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Item Ships From: California
"Casa Marquez" Original Woodblock Print, Signed and Numbered 93/100
By Carol Summers
Located in Soquel, CA
"Casa Marquez" Original Woodblock Print, Signed and Numbered 93/100
Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a closeup on a large stone building, with a landscape reflected in the windows. The building has carved ornamentation in a classical style. There is a bright red sunset in the background behind the building. The title refers to the author Gabriel García Márquez.
Signed "Carol Summers" in the lower right corner.
Numbered and titled "93/100 Casa Marquez" in the upper right corner.
Presented in a silver colored aluminum frame.
Frame size: 19.25"H x 23.25"W
Paper size: 16"H x 20"W
Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented.
In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother.
From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum.
In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...
Category
1980s Contemporary California - Landscape Prints
Materials
Ink, Handmade Paper, Woodcut
$1,722 Sale Price
35% Off
Naples and S. Italy: A Large 17th C. Hand-colored Map by Sanson and Jaillot
By Nicholas Sanson d'Abbeville
Located in Alamo, CA
This large hand-colored map entitled "Le Royaume de Naples Divisé en Douze Provinces. sur les Memoires les plus Nouveaux. Par le Sr. Sanson Presenté" was originally created by Nicholas Sanson d'Abbeville and published by Hubert Jaillot in "Atlas Nouveau" in Paris in 1692. It depicts central and southern Italy, as well as Corfu, Albania, Mediterranean Sea and the Adriatic Sea. Naples, Sorrento, the Isle of Capri, Rome in the upper left corner of the map, as well as many other landmarks.
This striking original hand-colored map of Italy is printed on antique hand-made laid, chain-linked paper with wide margins. The sheet measures 20" high and 24.88" wide. There is one spot on the left, it is otherwise in very good to excellent condition.
Nicholas Sanson d'Abbeville (1600-1667) was one of the greatest French cartographather of French cartography. Sanson opened his first printing business in Paris in 1638. The king recognized his skill and knowledge and made him the official geographer to the court. He eventually served two kings in this capacity. Sanson was succeeded by his sons and son...
Category
1690s California - Landscape Prints
Materials
Engraving
Spider Lily: An Original 18th C. Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Ephemerum Virginianu flore Purpureo, B. Ephemer...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
Bermuda: An Early 17th Century Hand-colored Map by Henricus Hondius
By Henricus Hondius
Located in Alamo, CA
This attractive and interesting map of Bermuda by Henricus Hondius in 1633 is entitled "Mappa Aestivarum Insularum, Alias Barmudas". It is based on a ...
Category
Early 17th Century Old Masters California - Landscape Prints
Materials
Engraving
Engraving of a British Fox Hunting Scene "The Pink Of Condition"
By George Wright
Located in Alamo, CA
The engraving "The Pink Of Condition" by George Wright was published in London in 1909. It depicts the beginning of a British fox hunting scene. The ...
Category
Early 1900s Naturalistic California - Landscape Prints
Materials
Engraving
Butterflies & Moths in a Landscape: 18th C. Hand-colored Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving depicting the natural history of butterflies and moths, which is plate 10 from Moses Harris' publication "The Aurelian: ...
Category
Mid-18th Century California - Landscape Prints
Materials
Engraving
Rain On Ferns, by Rosalyn Richards
By Rosalyn Richards
Located in Palm Springs, CA
Signed, titled and numbered in pencil, edition of 15. Abstracted image of rain ferns featuring shaades of green and blue.
Rosalyn Richards has been a member of the Bucknell Universi...
Category
21st Century and Contemporary Abstract California - Landscape Prints
Materials
Etching, Aquatint
Admirable Butterflies, Magpie Moths: A Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Admirable Butterfly and the Small Magpie Moth, which is plate 6 from Moses Harris' publication "The Aure...
Category
Mid-19th Century Realist California - Landscape Prints
Materials
Engraving
Golden-winged Woodpecker: First Octavo Edition Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Golden-winged Woodpecker, 1. Male, 2. Female2", No. 55...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Orchids: Framed 19th C. Hand-Colored Engraving of "Laelia Anceps" by J. Fitch
By John Nugent Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Laelia Anceps Williamsii" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Album...
Category
1880s Naturalistic California - Landscape Prints
Materials
Engraving
Country Wedding
By Cuca Romley
Located in San Francisco, CA
Artist: Cuca Romley– Spanish/American (1933- )
Title: Country Wedding
Year: circa 1981
Medium: Color etching
Sight size: 15.75 x 22.75 inches.
Sheet s...
Category
1980s Other Art Style California - Landscape Prints
Materials
Paper, Color, Etching
"Woods Cove" Contemporary Impressionist Serigraph of Laguna Beach
By Maria Bertrán
Located in Laguna Beach, CA
"Woods Cove" is an beautiful 90 color hand pulled serigraph created from the oil painted on location in Laguna Beach, California by Maria Bertran. This Contemporary Impressionist pai...
Category
2010s Post-Impressionist California - Landscape Prints
Materials
Screen
The Loire Valley of France: A 17th C. Hand-colored Map by Sanson and Jaillot
By Nicholas Sanson d'Abbeville
Located in Alamo, CA
This large 17th century copper plate hand-colored engraved map entitled "Gouvernement D'Orleans et la Generalite divisee en ses Elections Par...
Category
1690s California - Landscape Prints
Materials
Engraving
Banana Plants: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line double page engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 1. Musa,...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
KYOTO (B)
By Kiyoshi Saitō
Located in Santa Monica, CA
KIYOSHI SAITO (Japanese 1907 - 1997)
KYOTO (B) 1966
Color woodcut, signed, titled, dated and no. 5/100 in pencil. Edition 100. Image 14 3/4 x 20 5/8 inches. Full margins with deckle...
Category
1960s Modern California - Landscape Prints
Materials
Woodcut, Color
Wahini #2 - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
By Marc Zimmerman
Located in Carmel, CA
Wahini #2 - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself in ...
Category
2010s Contemporary California - Landscape Prints
Materials
Woodcut
Tour De Montalban, Amsterdam: A 19th C. Etching by Maxime Lalanne
By Maxime Lalanne
Located in Alamo, CA
This is a 19th century etching entitled "Tour De Montalban, Amsterdam" (Montalban Tower, Amsterdam) by Maxime Lalanne, published by Phillip Gilbert Hamerton in 1884. The etching depicts a canal scene in Amsterdam with Montalban Tower on the right. Row boats are moored along a dock in the foreground on the left and larger sail boats are seen on the other side of the dock. A boat in the middle of the canal is being rowed by one man. Many buildings are seen along both shores.
This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins and two watermarks; "Portfolio" along the left margin and "MBM" along the right margin. It is signed, titled and dated in the plate in the lower right. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 10" high by 15" wide and the mat measures 13" high by 16" wide. There is a small spot in the right margin and some mild discoloration in the periphery on the upper margin. The print is otherwise in excellent condition. This etching is held by many museums and institutions, including The Fine Arts Museums of San Francisco, The Museum of Fine Arts, Boston, The Yale University Art Gallery and The Philadelphia Museum of Art. References: Beraldi (1889) 105; Villet (2016) 148, IV; Lalanne (1882) 137; Bibliothèque Nationale (1932) 82; Gutekunst (1905) 105.
François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century.
Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching...
Category
Late 19th Century California - Landscape Prints
Materials
Etching
Buff-breasted Merganser: Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Buff-breasted Merganser Goosander, 1. Male 2. Female", No. 83, Plate 411 from Audubon's "Birds of America, li...
Category
Late 19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Lost In Venice
By Stephen McMillan
Located in Palm Springs, CA
The architecture of Venice reflected in the water of the canals. This is one of a series the artist completed during a residency in Venice. Signed, titled and numbered from the editi...
Category
2010s Contemporary California - Landscape Prints
Materials
Etching, Aquatint
The Fool, by Art Werger
By Art Werger
Located in Palm Springs, CA
Medium: Color Etching with aquatint
Year: 2024
Edition: 25
Image Size: 24 x 18 inches
Signed, titled and numbered in pencil by the artist
Dramatic etching of high wire walker Philip...
Category
2010s Contemporary California - Landscape Prints
Materials
Etching, Aquatint
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
By Toyohara Chikanobu
Located in Soquel, CA
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912).
This is the r...
Category
1890s French School California - Landscape Prints
Materials
Ink, Rice Paper, Woodcut
Views of London: A Pair of Framed 19th Century Engravings by Havell and Allom
Located in Alamo, CA
This is a pair of framed hand-colored prints, both utilizing engraving and etching techniques, depicting two London architectural landmarks: "The National Gallery, Charing Cross" and "Covent Garden Market" from the Stationers' Almanac, published in London by J. Robins & Sons in the early 19th century. Both of these prints show vibrant London street scenes with markets, carriages, common people as well as the wealthy in the foreground of "Covent Garden Market" and wealthy well dressed people, carriages, a begger, street merchants, as well as uniformed military on horseback in the foreground of "The National Gallery". "The National Gallery, Charing Cross" was created by James Sands from a painting by Thomas Allom (1804-1872), published in 1836. "Covent Garden Market" was created by Frederick James Havell (1801–1840/41) after a painting by William Havell...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Engraving, Etching
Philip Pearlstein 'View Over Soho, Lower Manhattan' NYC signed, print
By Philip Pearlstein
Located in San Rafael, CA
Philip Pearlstein (1924-2022)
View Over Soho, Lower Manhattan, 1977
Aquatint in colors on wove paper
Edition 7/41
Signed, editioned and titled in pencil lower left
Printed by the Orl...
Category
1970s Realist California - Landscape Prints
Materials
Aquatint
Landscape with Trees
By Robert Kipniss
Located in San Francisco, CA
This artwork "Landscape with Trees" c.1980 is an original lithograph on wove paper by noted American artist Robert Kipniss, b.1931. It is hand si...
Category
Late 20th Century American Modern California - Landscape Prints
Materials
Lithograph
Flowering Dragonmouth: 18th Century Hand-colored Weinmann Botanical Engraving
By Johann Wilhelm Weinmann
Located in Alamo, CA
An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants:...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
Pines through Thistles (11 x 7.5 inch hand-printed cyanotype)
Located in Oakland, CA
Towering Monterey pines lean into the blue mist of the valley beyond. These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. The photograph is of the coastal redwood...
Category
2010s Contemporary California - Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
50x40 "HUBBLE BUTTERFLY NEBULA" Telescope Space Photography NASA Photograph Art
Located in Los Angeles, CA
Original museum grade exhibition prints on acid-free archival photographic paper.
Edition of 150
These are the highest quality NASA prints ever produced.
The bright clusters and ...
Category
21st Century and Contemporary American Modern California - Landscape Prints
Materials
Archival Ink, Archival Pigment
$600 Sale Price
20% Off
Manor Arena
Located in San Francisco, CA
This artwork "Manor Arena c.1980 is an original etching on Japan paper by noted French abstract expressionist artist Francois Rouan, b.1943. It is hand ...
Category
Late 20th Century Abstract Expressionist California - Landscape Prints
Materials
Etching
Blue Flight / monoprint
By Kim Frohsin
Located in Burlingame, CA
Monotype ev edition 3/4 with heavy hand coloring. The plate is 28 x 28 inches and the overall paper size is 33 1/2 x 32 inches. Signed, titled and dated. Kim Frohsin spend 12 years w...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Gouache, Mixed Media, Monotype, Pastel
Yellow-breasted Rail Bird: Original 19th C. Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "yellow-breasted Rail, Adult Male in Spring", No. 62, Plate 307, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840 and 1841. It depicts an adult male yellow-breasted Rail bird on the left standing on a rock on the bank of a body of water, looking to the right, perhaps at something in the water or on an island on the right with trees. The landscape surrounding the bird is striking.
This original 1st octavo edition hand-colored Audubon lithograph...
Category
Late 19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Sunrise Clearing (11 x 8.5 inch hand-printed cyanotype)
Located in Oakland, CA
These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...
Category
2010s Contemporary California - Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
Tournai (Tournay), Belgium: A 16th Century Hand-colored Map by Braun & Hogenberg
By Franz Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of Tournai, Belgium, entitled "Tornacum" by Georg Braun & Franz Hogenberg, in volume IV of their famous city atlas "Civitates Orbis Terrarum", published in Cologne or Augsberg, Germany in 1575. The map provides a bird's-eye view of the walled city of Tournai, the second oldest city in Belgium. It lies approximately one hour by car southwest of Brussels or from Ghent. The names of thirty of its streets, prominent buildings, churches and squares are listed in a key within a strap-work cartouche in the lower left. These locations are numbered in the key corresponding to their locations on the map.
This colorful map of Tournai (Tornacum or Tournay as it was called in the 16th century) includes the title in Latin in a cartouche in the upper center. Three crests are present across the upper map. A man and two woman are standing on a hill in the foreground in the lower right dressed in the style of 16th century upper class residents of the town.
This is an English translation of an excerpt of Braun's description of Tornai: “Tornacum or Turnacum is a city in Gallia Belgica, situated on the Schelde in the territory of the Nervii, called Tournai by its French inhabitants, but Dorneck by the Germans. Tournai has always been a large and powerful city, with an abundance of goods and commercial activities and wonderfully resourceful craftsmen, who invent new articles every day, and although some of these go out of use they constantly conceive of other new things, both useful and delightful, so that they have at all times something that provides work and a means of livelihood for the poor."
ReferencesVan der Krogt 4, 4435, State 1; Taschen, Braun and Hogenberg...
Category
16th Century Old Masters California - Landscape Prints
Materials
Engraving
Mid Century French Impressionistic Etching - "Degel en Haute Loire"
Located in Soquel, CA
Mid Century Impressionistic French Etching - "Degel en Haute Loire" ("Thaw in High Loire) by Andre Jacquemin
Wonderful French Impressionist winter landscape of Loire hills by Andre Jacquemin (French, 1904-1992), 1950. The bare trees and undulating landscape and hills draws the viewer in and evokes a peaceful and serene feeling.
Signed and dated: Within etching and below image
Series Number: 161/200
Condition: Good
Image size: 8.25"H x 15"W
Paper size: 15"H x 22"W
Mat size: 20"H x 24"W
André Jacquemin was born in Epinal, France in 1904. While attending art school in Paris he studied under Charles Walter, where he learnt the techniques of etching and practiced by copying the most famous artists and visited all the museums to learn more about the masterpieces of past and present. In 1925, he underwent military service at Fort de Domont outside Paris together with Louis-Joseph Soulas and Edouard Mac-Avoy. Four years later, with a few other up-and-coming artists including Yves Alix, Amédée de la Patellière and Jacques Villon, André Jacquemin founded "la jeune Gravure Contemporaine", a society of Printmakers.
In 1930, he simultaneously received the Foundation Florence Blumenthal prize and an allowance to go on a study trip from Spain to Morocco for 14 months. Back from Morocco, his career developed very rapidly. At the beginning of 1932, he exhibited his work at the Simonson gallery. It was a success: he sold everything he had done in Morocco and Spain. The same year, he was elected as a fellow of the French Society of Painter-Etchers/Engravers (Peintres Graveurs Français). In 1936, he was awarded the national arts prize, given for the first time to an etcher. The following year he along with Jacques Villon, Marcel Gromaire 1937 Venice Biennale to represent French gravure...
Category
1950s Impressionist California - Landscape Prints
Materials
Paper, Ink, Etching
Flowering Crinum Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
By William Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Crinum Arenarium" (Water-Island Sand Crinum), plate 2355, published in London in 1822 in William...
Category
1820s Naturalistic California - Landscape Prints
Materials
Engraving
Dockside
By Gordon Hope Grant
Located in San Francisco, CA
This artwork titled "Dockside" 1950, is an original lithograph on paper by noted naval American artist Gordon Hope Grant, 1875-1962. It is hand signed in pencil by the artist. The a...
Category
Mid-20th Century American Realist California - Landscape Prints
Materials
Lithograph
Piranesi Etching of Hadrian's Ancient Roman Aqueduct and Baths, "Aquae Virginis"
By Giovanni Battista Piranesi
Located in Alamo, CA
This is a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Orthographia utriusque lateris arcuum ductus Aquae Virginis a specu principe ad Hadriani thermas, effossorum...
Category
Mid-18th Century Old Masters California - Landscape Prints
Materials
Etching
Village de Provence
By Denis Paul Noyer
Located in San Francisco, CA
This artwork "Village de Provence" c.1970 Is an original colors lithograph by noted French artist Denis Paul Noyer, b.1940. It is signed and number...
Category
Late 20th Century Modern California - Landscape Prints
Materials
Lithograph
A Family of Moorhens & Lilly Pad: A 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithograph entitled "Gallinula Chloropus" (Moorhen) by John Gould, published in his "Birds of Great Britain", published in London between 1862 and 1873. The print, which was drawn by Gould and Henry Richter and lithographed by Walter & Cohn, depicts a family of Moorhens, including two adults and six babies in a beautiful landscape. The adults are in the water and the babies are lying on the leaves a flowering lilly pad.
This striking Gould hand-colored moorhen family lithograph is augmented with gum-arabic paint. The sheet measures 14.88" high and 21.75" wide. It is in excellent condition, other than a spot in the upper portion of the right margin and two small spots at the edge of the lower margin on the left. The original descriptive text pages from Gould's 19th century publication are included.
There are several other unframed Gould hummingbird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Passage, by Art Werger
By Art Werger
Located in Palm Springs, CA
Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. Anonymous pedestrians passing on a snowy walk through Central Park. Um...
Category
Early 2000s Contemporary California - Landscape Prints
Materials
Mezzotint
Abstracted Cityscape - Transfer Monotype in Oil on Paper
Located in Soquel, CA
Abstracted Cityscape - Transfer Monotype in Oil on Paper
Original transfer monotype painting by California artist Heather Speck (American, 20th C). An abstracted street scene is sho...
Category
1990s Abstract Expressionist California - Landscape Prints
Materials
Paper, Oil, Monotype
$700 Sale Price
20% Off
Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
By William Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Glutinosum" (Clammy Houseleek), plate 1963, published in London in 1818 in William C...
Category
1810s Naturalistic California - Landscape Prints
Materials
Engraving
Femme en Rouge (Woman in Red)
By Emile Bellet
Located in San Francisco, CA
This artwork titled "Femme en Rouge" (Woman in Red) is a original color lithograph on B.F.K Rives paper by French artist Emile Bellet, born 1941 It is hand signed and numbered E.A 5...
Category
21st Century and Contemporary Modern California - Landscape Prints
Materials
Lithograph
Cambria Coast, by Stephen McMillan
By Stephen McMillan
Located in Palm Springs, CA
Signed, titled and numbered from the edition of 120. A November walk from Cambria led the artist to a patch of ice plant on a bluff in the local preserve, Fiscalini Ranch. These succ...
Category
2010s Contemporary California - Landscape Prints
Materials
Etching, Aquatint
Aloha
By Guy Buffet
Located in San Francisco, CA
This artwork "Aloha" c.1990 is an original color lithograph on paper by noted French artist Guy Buffet, b.1943. It is hand signed and numbered 22/50 in pencil by the artist. The artw...
Category
Late 20th Century Modern California - Landscape Prints
Materials
Lithograph
Sugar Cane Day, Hawaii
By Guy Buffet
Located in San Francisco, CA
This artwork titled "Sugar Cane Day, Hawaii" c.1985, is an original color lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and numbered 404/425 in ...
Category
Late 20th Century Modern California - Landscape Prints
Materials
Lithograph
"Plovers at Tamagawa" from "Six Jewel Rivers" - Woodblock Print on Paper
Located in Soquel, CA
"Plovers at Tamagawa" from "Six Jewel Rivers" - Woodblock Print on Paper
This print, sometimes titled "Chidori No Tamagawa" "Plovers at Tamagawa", is from the series Mu Tamagawa ("Six Views of Tama River", also known as "Six Jewel Rivers" or "Six Crystal Rivers") by Kubo Shunman...
Category
Late 18th Century Edo California - Landscape Prints
Materials
Paper, Ink, Woodcut
Winslow Homer 19th Century Woodcut Engraving "The Morning Walk"
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...
Category
1870s American Impressionist California - Landscape Prints
Materials
Engraving, Woodcut
Landscape #125
By Renaud Allirand
Located in Palm Springs, CA
Untitled landscape of trees against a stormy sky. Signed by the artist, with full information of signature on verso.
RENAUD ALLIRAND was born in 1970, and currently lives and works ...
Category
2010s Contemporary California - Landscape Prints
Materials
India Ink, Gouache
$200 Sale Price
42% Off
Mosaic Corazon
Located in Palm Springs, CA
Signed, titled and numbered by the artist from the edition of 76.
Artist and community activist Leo Límon lives and works in Los Angeles, where he was born ...
Category
1990s Contemporary California - Landscape Prints
Materials
Screen
$750 Sale Price
25% Off
Seascape XIV - large format photograph of monochrome blue water surface
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes
Seascape ...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof
By Carol Summers
Located in Soquel, CA
"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof
Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a segment of a grave, with a headstone that has a skull and cross. There are two bright green plants flanking the headstone. Below the headstone and plants, there is a large arched blue shape, with a crescent moon and stars. A red leg, bent at the knee, cuts across the blue arch.
Signed "Carol Summers" along the right edge of the blue shape.
Numbered and titled "A/P Grave of Sant Anna's Leg" along the left edge of the blue shape.
Presented in a silver colored aluminum frame.
Frame size: 32.245"H x 27.25"W
Paper size: 29.75"H x 24.5"W
Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented.
In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother.
From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum.
In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...
Category
1980s Contemporary California - Landscape Prints
Materials
Ink, Handmade Paper, Woodcut
Orchids: Framed 19th C. Hand-Colored Engraving of "Trichosma Suavis" by J. Fitch
By John Nugent Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Trichosma Suavis" Orchids by John Nugent Fitch is plate 114 in Robert Warner's publication 'The Orchid Album, Compri...
Category
1880s Naturalistic California - Landscape Prints
Materials
Engraving
A Falkland Island Quail: An 18th Century Hand-colored Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...
Category
1760s Naturalistic California - Landscape Prints
Materials
Engraving
Piazza Di San Marco
By Peter Milton
Located in Palm Springs, CA
One of eight prints completed for this set based on Henry James Aspern Papers. Signed and numbered digital print from the editon of 75. Peter Milton is one of the most honored and respected printmakers in the world today. His work is in most major museums, and he continues to produce stunning and masterful prints in his 6th decade of printmaking. Since 2008 he has been a major proponent for digital printmaking.
THE ASPERN PAPERS is a classic tale by Henry James of duplicity foiled and love denied. Taking place in Venice, this is one print from a portfolio set of eight prints...
Category
2010s Contemporary California - Landscape Prints
Materials
Digital Pigment
$1,280 Sale Price
20% Off
Rugen Island, Germany: An Early 17th Century Map by Mercator and Hondius
By Gerard Mercator
Located in Alamo, CA
This is an early 17th century map entitled "Nova Famigerabilis Insulae Ac Ducatus Rugiae Desciptio" (Map of Rugen Island, Germany) by Gerard Mercator and Henricus and Joducus Hondiu...
Category
Early 17th Century Old Masters California - Landscape Prints
Materials
Engraving
“Red Square” Serigraph on Paper
By LeRoy Neiman
Located in San Francisco, CA
It almost makes one want to board Aeroflot to see this firsthand…maybe going out of Istanbul? Well no. And yet, there’s a universal energy on full display in this view by a master im...
Category
2010s American Impressionist California - Landscape Prints
Materials
Paper
Frankfort, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
By Franz Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of Frankfort, Germany entitled "Francenbergum, vel ut alij Francoburgum Hassiae Opp" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1595.
This is an English translation of an excerpt from the original text in the atlas:
"Frankenberg or, according to others, Francoburgum, a town in Hesse. Charlemagne vested the town of Frankenberg with many freedoms and privileges, which it still enjoys to this day, and on account of its valiant and victorious soldiers awarded a signet, upon which there formerly appeared a golden castle with a tower, together with the letter F and a golden crown.
Frankenberg, seen here from the northeast, lies on a hill above the River Eder. The hillside is covered with fields neatly separated by bushes and fences. Soaring above the town is the massive Liebfrauenkirche, which was modelled on St Elizabeth's church in Marburg. The New Town was founded in 1335 at the foot of the hill (right) and merged with the Old Town as late as 1556. Frankenberg was founded by Conrad of Thuringia in 1233/34 to prevent the archbishops of Mainz from expanding their sphere of influence...
Category
16th Century Old Masters California - Landscape Prints
Materials
Engraving
The Mouth of the Thames – Isle of Sheppey in distance
By Sir Frank Short
Located in Palm Springs, CA
Mezzotint after J.M.W. Turner, Signed in pencil. Ref: Hardie 58.
This seascape is one of Frank Short’s finest mezzotint works after J.M.W. Turner. T...
Category
19th Century Other Art Style California - Landscape Prints
Materials
Mezzotint
$760 Sale Price
20% Off
Red-shafted Woodpecker: A First Octavo Edition Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Red-shafted Woodpecker, 1. Male, 2. Female", No. 55, P...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Femme a l'ombrelle
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Femme a l'Ombrelle" 1972 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbered 29/150 in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Sauret plate #42. The image size is 22.25 x 16 inches, framed size is 36.15 x 28.25 inches. Custom framed in a wooden gold leaf frame, with fabric matting and gold color spacer. It is in excellent condition.
About the artist:
Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris.
He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide
Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles.
1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17.
1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie
at the Ecole des Beaux-Arts de Paris.
1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure"
des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio.
1958 First exhibition at the Galerie des Beaux-Arts.
1959 Appointed member of the Salon d’Automne.
1956–1960 Instructed by the French painter Roger Chapelain-Midy.
1963 Present at the Salon de la Jeune Peinture for the first time.
1964 Private exhibition at the Galerie Tivey-Faucon, Paris.
Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan.
1965 Creation of his first lithographic works.
Exhibition at the Galerie Bellechasse, Paris.
1966 Present at the International Exhibition of Figurative Art, Tokyo.
Exhibition at the Galerie Bellechasse, Paris.
1968 Exhibition at the Galerie Juarez in Palm Beach, USA.
Private exhibition at la Galerie Vital, Paris.
1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo.
1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York.
First trip to Japan, where he stays for three months.
Important private exhibition at the Mitsukoshi Gallery, Tokyo.
1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York.
Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo.
1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York.
1975 Exhibition at the Wally Findlay Gallery, New York.
1976 Private exhibition at the Mitsukoshi Gallery, Tokyo.
Publication of the album “Parcs” by Editions Mazo-Paris.
1977 June : Private exhibition at the Galerie René Kieffer, Paris
Private show of paintings and pastels at the Galerie Wally Findlay, Paris.
1978 Retrospective exhibition of lithographic works at Vision Nouvelle.
June-July : Exhibition at the Wally Findlay Gallery, New York.
Important private showat the Mitsukoshi Gallery, Tokyo.
1980 Designs his first tapestry, executed by Atelier 3...
Category
Late 20th Century Post-Impressionist California - Landscape Prints
Materials
Lithograph
