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Item Ships From: California
Four Koa Wood Framed 18th C. Engravings from Captain Cook's 3rd Voyage Journal
By John Webber
Located in Alamo, CA
A grouping of four framed engravings of Hawaii, Tahiti, Tonga and Vancouver Island from the atlas of the official British Admiralty sanctioned journal of Captain Cook's 3rd Voyage entitled "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", published upon completion of the voyage in London in 1784 by Strahan & Cadell. These engravings were made from drawings by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. The set of engravings includes: "A Canoe of the Sandwich Islands, the Rowers Masked", Plate 65 in the atlas; "A Dance in Otaheite" (Tahiti), Plate 28; "King of the Friendly Islands" (Tonga), plate 20; "Inside of a House in Nootka Sound" (Canada), plate 42.
These engravings are professionally framed in Koa wood, the same wood as was used to make the canoes of the ancient Hawaiians. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
These four engravings would make a wonderful grouping for a display of 2, 3 or 4 prints. They may be purchased separately or in groups on 1stDibs. Their listing Reference #'s are: LU117324682432, LU117324682022, LU117324684052 and LU117324684062. A discount is available for a grouping depending on the number of items included.
Hawaii was discovered by Captain Cook (1728-1779) during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
1780s Other Art Style California - Landscape Prints
Materials
Engraving
Munichau (Austria)
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Munichau (Austria)" 1926, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 11.5 x 11.5 inches, framed size is 21 x 20.75 inches. Custom framed in a wooden gold frame, with grey/green matting . It is in Excellent condition.
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist California - Landscape Prints
Materials
Etching
TEN O'CLOCK in TAXCO - Large etching with Incredible Detail. One of a Pair
By Reynold Weidenaar
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985)
TEN O'CLOCK IN TAXCO 1946 Etching and aquatint on paper Edition: An artist proof (#2) apart from an edition of unknown size Signed and titled in pencil. Image: 17" x 13"; Sheet: 19.75" x 15.75”. One of a pair of large format Mexican etchings...
Category
1940s American Realist California - Landscape Prints
Materials
Etching
Tree Study I - large format b/w photograph of lone ancient tree in landscape
By Frank Schott
Located in San Francisco, CA
From a series of large scale black & white photographs capturing the ancient flora and dramatic arboretum of California's vast Sierra Nevada mountain landscapes, an homage to photogr...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Paper, Photographic Paper, Giclée, Archival Pigment
Common Scaup Duck: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Common Scaup Duck, 1. Male, 2. Female", No. 100, Plate 498 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia in 1856. It depicts male and female Scaup ducks sitting on a mound, looking to the right at water. A lighthouse is seen on a point of land in the background on the right.
This original hand-colored Common Scaup Duck lithograph...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Freeways (11/70), Serigraph by Frank Romero
By Frank Romero
Located in Palm Springs, CA
This print was featured in “Dreamland”, the first solo exhibition of Chicano artist Frank Romero at MOLAA (Museum of Latin American Art). The freeway and car culture of southern Ca...
Category
2010s Contemporary California - Landscape Prints
Materials
Screen
Best Seats - large format photograph of iconic yellow soccer goals
By Erik Pawassar
Located in San Francisco, CA
an homage to the photo realism + pop art color palette of artist David Hockney
Best Seats by Erik Pawassar
48 x 72 inches (122 x 183cm)
signed edition of 7
27 x 40 inches (69 x 1...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée
'View of Shimada', After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
By Utagawa Hiroshige (Ando Hiroshige)
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of travelers crossing the Suruga bank of the Ōi River, circa 1850. Signed in Kanji lower left, "Hiroshige Ga"...
Category
Mid-20th Century California - Landscape Prints
Materials
Sumi Ink, Washi Paper
Yellow-billed Cuckoo: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Yellow-billed Cuckoo, 1. Male, 2, Female, Papaw Tree", No. 55, Plate 275 from Audubon's "B...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
"Scene _ Country Fair": A Framed Early 19th Century Engraving by George Hunt
By George Hunt
Located in Alamo, CA
This is a framed colored engraving entitled "Scene _ Country Fair" by George Hunt, published in London in 1825. It depicts a gathering of people at an early 19th century county fair, presumably in England. A majority of the crowd are turned away, watching a performance on a stage in the background. In the foreground a man is in conversation with a couple. The man wears a top hat and the woman is holding a baby. They are dressed in the typical attire of the middle class at that time.
The engraving is presented in a brown wood frame and a double mat, with a cream-colored outer mat and a light cranberry...
Category
Early 19th Century California - Landscape Prints
Materials
Engraving
Untitled (Nr. 7836) Landscape Photography 36" x 44" Edition of 12 by Rowan Daly
By Rowan Daly
Located in Culver City, CA
Untitled (Nr. 7836) Landscape Photography 36" x 44" Edition of 12 by Rowan Daly
Unframed - ships rolled in a tube
Ben Cope + Rowan Daly Off the Grid
Off the Grid is the culminat...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Pigment
FLEURS #3 - Iris, one of 4 portraits of flowers by Marjan Seyedin
Located in Palm Springs, CA
One of a series of classically beautiful renderings of flowers by Franco-Iranian artist Marjan Seyedin. Marjan has a contemporary and poetic reinterpr...
Category
2010s Contemporary California - Landscape Prints
Materials
Etching
Red & Black Woodpeckers: An 18th Century Hand-colored Bird Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is an original 18th century hand-colored copperplate engraving of a pair of red and black woodpecker birds entitled "1. Pie Roux, de Cayenne 2. Petit Pie Noir, de Cayenne (Red a...
Category
1760s Naturalistic California - Landscape Prints
Materials
Engraving
Topiary III - large format photograph of ornamental shaped tree in urban setting
By Frank Schott
Located in San Francisco, CA
From a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism
TOPIARY III by Frank Schott
40 x 32 inches (102 x...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Amelia - Figurative Painting by Marc Zimmerman
By Marc Zimmerman
Located in Carmel, CA
Amelia - Figurative Painting by Marc Zimmerman
This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA.
ABOUT THE ARTIST
Marc Zimmerman is a visionary artist whose creati...
Category
2010s Contemporary California - Landscape Prints
Materials
Canvas, Oil
$4,160 Sale Price
20% Off
Washington's Courtship - 1932 Etching on Paper
By William Auerbach-Levy
Located in Soquel, CA
Washington's Courtship - 1932 Etching on Paper
1932 black and white etching depicting George and Martha Washington by William Auerbach-Levy (Russian, 1889-1964). Titled "Washington'...
Category
1930s American Impressionist California - Landscape Prints
Materials
Laid Paper, Etching
'Autumn Colors', French Post-Impressionist Landscape, Academie Julian, Paris
By Victor Zarou
Located in Santa Cruz, CA
Signed lower right, 'Zarou' for Victor Zarou (French, b. 1930) with The Collector's Guild, Limited blind stamp and number and limitation '312/375', lower left.
Born in 1930 near Saint-Tropez, Victor Zarou first studied with his father, Tony Cardella, the Impressionist artist. Zarou painted avidly from a young age, first exhibiting and selling his work at the age of twelve. After two years of military service, spent as a paratrooper, Zarou moved to Paris in 1955 to study at the Academie Julian...
Category
1960s Post-Impressionist California - Landscape Prints
Materials
Paper, Lithograph
Spain and Portugal: A Hand-colored 17th/18th Century Map by Visscher
By Nicolaus Visscher
Located in Alamo, CA
This is an early 18th century map of Spain and Portugal, with attractive original hand-coloring, entitled "Hispaniae et Portugalliae Regna per Nicolaum Visscher cum Privilegio Ordinum Hollandiae et Westfrisiae" first published by Nicolaes Visscher II (1649-1702) in 1688, and later re-published from Visscher's original copper plate by Peter Schenk, Junior in Amsterdam in 1725. The cartouche in the right lower corner depicts a coat of arms representing one combined kingdom of Spain and Portugal before their break-up. Putti hold up the coat-of-arms of Phillip II on the right and a queen reaches for it on the left. There is a scale cartouche in the lower left corner surmounted by two putti and a wheel. This is an outstanding depiction of the Iberian peninsula, showing Spain and Portugal and Balearic Islands. The map includes portions of North Africa and the Strait of Gibralter.
This copperplate engraved map is presented in a cream-colored mat. It is printed on fine chain-linked, laid paper. The mat measures 26.5" high by 30" wide and the sheet measures 21.75" high by 26.375" wide. There is a central fold, as issued. The lower portion of the fold is reinforced on the verso. There is a small paper defect at the lower edge of the fold and another at the edge of the right corner, as well as a few small tears along the lower edge; none affecting the map and all covered by the mat. There are a few small faint spots in the upper margin and on the left. The map is otherwise in very good condition.
The Visscher family were one of the great art and cartographic printing families of the 17th century. Begun by Claes Jansz Visscher...
Category
Late 17th Century Other Art Style California - Landscape Prints
Materials
Engraving
Dark Forest (8.5 x 11 inch hand-printed cyanotype)
Located in Oakland, CA
These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...
Category
2010s Contemporary California - Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
An early 19th C. satirical etching of John Bull kneeling before William Pitt
Located in Alamo, CA
This is an early 19th century hand-colored satirical caricature etching entitled "John Bull and his favourite statue of bronze!!", published and possibly engraved in London in 1802 by William Holland (1757-1815). It depicts John Bull (symbolizing the English people) kneeling in profile before William Pitt, who was prime minister of England at the time, and for whom the American city of Pittsburgh was named. Pitt is standing, pretending to be a statue. A rectangular pedestal beneath Pitt is inscribed: "Erected by Voluntary Subscription!" Pitt's body seems elongated, reminding that this a caricature. He is standing, looking to the left, his aristocratic nose held high in apparent arrogance and his hands are deep in his pockets, with his hat under his right arm. John Bull, is dressed simply for the time. He is on in his knees in a gesture of supplication, as if in prayer or begging for some action from a deity. He is holding his hat in both hands, looking up at Pitt. Trees and bushes are seen in the background.
A caption showing John Bull's words in the upper left ironically reads: "O Wonderful Man! - how I revere thy sublime resemblance. - what obligations I am under to thee! what happy times thou hast brought about! Bread for nothing! Beef 3d per pound! Porter 3d per pot! a Goose 2 shillings! and a fat Turkey 3s.6d!! - whit every thing else cheap in proportion! - besides the wonderful decrease of Taxes!! - O Dear - O Dear I hardly know how to express myself, I feel so enraptured. - O that fine brass countenance how it shines with conscious Integrity!"
The engraving is presented in a gold-colored wood frame and a tan-colored mat, with curved upper corners. The frame measures 18" high, 13.13" wide and 0.5" deep. The framing and mounting utilizes acid-free archival materials and it is glazed with UV conservation clear glass. There are a few faint areas of discoloration and spotting and an apparent short barely visible crease in the lower right corner of the inscription area. The print is otherwise in very good condition.
William Holland was printmaker as well as a prominent dealer of satirical prints in London in late 18th and early 19th century. He carried works by the best known satirists of the time: Gillray, Rowlandson, Newton and Woodward, as well as his own creations. Holland along with the other prominent print-sellers of the time, Hannah Humphrey and Samuel Fores, were responsible for promoting the golden age of British caricature...
Category
Early 19th Century California - Landscape Prints
Materials
Etching
UP TO THE WOOLWORTH
By Joseph Pennell
Located in Santa Monica, CA
JOSEPH PENNELL (1857- 1926)
UP TO THE WOOLWORTH 1915 (Wuerth 673)
Etching, signed in pencil. Early state before additional work, especially before extensive darkening in the sky. I...
Category
1910s American Impressionist California - Landscape Prints
Materials
Etching
'View of Yoshida', After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
By Utagawa Hiroshige (Ando Hiroshige)
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of the workers looking out over the river from the scaffolding of Yoshida Temple, circa 1850. Signed in Kanji...
Category
Mid-20th Century California - Landscape Prints
Materials
Sumi Ink, Washi Paper
Captain Cook's Exploration of Tahiti: 18th C. Hand-colored Map by Bellin
By Jacques-Nicolas Bellin
Located in Alamo, CA
This beautiful 18th century hand-colored copper plate engraved map is entitled "Carte de l'Isle de Taiti, par le Lieutenant J. Cook" was created by Jacques Nicolas Bellin and publish...
Category
Late 18th Century California - Landscape Prints
Materials
Engraving
Tree Study II - large format b/w photograph of lone ancient tree in landscape
By Frank Schott
Located in San Francisco, CA
From a series of large scale black & white photographs capturing the ancient flora and dramatic arboretum of California's vast Sierra Nevada mountain landscapes, an homage to photogr...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Paper, Photographic Paper, Giclée, Archival Pigment
Fleurs #1 - Ipomée (sweet potato), one of 4 flowers by Marjan Seyedin
Located in Palm Springs, CA
This Ipomée (sweet potato) is one of a series of beautifully rendered flowers by Franco-Iranian artist Marjan Seyedin. Marjan has a contemporary and...
Category
2010s Contemporary California - Landscape Prints
Materials
Etching
Barocco Romano I - large format photograph of Baroque marble sculpture textiles
By Frank Schott
Located in San Francisco, CA
Highly detailed large format photograph of the iconic marble sculpture of Urbano VIII by Bernini at the Palazzo dei Conservatori, from a series of photographic observances capturing the intricate sculptural tactile details of iconic Baroque marble works in Rome.
Gian Lorenzo Bernini (1598-1680) was an Italian architect and more prominently the leading sculptor of his age, creating the Baroque style of sculpture under Pope VIII Urbano. A promoter of the arts, Urban VIII was the foremost patron of this important Baroque sculptor and architect, some of whose finest works he commissioned, including the loggias of St. Peter, Rome, and Urban’s tomb in the basilica.
Barocco Romano by Frank Schott
30 x 45 inches / 76cm x 114cm
signed edition of 25
48 x 72 inches / 122cm x 188cm
signed edition of 7
archival quality fine art pigment print
limited art edition published by Edition EKTAlux
artist signed + numbered certificate of authenticity
________________________
About the artist:
Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence.
Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels.
Influenced by a number of photographic piers and precursors such as Candida Höfer, Andreas Gursky. Thomas Struth. Jeff Wall, Hiroshi Sugimoto, Steven Shore...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée
The Long Trail West
Located in San Francisco, CA
This artwork titled "TheLong Trail West" c.1980 is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed and n...
Category
Late 20th Century American Realist California - Landscape Prints
Materials
Lithograph
'View of Shono', After Utagawa Hiroshige, Ukiyo-E Woodblock, Tokaido, Edo
By Utagawa Hiroshige (Ando Hiroshige)
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of travelers in Shono, circa 1850. Beside the path, a grove of trees is si...
Category
Mid-20th Century California - Landscape Prints
Materials
Sumi Ink, Washi Paper
Bearded Tree Swift Birds: 19th C. Hand-colored Lithograph by John Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a remarkable hand-colored folio sized lithograph entitled "Dendrochelidon Mystaceus" (Bearded Tree-Swift) by John Gould from his monograph "The Birds of Great Britain", publi...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Murmures
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Murmures" 1989 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribed E.A (Artist Proof) in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Mazo. plate #31. The image size is 23.80 x 30 inches, framed size is 39.25 x 44.5 inches. Custom framed in a wooden gold frame, with fabric matting and gold color spacer. It is in excellent condition.
About the artist:
Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris.
He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide
Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles.
1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17.
1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie
at the Ecole des Beaux-Arts de Paris.
1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure"
des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio.
1958 First exhibition at the Galerie des Beaux-Arts.
1959 Appointed member of the Salon d’Automne.
1956–1960 Instructed by the French painter Roger Chapelain-Midy.
1963 Present at the Salon de la Jeune Peinture for the first time.
1964 Private exhibition at the Galerie Tivey-Faucon, Paris.
Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan.
1965 Creation of his first lithographic works.
Exhibition at the Galerie Bellechasse, Paris.
1966 Present at the International Exhibition of Figurative Art, Tokyo.
Exhibition at the Galerie Bellechasse, Paris.
1968 Exhibition at the Galerie Juarez in Palm Beach, USA.
Private exhibition at la Galerie Vital, Paris.
1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo.
1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York.
First trip to Japan, where he stays for three months.
Important private exhibition at the Mitsukoshi Gallery, Tokyo.
1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York.
Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo.
1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York.
1975 Exhibition at the Wally Findlay Gallery, New York.
1976 Private exhibition at the Mitsukoshi Gallery, Tokyo.
Publication of the album “Parcs” by Editions Mazo-Paris.
1977 June : Private exhibition at the Galerie René Kieffer, Paris
Private show of paintings and pastels at the Galerie Wally Findlay, Paris.
1978 Retrospective exhibition of lithographic works at Vision Nouvelle.
June-July : Exhibition at the Wally Findlay Gallery, New York.
Important private showat the Mitsukoshi Gallery, Tokyo.
1980 Designs his first tapestry, executed by Atelier 3...
Category
Late 20th Century Post-Impressionist California - Landscape Prints
Materials
Lithograph
The Beach in Normandy, France, Near Bayeux: A 19th C. Etching by Maxime Lalanne
By Maxime Lalanne
Located in Alamo, CA
This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife.
This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...
Category
Late 19th Century California - Landscape Prints
Materials
Etching
Moonset Yangna
By William Acedo
Located in Palm Springs, CA
Linocut showing the downtown Los Angeles skyline. Yangna was the largest village of indigenous peoples located near downtown Los Angeles when the Spanish arrived. This print pays hom...
Category
2010s Contemporary California - Landscape Prints
Materials
Screen
David Roberts' 19th Century Duo-tone Lithograph, "Suez, General View"
By David Roberts
Located in Alamo, CA
"Suez, General View" is a 19th century folio sized tinted duo-tone lithograph, plate 124 from the "The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia" volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1843. The lithographs were prepared by Louis Haghe (1806-1885) from paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. The lithograph depicts the Suez city skyline on a peninsula with boats moored in the bay. Men, dressed in traditional Arab costumes, rest on a hillside In the foreground with their camels, weapons and presumably goods for sale and trade.
This tinted lithograph, which is professionally framed in a decorative gold-colored wood frame with cream-colored double mats. The print is in excellent condition.
There are four additional listings of David Roberts hand colored engravings of Egypt...
Category
1840s Realist California - Landscape Prints
Materials
Lithograph
Ukrainian Dream, by Vitaly Perastyuk
Located in Palm Springs, CA
Vitaly was considered an up and coming artist in his native Ukraine, after years of training under one of the Ukraine’s greatest graphic artists. He had his first large solo exhibit...
Category
Early 2000s Contemporary California - Landscape Prints
Materials
Etching, Aquatint
$175 Sale Price
41% Off
Night Heron Birds: A 19th C. Folio-sized Hand-colored Lithograph by John Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Nycticorax Griseus" (Night-Heron) by John Gould from his monograph "The Birds of Great Britain...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Seascape I Triptych - 3 large format photographs of blue water surface + horizon
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes
Seascape I...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Agave or American Aloe: A Framed Hand-colored Engraving from Robert Thornton
By Dr. Robert John Thornton
Located in Alamo, CA
This is a framed hand-colored botanical engraving entitled "Agave or American Aloe" by Reinagle for Robert Thornton's publication 'The Temple of Flora, or Garden of the Botanist, Poet, Painter and Philosopher', published in London in 1811. This beautiful botanical was created using several engraving techniques, including aquatint, mezzotint, stipple and line engraving methods. It was printed in color and then finished by hand.
The print is presented in a gold-colored wood frame and a heather green mat, which is enhanced with a gold fillet. The frame measures 21.63" high by 16.63" wide and 1" deep. It is glazed with UV conservation glass. All of the mounting materials are archival. The original text page from the early 19th century publication is attached to the rear of the frame. The print is in excellent condition.
Robert John Thornton (1765-1832) was attracted to natural history at an early edge and created his own botanical garden and an aviary as a boy. He graduated from Cambridge with a medical degree and set up practice as a London. He inherited his family fortune in 1797, which allowed Thornton the opportunity to devote time to his lifelong goal of creating an extensive scholarly work dedicated to the great classical Swedish naturalist, Carolus Von Linnaeus (1707-1778), also known as Carl von Linné...
Category
Early 19th Century California - Landscape Prints
Materials
Engraving, Mezzotint
Persenbeug Castle, Austria
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Persenbeug Castle, Austria" c.1930 is a color etching and aquatint on watermarked Kasimir Vienna Wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is ha...
Category
Early 20th Century Realist California - Landscape Prints
Materials
Etching
Marfa ( Texas ) - large format photograph of dramatic clouds over endless field
By Frank Schott
Located in San Francisco, CA
Landscape view from rural county road outside of town, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd
Marfa ( Texas ) by ...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Roman Hills, Aqueducts and Roads: An Early 18th Century Map by Jan Goeree
Located in Alamo, CA
This richly engraved map of Rome and its environs entitled "Urbis Cum Vicis Seu Pagis Adiacentibus Dissertationi III De Aq et Aqueaed Veteris Promae Praemissa Authore Raph Fabretto G...
Category
Early 18th Century Old Masters California - Landscape Prints
Materials
Engraving
Three Turns - Surfing Art By Marc Zimmerman
By Marc Zimmerman
Located in Carmel, CA
Three Turns - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself i...
Category
2010s Contemporary California - Landscape Prints
Materials
Woodcut
Five Window Chevy Pickup, by Frank Romero
By Frank Romero
Located in Palm Springs, CA
Cars are a central theme in a lot of Chicano art, and Frank Romero has made several famous images on the theme. This a unique stencil painting made on handmade paper (from Bhutan). There are 20 prints in the edition, with hand-painting on each.
Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four, Romero and fellow artists Carlos Almaraz...
Category
2010s Contemporary California - Landscape Prints
Materials
Paint, Stencil
Key West Beach
By Adolf Arthur Dehn
Located in San Francisco, CA
This artwork titled "Key West Beach" 1947 is an original lithograph on paper by noted American artist Adolf Arthur Dehn, 1895-1968. It is hand signed in penci...
Category
Mid-20th Century American Realist California - Landscape Prints
Materials
Lithograph
La Puerta III, by David Smith-Harrison
By David Smith-Harrison
Located in Palm Springs, CA
Palm trees in Spanish landscape with architectural designs. This intaglio print was further developed with a watercolor wash and pencil embellishment.
Smith-Harrison is known for h...
Category
Early 2000s Contemporary California - Landscape Prints
Materials
Watercolor, Pencil, Etching
The Tenth Hole at Auburn Valley Golf Course - AP, 1/50 - Giclee on Canvas
Located in Soquel, CA
The Tenth Hole at Auburn Valley Golf Course - AP, 1/50 - Giclee on Canvas
Serene depiction of Auburn Valley Golf Course and the surrounding hills by Jim Fitzpatrick...
Category
Early 2000s Photorealist California - Landscape Prints
Materials
Canvas, Giclée
Slender Pines (Hand-printed cyanotype, 24 x 15 inches)
Located in Oakland, CA
Brand-new addition to the Foggy Woods Collection of forests in northern California near San Francisco. New as of May 14, 2024. This is a hand-printed contact photograph using the ant...
Category
2010s Realist California - Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
Fall Colors
By Stephen McMillan
Located in Palm Springs, CA
Signed, titled and numbered by the artist
Image Size: 12 x 18 inches
Year: 2007
Fall colors in Bellingham, WA. Scene of sunlight on fall foliage. Signed a...
Category
Early 2000s Contemporary California - Landscape Prints
Materials
Etching, Aquatint
Racetrack (framed) - desert landscape panorama under mesmerizing night sky
By Frank Schott
Located in San Francisco, CA
Racetrack by Frank Schott ( framed )
"Modern Gallery Frameless"
highly detailed photographic capture of the mesmerizing night sky above the California desert
"Modern Gallery Framele...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Plexiglass, Giclée
Morning Glow - large format photograph of California water surface and horizon
By Frank Schott
Located in San Francisco, CA
Morning Glow by Frank Schott
27 x 40 inches / 68cm x 101cm
signed edition of 25
48 x 72 inches / 122cm x 183cm
signed edition of 7
archival quality fine art pigment print
limited...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Mediterranean Dip - large format photograph of ethereal sunset and surfaces
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and sunsets
Mediterranea...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Danube
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Danube" c.1940 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the artist's estate in pencil at the lower center. The plate mark (image) size is 9.5 x 9 inches, the sheet size is 17.5 x 14.85 inches. It is in excellent condition, has never been framed.
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist California - Landscape Prints
Materials
Etching
"Sometimes is forever" - 1976 Surrealist Lithograph on Paper
Located in Soquel, CA
"Sometimes is forever" - 1976 Surrealist Lithograph on Paper
1976 surrealist lithograph on paper titled "Sometimes is forever" by Jim Crabb (American, b. 1947). This piece resembles a surreal landscape, with various biomorphic objects floating in the sky. Some of them resemble coral, growing vertically. Others look like microscopic organisms, with stringy tails.
Titled, numbered, signed, and dated along the bottom edge:
Sometimes is forever 16/50 J CRABB...
Category
1970s Surrealist California - Landscape Prints
Materials
Laid Paper, Lithograph
Glacier Divide, by Stephen McMillan
By Stephen McMillan
Located in Palm Springs, CA
Signed, titled and numbered by the artist.
Image size: 4 x 16 inches
Glacier Divide from Humphreys Basin, John Muir Wilderness, California. Scene of sunlight on snow-capped mountain...
Category
Early 2000s Contemporary California - Landscape Prints
Materials
Etching, Aquatint
Red Doyenne Pear: Original 19th C. Hand-colored Engraving by Sir William Hooker
Located in Alamo, CA
This is an original 19th century hand-colored stipple engraving by William Hooker entitled "The Red Doyenne Pear", published in London as plate 14 in the 'Transactions of the Horticu...
Category
1810s Naturalistic California - Landscape Prints
Materials
Engraving
Autumn Blues - Sydell Lewis - Digital Pigment Prints
Located in Carmel, CA
** Larger prints are available for purchase. Please feel free to contact us if you're interested.
Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...
Category
2010s Contemporary California - Landscape Prints
Materials
Panel, Pigment
Bird of Prey: A 16th/17th Century Hand-colored Engraving by Aldrovandi
By Ulisse Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored woodcut engraving of a bird of prey is plate 219 from Ulisse Aldrovandi’s 'Opera Omnia', published ...
Category
Early 17th Century Naturalistic California - Landscape Prints
Materials
Engraving
Next Sign - large format landscape photograph with conceptual road sign
By Frank Schott
Located in San Francisco, CA
Next Sign (2010) by Frank Schott
from a series of works capturing conceptual roadside signs in iconic American landscapes
captured with a large format camera to allow epic scale p...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Beach Goals - large format photograph of iconic yellow soccer goals
By Erik Pawassar
Located in San Francisco, CA
an homage to the photo realism + pop art color palette of artist David Hockney
Beach Goals by Erik Pawassar
48 x 67 inches (122 x 170cm)
signed edition of 7
29 x 40 inches (74 x ...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Ink, Giclée, Archival Pigment
Magician, by Yuji Hiratsuka
By Yuji Hiratsuka
Located in Palm Springs, CA
Signed and numbered from the edition of 15. Printed on Chine colle. Image of a young woman with her hands poised to make magic, with a large flower before her, and a bird whispering ...
Category
2010s Contemporary California - Landscape Prints
Materials
Intaglio
'Shinmachi Bridge', After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
By Utagawa Hiroshige (Ando Hiroshige)
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a panoramic view of Shinmachi Bridge, Hodogaya, circa 1850. Signed in Kanji upper left, "Hiroshige Ga" for Utagawa (...
Category
Mid-20th Century California - Landscape Prints
Materials
Sumi Ink, Washi Paper
