California - Landscape Prints
to
214
576
405
291
235
222
Overall Width
to
Overall Height
to
599
179
88
58
57
48
39
8
6
5
5
4
2
1
130
58
41
37
37
181
233
591
724
8
6
29
42
21
14
31
52
44
34
121
1,042
611
67
428
395
366
259
190
136
134
127
123
116
107
105
100
95
95
94
87
78
77
60
572
351
322
274
240
402
437
1,729
11,857
4,648
Item Ships From: California
Chrysanthemum: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique hand-colored botanical mezzotint and line engraving of flowering Chrysanthemum matricaria plants. It is entitled "A. Chrysanthemum Matricarice Folus Flore...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
Cultivated Pea Plants: An 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "a. Pisum Minus sine Putamine, b. Pisa Indicum". It is plate 819 in Weinma...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
Cairo with Murad Bey's Palace: A Hand-colored Aquatint & Engraving by L. Mayer
By Luigi Mayer
Located in Alamo, CA
This is a hand-colored aquatint and engraving entitled "Principal Square in Grand Cairo, with Murad Bey's Palace", published in London by R. Bowyer in 1801. The print was created by ...
Category
Early 19th Century Romantic California - Landscape Prints
Materials
Engraving, Aquatint
Coastal Fog
By Stephen McMillan
Located in Palm Springs, CA
Trees in fog. A band of fog off of the Pacific, pouring its way through the forest in Fiscalini Ranch, Cambria.
Born in Berkeley, California, on December 21, 1949, he was raised in ...
Category
2010s Contemporary California - Landscape Prints
Materials
Etching, Aquatint
Papaya and Moth Metamorphosis: 18th C. Hand-colored Engraving by Maria Merian
By Maria Sibylla Merian
Located in Alamo, CA
This exquisite hand-colored 18th century folio-sized engraving of a papaya plant and moth metamorphosis is plate 64 from Maria Sibylla Merian's publication '...
Category
Early 18th Century Academic California - Landscape Prints
Materials
Engraving
Northern Italy: A 16th Century Hand-colored Map by Abraham Ortelius
By Abraham Ortelius
Located in Alamo, CA
This is a framed 16th century hand-colored copperplate map of northern Italy entitled "Veronae Urbis Territorium a Bernardo Bragnolo Descriptium" by Abraham Ortelius from his atlas "Theatrum Orbis Terrarum", which was the first modern atlas of the world, with the first volume published in 1570. This map was part of a subsequent volume, published in Antwerp in 1584. It was based on an earlier map by Bernardo Brognoli.
This beautiful map of northern Italy is focussed on Verona and its environs, including Mantua. Lake Garda and the South Tyrol mountains are prominently depicted. There is a very large striking cartouche in the upper left and a decorative distance scale in the lower right.
This striking hand-colored map of northern Italy is presented in a gold-colored wood frame and an olive green-colored mat. It is glazed with UV conservation glass. All mounting materials used are archival. The frame measures 21.5" high by 28" wide by 0.75" deep. There is a central vertical fold, as issued, with slight separation of the lower portion of the fold. There are faint spots in the upper and right margins, but the map is otherwise in very good condition.
Abraham Ortelius (also known as Ortels, Orthellius, and Wortels) (1527-1598) was a Dutch cartographer, geographer, and cosmographer. He began his career as a map colorist. In 1547 he entered the Antwerp guild of St Luke as an "illuminator of maps". He had an affinity for business from an early age and most of his journeys before 1560, were for business. He was a dealer in antiques, coins, maps, and books.
His business income allowed him to acquire an extensive collection of medals, coins, and antiques, as well as a large library of books...
Category
16th Century Old Masters California - Landscape Prints
Materials
Engraving
Over the River (From Above) Project for the Arkansas River, CO, Signed Print
By Christo and Jeanne-Claude
Located in San Rafael, CA
Christo (1935 - 2020) and Jeanne-Claude (1935 - 2009)
Over the River (From Above)
Project for the Arkansas River, Colorado
Offset lithograph in colors on smooth paper
Signed by Chris...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Paper
Marfa { The Road } - large scale photograph of endless road and horizon sunset
By Frank Schott
Located in San Francisco, CA
The Road by Frank Schott
country road outside of town, from a series of impressions captured in and around the artist community of Marfa, Texas, longtime residence of minimalist art...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Photographic Paper, Archival Pigment, Archival Paper, Giclée
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
By Utagawa Toyokuni
Located in Soquel, CA
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae.
The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs.
The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...
Category
1820s Edo California - Landscape Prints
Materials
Ink, Rice Paper, Woodcut
The Basilica of St. Paul in Rome, Early 19th Century Etching by Luigi Rossini
By Luigi Rossini
Located in Alamo, CA
"Rovina della gran Basilica di S. Paolo fueri le mura accaduta" (View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura) from "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the destruction of the Basilica of St. Paul after the fire of 1823. People stand in the road and on the right observing the damage amid debris, which includes many fragments of columns.
The etching is presented in a silver-color wood frame with an off-white double mat with a black inner mat. There are a few small spots, but it is otherwise in very good condition. See item # LU117324669722 for another Rossini etching...
Category
1820s Old Masters California - Landscape Prints
Materials
Etching
Mirror Pass
By Earl Biss
Located in San Francisco, CA
This artwork titled "Mirror Pass" 1977 is an original color screenprint by noted Native American artist Earl Biss, 1947-1998. It is hand signed, dated and numbered 37/100 in pencil by the artist. The artwork (image) size is 29 x 21 inches, framed size is 38.5 x 30 inches. Custom framed in a wooden silver and blue frame, with fabric matting. It is in excellent condition.
About the artist:
Born in Washington state, Earl Biss became a well-known Native American artist. He was raised by his grandmother on the Crow reservation in Montana and earned a scholarship to the Institute of American Indian Art in Santa Fe where he studied jewelry design. He attended the San Francisco Art Institute and then traveled widely in Europe where he was heavily influenced by the impressionist style of Monet and other European artists.
His paintings have a dream-like, abstract quality with Indian figures merging with the landscape. He worked on numerous paintings, sometimes as many as twenty, simultaneously. On October 18, 1998, he died from a stroke while in his studio painting.
• 1965 - 1966 Studied at the Institute of American Indian Arts (IAIA) in Santa Fe, New Mexico. Was a member of the inaugural class. The IAIA was founded in 1962.
• Studied under Fritz Scholder, Charles Loloma, Alan Houser...
Category
Late 20th Century Impressionist California - Landscape Prints
Materials
Screen
Wahini #2 - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
By Marc Zimmerman
Located in Carmel, CA
Wahini #2 - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself in ...
Category
2010s Contemporary California - Landscape Prints
Materials
Woodcut
Life Below, by Art Werger
By Art Werger
Located in Palm Springs, CA
A sspectacular view from above of the buildings and traffic a large city. Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to comple...
Category
Early 2000s Contemporary California - Landscape Prints
Materials
Etching, Aquatint
"Coast July No. 2" - Multi Layer Landscape Screenprint (9 of 23)
By Dorr Bothwell
Located in Soquel, CA
Titled in lower left corner ("Coast July No. 2")
Numbered lower center ("9/23")
Signed and dated twice in lower right, once inside the artwork, once below ("Bothwell '63" and "Dorr Bothwell '63")
Presented in a cream colored mat with foamcore backing.
Mat size: 24"H x 28"W
Paper size: 20"H x 26"W
Dorris Hodgson Bothwell (American, 1902–2000), known as Dorr, was born in San Francisco, California, on May 3, 1902. The Bothwell family moved to San Diego in 1911, where they became friends and neighbors with the artists Anna and Albert Valentien. Dorr began her art studies with Anna in 1916 at the age of 14. In the early 1920s, Dorr returned to San Francisco to study at the California School of Fine Arts, then studied at the University of Oregon, in Eugene, and the Rudolph Schaeffer School of Design, which was founded in San Francisco, 1926.
After receiving a modest inheritance, Dorr traveled to American Samoa in 1928, where she remained for two years and produced many works of art in a wide variety of mediums. Some of these were successfully shown at the Fine Arts Gallery of San Diego and the Beaux Gallery in San Francisco, allowing her to spend time in England, France, and Germany.
Returning to San Diego in 1931, Dorr became involved, once more, with the San Diego art community and exhibited with the San Diego Moderns...
Category
1960s Modern California - Landscape Prints
Materials
Paper, Ink, Screen
Huge - CASTLE ROCK WYOMING (Jackson Hole),
By Werner Drewes
Located in Santa Monica, CA
WERNER DREWES (1899 - 1985)
CASTLE ROCK WYOMING (Jackson Hole), (Rose RIII 194)
Color woodcut Total edition XXX, Signed, annotated AP and dated '58 in...
Category
1950s Abstract Expressionist California - Landscape Prints
Materials
Woodcut
Genip Tree & Fruit: An 18th C. Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Geniculata Wieder Kraief, B. Genipa seu Ganipaba". It is plate 531 in...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
"Tierra Roja" from the "Mexican suite"
By David Alfaro Siqueiros
Located in San Francisco, CA
This artwork titled "Tierra Roja" from "The Mexican Suite" is an original colors lithograph on Arches paper by renown Mexican artist David Alfaro Siqueiros...
Category
Mid-20th Century Modern California - Landscape Prints
Materials
Lithograph
Seascape XII -large format photograph of monochrome blue water surface and Cloud
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes
Seascape ...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Pheasant Pigeon Birds: 19th C. Folio-sized Hand-colored Lithograph by John Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Otidiphaps Nobilis" (Pheasant Pigeon) by John Gould from his monograph "The Birds of Asia", published in London in 1862-1879. The print, which was drawn by Gould and H. C. Richter and lithographed by Walter, depicts two Pheasant Pigeon birds...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Safety Pin Cloud
By Fanny Brennan
Located in Greenwich, CT
Safety Pin Cloud is a lithograph on paper with an image size of 3 x 3 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray fram...
Category
20th Century Surrealist California - Landscape Prints
Materials
Paper, Lithograph
"Hayrolls In The Lavender Field" Modern Impressionist Serigraph of Provence
By Maria Bertrán
Located in Laguna Beach, CA
"Hayrolls In The Lavender Field" is an beautiful 95 color hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist...
Category
2010s Post-Impressionist California - Landscape Prints
Materials
Screen
At the Crossroads (color), by Art Werger
By Art Werger
Located in Palm Springs, CA
A spectacular view from above of a major cross roads in a town where some large gathering of people or protest is happening. Werger's mezzotint prints are masterful at capturing a mo...
Category
2010s Contemporary California - Landscape Prints
Materials
Mezzotint
North and South America: An 18th Century Hand-colored Map by Johann Homann
By Johann Baptist Homann
Located in Alamo, CA
This early 18th century hand-colored copperplate map of North and South America entitled "Totius Americae Septentrionalis Et Meridionalis Novissima Repraesentatio" was created by Johann Baptist Homann and published in Nuremberg, Germany, between 1710 and 1731. The map details cities, forts, mountains, forests and lakes, as well as districts. There is a decorative cartouche in the lower left which depicts a volcano, scenes representing the people in their native costumes, as well as animals and plants of the Americas. A village is seen in the background on the left. A second smaller decorative cartouche in the upper right includes text and a series of allegorical figures. A large portion if the north central and western portions of North America is left without detail, because the region was largely unexplored at the time this map was created. The map also shows "Terra Esonis Incognita", representing a mythical continuous land bridge from North America to Asia, a northwest passage. The map preceded the French and...
Category
Early 18th Century Old Masters California - Landscape Prints
Materials
Engraving
Flowering Trumpet Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Stramonia Aegyptiaca foetida semine pallido flore albo duplici triplicive...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
Panoplie, fantasy topiary etching by contemporary french artist Francois Houtin
By François Houtin
Located in Palm Springs, CA
Contemporary French artist Francois Houtin still developed his signature style of imaginary vegetation and symbols in the 1970's and has continued to master etching and fantasy lands...
Category
1970s Contemporary California - Landscape Prints
Materials
Etching
Tree Study III - large format b/w photograph of lone ancient tree in landscape
By Frank Schott
Located in San Francisco, CA
From a series of large scale black & white photographs capturing the ancient flora and dramatic arboretum of California's vast Sierra Nevada mountain landscapes, an homage to photogr...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Paper, Photographic Paper, Giclée, Archival Pigment, Archival Ink
MANHATTAN
By Anton Schutz
Located in Santa Monica, CA
ANTON SCHUTZ
MANHATTAN c 1940
Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...
Category
1940s American Realist California - Landscape Prints
Materials
Etching
"Washington Sea Eagle": An Original Audubon Hand-colored Lithograph
By After John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "Washington Sea Eagle", No. 3, Plate 13, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1856-1871. It depicts an adult male sea eagle perched on a rock.
This is an excerpt from Audubon's own description of this magnificent eagle, which includes how he came up with the name "Washington Sea Eagle":
"The name which I have chosen for this new species of Eagle, “The Bird of Washington,” may, by some, be considered as preposterous and unfit; but as it is indisputably the noblest bird of its genus that has yet been discovered in the United States, I trust I shall be allowed to honour it with the name of one yet nobler, who was the saviour of his country, and whose name will ever be dear, to it. To those who may be curious to know my reasons, I can only say, that, as the new world gave me birth and liberty, the great man who ensured its independence is next to my heart. He had a nobility of mind, and a generosity of soul, such as are seldom possessed. He was brave, so is the Eagle; like it, too, he was the terror of his foes; and his fame, extending from pole to pole, resembles the majestic soarings of the mightiest of the feathered tribe...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Marfa ( Texas ) - large format photograph of dramatic clouds over endless fields
By Frank Schott
Located in San Francisco, CA
Marfa ( Texas ) by Frank Schott
country road view in West Texas, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd
48 x 72 i...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée
Virginian Rail: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Virginian Rail, 1. Male, 2. Female, 3. Young", No. 63, Plate 311 from Audubon's "Birds of Americ...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Trouble in Paradise
By Wayne Perry
Located in Palm Springs, CA
Signed, titled and numbered by the artist, from the serigraph edition of 40 prints completed at Self Help Graphics in Los Angele.
Trouble in Paradise is based on tourism postcards and California orange crate art...
Category
2010s Contemporary California - Landscape Prints
Materials
Screen
Flowering Sweet William Plant: 18th C. Hand-colored Weinmann Botanical Engraving
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "a. Caryophyllus Arborescens, b. Caryophyllus Barbatus". It is plate 327 i...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
Pool of Bethesda, Jerusalem: A Hand-colored Aquatint & Engraving by L. Mayer
By Luigi Mayer
Located in Alamo, CA
This is a hand-colored aquatint and engraving entitled "Pool of Bethesda, Jerusalem", published in London by R. Bowyer in 1804. The print was created by Thomas Milton (1743-1827) from drawings by Luigi Mayer.
This beautiful, detailed, original engraving is printed on deluxe J. Whatman paper with very wide left and right margins. There is a watermark "1801" indicating the year the paper was made. The sheet measures 11.25" high and 16" wide. There is a small faint spot in the upper margin on the left and a tiny faint spot in the right upper corner and another in the left lower corner. The engraving is otherwise in excellent condition with vibrant colors throughout the image.
"The Pool of Bethesda...
Category
Early 19th Century Romantic California - Landscape Prints
Materials
Engraving, Aquatint
Flowering Garden Pea Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Pisum Mapis flore pupureo". It is plate 818 in Weinmann's monumental publ...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
Le Vieux Port
By Denis Paul Noyer
Located in San Francisco, CA
This artwork "Le Vieux Port" c.1970 Is an original colors lithograph by noted French artist Denis Paul Noyer, b.1940. It is signed and numbered 129/260 in pencil by the artist. The i...
Category
Late 20th Century Modern California - Landscape Prints
Materials
Lithograph
Surf Play- Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
By Marc Zimmerman
Located in Carmel, CA
Surf Play- Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself in t...
Category
2010s Contemporary California - Landscape Prints
Materials
Woodcut
Golden Eagle: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Golden Eagle", No. 3, Plate 12 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowe...
Category
Late 19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
French Forest Landscape Lithograph "Bord de la Forêt et Maisons Sous la Neig"
By Bernard Gantner
Located in Soquel, CA
Quiet winter scene on a frozen lake by listed artist Bernard Gantner (France, b. 1928). Presented in a rustic wood frame. Signed and numbered in pencil: edition number "149/275" lowe...
Category
1980s Impressionist California - Landscape Prints
Materials
Paper, Ink, Lithograph
Red-cockaded Woodpecker: A First Octavo Edition Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Red-cockaded Woodpecker, 1. 2. Male, 3. Female", No. 5...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
"Animated Formation" Abstract Aquatint Etching
Located in Soquel, CA
"Animated Formation" Abstract Aquatint Etching
Abstract Aquatint Etching by Katherine "Kay" Metz (b. 1932-2018.)This dynamic print by Kay Metz straddles the line between organic and...
Category
1950s Post-War California - Landscape Prints
Materials
Etching, Archival Paper, Aquatint
Storm Wave III
By Art Werger
Located in Palm Springs, CA
Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. His seascapes and ocean prints are from the California coastline. Sign...
Category
Early 2000s Contemporary California - Landscape Prints
Materials
Mezzotint
Flowering Narcissus Lily: 18th Century Hand-colored Weinmann Botanical Engraving
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of a flowering Red Narcissus Lily plant, which is finished with hand-coloring. It is entitled "Narcissus In...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
Early 20th Century Santo Domingo Landscape Etching Proof
By George Overbury Hart
Located in Soquel, CA
Prize winning 1923 Dry Point Etching of Santo Domingo by George "Pop" Hart.
Wonderful early 20th century modern etching of the Santo Domingo, capital of Dominican Republic by Georg...
Category
1920s Contemporary California - Landscape Prints
Materials
Laid Paper, Drypoint, Etching
Evening Rain, by Stephen McMillan
By Stephen McMillan
Located in Palm Springs, CA
Abstract patterns from reflections in water. Signed, titled and numbered from edtion of 120.
Born in Berkeley, California, on December 21, 1949, he was raised in a home that had a s...
Category
2010s Contemporary California - Landscape Prints
Materials
Etching, Aquatint
Red-throated Diver Bird Original First Edition Audubon Hand Colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original rare and extremely collectible first octavo edition John James Audubon hand colored royal octavo lithograph entitled "Red-throated Diver", No. 96, Plate 478, from...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Action de Vin sur Le Moral (How Wine Affects the Morale)
By Raoul Dufy
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy
Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category
1930s Post-Impressionist California - Landscape Prints
Materials
Lithograph
Seascape VII - large format photograph of cloud formations and reflecting sea
By Frank Schott
Located in San Francisco, CA
large scale original photograph of dramatic cloud formations and reflecting sea
SEASCAPE VII by Frank Schott
58 x 58 inches ( 147 x 147cm )
signed edition of 7
48 x 48 inches ( 12...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Photographic Paper, Archival Pigment, Black and White, Giclée, Archival ...
"Weather Eye" - 1989 Lithograph on Paper
By Deborah Rumer
Located in Soquel, CA
"Weather Eye" - 1989 Lithograph on Paper
1989 Lithograph on paper titled "Weather Eye" by Deborah Rumer (American, 20th Century). A windowsill is the focal point, as the viewer look...
Category
1980s Expressionist California - Landscape Prints
Materials
Paper, Ink, Lithograph
$440 Sale Price
20% Off
Eagle or Horned Owl: A Framed Original 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Bubo Maximus" (Great Horned or Eagle Owl) by John Gould, from the supplement to his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Eagle Owl about to feed her brood of babies who are in the their nest. A another adult (possibly the male) is seen in the distant background in the upper right.
This striking framed Gould...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
Washington Assumes Command - Etching on Paper
Located in Soquel, CA
Washington Assumes Command - Etching in Ink on Paper
Historical engraving by Ralph Ludwig Boyer (American, 1879-1952). George Washington is shown holding a sword, with an army stand...
Category
1930s Impressionist California - Landscape Prints
Materials
Paper, Drypoint, Lithograph
"Nativity" Modernist Landscape Screen Print in Ink on Paper -
Located in Soquel, CA
"Nativity" Modernist Landscape Screenprint in Ink on Paper
Whimsical modern landscape silkscreen print of the nativity scene by San Francisco, C...
Category
1970s Modern California - Landscape Prints
Materials
Paper, Printer's Ink, Screen
$452 Sale Price
20% Off
Canterbury: An Original 16th C. Framed Hand-colored Map by Braun & Hogenberg
By Franz Hogenberg
Located in Alamo, CA
This is a framed 16th century map and city view of Canterbury, England entitled "Cantuarbury" by Braun & Hogenburg, from their famous landmark atlas of city views 'Civitates Orbis Terrarum' (Atlas of the Cities of the World), which was first published in Cologne, Germany in 1572. The map of Canterbury was first published in 1588. It depicts a detailed birdseye view of the completely walled and fortified city of Canterbury, with its cathedral the most prominent feature. The coat of arms of England, Canterbury, and the Archbishop of Canterbury are included.
This beautifully hand-colored map is presented in a gold-colored wood frame with a beaded inner trim and a paprika-colored mat that highlights details in the map. The frame measures 18.75" high by 22.25" wide by 0.875" deep. There is a central vertical fold, as issued. The map is in excellent condition.
Braun and Hogenberg's 'The Civitates Orbis Terrarum' was the second atlas of maps ever published and the first atlas of cities and towns of the world. It is one of the most important books published in the 16th century. Most of the maps in the atlas were engraved by Franz Hogenberg and the text, with its descriptions of the history and additional factual information of the cities, was written by a team of writers and edited by Georg Braun. The work contained 546 bird-eye views and map views of cities and towns from all over the world. It gave graphic representation of the main features of the illustrated cities and towns, including the buildings and streets. Although the ordinary buildings are stylized, the principal buildings are reproduced from actual drawings created on location. The principal landmarks and streets can still be recognized today. In addition, the maps often include the heraldic arms of the city, the nature of the surrounding countryside, the important rivers, streams and harbors, even depicting stone bridges, wooden pontoons, flat-bottomed ferries, ships and working boats, wharves and jetties, as well as land-based activities, including horsemen, pedestrians, wagons, coaches, and palanquins. Small vignettes are often included which illustrate the trade, occupations and habits of the local inhabitants, such as agriculture, paper-making and textiles, as well as local forms of punishment, such as gibbets, wheels, floggings etc. Large figures dressed in their local costume are often presented out of proportion in the foreground. The aim of the authors was to give as much information as possible in a pleasing visual form. They succeeded in creating maps that were both informative and decorative works of art. The atlas is a wonderful glimpse of life in medieval Europe.
Georg Braun (1541-1622) was German Catholic...
Category
16th Century Old Masters California - Landscape Prints
Materials
Engraving
Three Gould Hand-colored Lithographs from Birds of Australia and New Zealand
By John Gould
Located in Alamo, CA
Three hand-colored lithographs from John Gould's seven volume book "The Birds of Australia", which included New Zealand, depicting: pairs of "Eudyptes Chrysocome" (New Zealand Rock-hopper Crested Penguins), "Diomedea O Thalassarche Cauta" (Australian Shy Albatross) and "Sula Fusca" (Brown Gannets).
These beautiful sea bird prints are presented in identical very attractive brown wood frames, embellished with gold highlights in the corners and gold inner trim, along with light cream-colored French mats, each with a medium cream-colored band and a gold highlight line. There is scattered spotting. There is a small tear in the lower right corner of the penguin lithograph...
Category
1840s Academic California - Landscape Prints
Materials
Lithograph
Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
By Ulisse Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate 215 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 a...
Category
Early 17th Century Naturalistic California - Landscape Prints
Materials
Engraving
Spider Lily: An Original 18th C. Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Ephemerum Virginianu flore Purpureo, B. Ephemer...
Category
Mid-18th Century Naturalistic California - Landscape Prints
Materials
Engraving, Mezzotint
The Dotage of St. George , by Stan Washburn
By Stan Washburn 1
Located in Palm Springs, CA
A view of St. George living at peace with the animals around him. While Washburn's techniques bear favorable comparison with the old masters, there is a definite modern sense of wit ...
Category
1970s Contemporary California - Landscape Prints
Materials
Etching
Topiary II - large format photograph of ornamental shaped sidewalk trees
By Frank Schott
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism
TOPIARY II by Fran...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Nizza - large format photograph of summer beach scene in South of France
By Frank Schott
Located in San Francisco, CA
observation of a Mediterranean beach scene in Nice, France, on a hazy summer day
Nizza by Frank Schott
48 x 75.5 inches (122 x 192cm)
signed edition of 7
44 x 69 inches (122 x 17...
Category
21st Century and Contemporary Contemporary California - Landscape Prints
Materials
Photographic Paper, Archival Pigment, Archival Paper, Giclée, Archival Ink
MANHATTAN CLIFFS (Large Lithograph)
By Mark Freeman
Located in Santa Monica, CA
MARK FREEMAN (1908 - 2003)
MANHATTAN CLIFFS, 1947
Lithograph (offset?) with 2 color plates. Signed, titled and dated. 19 1/2 x 15 in., large grey sheet, 22 3/8 x 17 1/2 in. Very good condition. A large and very strong image of New York.
Category
1940s American Modern California - Landscape Prints
Materials
Lithograph
$682 Sale Price
30% Off
Reddish Egrets, Adult & Young: An Original Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Reddish Egret, 1. Adult, Full Spring Plumage 2. Young in Full Spring Plumage Two Years Old", No. 75, Plate 371 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1870-1871. It depicts an adult reddish egret standing in the water with leg up, looking to the left at a young white egret standing on land looking to the right at the adult bird. A beautiful landscape is depicted.
This original hand-colored Audubon egret...
Category
Mid-19th Century Naturalistic California - Landscape Prints
Materials
Lithograph
