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Item Ships From: Bay Area
La Plage Normande
By Maurice Brianchon
Located in San Francisco, CA
This artwork titled "La Plage Normande" c.1950 is an original color lithograph on Arches paper by noted French artist Maurice Brianchon, 1899-1979. It is hand signed and numbered XV/XX in pencil by the artist. The image size is 18.5 x 15.5 inches, framed size is 30.5 x 26 inches. Custom framed in a wooden black and gold frame, with gold color spacer and fabric matting. It is in excellent condition.
About the artist:
Maurice Brianchon was born in 1899, in the town of Fresnay-sur-Sarthe. Very early on, he showed many plastic predispositions. As a result, he was accepted in 1917 at the École Nationale Supérieure des Beaux-Arts de Paris and joined the studio of Fernand Cormon, renowned for his history painting. A year later, he moved to the École Nationale Supérieure des Arts Décoratifs. There he followed the education of Paul Renouard - a painter and engraver renowned for his portraits and figures of dancers - and that of Eugène Edouard Morand, a teacher since 1908. In this context, he frequented artists such as Joseph Inguimberty...
Category
Mid-19th Century Impressionist Bay Area - Figurative Prints
Materials
Lithograph
The Dreamer
Located in San Francisco, CA
This artwork titled " The Dreamer" 1989 is a color offset lithograph on Artcote paper by Crow Indian artist Penni Anne Cross A.K.A. (Alawa-Sta-We- Ches) b...
Category
Late 20th Century Realist Bay Area - Figurative Prints
Materials
Lithograph
Unknown
By Mahmoud Farshchian
Located in San Francisco, CA
This artwork "Untitled" is a color off set lithograph by acclaimed Iranian artist Mahmoud Farshchian, born 1930. It is hand signed and numbered 23/3...
Category
Late 20th Century Surrealist Bay Area - Figurative Prints
Materials
Lithograph
Indiana Elliot
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Indiana Eliott"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Bay Area - Figurative Prints
Materials
Lithograph
Cheh-Ayeh: Prey
Located in San Francisco, CA
This artwork titled " Cheh-Ayeh: Prey" 1989 is a color offset lithograph on Artcote paper by Crow Indian artist Penni Anne Cross A.K.A. (Alawa-Sta-We-...
Category
Late 20th Century Realist Bay Area - Figurative Prints
Materials
Lithograph
"Mine Shaft", Soviet Union: An Early 20th C. Woodcut Engraving by Abramovitz
By Albert Abramovitz
Located in Alamo, CA
This is a signed woodcut engraving entitled "Mine Shaft" created by Albert Abramovitz in 1935, after a trip to the Soviet Union. It depicts two Russian workers constructing a mine sh...
Category
1930s Bay Area - Figurative Prints
Materials
Woodcut
Cap. Cerimonia, Sig. Lauinia
By Jacques Callot
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635)
Title: Cap. Cerimonia, Sig. Lauinia
Year: 1622
Medium: Etching
Paper: Laid paper
Size of paper: 3.15 x 3.85 inches
Condition: Very good con...
Category
17th Century Realist Bay Area - Figurative Prints
Materials
Etching
Cityscape
Located in San Francisco, CA
This artwork titled "Cityscape" c.1930 is an original color etching on wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the artist. The image (plate mark) size is 12.75 x 9.15 inches, framed size is 19.35 x 15.25 inches. Custom framed in a silver with brown patina frame, with light grey matting and green and red filet. It is in excellent condition,
About the artist:
Tanna Kasimir...
Category
Mid-20th Century Realist Bay Area - Figurative Prints
Materials
Etching
Elephant Man
By Charles Bragg
Located in San Francisco, CA
This artwork titled "Elephant Man" c.1985 is an original color lithograph by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbere...
Category
Late 20th Century Other Art Style Bay Area - Figurative Prints
Materials
Lithograph
George Inn, Dorchester
Located in San Francisco, CA
This artwork titled "George Inn, Dorchester" is a chromolithograph by noted British artist Cecil Charles Windsor Aldin, 1870-1935. It is hand signed at the lower left corner by the artist. With the blindstamp of the Fine Art Trade Gulid, published and printed by Eyre and Spottiswoode ltd, London. The image size is 12.75 x 15.25 inches, sheet size is 15 x 16.25 inches. it is in excellent condition.
About the artist:
Cecil Charles Windsor Aldin RBA (28 April 1870 - 6 January 1935) was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life.
Born in Slough, he was educated at Eastbourne College and Solihull Grammar School. He studied anatomy at South Kensington and animal painting under William Frank Calderon. He lived at The Abbots, Sulhamstead Abbots from 1913 to 1914 and was church warden of St Mary's church.
Early influences included Randolph Caldecott and John Leech. His drawings first made their way into print in The Building News of 12 September 1890, and began to appear throughout many popular journals and magazines; his work was published in The Graphic in 1891.
His illustrations include two of the original 1894 magazine publications of stories from Rudyard Kipling's The Second Jungle Book, the 1910 edition of Charles Dickens' The Pickwick Papers and The Bunch Book (1932, about Bunch, a Sealyham Terrier) by James Douglas. He also published a short series of fully illustrated books in 1923, Old Manor Houses and Old Inns.
His village scenes and rural buildings were executed in chalk, pencil and wash sketching was used for country scenes. Aldin was an enthusiastic sportsman and a Master of Fox Hounds and many of his pictures illustrated hunting.
An early work on a tiger in a zoo was studied from life, but found to be a copyright of the ideas in a photograph by Gambier Bolton.
A popular book by Aldin was Sleeping Partners, a sequence of pastel drawings of his dogs on a couch. It included his Irish Wolfhound Micky and his favorite model, Cracker, a Bull Terrier with a dark patch over one eye.
He also did some work for Cadburys advertising.
Born 28 April 1870. He was educated at Eastbourne College then Solihull Grammar School. Cecil Aldin's father was a keen amateur artist so Cecil started drawing at a very young age. He studied art at the studio of Albert Moore and then the National Art Training School which later became The Royal College of Art. After this he spent a summer with the fine animal painter and teacher, Frank Calderon.
In 1892 he bombarded the illustrated periodicals with his illustrations and thereby started a long association with The Illustrated London News. He was commissioned by The Pall Mall Budget in 1894 to illustrate "The Jungle Book" by Rudyard Kipling. At the invitation of the fine genre painter, Walter Dendy...
Category
Mid-20th Century Realist Bay Area - Figurative Prints
Materials
Lithograph
Harvest Dancers
By Alice Asmar
Located in San Francisco, CA
Artist: Alice Asmar American (1929- )
Title: Harvest Dancers
Year: 1980
Medium: Lithograph
Sight size: 20.5 x 29.25 inches.
Sheet size: 22 x 30 inches.
Signature: Signed lower right
Edition: 100. This one: 8/100
Condition: Very good
Unframed
This print by Alice Asmar (1929- ) is in very good never-framed condition with no flaws to note.
American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes.
Her parents moved to Portland, Oregon when she was just a baby. She started drawing and painting at a very early age. Alice was considered a child prodigy; she was winning awards and recognition before the age of 10. The artwork of her early years was inspired by the splendors of nature, from the inscrutable pines and ancient sculptured rocks along the Oregon Coast to the mysterious ocean mists.
She Graduated magna cum laude from Lewis and Clark College in Portland and obtained her Master's of Fine Arts Degree at The University of Washington in Seattle. Soon after graduating she accepted a job as an engineering drafter at Boeing Aircraft in Seattle. Her Assignment was clearing top secret drawings for air-to-ground missile. Alice worked for Boeing for less than a year. They offered her an engineering scholarship but she decided to go back to the art she loved doing from she was a child.
In 1954, Alice received her teaching certificate from the University of Washington after which she taught art at Lewis & Clark (1955 to 1958).
After studying and traveling throughout the Near East, France, Switzerland, Italy, Yugoslavia, Turkey, The Greek Islands, Greece and Lebanon, Asmar set up studios in California, New Mexico and Oregon. Today, She works in an 800 - square-foot studio that she designed with four skylights and is located behind her home in Burbank, California.
A master of several media, Asmar is distinguished for her many techniques which include paintings in Oil, casein and Acrylic, drawing in ink, pencil and pastel, collage, tapestry, books, lithography, etching, Engraving on metal on plexiglas, portraits, murals and banners. Her hand engraving of innovative designs for dinner and household wares for Nambe Mills in Santa Fe is also recognized internationally.
Alice Asmar's works are in several hundred public and private collections in the United States and Europe, including the Smithsonian Institution, Franklin Mint, Portland Art Museum, Gene Autry Hotel in Palm Springs, The Public Art Museum of Gabrova, Bulgaria, Kaiser-Permanente, and the Dr. Nicholas Townell collection, Angus, Scotland.
A selected list of her EXHIBITIONS is as follows: - Seattle Art Museum. - Museum of Science & Industry, Los Angeles. - Circle Gallery Ltd, Houston - Abbot Hall Gallery, William Temple...
Category
1980s Other Art Style Bay Area - Figurative Prints
Materials
Paper, Lithograph
Mere Biblique
By Théo Tobiasse
Located in San Francisco, CA
Artist: Theo Tobiasse (French/Israeli, 1927-2012)
Title: Mere Biblique
Year: 1984
Medium: Color lithograph, with collage
Edition: Numbered 172/175 in pencil
Paper: Arches
Image...
Category
Mid-20th Century Expressionist Bay Area - Figurative Prints
Materials
Lithograph
"Hannukah" From the suite "The Seven Festivals"
By David Sharir
Located in San Francisco, CA
This artwork titled "HAnnukah" from the suite "The Seven Festivals" 1981, is an original colors serigraph on Arches paper by noted Israeli artist David Sharir,b. 1938. It is hand sig...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Screen
"P{urim" From the suite "The Seven Festivals"
By David Sharir
Located in San Francisco, CA
This artwork titled "Purim" from the suite "The Seven Festivals" 1981, is an original colors serigraph on Arches paper by noted Israeli artist David Sharir,b. 1938. It is hand signed...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Screen
Cantique du Singulier
By Aristide Caillaud
Located in San Francisco, CA
This artwork titled "Cantique du Singulier" 1977, is an original colors lithograph on Japan paper by noted French artist Aristide Caillaud, 1902-1990. It is hand signed and numbered ...
Category
Late 20th Century Surrealist Bay Area - Figurative Prints
Materials
Lithograph
Le Geai Pare des Plumes du Paon, From the suite Les Fables De La Fontaine
By Marc Chagall
Located in San Francisco, CA
Artist: Marc Chagall (Russian, 1887-1985)
Title: Le Geai Pare des Plumes du Paon
Year: 1927
Medium: Original etching
Edition: fom the unumbered edition of 200
Paper: Montval Laid paper
Image (plate mark) size: 11.5 x 9.5 inches
paper size: 14.85 x 11.15 inches
Signature: Signed in the plate as issue
Publisher: Teriade, Paris
Printer: Maurice Potin
Condition: Excellent
Frame: Framed in a custom wooden black and silver frame, with silver color bevel and fabric matting. Framed size is 26 x23 inches
Description: From the suite les Fables De La Fontaine...
Category
Early 20th Century Modern Bay Area - Figurative Prints
Materials
Etching
Flowering Lily Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Cataputia Vulgaris, Parietaria Sylvestris, Nummularia", depicting flowering Spanish Nut, Yellow Turk's-cap Lily, Yellow Turk's...
Category
1640s Academic Bay Area - Figurative Prints
Materials
Engraving
The Capitol, The Williamsburg Series
By Samuel Chamberlain
Located in San Francisco, CA
This artwork titled "The Capitol, Williamsburg Series" 1940 is an original etching on paper by noted American artist Samuel V. Chamberlain, 1895-1975 It is...
Category
Mid-20th Century Realist Bay Area - Figurative Prints
Materials
Etching
Yelding the Right of Way
Located in San Francisco, CA
This artwork titled "Yelding the Right of Way" c.1975 is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed...
Category
Late 20th Century American Realist Bay Area - Figurative Prints
Materials
Lithograph
London Tower Bridge
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "London Tower Bridge" 1924 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 12.15 x 17.25 inches, framed size is 21 x 26 inches. Custom framed in a wooden gold frame, with beige matting and gold color bevel. It is in excellent condition.
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist Bay Area - Figurative Prints
Materials
Etching
Dancing Ducks in Red, Yellow, Green, Blue,
By George Chemeche
Located in San Francisco, CA
Artist: George Chemeche – Iraqi/American (1934-2022)
Title: Dancing Ducks in Red, Yellow, Green, Blue
Year: circa 1980
Medium: Screen Print
Image size: 19 x 27 inches.
Sheet size: 22 x 29 inches.
Signature: Signed lower right
Edition: 260 This one: 87/260
Condition: Very good
Unframed
This exceptional geometric abstract serigraph is by the noted Iraqi/American artist George Chemeche (1934-2022 ). He is a master of serigraph printing, but this print has more than technical excellence. It is a wonderful, rhythmic abstract composition. I believe Chemeche might have been a proponent of and/or influenced by the Pattern and Decoration Movement which was happening in New York in the 1970s and 1980s. The print has never been framed and is in very good condition. I will ship the print rolled in a heavyweight tube.
George Chemeche was born in 1934 and studied at the Avni Art School in Tel Aviv and the Ecole des Beaux Arts in Paris. The style with which he is intimately associated, pattern painting, The most serviceable definition is that pattern is the systematic repetition of a motif or motifs used to cover a surface uniformly. The spaces between motifs are either other motifs or are an integral part of the repeat. Usually, patterning intentionally acknowledges the decorative function of art, reconciling both the decorative and the meaningful.
George Chemeche’s work hangs in the lobby of the Hotel Chelsea where many have admired it for years. Please search online for more biographical information by this fine artist.
Selected Biography
1934 Born in Basra, Iraq
1947 Fled Iraq with his family
1947-49 Lives and attends school in Tehran
1949 Immigrates to Israel
1956-59 Studies art in Avni Art School, Tel-Aviv
1959 Gets American-Israeli Culture Foundation grant to study art in Paris
1959-1962 Studies at Ecole Supérieure des Beaux Arts, Paris
1961- Gets two years grant from Lady Francis Fergusson, Scotland
1962 Gets one year grant from Alex de Rothschild, Paris First man show at Gallery Transposition, Paris
1965-72 Exhibits his work in numerous art galleries in Israel including one man show at Haifa Museum
1972 Travels to New York, checks in the Hotel Chelsea
1977-- First one-man show in USA at Louis K. Meisel Gallery, New York, followed by other shows around the country and Europe.
1995 Travels to Iceland to publish the Aya Series book. Text by Donald Kuspit; Art Resourses & Technologies, New York, NY
2002 Publishes, Ibejis: “The Cult of Yoruba Twins” 5 Continents Edition, Milan, Italy
2003 Curates a show at Museum of African Art, NYC Ibejis: The Doubly Blessed Twins
2005 Reads his poems at the Bowery Poetry Club, New York
2010 Lectures about Ibeji art and cult at Iowa University
2011 Lectures about Ibeji Art and cult at Neuberger Museum
2011 Publishes, The Horse Rider in African Art” ACC, UK
INDIVIDUAL EXHIBITIONS
1978 Goldman Art Gallery, Haifa, Israel
1977 Louis K. Meisel Gallery, New York
1977 Alexandra Monett Gallery, Brussels
1977 Givon Art GaJIery, Tel Aviv
1974 South Houston Gallery, New York
1974 Ray Landis Gallery, East Brunswick, New Jersey
1973 Gala Gallery, Key Biscayne, Florida
1973 Art Asia Gallery...
Category
1980s Other Art Style Bay Area - Figurative Prints
Materials
Paper, Screen
Warming Up
Located in San Francisco, CA
This artwork titled "Warming Up" c.1990 in an original color serigraph by American artist John Asaro, b.1937. It is hand signed and numbered 147/195 in penc...
Category
Late 20th Century American Impressionist Bay Area - Figurative Prints
Materials
Screen
The couple
By Adriaen van Ostade
Located in San Francisco, CA
Artist: Adriaen Van Ostade (Dutch, 1610-1685)
Title: The Couple
Year : 1638
Medium: Etching
Paper: Laid paper
Image (plate mark): 3.25 x 2.5 inches
...
Category
Mid-17th Century Old Masters Bay Area - Figurative Prints
Materials
Etching
Three Native American Girls
By Popo and Ruby Lee
Located in San Francisco, CA
This artwork "Three Native American Girls" c. 1990 is a color offset lithograph by noted artists Popo and Ruby Lee, b.1940. It is Hand signed and numbered 2/750 in pencil by the arti...
Category
Late 20th Century American Realist Bay Area - Figurative Prints
Materials
Lithograph
Panda
Located in San Francisco, CA
This artwork "Panda" c.1990 is an offset lithograph by noted animals wildlife artist Jacquie Marie Vaux. It is hand signed and numbered 379/750 in p...
Category
Late 20th Century American Realist Bay Area - Figurative Prints
Materials
Lithograph
"Courtisane aux Yeux Baisses" from the suite "Les Fleurs du Mal""
By Georges Rouault
Located in San Francisco, CA
This artwork titled "Courtisane aux Yeux Baisses" from the suite "Les Fleurs du Mal" created in 1937, is an original color aquatint on Montval paper by renown French artist Georges Rouault, 1871-1958. It is signed and dated in the plate as issue. Published by Ambroise Vollard, Paris and printed by Lacouriere, Paris. Referenced and pictured in the artist's catalogue raisonnes by Chapon plate #276, Wofsy plate #273. The plate mark (image) is 11.75 x 8.15 inches, framed size is 20.5 x 17.25 inches. Custom framed in a wooden brownish and gold frame, with fabric matting and black fillet. Artwork and frame are in excellent condition, the colors are fresh and bright. Example of this artwork is held in many museums including The National Gallery of Art.
About the artist:
French painter, draughtsman, printmaker and designer, Georges Rouault created a personal style of Expressionism that gives him a highly distinctive place in Modern Art. Rouault was born in 1871, in the cellar of a house in Belleville, a working class quarter of Paris near the Père Lachaise cemetery, while the city was being bombarded by government troops quelling the Paris Commune. His father was a finisher and varnisher of pianos at a local factory. Rouault's grandfather was an amateur art...
Category
Mid-20th Century Expressionist Bay Area - Figurative Prints
Materials
Aquatint
La Collana I
By Massimo Campigli, 1895-1971
Located in San Francisco, CA
This artwork titled "La Collana" is an original color lithograph on Wove paper by renown German/Italian artist Massimo Campigli, 1895-1971. It is hand signed and numbered 46/125 in p...
Category
Mid-20th Century Modern Bay Area - Figurative Prints
Materials
Lithograph
"Portrait of Phyllis #22" from the suite "41 Etchings and Drypoints"
By Richard Diebenkorn
Located in San Francisco, CA
Richard Diebenkorn (American, April 22, 1922 – March 30, 1993) is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s. This piece title...
Category
Late 20th Century Abstract Expressionist Bay Area - Figurative Prints
Materials
Etching
Cityscape
By Josef Eidenberger
Located in San Francisco, CA
This artwork "cityscape" c. 1960 is a color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate mark (image) size is 1...
Category
Mid-20th Century Realist Bay Area - Figurative Prints
Materials
Etching
Carnaval De Saint Petersbourg
By Mihail Chemiakin
Located in San Francisco, CA
Artist: Mihail Chemiakin (Russia/France/US, born 1943)
Title: Carnaval De Saint Petersbourg
Medium: Color lithograph
Edition: Numbered 243/275 i...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Lithograph
Woman with Arrow
By Rembrandt van Rijn
Located in San Francisco, CA
This artwork titled "Woman with Arrow" 1661 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. The...
Category
17th Century Realist Bay Area - Figurative Prints
Materials
Etching
Innenhof auf Schloss Schallaburg
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Innenhof auf Schloss Schallaburg" c.1930 is a color etching on wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed by the artist's estat...
Category
Early 20th Century Realist Bay Area - Figurative Prints
Materials
Etching
"Le Bal Masque" Giuseppe Verdi Opera (Variant)
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, (Variant) 1967 is an original color lithograph on Japan paper by renown Austrian expressionist art...
Category
Mid-20th Century Expressionist Bay Area - Figurative Prints
Materials
Lithograph
Crude Oil Men
Located in San Francisco, CA
This artwork titled "Crude Oil Men" c.200,0 is an original serio lithograph (serigraph and lithograph) on paper by renown American figurative expressionist artist Michael Todd White, b.1969. It is signed and numbered 321/350 in black ink by the artist The artwork (Image) Size is 21 x 15.5 inches, framed size is 32 x 26.25 inches. Custom framed in a wood veneer and black frame, with fabric matting. It is in excellent condition, the frame has a minor small rub, barely visible.
About the artist:
Michael Todd White (born October 10, 1969, in San Antonio, Texas) is a figurative expressionist painter.[1] He has also been described as an avant-garde expressionist.
White was named the official artist for the Grammy Awards by the Recording Academy in 2007. His painting appeared on the ceremony's invitation and program book and served as the official image for the event.
His work was featured in the Inspirations of Oz Fine Art Collection, an exhibition commemorating the 70th anniversary of The Wizard of Oz. The collection toured designated cities all over the world including Miami, Los Angeles, Dubai, Japan, London, Toronto and Vienna.
In 2010, White was chosen to provide sketches for Coca-Cola Light in Mexico. White's six sketches are depicted on different faces of Coca-Cola Light bottles and cans, each featuring his distinctive box signature. This was the first time that Coke had collaborated with a fine artist to depict artwork for its label. The bottles were released in August 2010.[5] As a result of some of these career achievements White has earned international recognition and a lengthy list of celebrity collectors. White's work hangs in a number of galleries in North America and he is currently one of the best selling artists in the United Kingdom. Some of White's most prominent exhibitions include a show at the Bank of Scotland in Manchester, England and at the unveiling of The World's Largest Todd White Collection, hosted by CNN's Larry King at Pechanga Resort and Casino in Temecula, California. Todd White's work was featured in the opening of Clarendon Fine Art Gallery in Hampstead, London alongside that of leading British contemporary artists Sherree Valentine-Daines and Christian Hook.
Category
21st Century and Contemporary Expressionist Bay Area - Figurative Prints
Materials
Lithograph
Odyssetron I (From the suite of 5 lithographs)
Located in San Francisco, CA
This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered 1/50 in pencil by the artist...
Category
Late 20th Century Pop Art Bay Area - Figurative Prints
Materials
Lithograph
Portrat der Bildhauerin Germaine Richier
By Cuno Amiet 1
Located in San Francisco, CA
This artwork titled "Portrat Der Bildhauerin Germaine Richier" 1950 is an original colors lithograph by Swiss artist Cuno Amiet, 1868-1961. It is hand signe...
Category
Mid-20th Century Expressionist Bay Area - Figurative Prints
Materials
Lithograph
Fish Become Birds
Located in San Francisco, CA
This artwork titled "Fish Become Birds" 1999 is an original colors stonecut on thin tissue paper by Canadian/ Inuit artist Kavavaow (Kavavau) Mannomee, b.1958. It is hand signed, titled, located, dated, described and numbered 4/50 in pencil by the artist. The subject size is 16 x 23.25 inches, sheet size is 24.5 x 29 inches. It is in excellent condition.
About the artist:
Qavavau born in Brandon, Manitoba in 1958 where his mother, Paunichea, was hospitalized for treatment of tuberculosis. He returned to Cape Dorset...
Category
Late 20th Century Other Art Style Bay Area - Figurative Prints
Materials
Other Medium
Frederique Vallet Bisson 2 Elegant Ladies
Located in San Francisco, CA
Frederique Vallet Bisson: 1862-1948. Well listed French artist with some auction prices for his paintings over $30,000. This beautiful lithograph was pr...
Category
Early 1900s Bay Area - Figurative Prints
Materials
Lithograph
Silent Hunter
Located in San Francisco, CA
This artwork titled "Silent Hunter" 2002 is an original color stonecut on beige Japan paper by noted Canadian/Inuit artist Kananginak Pootoogook, 1935-2010. It is hand signed, dated, titled, located, described and numbered 22/50 in pencil by the artist. The image size is 15 x 11.75 inches, framed size is 23.35 x 20 inches. Custom framed in a wooden dark green frame, with green matting. It is in excellent condition.
About the artist:
Kananginak Pootoogook was an Inuit sculptor and printmaker who lived in Cape Dorset, Nunavut, in Canada. He died as a result of complications related to surgery for lung cancer.
Pootoogook was born at a traditional Inuit camp called Ikerasak, near Cape Dorset, Nunavut (then in the Northwest Territories) to Josephie Pootoogook, leader of the camp, and Sarah Ningeokuluk. The family lived a traditional lifestyle hunting and trapping while living in an iglu in the winter and a sod house in the summer and did not move into their first southern style house until 1942. In 1957 Pootoogook married Shooyoo, moved to Cape Dorset and began work for James Houston.
Originally, Pootoogook did some carving, made prints and lithographs for other artists. At the same time he was a leader in setting up the West Baffin Eskimo Co-operative, the first Inuit owned co-op, now part of the Arctic Co-operatives Limited and served from 1959 until 1964 as the president. Although Kananginak had worked with his father, Josephie, in 1959, it was not until the 1970s that Kananginak began work as a full-time artist producing drawings, carvings and prints. According to Terry Ryan, former Co-op manager, Pootoogook was both influenced by and an admirer of the works of his uncle, photographer and historian Peter Pitseolak.
The World Wildlife Commission released a limited edition set in 1977 that included four of Pootoogook's images and in 1980 he was elected to the Royal Canadian Academy of Arts. In 1997 Pootoogook built a 6 ft (1.8 m) inukshuk in Cape Dorset for former Governor General of Canada, Roméo LeBlanc. The inukshuk was dismantled and shipped to Ottawa and with the assistance of his son, Johnny, it was rebuilt at Rideau Hall and unveiled on 21 June, National Aboriginal Day.
Pootoogook had several exhibitions and showings of his work. In 2010, he went to Vancouver for the 2010 Winter Olympics and to open a showing of his work at the Marion Scott Gallery. He also had a showing of his work, his first solo exhibition at a public institution, at the Museum of Inuit Art in Toronto from February to May 2010. He also received a 2010 National Aboriginal Achievement Award in the arts category from the National Aboriginal Achievement Foundation.
While working on his final, and unfinished, drawing of a Peterhead owned by his father, he was struck by coughing spells, which he declared was cancer. Along with his wife, Shooyoo, he flew to Ottawa, staying at the Larga Baffin home, and was diagnosed with lung cancer. In October 2010, he underwent surgery and did not recover. He died 23 November 2010 in Ottawa. The work of Kananginak Pootoogook is held in numerous collections and museums, includingThe McCord Museum, the Dallas Museum of Art, Musee National des Baux Arts...
Category
Late 20th Century Other Art Style Bay Area - Figurative Prints
Materials
Other Medium
Untitled 2
By Roger Chapelain Midy
Located in San Francisco, CA
Artist: Roger Chapelain Midy (French, 1904-1992)
Title: Untitled 2
Year : Circa 1975
Medium: Color lithograph
Edition: Unknown
Paper: Silk paper
Image size: 18 x 25.25 inche...
Category
Late 20th Century Surrealist Bay Area - Figurative Prints
Materials
Lithograph
Circus Series C
By Ruth Leaf
Located in San Francisco, CA
This artwork titled "Circus Series C" c.1990, is an original woodcut monoprint on Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and numbered 1/1...
Category
Late 20th Century Abstract Expressionist Bay Area - Figurative Prints
Materials
Monoprint
Vivaldi, Summer
By Jürgen Görg
Located in San Francisco, CA
This artwork titled "Vivaldi, Summer" 1993 in an original etching with hand coloring by noted German artist Jurgen Gorg, b.1951. It is hand signed, dated, titled and numbered E.A. III/X in pencil by the artist. The plate mark (image) size is 15.5 x 12.5 inches, framed size is 29 x 18 inches. Custom framed in a wooden silver frame, with light grey matting, silver color bevel and red/brown fillet.
The artwork and matting are in excellent condition, the frame have some scratches and dents, it will be replaced by a new similar or better silver frame when sold before shipping. This will bring the over all condition to excellent.
About the artist:
Born in 1951 in Dernbach, West Germany, Jurgen Gorg has established himself as a master craftsman and consummate artist. His etchings and lithographs reflect his innate talent and imagination. He studied visual arts first, in Koblenz, Germany and later, at the Johannes-Gutenberg University in Mainz, Germany.
Gorg began his professional career in 1977 as an artist and printmaker and by 1980, was awarded a special painting prize by the district of Rheinland-Pfalz. In 1985, a catalog raisonne was published of Gorg's creations. Gorg's work follows a strong tradition of figurative art with erotic overtones.
He interprets his subject matter loosely, keeping his figures open and emphasizing motion through line and contour. A foreword in a book on Gorg's work captures his artistic sensibility: "The predominant subject is the human body: it is the body of a young, slim, beautiful person. The face remains vague, the gestures are those of free motion...
Category
Late 20th Century Surrealist Bay Area - Figurative Prints
Materials
Etching
"Le Lac du Bois de Boulogne" Large original color lithograph
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Le Lac du Bois de Boulogne" 1991 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbe...
Category
Late 20th Century Post-Impressionist Bay Area - Figurative Prints
Materials
Lithograph
The Quilt Makers
Located in San Francisco, CA
This artwork titled " The Quilt Makers" 1988 is a color offset lithograph on paper by Crow Indian artist Penni Anne Cross A.K.A. (Alawa-Sta-We- Ches) ...
Category
Late 20th Century Realist Bay Area - Figurative Prints
Materials
Lithograph
Mel Ramos 'Virnaburger' (or Verna Burger) signed print
By Mel Ramos
Located in San Rafael, CA
Mel Ramos (1935-2018)
Virnaburger (Verna Burger), 1965
Offset lithograph
A proof aside from the numbered edition of 500
Signed and dated LR: M Ramos 65
Image 19 x 14 inches
In a vint...
Category
1960s Pop Art Bay Area - Figurative Prints
Materials
Offset
The Curiosity Shop
Located in San Francisco, CA
This artwork titled "The curiosity Shop" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbe...
Category
Late 20th Century American Realist Bay Area - Figurative Prints
Materials
Etching
Zuni Rain Dancers
By Alice Asmar
Located in San Francisco, CA
Artist: Alice Asmar American (1929- )
Title: Zuni Rain Dancers
Year: 1980
Medium: Lithograph on BFK Rives paper
Sight size: 14.5 x 27.25 inches.
Sheet siz...
Category
1980s Other Art Style Bay Area - Figurative Prints
Materials
Paper, Lithograph
Bright Beach
By Isca Greenfield-Sanders
Located in Berkeley, CA
Isca Greenfield-Sanders
Bright Beach
Direct to plate photogravure and aquatint.
Edition of 50
Category
21st Century and Contemporary Contemporary Bay Area - Figurative Prints
Materials
Etching
Susan B.
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "ISusan B."
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Bay Area - Figurative Prints
Materials
Lithograph
Anthony Comstock
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Anthony Comstock"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Bay Area - Figurative Prints
Materials
Lithograph
Hellas
By Clinton Blair King
Located in San Francisco, CA
This Artwork Titlled "Hellas" 1974 is an original color etching and aquatint on Arches paper by noted American artist Clinton Blair King, 1901-1979 It is hand signed, dated, titled, ...
Category
Late 20th Century American Modern Bay Area - Figurative Prints
Materials
Etching
Payaso, Blue, Red and Yellow, 1980.
By Alejandro Colunga
Located in San Francisco, CA
These artwork title "Payaso blue, Red and Yellow" 1980 are the complete suite of three original lithographs by noted Mexican artist Alejandro Colunga, b.1948. They are hand signed, d...
Category
Late 20th Century Surrealist Bay Area - Figurative Prints
Materials
Lithograph
The organ Grinder
By Adriaen van Ostade
Located in San Francisco, CA
Artist: Adriaen Van Ostade (Dutch, 1610-1685)
Title: The Organ Grinder
Year: 1647
Medium: Etching
Paper: Laid paper
Image (plate mark) size: 4.35 x 3.5 i...
Category
Late 17th Century Old Masters Bay Area - Figurative Prints
Materials
Etching
Hand-colored 1834 Joseph Paxton Botanical Engraving of Yellow Trumpet Flowers
By Joseph Paxton
Located in Alamo, CA
This is a hand-colored engraving of yellow trumpet flowers from Sir Joseph Paxton's (1803-1865) "Magazine of Botany and Register of Flowering Plants", published in 1834. This engravi...
Category
Early 19th Century Academic Bay Area - Figurative Prints
Materials
Engraving
Odyssetron I (From the suite of 5 lithographs)
Located in San Francisco, CA
This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered ...
Category
Late 20th Century Pop Art Bay Area - Figurative Prints
Materials
Lithograph
Beach Wall and Sun
By Kim Frohsin
Located in Burlingame, CA
Monotype ev edition 5/7 with hand coloring. the plate (image) size is 8 x 15 inches the overall paper dimension is 17 x 23 inches. Kim Frohsin spent 12 years working on monotype ev's...
Category
20th Century Contemporary Bay Area - Figurative Prints
Materials
Monotype
Roslyn Lane
By Kim Frohsin
Located in Burlingame, CA
Monotype EV Ed 5/7 with heavy hand coloring with mixed media. Portrait of the artist's mother. Signed front in pencil by Kim Frohsin, who is strongly associated with the Bay Area Fig...
Category
1990s Contemporary Bay Area - Figurative Prints
Materials
Monotype
Clown Assis, from Cirque de l'Etoile Filante
By Georges Rouault
Located in San Francisco, CA
This artwork "Clown Assis, from Cirque de l'Etoile Filante" 1932, is a wood engraving by French artist Georges Rouault 1871-1958 (Block engraved by Georges Aubert) It is signed in t...
Category
Early 20th Century Modern Bay Area - Figurative Prints
Materials
Woodcut
Vienna Scene
By Robert Kasimir
Located in San Francisco, CA
This artwork titled "Vienna Scene, Austria" c. 1950 is a color etching on wove paper by noted Austrian artist Robert Kasimir, 1914-2002. It is hand signed in pencil by the artist at...
Category
Late 20th Century Realist Bay Area - Figurative Prints
Materials
Etching
Black Geese
By Winifred Austen
Located in San Francisco, CA
This artwork titled "Black Geese" 1934 is an original color aquatint by noted British artist Winifred Marie Louise Austen, 1876-1964. It is hand signed and titled in pencil by the artist. The image (plate mark) is 9 x 13.75 inches, sheet size is 10.30 x 16.5 inches. Published by Arthur Greatorax LTD, Grafton street, London. It is in excellent condition.
About the artist:
Born at Ramsgate, Kent on 12 July 1876, Winifred Austen only daughter of Josiah Austin, a Cornish naval surgeon, and his wife Fanny, née Mann. She amended the spelling of her surname from Austin to Austen from the time that she began to exhibit.
In 1892 the family moved to Hornsey, London from where Austin attended the London County Council School of Arts and Crafts, studying under Cuthbert Swan, an animal painter. I n 1899 Austen exhibited a picture of a lion at the Royal Academy and in all exhibited more than seventy pictures at the Academy, the last in 1961.
She worked in both oils and watercolor but Austen is most highly regarded as an etcher. In all she made some two hundred etched plates, beginning in 1906 with a series entitled The White Heron. She had particular feeling for birds and small mammals, and the naturalist Sir Peter...
Category
Mid-20th Century Realist Bay Area - Figurative Prints
Materials
Aquatint
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