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Item Ships From: California
'New York, View of the East River', Paris, Metropolitan Museum, Smithsonian
By Max Pollak
Located in Santa Cruz, CA
Signed lower right, 'Max Pollak' (American, 1886-1970) with number and limitation, lower center, '21/150' and titled, lower left, 'New York: East River'. Published by Rudolph Lesch and with copyright stamp 'Corp. Rud. Lesch NY' in lower left corner. (Reference: Triton cat. 51). Paper dimensions: 13.25 x 18.5 inches.
Max Pollak achieved a reputation for the skill of his etchings as a young man living in Vienna, Austria. He is perhaps best known for his singular and penetrating portrait of Sigmund Freud (1913), which is widely reproduced. Pollak created many portraits of famous figures in Europe, and later in the United States, along with genre scenes and landscapes.
Born in Prague, Czechoslovakia, Max Pollak grew up in Vienna and attended the Vienna Academy of Art, where he studied with the portraitist, Ferdinand Schmutzer...
Category
1920s Modern California - Landscape Prints
Materials
Paper, Etching
Ancient Roman Temple Architecture: An 18th Century Framed Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto della Tosse su la Via Tiburtina, un miglio vicino a Tivoli" (View of the so-called Tem...
Category
1760s Old Masters California - Landscape Prints
Materials
Etching
Afternoon
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Afternoon
Year: c.1980
Medium: Original color lithograph
Edition: Numbered 62/225 in pencil
Paper: Arches
Image size: 10.75 x...
Category
Late 20th Century American Impressionist California - Landscape Prints
Materials
Lithograph
Reds and Black August 20, 2020
By Donald Sultan
Located in Calabasas, CA
Artist: Donald Sultan
Title: Reds and Black August 20, 2020
Year: 2020
Medium: Silkscreen with enamel inks, flocking, and tarlike texture on Rising 4-ply Museum Board
Sheet: 44 x 84...
Category
2010s Contemporary California - Landscape Prints
Materials
Screen
3 Turns - Surfing Art - Figurative Print - Woodcut Print By Marc Zimmerman
By Marc Zimmerman
Located in Carmel, CA
Three surfers carving up the Hawaiian waves, having a blast in the tropical surf.
3 Turns - Surfing Art - Figurative Print - Woodcut Print By Marc Zimmerman
Limited Edition 01/05
...
Category
2010s American Modern California - Landscape Prints
Materials
Woodcut
Reddish Egrets, Adult & Young: An Original Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Reddish Egret, 1. Adult, Full Spring Plumage 2. Young in Full Spring Plumage Two Years Old", No. 75, Plate 371 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1870-1871. It depicts an adult reddish egret standing in the water with leg up, looking to the left at a young white egret standing on land looking to the right at the adult bird. A beautiful landscape is depicted.
This original hand-colored Audubon egret...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
"Doorway To The Garden" Contemporary Impressionist Serigraph of Provence
By Maria Bertrán
Located in Laguna Beach, CA
"Doorway To The Garden" is an beautiful hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist painting captures...
Category
2010s Post-Impressionist California - Landscape Prints
Materials
Screen
"Bord de Fleuve" Impressionist Landscape of Riverside Paris, Lithograph on Paper
Located in Soquel, CA
"Bord de Fleuve" Impressionist Landscape of Riverside Paris, Lithograph on Paper (#86/90)
A stone arch bridge spans the Seine in this Paris landscape by French artist, Jacques Voyet...
Category
20th Century Impressionist California - Landscape Prints
Materials
Paper, Printer's Ink, Lithograph
Papaya and Moth Metamorphosis: 18th C. Hand-colored Engraving by Maria Merian
By Maria Sibylla Merian
Located in Alamo, CA
This exquisite hand-colored 18th century folio-sized engraving of a papaya plant and moth metamorphosis is plate 64 from Maria Sibylla Merian's publication '...
Category
Early 18th Century Academic California - Landscape Prints
Materials
Engraving
'Provençal Landscape', Post-Impressionist, Academie Chaumiere, Paris Salon
By Georges Lambert
Located in Santa Cruz, CA
Signed lower right, 'Georges Lambert' (French, 1919-1998), titled lower center 'Landscape' and inscribed lower left, number and limitation, 'XV/LX' (15/60).
Georges Lambert first st...
Category
1960s Post-Impressionist California - Landscape Prints
Materials
Paper, Lithograph
Saint Louis en Ile, by JMM Mathieux-Marie
By Jean Michel Mathieux-Marie
Located in Palm Springs, CA
Medium: drypoint on chine collé
Edition of 180
Image Size: 4.5 X 9 inches
Signed, titled and numbered, from the edition of 180.
A view of a bridge over the Seine River in Paris wit...
Category
1970s Contemporary California - Landscape Prints
Materials
Drypoint
Pheasant Pigeon Birds: 19th C. Folio-sized Hand-colored Lithograph by John Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Otidiphaps Nobilis" (Pheasant Pigeon) by John Gould from his monograph "The Birds of Asia", published in London in 1862-1879. The print, which was drawn by Gould and H. C. Richter and lithographed by Walter, depicts two Pheasant Pigeon birds...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Shin-machi Bridge at Hodogaya - Japanese Woodcut Print on Rice Paper
By Utagawa Hiroshige
Located in Soquel, CA
Shin-machi Bridge at Hodogaya - Japanese Woodcut Print on Rice Paper
Woodblock print of travelers on a bridge by Utagawa Hiroshige (Japanese, 1797-185...
Category
1850s Impressionist California - Landscape Prints
Materials
Rice Paper, Woodcut
Once In A Lifetime
By David Najar
Located in San Francisco, CA
This artwork titled "Once In A Lifetime" c. 2000 is a giclee print by noted Israeli artist David Najar, born 1962. It is hand signed and numbered P....
Category
21st Century and Contemporary Surrealist California - Landscape Prints
Materials
Giclée
Mykonos, Greece II
By Jean Claude Carsuzan
Located in San Francisco, CA
This artwork "Mykonos, Greece II" c.1990 is an original color lithograph by noted French artist Jean Claude Carsuzan b. 1938. It is hand signed and numbered 116/150 in pencil by the artist. The image size is 10.25 x 14.25 inches, framed is 18.25 x 22.25 inches. It is custom framed in a wooden gold frame. The artwork is in excellent condition, the frame has some scratches. It will be replaced by a new similar one before shipping, which will bring the condition to excellent.
About the artist:
Jean Claude Carsuzan was born in Bordeaux, France in 1938. France. Hi interest for art began at an early age. He Attended the Bordeaux Art...
Category
Late 20th Century Realist California - Landscape Prints
Materials
Lithograph
Evening Rain, by Stephen McMillan
By Stephen McMillan
Located in Palm Springs, CA
Abstract patterns from reflections in water. Signed, titled and numbered from edtion of 120.
Born in Berkeley, California, on December 21, 1949, he was raised in a home that had a s...
Category
2010s Contemporary California - Landscape Prints
Materials
Etching, Aquatint
Ruins of the Roman Baths of Belisarius: A 19th C. Etching by Luigi Rossini
By Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...
Category
1820s Old Masters California - Landscape Prints
Materials
Etching
Redwoods - large format nature observation panorama of green redwoods forest
By Erik Pawassar
Located in San Francisco, CA
a large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of the Northern California redwood forest
Redwoods by Erik Pawassa...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Moonlight Magnolia Diptych (Two 8.5 x 11" hand-printed cyanotypes)
Located in Oakland, CA
These are two separate 11 x 8.5 inch (45 x 60 cm) original hand-printed original cyanotype photographs sold together. Cyanotypes are an antique photographic process dating back to t...
Category
2010s Contemporary California - Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
Golden-winged Woodpecker: First Octavo Edition Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Golden-winged Woodpecker, 1. Male, 2. Female2", No. 55...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
'Village du Var, Côte d'Azur', Academie Chaumiere, France, Benezit
By Georges Lambert
Located in Santa Cruz, CA
Signed lower right, 'Georges Lambert' (French, 1919-1998), inscribed, lower center, 'Village du Var' and, lower left, with number and limitation, '52/120'.
Georges Lambert first stu...
Category
1970s Post-Impressionist California - Landscape Prints
Materials
Paper, Lithograph
"Lilium Persicum" Ehret 18th Century Hand Colored Botanical Engraving
By Georg Dionysius Ehret
Located in Alamo, CA
A beautiful and important 18th century hand colored copperplate engraving of lillies which was most likely designed by Georg Dionysius Ehret (1708-1770) and engraved by Johann Michae...
Category
Late 18th Century Naturalistic California - Landscape Prints
Materials
Engraving
'Winds at Yokkaichi', After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
By Utagawa Hiroshige (Ando Hiroshige)
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of two figures fighting wind gusts along the Mei River. Signed in Kanji upper right, "Hiroshige Ga" for Utaga...
Category
Mid-20th Century California - Landscape Prints
Materials
Sumi Ink, Washi Paper
Turbulence (color version), by Art Werger
By Art Werger
Located in Palm Springs, CA
A spectacular wave breaking under a stormy sky . Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. Signed and numbered f...
Category
2010s Contemporary California - Landscape Prints
Materials
Mezzotint
DISCOVERY OF GOLD - Very Large Serigraph - WPA Artist - California Murals
By Anton Refregier
Located in Santa Monica, CA
ANTON REFREGIER (1905 – 1979)
DISCOVERY OF GOLD, 1949. Color serigraph. Signed and numbered in pencil, edition of 90. Image 23 ¼ x 21 ¾" Large sheet, 29 3/4 x 25 ¼”. Printed title...
Category
1940s American Modern California - Landscape Prints
Materials
Screen
"Weather Eye" - 1989 Lithograph on Paper
By Deborah Rumer
Located in Soquel, CA
"Weather Eye" - 1989 Lithograph on Paper
1989 Lithograph on paper titled "Weather Eye" by Deborah Rumer (American, 20th Century). A windowsill is the focal point, as the viewer look...
Category
1980s Expressionist California - Landscape Prints
Materials
Paper, Ink, Lithograph
Thorn-Bill Hummingbirds: A Framed 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is an original framed 19th century hand-colored folio-sized lithograph entitled "Ramphomicron vulcani" (Southern Thorn-Bill Hummingbirds) by John Gould, Pl. 186 from his "Monograph of the Trochilidae, or Family of Hummingbirds", published in London in 1853. The print depicts two Southern Thorn-Bill hummingbirds sitting on branches of a flowering plant.
This striking framed Gould hand-colored lithograph is presented in a antiqued gold frame, a gold-colored fillet, and a light tan French mat, embellished with a mint-colored broad band. The frame measures 32" high, 25.5" wide and 1.25" thick. The hand-coloring is enhanced by the use of gum-arabic paint...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
"Road To Sault" Contemporary Impressionist Serigraph of Provence, France
By Maria Bertrán
Located in Laguna Beach, CA
"Road To Sault" is an beautiful 95 color hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary I...
Category
2010s Post-Impressionist California - Landscape Prints
Materials
Screen
From My Window, by Art Werger
By Art Werger
Located in Palm Springs, CA
Medium: mezzotint
Year: 2018
Edition: 30
Image Size: 19 x 19 inches
Signed, titled and numbered in pencil by the artist
Montage of scenes of the street below as seen from the artist...
Category
2010s Contemporary California - Landscape Prints
Materials
Mezzotint
Apocalypse
By Jean Carzou
Located in San Francisco, CA
This artwork titled "Apocalypse" 1957 is a original colors lithograph on Arches paper by noted French artist Jean Carzou, 1907-2000. It is hand signed, dated and inscribed "Epreuve d...
Category
Mid-20th Century Modern California - Landscape Prints
Materials
Lithograph
'A Winter's Evening' Wood Engraving, Smithsonian, Carnegie, Brooklyn Museum, AIC
Located in Santa Cruz, CA
Signed lower right, 'G. Mortensen' for Gordon Mortensen (American, born 1938) and dated 1979. Titled lower left, 'A Winter Afternoon' with number and ...
Category
1970s Realist California - Landscape Prints
Materials
Mulberry Paper, Engraving
Fete Champetre
By Jean Dufy
Located in San Francisco, CA
This artwork titled "Fete Champetre" c.1950 is an original colors lithograph by renown artist Jean Dufy, 1888-1964. It is hand signed and numbered 80/220 in pencil by the artist. The...
Category
Mid-20th Century Fauvist California - Landscape Prints
Materials
Lithograph
Island Light, by Stephen McMillan
By Stephen McMillan
Located in Palm Springs, CA
Medium: etching and aquatint
Edition of 120
Year: 2023
Image Size: 4 x 5 inches
Signed, titled and numbered by the artist.
The view west from Cypress Island off the coast of Washin...
Category
2010s Contemporary California - Landscape Prints
Materials
Etching, Aquatint
Paysage
By Maurice de Vlaminck
Located in San Francisco, CA
Artist: Maurice de Vlaminck (French, 1876-1958)
Title: Paysage
Year: 1952
Medium: Original color lithograph
Edition: Numbered 66/75 in pencil
Paper: Arches
Image size: 14.5 x ...
Category
Mid-20th Century Fauvist California - Landscape Prints
Materials
Lithograph
Barn Owl Family: A Framed Original 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Strix Flammea” (Barn Owl) by John Gould, from his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Barn Owl perched on a log its three baby owls to the left. Another adult owl in the background on the right, presumably a male, watches over his family. There are leaves on the right contributing to this pleasant landscape composition.
This striking framed Gould...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
The Feast, from the suite les Bohemiens
By Jacques Callot
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635)
Title: The Feast, from the suite, les Bohemiens
Year: 1620
Medium: Etching
Paper: Laid paper
Size of image: 4.65 x 9.15 inches
Signature: S...
Category
17th Century Realist California - Landscape Prints
Materials
Etching
The Mote, One of the Seats of Ye Right Honorable the Lord Romney Etching c.1719
Located in San Francisco, CA
18th C. Etching "The Mote, One of the Seats of Ye Right Honorable the Lord Romney" C.1717
Plate dimensions 19.75" wide x 13.25" high
Paper dimensions 24" wide x 20.75" high
Frame dimensions 29.25" wide x 25.5" high
A fine detailed bird's eye view of 'The Mote', showing the house, gardens and the avenues of trees stretching out into the surrounding park. Title along top edge, coat of arms at center.
Published in Dr. Harris's History of Kent. Engraved by Kip.
This is 1 of 6. We have 5 others not currently listed. If interested, send us a message.
Johannes Kip (1652–1722) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he specialized in engraved views of English country houses.
They created some of the most important English topographical prints...
Category
Early 18th Century California - Landscape Prints
Materials
Etching
Fishing Off Hastings, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Line Fishing Off Hastings" by William Miller is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a scene of fishermen at work off the coast of the town of Hastings in East Sussex, England. The Miller engraving faithfully reproduces Turner's painting, capturing the same atmospheric quality and sense of motion. In the foreground of the image, a group of fishermen are shown in a small boat, with one man using a fishing line to catch fish. In the background, there is a larger ship, along with a view of the town of Hastings and the cliffs beyond. Overall, the Miller engraving "Line Fishing Off Hastings" is a beautiful and detailed representation of Turner's original painting, and provides a glimpse into life in a 19th century fishing community.
This colorful 19th century engraving is presented in a gold-colored wood frame and a cream-colored French mat highlighted with a light blue band and thinner mustard and gold-colored bands. There is a gold-colored fillet which further embellishes the engraving. The frame measures 18" high, 20.5" wide and 1" deep. The engraving, frame and mat are in excellent condition.
Joseph Mallord William (J.M.W.) Turner (1775-1851) was an English painter who is widely considered one of the greatest landscape painters in Western art history. Born in London, he showed a remarkable talent for art from a young age, and studied at the Royal Academy of Arts from the age of 14. He quickly gained recognition for his watercolor landscapes, which were highly innovative and expressive. Turner's style evolved over time, and he became increasingly interested in the effects of light and color. He traveled extensively throughout Europe, and his experiences of the natural world, particularly the sea and the sky, had a profound influence on his art. His paintings are known for their luminosity, atmospheric effects, and dramatic use of color. Despite facing criticism and ridicule from some of his contemporaries, Turner continued to push the boundaries of art, experimenting with new techniques and styles throughout his career. He was a prolific artist, creating thousands of paintings, sketches, and watercolors, and his legacy continues to inspire artists today.
William Miller (1796-1882) was an English engraver and publisher, best known for his work in reproducing the paintings of J.M.W. Turner. Miller was born in Bristol and began his career as an engraver at a young age, working for a variety of publications and artists. In the early 1820s, Miller began working with Turner, engraving many of the artist's most famous works, including "The Fighting Temeraire...
Category
Mid-19th Century Romantic California - Landscape Prints
Materials
Engraving
Heidelberg Terrace, Germany
Located in San Francisco, CA
This artwork titled "Hidelberg Terrace, Germany" c.1930 is an original color etching on watermarked Kasimir Vienna wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the artist's estate at the lower center. The image (plate mark) size is 8.5 x 11.5 inches, sheet size is is 15 x 19 inches. It is in excellent condition, has never been framed
About the artist:
Tanna Kasimir...
Category
Mid-20th Century Realist California - Landscape Prints
Materials
Etching
Abstracted Lithograph of The Louve Museum with E.M Pei Pyramids
By Bu King
Located in Soquel, CA
Abstract Lithograph of The Louve with E.M. Pei Glass Pyramids
Limited edition lithograph of an abstracted urban landscape, with fractured yellow and green color fields, by Bu King (...
Category
Late 20th Century Analytic Cubist California - Landscape Prints
Materials
Paper, Ink, Aquatint, Lithograph
'Fishing Boats on the Atlantic Coast', School of Paris, Post Impressionism
By Jacques Petit
Located in Santa Cruz, CA
Signed lower right, 'Jacques Petit' with number and limitation, '34/275', lower left; additionally, certificate of authenticity from the Societe Verification de la Nouvelle Gravure I...
Category
1960s Post-Impressionist California - Landscape Prints
Materials
Paper, Lithograph
"Tierra Roja" from the "Mexican suite"
By David Alfaro Siqueiros
Located in San Francisco, CA
This artwork titled "Tierra Roja" from "The Mexican Suite" is an original colors lithograph on Arches paper by renown Mexican artist David Alfaro Siqueiros...
Category
Mid-20th Century Modern California - Landscape Prints
Materials
Lithograph
WORLD MAP - Planisphaerium Terrestre Sive Terrarum Orbis... 1696
By Carel Allard
Located in Santa Monica, CA
CAREL ALLARD (1648 – 1709)
PLANISPHAERIUM TERRESTRE SIVE TERRARUM ORBIS… 1696 (Shirley 578)
Engraving, 20 ½ x 23 ½”, sheet 21 x 24 1/8". A stunning double hemisphere World Map...
Category
17th Century Old Masters California - Landscape Prints
Materials
Engraving
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
By Keisai Eisen
Located in Soquel, CA
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
Woodblock print of a procession by Keisai Eisen (Japanese, 1790–1848). Terrific triptych of a procession of...
Category
Early 19th Century Edo California - Landscape Prints
Materials
Ink, Rice Paper, Woodcut
Foliage (Black and Blue)
By Fernando Reyes
Located in Palm Springs, CA
Signed in bottom right corner. Also signed and on the reverse, This is unique color woodcut monoprint numbered 1/1. An abstracted view into foliage at night..
In January 2018, the ...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Woodcut, Monoprint
Trumpeter Swan, Adult: An Original Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Trumpeter Swan, Adult", No. 77, Plate 382 from Audubon's "Birds of America, lit...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
White-collared Flycatcher Birds: A 19th C. Hand-colored Lithograph by John Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a beautiful hand-colored folio-sized lithograph entitled "Muscicapa Collarus" (White-collared Flycatcher birds) by John Gould from his monograph "The Birds of Great Britain",...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Abu Simbel Temple to Ramesses II in Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Great Temple of Aboo Simble, Nubia" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, p...
Category
1840s Realist California - Landscape Prints
Materials
Lithograph
"The Bridge over the Seine Near Argenteuil" Oil Reproduction after Claude Monet
By (after) Claude Monet
Located in Pasadena, CA
This framed reproduction of Claude Monet's immensely popular painting, “The Bridge Over The Seine Near Argenteuil,” comes with a certificate of authenticity on the back and is numbered 1102, making it interesting for several reasons.
The artagraphic process used to produce this work in a limited edition of 2900 is considered the state-of-the-art in art reproduction and the most respectful approach to reproducing a painting by a master. In three steps, this technique creates a 3D replica of an original oil painting's color and surface texture. Colors are scanned with a digital laser and then printed separately using oil-based inks on a single sheet. A mold is created from the original painting to reproduce its surface texture and bas-relief brushstrokes. Unlike lithographs and serigraphs, there is a palpable material and relief if you run your fingers over the surface.
At the Impressionist group's first exhibition in 1874, Claude Monet demonstrated his deep interest in the motif by working on seven depictions of the Argenteuil bridge and four of the railroad bridge upstream. The artwork depicts Monet's immediate impressions of the scene rather than offering detailed realism. In these series, moored sailboats occupy the foreground, while the fluidity of the river melts harmoniously with the geometrically contrasted presence of the bridge and its imposing pillars. Monet manipulates his palette and complementary color schemes to create the illusion of light and movement through small, separate, and visible brushstrokes, making it one of the artist's most recognizable signatures. The painting displays a diversity of styles, with some elements more solid, having strong and distinct lines and structured forms defined by firm contours, while the water and the sky in the background give off an impression of moving space, floating, and ripples.
An original painting of the series can be seen at Musée d'Orsay in Paris, France...
Category
Late 19th Century Impressionist California - Landscape Prints
Materials
Ink, Oil
Back in 10 - large format photograph of conceptual message sign in landscape
By Frank Schott
Located in San Francisco, CA
large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West
BACK I...
Category
21st Century and Contemporary Conceptual California - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Seascape XIV - large format photograph of monochrome blue water surface
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes
Seascape ...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Trees and Snow II
By Peter Milton
Located in Palm Springs, CA
Medium: lift-ground etching and engraving
Edition: 15
Year: 1961
Plate: zinc 9 x 15 inches (22.9 x 38.1 cm)
Paper: Murillo, 16 x 21 inches (40.6 x 53.3 cm)
Signed, titled and number...
Category
2010s Contemporary California - Landscape Prints
Materials
Engraving, Etching
Canterbury: An Original 16th C. Framed Hand-colored Map by Braun & Hogenberg
By Franz Hogenberg
Located in Alamo, CA
This is a framed 16th century map and city view of Canterbury, England entitled "Cantuarbury" by Braun & Hogenburg, from their famous landmark atlas of city views 'Civitates Orbis Terrarum' (Atlas of the Cities of the World), which was first published in Cologne, Germany in 1572. The map of Canterbury was first published in 1588. It depicts a detailed birdseye view of the completely walled and fortified city of Canterbury, with its cathedral the most prominent feature. The coat of arms of England, Canterbury, and the Archbishop of Canterbury are included.
This beautifully hand-colored map is presented in a gold-colored wood frame with a beaded inner trim and a paprika-colored mat that highlights details in the map. The frame measures 18.75" high by 22.25" wide by 0.875" deep. There is a central vertical fold, as issued. The map is in excellent condition.
Braun and Hogenberg's 'The Civitates Orbis Terrarum' was the second atlas of maps ever published and the first atlas of cities and towns of the world. It is one of the most important books published in the 16th century. Most of the maps in the atlas were engraved by Franz Hogenberg and the text, with its descriptions of the history and additional factual information of the cities, was written by a team of writers and edited by Georg Braun. The work contained 546 bird-eye views and map views of cities and towns from all over the world. It gave graphic representation of the main features of the illustrated cities and towns, including the buildings and streets. Although the ordinary buildings are stylized, the principal buildings are reproduced from actual drawings created on location. The principal landmarks and streets can still be recognized today. In addition, the maps often include the heraldic arms of the city, the nature of the surrounding countryside, the important rivers, streams and harbors, even depicting stone bridges, wooden pontoons, flat-bottomed ferries, ships and working boats, wharves and jetties, as well as land-based activities, including horsemen, pedestrians, wagons, coaches, and palanquins. Small vignettes are often included which illustrate the trade, occupations and habits of the local inhabitants, such as agriculture, paper-making and textiles, as well as local forms of punishment, such as gibbets, wheels, floggings etc. Large figures dressed in their local costume are often presented out of proportion in the foreground. The aim of the authors was to give as much information as possible in a pleasing visual form. They succeeded in creating maps that were both informative and decorative works of art. The atlas is a wonderful glimpse of life in medieval Europe.
Georg Braun (1541-1622) was German Catholic...
Category
16th Century Old Masters California - Landscape Prints
Materials
Engraving
Honey Buzzard Bird: A Framed Original 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Pernis Apivorus (The Honey Buzzard) by John Gould, plate 6 in volume 1 of his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Honey Buzzard perched on a branch of a leafy tree in the foreground and three others in the background. The bird in the foreground has an insect in its beak and others are in flight on the right
This striking framed Gould...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Vatican Hallway designed by Raphael: 18th C. Hand-colored Engraving by Volpato
By Giovanni Volpato
Located in Alamo, CA
This is an original 18th century hand-colored copper-plate engraving by Giovanni Volpato after a drawing by Camporesi. It was the frontispiece for volume one of the rare and valuable...
Category
Late 18th Century Old Masters California - Landscape Prints
Materials
Engraving
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Located in Soquel, CA
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae.
The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs.
The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...
Category
1820s Edo California - Landscape Prints
Materials
Ink, Rice Paper, Woodcut
'Provençale Landscape', French Post-Impressionist, Academie Julian
By Victor Zarou
Located in Santa Cruz, CA
Signed lower right, 'Zarou' for Victor Zarou (French, b. 1930), titled 'Au Loin un Campanile' lower center and inscribed 'Epreuve d'Artiste' with number and limitation '1/25', lower left.
Born in 1930 near Saint-Tropez, Victor Zarou first studied with his father, Tony Cardella, the Impressionist artist. Zarou painted avidly from a young age, first exhibiting and selling his work at the age of twelve. After two years of military service, spent as a paratrooper, Zarou moved to Paris in 1955 to study at the Academie Julian...
Category
1960s Post-Impressionist California - Landscape Prints
Materials
Paper, Lithograph
The Basilica of St. Paul in Rome, Early 19th Century Etching by Luigi Rossini
By Luigi Rossini
Located in Alamo, CA
"Rovina della gran Basilica di S. Paolo fueri le mura accaduta" (View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura) from "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the destruction of the Basilica of St. Paul after the fire of 1823. People stand in the road and on the right observing the damage amid debris, which includes many fragments of columns.
The etching is presented in a silver-color wood frame with an off-white double mat with a black inner mat. There are a few small spots, but it is otherwise in very good condition. See item # LU117324669722 for another Rossini etching...
Category
1820s Old Masters California - Landscape Prints
Materials
Etching
