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Item Ships From: California
"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof
By Carol Summers
Located in Soquel, CA
"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof
Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a segment of a grave, with a headstone that has a skull and cross. There are two bright green plants flanking the headstone. Below the headstone and plants, there is a large arched blue shape, with a crescent moon and stars. A red leg, bent at the knee, cuts across the blue arch.
Signed "Carol Summers" along the right edge of the blue shape.
Numbered and titled "A/P Grave of Sant Anna's Leg" along the left edge of the blue shape.
Presented in a silver colored aluminum frame.
Frame size: 32.245"H x 27.25"W
Paper size: 29.75"H x 24.5"W
Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented.
In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother.
From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum.
In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...
Category
1980s Contemporary California - Landscape Prints
Materials
Ink, Handmade Paper, Woodcut
Genip Tree & Fruit: An 18th C. Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Geniculata Wieder Kraief, B. Genipa seu Ganipaba". It is plate 531 in...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
Flowering Narcissus Lily: 18th Century Hand-colored Weinmann Botanical Engraving
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of a flowering Red Narcissus Lily plant, which is finished with hand-coloring. It is entitled "Narcissus In...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
Topiary II - large format photograph of ornamental shaped sidewalk trees
By Frank Schott
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism
TOPIARY II by Fran...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
"Californian Hare": An Original Audubon Hand-colored Quadruped Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "Californian Hare", No. 23, Plate 112, CXII, from Audubon's "Quadrupeds of North America". It was...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Flowering Sweet Pea: 18th Century Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of flowering Red Sweet Peas which is finished with hand-coloring. It is entitled "Lathyrus Flore Majore Pur...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
Kiyomi Barrier & Seiken Temple Near Okitsu- Japanese Woodcut Print on Rice Paper
By Utagawa Hiroshige
Located in Soquel, CA
Kiyomi Barrier & Seiken Temple Near Okitsu - Japanese Woodcut Print on Rice Paper
Woodblock print of boats in a harbor by Utagawa Hiroshige (Japanese, 1797-1858). Originally publish...
Category
1850s Impressionist California - Landscape Prints
Materials
Rice Paper, Woodcut
Over the River (From Above) Project for the Arkansas River, CO, Signed Print
By Christo and Jeanne-Claude
Located in San Rafael, CA
Christo (1935 - 2020) and Jeanne-Claude (1935 - 2009)
Over the River (From Above)
Project for the Arkansas River, Colorado
Offset lithograph in colors on smooth paper
Signed by Chris...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Paper
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
By Toyohara Chikanobu
Located in Soquel, CA
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912).
This is the r...
Category
1890s French School California - Landscape Prints
Materials
Ink, Rice Paper, Woodcut
Four Walking Figures
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Four Walking Figures
Year: c.1980
Medium: Original color lithograph
Edition: Inscribed "Artist Proof" in pencil
Paper: Arches
...
Category
Late 20th Century American Impressionist California - Landscape Prints
Materials
Lithograph
Nizza - large format photograph of summer beach scene in South of France
By Frank Schott
Located in San Francisco, CA
observation of a Mediterranean beach scene in Nice, France, on a hazy summer day
Nizza by Frank Schott
48 x 75.5 inches (122 x 192cm)
signed edition of 7
44 x 69 inches (122 x 17...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Photographic Paper, Archival Pigment, Archival Paper, Giclée, Archival Ink
Cascades No. 1
By François Houtin
Located in Palm Springs, CA
Signed, titled and numbered in pencil, 28/30. Imaginary landscape with waterfalls, incredibly fine line work in this small etching.
François Houtin was...
Category
1980s Contemporary California - Landscape Prints
Materials
Etching
Washington At Pohick Church - 1932 Etching On Paper
By Ernest David Roth
Located in Soquel, CA
Washington At Pohick Church - 1932 Etching On Paper
1932 black and white etching depicting George Washington at Pohick Church by Ernest David Roth (German, 1879-1964). George Washin...
Category
1930s American Impressionist California - Landscape Prints
Materials
Laid Paper, Etching
MORNING IN YOSEMITE
By Harold Lukens Doolittle
Located in Santa Monica, CA
HAROLD L. DOOLITTLE (1883 - 1974)
MORNING IN YOSEMITE c 1938
Aquatint, signed and titled in pencil by the artist. Plate size 13 3/8 x 9 3/4". Sheet 16 x 11 1/8" with deckle edges.
Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...
Category
1930s American Realist California - Landscape Prints
Materials
Aquatint
Seascape XIV - large format photograph of monochrome blue water surface
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes
Seascape ...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Topiary II - large format photograph of ornamental shaped sidewalk trees
By Frank Schott
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism
TOPIARY II by Fran...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Ink, Photographic Paper, Archival Pigment, Archival Paper, Giclée
Francois Houtin Catalogue Raisonne, with print 1er Nymphée
By François Houtin
Located in Palm Springs, CA
This print was made to accompany the deluxe version of the Catalogue Raisonne covering the years 1993-2002. One of his imaginary garden huts or cabanes in wilderness setting. The pr...
Category
Early 2000s Contemporary California - Landscape Prints
Materials
Etching
Daniel Marot's The Siege of the Dutch Fortified City of Ypres by Louis XIV
By Daniel Marot
Located in Alamo, CA
"Ypres, Grand Ville Riche & Marchande" is an engraving and etching by Daniel Marot (le Vieux) (1661–1752). It depicts a view of the siege of the city of Ypres and its citadel on the left in the Spanish Netherlands by Louis XIV's troops. This battle took place between March 18 and March 25, 1678, as part of the Franco-Dutch War. Marot illustrated in great detail (best appreciated with magnification) the French attack on the strong pentagonal citadel on the extreme left, which had been built recently in anticipation of a French attack. The trenches built by the French approaching the town are seen on the right. King Louis XIV can be seen in the foreground surveying the battle mounted on his white horse, surrounded by his officers and troops.
The print is presented in an attractive ornate black wood frame with a cream-colored double mat with a black inner trim. It is glazed with plexiglas. The frame measures 25.38" x 22.63" x .88". The engraving, frame, mat and glazing are in excellent condition.
Artist: Daniel Marot (1661–1752) was also called "Le Vieux". He was the son of the famous architect, Jean Marot. Marot had diverse interests and talents. In addition to his art, he designed garden projects, architectural ornaments, furniture, and even upholstery. Marot as a Huguenot protestant was forced to leave France in 1685 following the revocation of the Edict of Nantes. He emigrated to Holland, where he worked for William of Orange (an arch enemy of his former employer Louis XIV). Marot was largely responsible for the interiors of Williams palace at the Loo. In 1694 he went Britain as William had married Queen Mary and he had become King William III of England. He later returned to Holland in about 1698 and died in the Hague in 1752. He left a lasting legacy on the decorative arts in the Netherlands, where his grand version of the Louis XIV style remained popular into the 1730s.
Historical Background: In October 1677, Mary Stuart, niece and possible successor of Charles II of England, married Louis XIV's arch enemy William III of Orange...
Category
Late 17th Century Old Masters California - Landscape Prints
Materials
Engraving, Etching
THE BURRO STATION - Large Etching with Incredible Detail. One of a Pair
By Reynold Weidenaar
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985)
THE BURRO STATION, 1946, Etching and drypoint on paper, Signed and titled in pencil from an edition of unknown size. Plate: 17" x 13": Sheet: 20.75" x 15.75". One of a pair of large format Mexican etchings...
Category
1940s American Realist California - Landscape Prints
Materials
Etching
The Ayase River and Kanegafuchi, Summer, One Hundred Famous Views of Edo
By Utagawa Hiroshige (Ando Hiroshige)
Located in Soquel, CA
The Ayase River and Kanegafuchi, Summer, One Hundred Famous Views of Edo
Summer on the Ayase River by Hiroshige (Ando) Utagawa (Japan, 1797 - 1858 ). Woodcut circa 1856.
Ima...
Category
1850s Realist California - Landscape Prints
Materials
Ink, Woodcut
Surf Play- Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
By Marc Zimmerman
Located in Carmel, CA
Surf Play- Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself in t...
Category
2010s Contemporary California - Landscape Prints
Materials
Woodcut
Fever Nut Plant "Ban Caretti": A 17th Century Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a 17th century engraving of a fever or bonduc nut plant entitled "Ban Caretti" by Hendrik van Rheede tot Drakenstein, plate 20 from his 'Hortus Indi...
Category
Late 17th Century Naturalistic California - Landscape Prints
Materials
Engraving
Pair of 19th C. Hand-colored Lithographs of Ducks by John Gould
By John Gould
Located in Alamo, CA
A pair of hand-colored lithographs of ducks entitled "Tadorna Vulpanser" (Sheldrake Ducks) and "Mergus Umbellus' (Smew or Nun Ducks) from John Gould's publication "Birds of Great Br...
Category
1860s Naturalistic California - Landscape Prints
Materials
Lithograph
Hollywood - large format photograph of iconic California landmark in Los Angeles
By Christian Stoll
Located in San Francisco, CA
large scale photograph of the iconic HOLLYWOOD sign in golden California sunlight with downtown Los Angeles in the distance
HOLLYWOOD by Christian Stoll
48 x 48 inches (122 x 122c...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Piranesi Etching of Hadrian's Ancient Roman Aqueduct and Baths, "Aquae Virginis"
By Giovanni Battista Piranesi
Located in Alamo, CA
This is a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Orthographia utriusque lateris arcuum ductus Aquae Virginis a specu principe ad Hadriani thermas, effossorum...
Category
Mid-18th Century Old Masters California - Landscape Prints
Materials
Etching
South Ridge Series #66, Abstract Landscape
By Katherine Chang Liu
Located in Soquel, CA
A beautiful abstracted landscape, mixed media print and painting, in soft pastel hues by California artist Katherine Chang Liu (American, 20th-century). Signed and dated "Katherine C...
Category
1980s Abstract Expressionist California - Landscape Prints
Materials
Ink, Oil, Archival Paper, Etching
Marfa { The Road } - large scale photograph of endless road and horizon sunset
By Frank Schott
Located in San Francisco, CA
The Road by Frank Schott
country road outside of town, from a series of impressions captured in and around the artist community of Marfa, Texas, longtime residence of minimalist art...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Photographic Paper, Archival Pigment, Archival Paper, Giclée
"Washington Sea Eagle": An Original Audubon Hand-colored Lithograph
By After John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "Washington Sea Eagle", No. 3, Plate 13, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1856-1871. It depicts an adult male sea eagle perched on a rock.
This is an excerpt from Audubon's own description of this magnificent eagle, which includes how he came up with the name "Washington Sea Eagle":
"The name which I have chosen for this new species of Eagle, “The Bird of Washington,” may, by some, be considered as preposterous and unfit; but as it is indisputably the noblest bird of its genus that has yet been discovered in the United States, I trust I shall be allowed to honour it with the name of one yet nobler, who was the saviour of his country, and whose name will ever be dear, to it. To those who may be curious to know my reasons, I can only say, that, as the new world gave me birth and liberty, the great man who ensured its independence is next to my heart. He had a nobility of mind, and a generosity of soul, such as are seldom possessed. He was brave, so is the Eagle; like it, too, he was the terror of his foes; and his fame, extending from pole to pole, resembles the majestic soarings of the mightiest of the feathered tribe...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Marfa ( Texas ) - large format photograph of dramatic clouds over endless fields
By Frank Schott
Located in San Francisco, CA
Marfa ( Texas ) by Frank Schott
country road view in West Texas, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd
46 x 72 i...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Golden Eagle: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Golden Eagle", No. 3, Plate 12 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowe...
Category
Late 19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Flowering Digitalis Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Digitalis rubra floribus albis maculatis. Digitalis angustifolia flore fe...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
Flowering Cactus: A Framed 18th C. Hand-colored Engraving by Redoute
By Pierre-Joseph Redouté
Located in Alamo, CA
This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Late 18th Century Naturalistic California - Landscape Prints
Materials
Engraving
Trumpeter Swan: an Original 1st Edition Hand Colored Audubon Bird Lithograph
By John James Audubon
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Trumpeter Swan, Young", No. 7...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Two Tall Pines, (hand-printed cyanotype, 23 x 14 inches)
Located in Oakland, CA
This is a larger version of the 18 x 11 inch photograph of the same name. This is an original, hand-printed contact photograph using the antique cyanotype process. These Monterey pin...
Category
2010s Contemporary California - Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
Amolago (Aglaonema) Plant: 17th Century Botanical Engraving by H. van Rheede
Located in Alamo, CA
This is a rare 17th century engraving of a plant entitled "Amolago" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 16 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the Amolago plant, a large leafed plant, possibly corresponding to the present day aglaonema plant. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants.
The engraving is printed on 17th century laid, chain-linked paper. The sheet measures 14.75" high by 17.25" wide. There is a central fold, as issued. There are a few tiny spots and there is minimal irregularity of the left edge of the paper where the print was previously bound in the 17th century publication. The print is otherwise in very good condition.
There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints.
Hendrik Adriaan van...
Category
Late 17th Century Naturalistic California - Landscape Prints
Materials
Engraving
PAYSAGE D’ ITALIE
By Jean-Baptiste-Camille Corot
Located in Santa Monica, CA
JEAN-BAPTISTE CAMILLE COROT (1876 - 1875)
PAYSAGE D’ ITALIE 1866 (Melot 7 iii/iii)
Etching, plate 6 ¼ x 9 inches, Third state after the removal of the text but before the random scr...
Category
1860s Romantic California - Landscape Prints
Materials
Etching
North and South America: An 18th Century Hand-colored Map by Johann Homann
By Johann Baptist Homann
Located in Alamo, CA
This early 18th century hand-colored copperplate map of North and South America entitled "Totius Americae Septentrionalis Et Meridionalis Novissima Repraesentatio" was created by Johann Baptist Homann and published in Nuremberg, Germany, between 1710 and 1731. The map details cities, forts, mountains, forests and lakes, as well as districts. There is a decorative cartouche in the lower left which depicts a volcano, scenes representing the people in their native costumes, as well as animals and plants of the Americas. A village is seen in the background on the left. A second smaller decorative cartouche in the upper right includes text and a series of allegorical figures. A large portion if the north central and western portions of North America is left without detail, because the region was largely unexplored at the time this map was created. The map also shows "Terra Esonis Incognita", representing a mythical continuous land bridge from North America to Asia, a northwest passage. The map preceded the French and...
Category
Early 18th Century Old Masters California - Landscape Prints
Materials
Engraving
Duck Pond
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Duck Pond
Year: circa 1980
Medium: Original color lithograph
Edition: 285. This one: 29/285 in pencil
Paper: Arches
Image size...
Category
Late 20th Century American Impressionist California - Landscape Prints
Materials
Lithograph
"The Covered Wagon" On the Oregon Trail Prairie Schooner Horseman and Cattle
Located in Soquel, CA
"The Covered Wagon" On the Oregon Trail Prairie Schooner and Cattle
Facsimile in oil or silk screen Oil print by Gilbert Ross Tonge (American, 1883 - 1970...
Category
1940s American Impressionist California - Landscape Prints
Materials
Oil, Illustration Board, Screen
Bird of Prey: A 16th/17th Century Hand-colored Engraving by Aldrovandi
By Ulisse Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored woodcut engraving of a bird of prey is plate 219 from Ulisse Aldrovandi’s 'Opera Omnia', published ...
Category
Early 17th Century Naturalistic California - Landscape Prints
Materials
Engraving
Lone Boat At Dusk - Serigraph Print
Located in Soquel, CA
Lone Boat At Dusk - Serigraph Print
Original serigraph depicting a landscape scene with contrasts of black, blue and green. Hues of blue make up the ...
Category
1970s Contemporary California - Landscape Prints
Materials
Paper, Ink
WESTERN GRANDEUR
By Harold Lukens Doolittle
Located in Santa Monica, CA
HAROLD LUKENS DOOLTTLE (1883 - 1974)
WESTERN GRANDEUR c. 1945
Aquatint, signed titled and dedicated. Image 9 ¾ x 13 5/8 inches. Large full sheet with deckle edges 15 ½ x 19 inches...
Category
1940s American Realist California - Landscape Prints
Materials
Aquatint
Washington Assumes Command - Etching on Paper
Located in Soquel, CA
Washington Assumes Command - Etching in Ink on Paper
Historical engraving by Ralph Ludwig Boyer (American, 1879-1952). George Washington is shown holding a sword, with an army stand...
Category
1930s Impressionist California - Landscape Prints
Materials
Paper, Drypoint, Lithograph
Night Heron Birds: A 19th C. Folio-sized Hand-colored Lithograph by John Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Nycticorax Griseus" (Night-Heron) by John Gould from his monograph "The Birds of Great Britain...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Flying Squirrels: An Original Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand colored lithograph entitled "Severn River Flying Squirrel & Rocky Mountain Flying Squirrel", No. 29, P...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Black-headed Pitta Birds: A 19th C. Hand-colored Lithograph by John Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Pitta Atricapilla (Black-headed Pitta) by John Gould, which is plate 19 from his monograph "The Birds of Asia", published in L...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
American Bittern: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century 1st octavo edition John James Audubon hand-colored lithograph entitled "American Bittern, 1. Male 2. Female", No. 73, Plate 365 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts male and female American Bittern birds standing on the ground, each looking in opposite directions. There is high grass in the background.
This original 1st octavo edition hand-colored Audubon American Bittern lithograph is in excellent condition, other than a few tiny spots, which appear most likely inclusions related to the paper manufacture. The sheet measures 6.5" high by 10.25" wide. The original text pages, 94-98, from Audubon's 19th century publication are included with the lithograph.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Scolopaceous Courlan: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Scolopaceous Courlan", No. 63, Plate 312 from Audubon's "Birds of America, lithographed, printed...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Sunrise Clearing (11 x 8.5 inch hand-printed cyanotype)
Located in Oakland, CA
These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...
Category
2010s Contemporary California - Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
Dockside
By Gordon Hope Grant
Located in San Francisco, CA
This artwork titled "Dockside" 1950, is an original lithograph on paper by noted naval American artist Gordon Hope Grant, 1875-1962. It is hand signed in pencil by the artist. The a...
Category
Mid-20th Century American Realist California - Landscape Prints
Materials
Lithograph
Tournai (Tournay), Belgium: A 16th Century Hand-colored Map by Braun & Hogenberg
By Franz Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of Tournai, Belgium, entitled "Tornacum" by Georg Braun & Franz Hogenberg, in volume IV of their famous city atlas "Civitates Orbis Terrarum", published in Cologne or Augsberg, Germany in 1575. The map provides a bird's-eye view of the walled city of Tournai, the second oldest city in Belgium. It lies approximately one hour by car southwest of Brussels or from Ghent. The names of thirty of its streets, prominent buildings, churches and squares are listed in a key within a strap-work cartouche in the lower left. These locations are numbered in the key corresponding to their locations on the map.
This colorful map of Tournai (Tornacum or Tournay as it was called in the 16th century) includes the title in Latin in a cartouche in the upper center. Three crests are present across the upper map. A man and two woman are standing on a hill in the foreground in the lower right dressed in the style of 16th century upper class residents of the town.
This is an English translation of an excerpt of Braun's description of Tornai: “Tornacum or Turnacum is a city in Gallia Belgica, situated on the Schelde in the territory of the Nervii, called Tournai by its French inhabitants, but Dorneck by the Germans. Tournai has always been a large and powerful city, with an abundance of goods and commercial activities and wonderfully resourceful craftsmen, who invent new articles every day, and although some of these go out of use they constantly conceive of other new things, both useful and delightful, so that they have at all times something that provides work and a means of livelihood for the poor."
ReferencesVan der Krogt 4, 4435, State 1; Taschen, Braun and Hogenberg...
Category
16th Century Old Masters California - Landscape Prints
Materials
Engraving
A Falkland Island Quail: An 18th Century Hand-colored Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...
Category
1760s Naturalistic California - Landscape Prints
Materials
Engraving
Ulysses Deriding Polyphemus: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed hand-colored engraving/etching entitled "Ullyses Deriding Polyphemus" by Edward Goodall is based on an original 1829 painting by the renowned Briti...
Category
Mid-19th Century Romantic California - Landscape Prints
Materials
Engraving, Etching
'Musicians Viewing the Full Moon', Large Japanese Color Woodblock Print, Biwa
By Ogyu Tensen
Located in Santa Cruz, CA
Signed, lower right, with artist's chop mark in Hiragana, 'Tensen-e' 天泉絵, for Ogyū Tensen 荻生天泉 (Japanese, 1882-1947)
A large, early-20th-century, hand-colored Japanese woodblock showing elegantly-robed figures seated beside musical instruments in a panoramic landscape and viewing the full moon through golden clouds. An elegant example composed with clear artistic vision and printed with a consummate mastery of a challenging medium.
Nihonga style painter Ogyu Tensen was born in present-day Nihonmatsu City, Fukushima Prefecture. He studied at the Tokyo Fine Arts School, where he was taught by the well-known Kanō school painter Gahō Hashimoto (1835-1908), who was instrumental in the development of nihonga painting. Tensen was selected to participate in the first Bunten exhibition (Ministry of Education Fine Arts Exhibition) in 1907, in which he won an award. He went on to win many other awards at the Bunten exhibitions and the exhibitions of its successor organizations, the Teiten (Imperial Academy of Fine Arts) and Shin Bunten along with exhibitions of the Japan Arts Institute (Nihon Bijutsuin) and the post-war 1946 Nitten (Japan Fine Arts Exhibition). Along with his work in printmaking, the Imperial Court commissioned paintings by him.
Tensen was a member of the Futaba kai artist...
Category
1920s California - Landscape Prints
Materials
Woodcut, Paper, Fiberboard
Banana Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 2. Mauze, Baradis-feigen", p...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
Boats on the Shore, Print on Satin Paper, Framed
By Vahe Yeremyan
Located in Granada Hills, CA
Artist: Vahe Yeremyan
Work: Print on Satin Paper, Edition 021
Subject: Boats on the Shore,
Framed Size: 21'' x 28.5" x 1.5''inch, 53x73x5cm,
Ready to Hang, Wooden Frame. Glass, Pla...
Category
2010s Impressionist California - Landscape Prints
Materials
Paper, Satin Paper, Color
30x20 Pillars of Creation James Webb Telescope Space Photography NASA Photo Art
Located in Los Angeles, CA
The WEBB imagery is of the most important imagery every taken.
The finest museum quality WEBB images avialable.
Printed on archival paper using archival inks.
Framing options avail...
Category
21st Century and Contemporary American Modern California - Landscape Prints
Materials
Archival Ink, Archival Pigment
Colossi of Memnon, Thebes, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Thebes" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
The print depicts a view of the imposing pair of sitting...
Category
1840s Realist California - Landscape Prints
Materials
Lithograph
