 1784-1788 Goldsmith Joseph-André Bologniel-Presidant, received in 1778. (1778-1793) Discharge mark: 1783-1789 vanneau head. Eagle head 18K...

This is a wonderfully unusual gilt necklace and bracelet made from ornate watchcocks from Georgian verge pocket watches dating to the 1700s to 1800s. Each watch cock is fabulously hand pierced and hand engraved with the most intricate of designs. They are joined by matching gilt rings. These are intriguing pieces that get better the closer you look - close enough and you’ll start noticing all manner of fantastic figures and statuesque devices - including wheels, grimacing faces, vines and flowers, animals, stars and more. A jewelry fad of the Victorian era involved the making of items from the wheel caps of old watches, called Watch Cocks or escapements. These round, flat pieces of the chase-work fittings came from inside antique watches and are highly ornamental. Once removed from the watch, they were connected by "o" rings and made into bracelets, necklaces, brooches and earrings. The jewel is Steampunk divine in this verge fusee pocket watch...

Antique Georgian Engraved Braided Hair Mourning Brooch Enamel and 14 Karat Yellow Gold The Brooch is Hand Engraved and Embellished with a Black Enam...

Georgian diamond portrait ring in 18k rose gold and silver. Antique ring composed of a hexagonal bezel enclosing a lady's portrait. The miniature portrait is highlighted by a surroun...

Italian earrings in 8ct gold and silver with rose cut diamonds. With a lever back fastening, from the end of the 18th Century.

Georgian hair and ruby memorial ring. Set with a border of thirty two cushion shape French cut natural enhanced rubies in closed back grain settings with...

Antique 15 Karat Yellow Gold Flat Cut Garnet Cross Charm Pendant

F.Rotig Havre 18Kt Rose Gold and Enamel Keyless Quarter Repeating Calendar Open face 50mm Pocket watch with Compass and Thermometer C1880. ...

This is a charming antique mourning brooch from the Georgian era. The brooch showcases exceptional enamel work for a period piece and depicts a lady visiting a companion's gravestone...

This stunning Georgian period pendant brooch is 1790 ca The fine elaborated Canetille work is elegantly shaped as a bow with a suspending drop further enriched by Natural not nucleated Pearls...

A Georgian natural pearl necklace with blue enamel centre, the kite shape centre piece with blue enamel decoration, mounted with ivory carving o...

Evening cocktail necklace made with natural onyx and diamonds, completed in 18KT yellow gold. GRAM WEIGHT: 57.10gr GOLD: 18KT yellow gold NATURAL DIAMOND(S) Cut: Round Brilliant Co...

Silver earrings with gold application set with Minas-Novas (quartz). Elliptical upper element, central loop and periform pendant. Portugal, 19th century.

This is a wonderful and rare diamond brooch from the mid Georgian era. The diamonds are set in silver and the brooch has been wonderfully handcrafted in a floral style. All of the di...

Diamond-shaped vinaigrette with enameled gold and bordered with pearls. The hinged lid is decorated with four winged cupid heads floating in the clouds. The sides of the lid are embe...

18th Century Giacomo Raffaelli Micro Mosaic Rabbit Plaque A micro mosaic depicting a fat rabbit eating leaves set in a wooden frame. Made by the late 18th century mosaicist Giacomo Raffaelli. Signed on the reverse Giacomo Raffaelli, Roma 1794 Diameter of the micro mosaic: 2.25" Measurements of the frame: 4.63" x 4.63" Provenance: "Micromosaics Private Collections" by Janette Hanisee Gabriel, published by Brian McCarthy...

Extremely Rare, Georgian turquoise and diamond fede ring. Composed of two joined hands set with sixty four round cabochon turquoises in closed back grain settings with an approximate combined weight of 0.20 carats, and additionally set with thirty seven round rose cut diamonds in closed back grain settings with an approximate combined weight of 0.06 carats, to an articulated fede ring formed from three flat bands joined to the reverse with a pin, and opening to reveal a carved double heart form. Tested yellow gold and silver, circa 1750, accompanied by fitted box. For a similar design of a slightly later date, see John Benjamin's 'Starting to Collect Antique Jewellery...

Small bird salt shaker or can be a pepper shaker, made from different metals copper, alloys and silver. Lovely piece! Lots of pretty details seems to ...

Georgian diamond brooch. Set with one hundred and ten rose and table cut diamonds of varying shapes and sizes, in closed back cut down settings ...

18th Century micromosaic plaque of a bluebird, Rome, c. 1785, attributed to Giacomo Raffaelli (1753-1836). A micromosaic plaque of a blue bird perched on a flowering tree branch, 2.25 inches in diameter. The ground line is parallel and low. The foreground green grass with a brown rock in the front. The background is a creme color with parallel lines of square tesserae. The bird has both square and oblong tesserae as does the foreground. The border of a decorative pattern with three colors with a red circle or dot in a white square on blue. Like most plaque done at this time, it is backed with copper. There is a black substance or adhesive which, centuries ago, could have been applied to adhere this plaque on a box or in a frame. We have chosen to keep this as it came to us, and in an effort to be careful, we have made no effort to remove it. We have dated this piece as being the last quarter of the 18th century, and attributed to the master mosaicist Giacomo Raffaelli. This micromosaic has all of the established 18th century characteristics of micromosaics executed by Giacomo Raffaelli: 1. Each tesserae possesses one color. 2. The tesserae are either oblong or square. 3. The background is parallel horizontal rows of square tesserae, and 4. The addition of an identical border or millefiori around the edge. For more detailed information, see page 32 of "The Gilbert Collection Micromosaics by Jeanette H. Gabriel. Philip Wilson Publishers. Raffaelli is known for his very realistic depictions of birds. His naturalism and use of colors is among the finest of mosaicists at this time. Raffaelli became one of the most feted mosaicists in all of Rome. Indeed when Napoleon I wanted to sponsor a mosaic version of the Last Supper in roughly 1810 he chose Raffaelli. This selection itself added to the already high reputation of Raffaelli. This micromosaic is in very good condition and probably executed by one of the greatest of mosaicists ever and, who is thought by art historians to be the first creator of modern mosaics in the late 18th century. We have one of the largest collections of micromosaics offered for sale. If our reader is searching for a particular motif, we would be happy to list it here for your consideration. From very large wall hangings...

18th Century micromosaic plaque of a Goldfinch, Rome, c. 1785, attributed to Giacomo Raffaelli (1753-1836). A micromosaic plaque of a goldfinch, looking left, perched on a red flowering tree branch, two inches in diameter. The ground line is parallel and low. The foreground is of different colors of grass and fallen berries and leaves. The background is a light blue with parallel lines of square tesserae. The goldfinch has both square and oblong tesserae as does the foreground. The border of a decorative pattern in white in black circles and further with a rim of yellow oblong tesserae create a colorful frame for this well executed micromosaic which is backed with copper. There is a pinstem and "c" clasp (this type of clasp is seen both in the 18th and 19th centuries), both are not gold. This assembly could have been put on at the time of purchase or slightly later so the plaque could be worn as a brooch. We have dated this piece as being at the end of the 18th century and attributed to Giacomo Raffaelli. This micromosaic has all of the established 18th century characteristics of micromosaics executed by Giacomo Raffaelli: 1. Each tesserae possesses one color. 2. The tesserae are either oblong or square. 3. The background is parallel horizontal rows of square tesserae, and 4. The addition of an identical border or millefiori around the edge. See page 32 of "The Gilbert Collection Micromosaics by Jeanette H. Gabriel. Philip Wilson Publishers. Giacomo Raffaelli (1753-1836) is one the most important artists of micromosaics, his signed pieces are almost nowhere to be found - unless in museums and important collections of the world. We know of nine that exist in the world. Two in the Hermitage, two in the renowned Gilbert Collection, one in the British Museum, three held by different companies in the trade, and one held by Pierre/Famille ( for sale on this platform). Raffaelli was considered the finest mosaicist in Rome. Indeed, when Napoleon I wanted to sponsor a mosaic version of The Last Supper, in roughly 1810, he chose Raffaelli, this too added much to his fame. A very similar plaque, also attributed to Raffaelli, can be seen in the above referenced book on page 56. This plaque is part of The Gilbert Collection. The permanent collection is on view at the Victoria & Albert Museum in London. Raffaelli is known for his very realistic depictions of birds - especially the Goldfinch. While his naturalism is among the finest of mosaicists at this time, Raffaelli chose to display his extraordinary talent featuring the goldfinch in many of his works. Raffaelli was probably aware of the significance of the goldfinch to the Catholic Church. Afterall, it is one of the most poignant stories in the Passion of Christ. On the road to Golgotha, Christ was forced to carry the cross upon which he would be crucified. He was also made to wear a brutal crown of thorns. It was said that a simple Goldfinch, having alighted on the Savior's shoulder, flew to his head and plucked a thorn that had been making Christ bleed; whereupon this blood was transferred to the finch, which to this day, still wears it. This is but one example as to how mosaics permitted the Church to teach important lessons or parables. Why was this not done by traditional art forms such as paintings? Why was this done instead by mosaics? From its initial conception at approximately 319 AD, the Church sought to locate St. Peter's Basilica at the site of the apostle's martyrdom. On its face such a decision would seem rational, if not appropriate. St. Peter however was executed in a marshy area on a side of the Tiber in the already quite humid city of Rome. Housed in the early St. Peters with its exposure for so many centuries of very high humidity most of the Basilica's artwork was beyond the help of the rudimentary preservation and restoration of the period. By about 1750 to which the "new" St. Peters dates it had therefore lost many oil and watercolor paintings as well as wood, bone, and tortoise sculptures, frames and other artifacts. What could the Church do? Enter the "new" age of Roman micromosaics in which tiny pieces of colored stone or glass when set with grout would prove to be impervious to the debilitating effects of humidity. By the early 1700's the Church would begin the process of establishing a school of instruction in mosaics. It would sponsor research and experimentation in developing especially glass tesserae and would encourage students to select damaged oils, paintings or watercolors as appropriate subjects for duplicative efforts in micromosaics. Gifted instructors and successful students both frequently had their work promulgated by the Church. And it was from this pool of recently praised practitioners that fame, and special commissions paralleled each other. By about 1780 one mosaicist in particular separated himself from most all the others. Giacomo Raffaelli became one of the most feted mosaicists in all of Rome. Indeed when Napoleon I wanted to sponsor a mosaic version of the Last Supper in roughly 1810 he chose Raffaelli. This selection itself added to the already high reputation of Raffaelli. This micromosaic is in very good condition and probably executed by one of the greatest of mosaicists of all time, and done on a work of art symbolically significant to the early Catholic Church. We have one of the largest collections of micromosaics offered for sale. If our reader is searching for a particular motif, we would be happy to list it here for your consideration. From very large wall hangings...

A 19th century ring in 585 thousandths gold, enamel and silver set with brilliants, with the French inscription "mon coeur est à vous" translated in "my heart is yours". Finger si...

The fine stones- beautiful square sapphire measuring 6x6 mm , framed by two rows of sparkling white diamonds, and great workmanship make this a rare and very desirable ring. It would be lovely as an unusual engagement ring...

Here we have a charming bracelet dating back to the Georgian period. This antique piece has been crafted from a rich 15ct yellow gold with a single chain running through a collection...

Antique, Baroque Gold Diamond Brooch. The central diamond weighs about 0.45 carat. The brooch also has a safety pin.

Crafted during the reign of George II, this sterling silver footed bowl was manufactured by London silversmith John Barbe. The small footed bowl is alm...

Beautiful Antique Victorian 18K Yellow Gold Diamond Ruby Sapphire Three Stone Ring. This incredible ring features an old mine cut diamond, natural ruby, and natural sapphire surround...

This is an unusual large Georgian diamond cluster ring. The ring is in a triangular shape and features a negative space in the centre and is surrounded by nine rose cut diamonds vary...

Show off your sense of style and whimsy with Zorab's playful butterfly cocktail ring meticulously hand-crafted with 2.69 Carat of Pink Sapphire, 1.28 Carats of White Diamonds, 0.32 C...

Beautiful Antique Victorian 15K Yellow Gold Opal Asclepios Carved Ring. This gorgeous opal Victorian ring is crafted in 15K yellow gold. The center is a beautiful white opal cabochon...

A distinctive charm, this intricate windmill pendant is crafted in ornate gold metal. Adorned with vibrant red and turquoise stones, it features delicate openwork blades. A row of sm...

Circa 1780, 22k, England. This exceptional Georgian memorial ring features 1.50 carats of finely cut diamonds surrounding a carved agate featur...

An exceptional and unusual memorial urn ring from the Georgian (ca1780) era! Crafted in 18k yellow gold, the ring features a large, ellipse-shaped centerpiece. The centerpiece of the...

Crafted from green jade, this rare jade amulet pendant showcases intricate engravings. The design features delicate blossoms and flowing lines, accented with floral motifs and elegan...

XVIII century (circa 1790) AquaForte (etching) Print "Chiesa di San Marco" (San Marco Church in Rome) Signed by Agapito Franzetti Measurements (including frame): 31cm x 30cm Meas...

A Georgian diamond, silver, and rose gold brooch, comprising forty-seven old mine cut diamonds, set in silver, backed in 9 karat rose gold, with 9 karat rose gold pin and fittings. ...

Agate Mouse Snuff Box. Made Circa 1760. Crafted from grey agate carved in the form of a mouse. This snuff-box features a rose gold mount. With a thu...

Here we have a stunning diamond cluster ring dating back to the Georgian period. At the centre of the face we find a chunky table-cut diamond in a four clawed setting. This impressiv...

A fine George II sterling silver coffee pot with a wooden handle, floral repousse details and a crest with rubbed maker's mark likely for William Skeen. The coffee pot is very much i...

Two Silver Trays Couple silver trays with a scene of little boys in a vineyard. From the 18th century, in Nuremberg, Germany. Total weight: 705 grams

GIA Certified Georgian Ruby Cabochon (Untreated, Unheated) & Diamond Earrings 18th/19th Century Set with two purplish red cabochon pear shape Rubies (Natural Corundum), No indica...

- 14 karat yellow gold - 1.20 carats of round diamonds 0.40 carat of baguette diamond - Ancient cooper coin pendant - Snake finish necklace - Box clasp closure with figure 8 safety ...

This gorgeous Victorian pendant is handcrafted in 15 karat yellow gold with natural turquoise. The pendant hangs from a new 18 karat yellow chain. The necklace and pendant measure ...

A beautiful moonstone ring from the Victorian (ca1880) era! This lovely ring is made of 14kt yellow gold holds a moonstone cabochon at its center in a sterling silver mounting. The e...

This exquisite ring  are a one-of-a kind execution from the Renaissance era! Featuring 260 round cut diamonds 2.90 ct VS F color and one cabochon natural emerald  8.50 carat total we...

A Georgian lozenge-shaped pendant, to the centre a rose-cut diamond-set interlocking double-heart mounted in silver, applied on blue enamel background surrounded by white enamel bord...

This French ring, from around 1780, is crafted in 18 carat gold. Under the glass we see the god Bacchus, the god of wine and merriment. It is a signed work by Jacques-Joseph de Gault...

Antique Natural Pearl Ring Circa 1780 An 18 karat gold and silver ring set with a natural pearl and 44 rose cut diamonds in a chalice moti...

Eye-catching gilded bronze lion mantel clock, Louis XV, circa 1770. 3.5 inch enamel dial; bell striking movement with flat-bottomed plates and outsid...