California - Landscape Prints
to
240
565
405
278
228
233
Overall Width
to
Overall Height
to
601
178
97
54
48
37
36
7
6
5
4
3
2
1
131
57
41
37
36
176
235
570
728
10
8
28
41
16
11
21
51
43
34
117
1,029
604
67
422
392
362
253
178
134
130
125
122
115
106
102
100
92
88
88
83
83
70
61
554
346
311
272
246
409
441
1,709
11,066
4,623
Item Ships From: California
"Tierra Roja" from the "Mexican suite"
By David Alfaro Siqueiros
Located in San Francisco, CA
This artwork titled "Tierra Roja" from "The Mexican Suite" is an original colors lithograph on Arches paper by renown Mexican artist David Alfaro Siqueiros...
Category
Mid-20th Century Modern California - Landscape Prints
Materials
Lithograph
Redwoods Study II - large format observation panorama of green redwoods forest
By Erik Pawassar
Located in San Francisco, CA
A large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of Northern California's coastal redwood...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Boats of the Friendly Isles, Tonga: Original 18th C. Engraving from Captain Cook
By William Hodges
Located in Alamo, CA
"Boats of the Friendly Isles" is an original 18th century engraving from a drawing by William Hodges (1744-1797), who was the artist who accompanies Captain Cook on his second voyage...
Category
1780s California - Landscape Prints
Materials
Engraving
Cul de Sac
By Alexandre Minguet
Located in San Francisco, CA
This artwork titled "Cul de Sac" is an original color lithograph by French artist Alexandre Minguet, 1937-1996. The image size is 7 x 11 inches, framed size is 17.35 x 21.5 inches. I...
Category
Late 20th Century Expressionist California - Landscape Prints
Materials
Lithograph
1er Nymphée
By François Houtin
Located in Palm Springs, CA
Signed, titled and numbered by the artist. This print was made to accompany the deluxe version of the Catalogue Raisonne covering the years 1993-2002. One of his imaginary garden hut...
Category
Early 2000s Contemporary California - Landscape Prints
Materials
Etching
$175 Sale Price
41% Off
Cascades No. 1
By François Houtin
Located in Palm Springs, CA
Signed, titled and numbered in pencil, 28/30. Imaginary landscape with waterfalls, incredibly fine line work in this small etching.
François Houtin was...
Category
1980s Contemporary California - Landscape Prints
Materials
Etching
$100 Sale Price
50% Off
"Hayrolls In The Lavender Field" Modern Impressionist Serigraph of Provence
By Maria Bertrán
Located in Laguna Beach, CA
"Hayrolls In The Lavender Field" is an beautiful 95 color hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist...
Category
2010s Post-Impressionist California - Landscape Prints
Materials
Screen
Early 20th Century British Street Scene - 1920s Figurative Landscape Etching
By E. Mary Shelley
Located in Soquel, CA
Highly detailed figurative landscape lithograph of a street in London with a towering cathedral, old buildings, and figures walking the street below by E. Mary Shelley (English, late...
Category
1920s Impressionist California - Landscape Prints
Materials
Paper, Etching
Aspen Study I - large scale photograph of Indian summer autumnal color palette
By Frank Schott
Located in San Francisco, CA
Aspen Study I by Frank Schott
a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada
...
Category
21st Century and Contemporary Abstract California - Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Hoer Dachstein, Austria
By Josef Eidenberger
Located in San Francisco, CA
This artwork titled "Hoer Dachstein, Austria" c. 1960 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate ...
Category
Mid-20th Century Realist California - Landscape Prints
Materials
Etching
Flowering Pea Plant: An 18th C. Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Lathyrus Major Peremis Richern B. Lathyrus Narbonensis Flore Albescen...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
Aftermath
By Roy Ahlgren
Located in San Francisco, CA
This artwork titled "Aftermath" 1981 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 2/150in pencil b...
Category
Mid-20th Century Op Art California - Landscape Prints
Materials
Screen
Louisiana: A Framed 19th Century Map by O.W. Gray
Located in Alamo, CA
This framed 19th century map of the Louisiana territory was published in "Gray's Atlas of the United States with General Maps of the World, accompanied by Descriptions Geographical, Historical, Scientific and Statistica" published in 1873 in Philadelphia by O.W. Gray and Son and Stedman, Brown and Lyon. It is a highly detailed map of Louisiana...
Category
1870s California - Landscape Prints
Materials
Engraving
Reception for Captain Cook, Tonga: Original 18th C. Engraving, Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"The Reception of Capt. Cook in Hapaee" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompanied Captain Cook on his third ...
Category
1780s California - Landscape Prints
Materials
Engraving
Flowering Medlar Tree: An 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Mespilus Aronia Azarolie B. Mespilus Vulgaris Neflier". It is plate 7...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
Chrysanthemum: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique hand-colored botanical mezzotint and line engraving of flowering Chrysanthemum matricaria plants. It is entitled "A. Chrysanthemum Matricarice Folus Flore...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
Blueberry Field Near Eggemoggin Beach
By James Groleau
Located in Palm Springs, CA
This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Mezzotint
FISH MARKET
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869 – 1958)
FISH MARKET 1930
Color block print, Signed and titled in pencil. Image 11 x 9 inches. Full sheet with deckle edges 14 3/...
Category
1930s California - Landscape Prints
Materials
Woodcut
MANHATTAN
By Anton Schutz
Located in Santa Monica, CA
ANTON SCHUTZ
MANHATTAN c 1940
Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...
Category
1940s American Realist California - Landscape Prints
Materials
Etching
North and South America: An 18th Century Hand-colored Map by Johann Homann
By Johann Baptist Homann
Located in Alamo, CA
This early 18th century hand-colored copperplate map of North and South America entitled "Totius Americae Septentrionalis Et Meridionalis Novissima Repraesentatio" was created by Johann Baptist Homann and published in Nuremberg, Germany, between 1710 and 1731. The map details cities, forts, mountains, forests and lakes, as well as districts. There is a decorative cartouche in the lower left which depicts a volcano, scenes representing the people in their native costumes, as well as animals and plants of the Americas. A village is seen in the background on the left. A second smaller decorative cartouche in the upper right includes text and a series of allegorical figures. A large portion if the north central and western portions of North America is left without detail, because the region was largely unexplored at the time this map was created. The map also shows "Terra Esonis Incognita", representing a mythical continuous land bridge from North America to Asia, a northwest passage. The map preceded the French and...
Category
Early 18th Century Old Masters California - Landscape Prints
Materials
Engraving
Convertible
By Isca Greenfield-Sanders
Located in Berkeley, CA
Color spitbite aquatint and aquatint with drypoint.
Edition of 35
Category
2010s Contemporary California - Landscape Prints
Materials
Etching, Intaglio
"Home from the Fair" Wagon and Horses Print on Canvas
Located in Soquel, CA
"Home from the Fair" Wagon and Horses Print on Canvas
Colorful print on canvas with additional oil brush strokes for detail by Texas artist Jack Terry (American, Born 1952). Limited hand signed edition of 108/250 hand embellished canvas prints.
Hand signed in gold pen lower right "Jack Terry 108/250"
Also signed in print "Jack Terry 1988"
Ink Stamp on Canvas "Jack Terry hand Painted Canvas Print"
Brass plaque center on linen "Home From the Fair"
Image, 16"H x 20"W
Frame, 24"H x 28"W x 2.5"D
Jack Terry’s paintings evoke emotion in the viewer encompassing subject matter, use of color, mood and grace of light. He is one of the most collected artists of our time.
Jack was born in the west Texas town of Sweetwater in 1952 and began his art career as a young child, winning his first of many awards at the age of nine. A fourth-generation Texan, he credits much of his inspiration to his maternal Grandfather, Bill Mason, a rancher who cowboyed on some of the last cattle drives of the west and his paternal Grandmother, Etna Terry, who began painting late in life and welcomed young Jack to participate in the fun. Six-time world champion Cowboy Larry Mahan has said of Jack, “Terry captures the West the way it was and the way it should be. He is one of the finest artists of our day and a pretty good cowhand to boot…”.
A graduate of the University of Texas, Jack studied studio art, anatomy, design and journalism while displaying his paintings in various galleries throughout the state. Upon graduation, he began painting full-time, taking every opportunity to day-work on various ranches in search of inspiration, new subject matter and authenticity.
In 1976, at the young age of 24, Jack Terry was named Bicentennial Artist in Texas. He was honored with a one-man show in the state Capitol Rotunda. His portrait of President Lyndon Johnson was commissioned for publication on the Texas Bicentennial Calendar that same year.
In 1999, Harvest House Publishers invited Jack to write and illustrate his first book. “The Great Trail Ride”, a collection of 14 inspirational short stories. The great success of that first title led to eight more books which sold over one million copies.
In 2008 First Lady Laura Bush invited Jack to the White House for the Holiday Celebration. He painted a Christmas tree ornament representing the state of Texas.
In 2010 the United States Army commissioned a painting honoring the First Air Calvary Division and the brave men and women who have served from the historic beginning of the U.S. Calvary, Viet Nam and the Middle East. Limited edition reproductions were signed by Jack, Medal of Honor Recipient Bruce Crandall from the Viet Nam War, and General Dick Cody, Vice Chief of Staff, U.S. Army. Jack responded about this special occasion in 2010, “After months of research, flying time and researching films and most importantly sitting at the same table with these heroes whose commitment, loyalty and sacrifice to our great nation have made this the most meaningful painting I have ever done”.
Jack Terry’s paintings hang in prominent collections throughout the country. The King Ranch...
Category
1980s American Impressionist California - Landscape Prints
Materials
Canvas, Printer's Ink, Oil
SEA TREASURES
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART and Sisters (THE GEARHARTS)
SEA TREASURES...
Category
1920s American Impressionist California - Landscape Prints
Materials
Woodcut
$975 Sale Price
50% Off
REFLECTIONS OF GLOUCESTER
By Joseph Margulies
Located in Santa Monica, CA
JOSEPH MARGULIES (1896 - 1984)
REFLECTIONS OF GLOUCESTER ca 1940
Aquatint signed in pencil. 8 ½ x 11 ¾”, sheet 10 ½” x 13”. Very good condition, asid...
Category
1940s American Realist California - Landscape Prints
Materials
Aquatint
"Coast July No. 2" - Multi Layer Landscape Screenprint (9 of 23)
By Dorr Bothwell
Located in Soquel, CA
Titled in lower left corner ("Coast July No. 2")
Numbered lower center ("9/23")
Signed and dated twice in lower right, once inside the artwork, once below ("Bothwell '63" and "Dorr Bothwell '63")
Presented in a cream colored mat with foamcore backing.
Mat size: 24"H x 28"W
Paper size: 20"H x 26"W
Dorris Hodgson Bothwell (American, 1902–2000), known as Dorr, was born in San Francisco, California, on May 3, 1902. The Bothwell family moved to San Diego in 1911, where they became friends and neighbors with the artists Anna and Albert Valentien. Dorr began her art studies with Anna in 1916 at the age of 14. In the early 1920s, Dorr returned to San Francisco to study at the California School of Fine Arts, then studied at the University of Oregon, in Eugene, and the Rudolph Schaeffer School of Design, which was founded in San Francisco, 1926.
After receiving a modest inheritance, Dorr traveled to American Samoa in 1928, where she remained for two years and produced many works of art in a wide variety of mediums. Some of these were successfully shown at the Fine Arts Gallery of San Diego and the Beaux Gallery in San Francisco, allowing her to spend time in England, France, and Germany.
Returning to San Diego in 1931, Dorr became involved, once more, with the San Diego art community and exhibited with the San Diego Moderns...
Category
1960s Modern California - Landscape Prints
Materials
Paper, Ink, Screen
$1,800 Sale Price
20% Off
Hollywood - large format photograph of iconic California landmark in Los Angeles
By Christian Stoll
Located in San Francisco, CA
large scale photograph of the iconic HOLLYWOOD sign in golden California sunlight with downtown Los Angeles in the distance
HOLLYWOOD by Christian Stoll
48 x 48 inches (122 x 122c...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Brothers
By Don Hatfield
Located in San Francisco, CA
This artwork titled "Brothers" 1991 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947. It is hand signed and numbered 115/...
Category
Late 20th Century American Impressionist California - Landscape Prints
Materials
Screen
AMERICA
By John Speed
Located in Santa Monica, CA
IMPORTANT AMERICAN MAP - ONE OF THE FIRST TO SHOW CALIFORNIA as an ISLAND
JOHN SPEED (1552-1629)
AMERICA - With Those Known Parts In That Unknown Worlde (sic),
1626-(76)
(Burden 217 iv/iv) Engraving, uncolored. Engraved by Abraham Goos and
published by Thomas Basset and Richard Chiswell - 4th state of 4 in 1676
15 1/8 x 20 1/2” From “A Prospect of the Most Famous Parts of the
World”. Generally good condition. A repaired split in lower centerfold. This
is the most common version of this important map...
Category
1620s Old Masters California - Landscape Prints
Materials
Engraving
$4,000 Sale Price
52% Off
"The Bridge over the Seine Near Argenteuil" Oil Reproduction after Claude Monet
By (after) Claude Monet
Located in Pasadena, CA
This framed reproduction of Claude Monet's immensely popular painting, “The Bridge Over The Seine Near Argenteuil,” comes with a certificate of authenticity on the back and is numbered 1102, making it interesting for several reasons.
The artagraphic process used to produce this work in a limited edition of 2900 is considered the state-of-the-art in art reproduction and the most respectful approach to reproducing a painting by a master. In three steps, this technique creates a 3D replica of an original oil painting's color and surface texture. Colors are scanned with a digital laser and then printed separately using oil-based inks on a single sheet. A mold is created from the original painting to reproduce its surface texture and bas-relief brushstrokes. Unlike lithographs and serigraphs, there is a palpable material and relief if you run your fingers over the surface.
At the Impressionist group's first exhibition in 1874, Claude Monet demonstrated his deep interest in the motif by working on seven depictions of the Argenteuil bridge and four of the railroad bridge upstream. The artwork depicts Monet's immediate impressions of the scene rather than offering detailed realism. In these series, moored sailboats occupy the foreground, while the fluidity of the river melts harmoniously with the geometrically contrasted presence of the bridge and its imposing pillars. Monet manipulates his palette and complementary color schemes to create the illusion of light and movement through small, separate, and visible brushstrokes, making it one of the artist's most recognizable signatures. The painting displays a diversity of styles, with some elements more solid, having strong and distinct lines and structured forms defined by firm contours, while the water and the sky in the background give off an impression of moving space, floating, and ripples.
An original painting of the series can be seen at Musée d'Orsay in Paris, France...
Category
Late 19th Century Impressionist California - Landscape Prints
Materials
Ink, Oil
$1,760 Sale Price
20% Off
Beethovens Residence at Mödling Colored Etching by Henry Goering
Located in Soquel, CA
Beethovens Residence at Mödling - Vintage Colored Etching by Henry Goering WWII
Hand colored etching of the Christof House (the Yard of Christ) by Henry...
Category
1920s American Impressionist California - Landscape Prints
Materials
Paper, Ink, Etching
$600 Sale Price
20% Off
Jonah on the Way
Located in San Francisco, CA
This artwork titled "Jonah on the Way" 1975, is an original colors wood block print on thin paper by noted Austrian artist Bernd Kroeber, b.1942. It is hans signed, titled, dated and...
Category
Late 20th Century Surrealist California - Landscape Prints
Materials
Woodcut
Blue Bird
By Anatole Krasnyansky
Located in San Francisco, CA
This artwork titled "Blue Bird' c.1990 is a dye sublimation print on aluminium by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and number...
Category
Late 20th Century Surrealist California - Landscape Prints
Materials
Other Medium
Topiary II - large format photograph of ornamental shaped sidewalk trees
By Frank Schott
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism
TOPIARY II by Fran...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Ink, Photographic Paper, Archival Pigment, Archival Paper, Giclée
The Citadel of Cairo: 19th C. Hand-colored Roberts Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left.
This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.63" high and 29" wide.
There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Petra. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211969422, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces.
David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category
Mid-19th Century Realist California - Landscape Prints
Materials
Lithograph
Reddish Egrets, Adult & Young: An Original Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Reddish Egret, 1. Adult, Full Spring Plumage 2. Young in Full Spring Plumage Two Years Old", No. 75, Plate 371 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1870-1871. It depicts an adult reddish egret standing in the water with leg up, looking to the left at a young white egret standing on land looking to the right at the adult bird. A beautiful landscape is depicted.
This original hand-colored Audubon egret...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Two Tall Pines, (hand-printed cyanotype, 23 x 14 inches)
Located in Oakland, CA
This is a larger version of the 18 x 11 inch photograph of the same name. This is an original, hand-printed contact photograph using the antique cyanotype process. These Monterey pin...
Category
2010s Contemporary California - Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
$200 Sale Price
20% Off
Old Houses, Milbank Grosvenor Road London 1906
By Joseph Pennell
Located in Soquel, CA
Old Houses, Milbank Grosvenor Road London 1906
This an etching of Grosvenor Road Old Houses, done in 1906 by American printmaker and Whistler biographer Joseph Pennell (American, 18...
Category
Early 1900s American Impressionist California - Landscape Prints
Materials
Handmade Paper, Etching
$1,202 Sale Price
35% Off
Shin-machi Bridge at Hodogaya - Japanese Woodcut Print on Rice Paper
By Utagawa Hiroshige
Located in Soquel, CA
Shin-machi Bridge at Hodogaya - Japanese Woodcut Print on Rice Paper
Woodblock print of travelers on a bridge by Utagawa Hiroshige (Japanese, 1797-185...
Category
1850s Impressionist California - Landscape Prints
Materials
Rice Paper, Woodcut
$1,240 Sale Price
20% Off
"Nane - Qagyuhl" Native American in Grizzly Costume - Photogravure Print
By Edward Curtis
Located in Soquel, CA
"Nane - Qagyuhl" Native American in Grizzly Costume - Photogravure Print
Photogravure of a Native American man from a photo by Edward Sheriff Curtis (American, 1868-1952). The man i...
Category
Early 20th Century Photorealist California - Landscape Prints
Materials
Paper, Ink
$1,072 Sale Price
20% Off
Male Whooping Crane: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored 1st octavo edition lithograph entitled "Whooping Crane, Male, adult", No. 63, Plate 313 from Audubon...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Flowering Garden Pea Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Pisum Mapis flore pupureo". It is plate 818 in Weinmann's monumental publ...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
Sunlight on the Meadow (8.5 x 11 inch hand-printed cyanotype)
Located in Oakland, CA
A single oak tree in a meadow with the grass aglow in early morning. These are the foggy woods in the hills of Oakland, across the bay from San Francisco. This is a photograph printe...
Category
2010s Contemporary California - Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
Mimosa with Red
By Donald Sultan
Located in Calabasas, CA
Artist: Donald Sultan
Title: Mimosa with Red
Year: 2021
Medium: Silkscreen with enamel inks, flocking, and tarlike texture on Rising 4-ply Museum Board
Sheet: 42 x 84 inches (106.7 ...
Category
2010s Contemporary California - Landscape Prints
Materials
Screen
Swainson's Warbler: A Framed Original Hand-colored Audubon Folio Bird Engraving
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored folio sized lithograph entitled "Swainson's Warbler, Male, Sylvicola Swainsonia, Tree: Vulgo, White Oak", No. 10, Plate 50, from A...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Engraving
Trees, Print on Paper, Framed
By Vahe Yeremyan
Located in Granada Hills, CA
Artist: Vahe Yeremyan
Work: Print on Paper,
Subject: Trees,
Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm,
Ready to Hang, Metal Frame with the Glass, Plastic Wrapped.
All work...
Category
2010s Impressionist California - Landscape Prints
Materials
Color, Satin Paper
Lemons "La parte interiore": An Early 18th C. Volckamer Hand-colored Engraving
By Johann Christoph Volkhamer
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of lemons by Johann Christoph Volkhamer, entitled "La parte interiore del Cedro di fio e Sugo doppio" ...
Category
Early 18th Century Naturalistic California - Landscape Prints
Materials
Engraving
Fishing Off Hastings, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Line Fishing Off Hastings" by William Miller is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a scene of fishermen at work off the coast of the town of Hastings in East Sussex, England. The Miller engraving faithfully reproduces Turner's painting, capturing the same atmospheric quality and sense of motion. In the foreground of the image, a group of fishermen are shown in a small boat, with one man using a fishing line to catch fish. In the background, there is a larger ship, along with a view of the town of Hastings and the cliffs beyond. Overall, the Miller engraving "Line Fishing Off Hastings" is a beautiful and detailed representation of Turner's original painting, and provides a glimpse into life in a 19th century fishing community.
This colorful 19th century engraving is presented in a gold-colored wood frame and a cream-colored French mat highlighted with a light blue band and thinner mustard and gold-colored bands. There is a gold-colored fillet which further embellishes the engraving. The frame measures 18" high, 20.5" wide and 1" deep. The engraving, frame and mat are in excellent condition.
Joseph Mallord William (J.M.W.) Turner (1775-1851) was an English painter who is widely considered one of the greatest landscape painters in Western art history. Born in London, he showed a remarkable talent for art from a young age, and studied at the Royal Academy of Arts from the age of 14. He quickly gained recognition for his watercolor landscapes, which were highly innovative and expressive. Turner's style evolved over time, and he became increasingly interested in the effects of light and color. He traveled extensively throughout Europe, and his experiences of the natural world, particularly the sea and the sky, had a profound influence on his art. His paintings are known for their luminosity, atmospheric effects, and dramatic use of color. Despite facing criticism and ridicule from some of his contemporaries, Turner continued to push the boundaries of art, experimenting with new techniques and styles throughout his career. He was a prolific artist, creating thousands of paintings, sketches, and watercolors, and his legacy continues to inspire artists today.
William Miller (1796-1882) was an English engraver and publisher, best known for his work in reproducing the paintings of J.M.W. Turner. Miller was born in Bristol and began his career as an engraver at a young age, working for a variety of publications and artists. In the early 1820s, Miller began working with Turner, engraving many of the artist's most famous works, including "The Fighting Temeraire...
Category
Mid-19th Century Romantic California - Landscape Prints
Materials
Engraving
"Weather Eye" - 1989 Lithograph on Paper
By Deborah Rumer
Located in Soquel, CA
"Weather Eye" - 1989 Lithograph on Paper
1989 Lithograph on paper titled "Weather Eye" by Deborah Rumer (American, 20th Century). A windowsill is the focal point, as the viewer look...
Category
1980s Expressionist California - Landscape Prints
Materials
Paper, Ink, Lithograph
$357 Sale Price
35% Off
Banana Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 2. Mauze, Baradis-feigen", p...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
Two Actors - Japanese Woodblock by Chikanobu Yoshu
By Toyohara Chikanobu
Located in Soquel, CA
Two Actors - Japanese Woodblock by Toyohara Chikanobu (豊原周延, 1838–1912), better known to his contemporaries as Yōshū Chikanobu (楊洲周延).
Colorful and expressive court scene. Two actors...
Category
1890s Edo California - Landscape Prints
Materials
Ink, Rice Paper, Woodcut
Seascape XV - large format photograph of monochrome water surface and clouds
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes
Seascape ...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Royal Palm With Turkish Design, by David Smith-Harrison
By David Smith-Harrison
Located in Palm Springs, CA
Signed, titled artist proof. Edition of 135.
Like much of his work, Royal Palm has atmosphere of the Mediterranean, but all of the elements are rooted in the artist's neighborhood. ...
Category
Early 2000s Contemporary California - Landscape Prints
Materials
Etching, Aquatint
$1,000 Sale Price
33% Off
American Coot: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "4128 Audubon, Purple Gallinule, Adult Male, Spring Plumage", No. 61, Plate 303 from Audubon's "B...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Rare Hand Colored "Cabane Des Hold" - 1st Ed "Description de l’Univers" C. 1683
By Alain Manesson Mallet
Located in Soquel, CA
Rare Engraving "Cabane Des Hold, Terres Artiques, Fig CII," 1st edition "Description de l’Univers, page 281
This rare image depicts the Willem Barentsz expedition of 1597 to Novaya Zemlya, Russia. The engraving, with later hand-coloring, shows the cabin and ship of the Dutch arctic expedition of Barentsz on Novaya Zemlya (Nova Zembla), with the party being attacked (and in some cases apparently eaten) by bears and wolves. Dutch explorer, Willem Barentsz, reached the west coast of Novaya Zemlya in 1594, and in a subsequent expedition of 1596 rounded the northern point and wintered on the northeast coast. Barentsz died during the expedition, and may have been buried on the northern island.
This artwork is a page from a book by 17th century cartographer and engineer, Allain Manesson Mallet (French, 1630-1706), "Description de L'Univers, contenant les differents systêmes du monde, les cartes générals et particulières de la géographie ancienne et modern." Paris: Denys Thierry, 1683.
Presented in an cream colored mat.
Text on verso shown in images.
Mat Size: 11.5"H x 9.07"W
Paper Size: 8.25"H x 5.44"W
Image Size: 5.63"H x 3.75"W
Alain Manesson Mallet (French, 1630-1706) was a 17th century cartographer and military engineer. He started his career as a musketeer in the army of Louis XIV, became a Sergeant-Major in the artillery and an Inspector of Fortifications. He later served under Alfonso VI, King of Portugal...
Category
1680s Realist California - Landscape Prints
Materials
Paper, Ink, Gouache
Seascape I (framed) - large format photograph of blue tone horizon and sea
By Frank Schott
Located in San Francisco, CA
large scale photograph capturing the color palette of nature's blue hour with soothing tones of ocean and cloudscape at dusk
Seascape I by Frank Schott
48 x 64 inches / 122cm x 162...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Nizza - large format photograph of summer beach scene in South of France
By Frank Schott
Located in San Francisco, CA
observation of a Mediterranean beach scene in Nice, France, on a hazy summer day
Nizza by Frank Schott
48 x 75.5 inches (122 x 192cm)
signed edition of 7
44 x 69 inches (122 x 17...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Photographic Paper, Archival Pigment, Archival Paper, Giclée, Archival Ink
Sunday, Central Park
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Sunday, Central Park
Year: c. 1985
Medium: Color lithograph
Edition: Numbered 56/285 in pencil
Paper: Wove
Image size: 17.5...
Category
Late 20th Century American Impressionist California - Landscape Prints
Materials
Lithograph
Seascape VII - large format photograph of cloud formations and reflecting sea
By Frank Schott
Located in San Francisco, CA
large scale original photograph of dramatic cloud formations and reflecting sea
SEASCAPE VII by Frank Schott
48 x 48 inches ( 122 x 122cm )
signed edition of 7
58 x 58 inches ( 14...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Paper, Photographic Paper, Inkjet, Archival Pigment, Black and ...
Paysage
By Maurice de Vlaminck
Located in San Francisco, CA
Artist: Maurice de Vlaminck (French, 1876-1958)
Title: Paysage
Year: 1952
Medium: Original color lithograph
Edition: Numbered 66/75 in pencil
Paper: Arches
Image size: 14.5 x ...
Category
Mid-20th Century Fauvist California - Landscape Prints
Materials
Lithograph
JOB SACRIFICED - And My Servant Job Shall Pray For You
By William Blake
Located in Santa Monica, CA
WILLIAM BLAKE (British 1757-1827)
JOB'S SACRIFICE - And my Servant Job Shall Pray For You, 1825 (Bindman 1978.643; Binyon 1926.123 iii; Russell 1912.33)
Engraving, First edition, one of 100 sets printed directly onto Whatman wove paper with a 1825 watermark. and the word “proof” removed. From "Illustrations of the Book of Job...
Category
1820s English School California - Landscape Prints
Materials
Engraving
