Canada - Prints and Multiples
to
91
254
149
337
187
127
Overall Width
to
Overall Height
to
246
216
90
44
13
10
7
6
5
1
143
60
50
37
34
2
255
798
8
27
71
73
45
478
319
223
370
212
163
142
125
73
72
51
42
41
40
35
35
29
27
26
25
23
23
22
423
232
230
222
164
200
548
52,571
35,939
Item Ships From: Canada
Sunday Afternoon
Located in Toronto, ON
Image Size: 6" x 4 1/4" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2021
Category
2010s Canada - Prints and Multiples
Materials
Etching
Small Voice
Located in Toronto, ON
Image Size: 6" x 4 1/4" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2021
Category
2010s Canada - Prints and Multiples
Materials
Etching
Red Bird
Located in Toronto, ON
Image Size: 4.5" x 4.5" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2019
Category
2010s Canada - Prints and Multiples
Materials
Etching
Red Glove
Located in Toronto, ON
Image Size: 9" x 4.5" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2019
Category
2010s Canada - Prints and Multiples
Materials
Etching
Rose Aroma
Located in Toronto, ON
Image Size: 7.5" x 5" Unframed
Limited Edition Etching of 15
Hand Signed by Mariko Ando
2012
Category
2010s Canada - Prints and Multiples
Materials
Etching
Rabbit - Day After Tomorrow
Located in Toronto, ON
Image Size: 5" x 4" Unframed
Limited Edition Etching of 10
Hand Signed by Mariko Ando
Category
2010s Canada - Prints and Multiples
Materials
Etching
Owl in The Velvet Woods
Located in Toronto, ON
Image Size: 4" x 4" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2016
Category
2010s Canada - Prints and Multiples
Materials
Etching
Non-Existent Letter
Located in Toronto, ON
Image Size: 8.5" x 6" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2015
Category
2010s Canada - Prints and Multiples
Materials
Etching
Non-Existent Bird
Located in Toronto, ON
Image Size: 8.5" x 6" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2015
Category
2010s Canada - Prints and Multiples
Materials
Etching
Moon and Bird
Located in Toronto, ON
Image Size: 6" x 4" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2016
Category
2010s Canada - Prints and Multiples
Materials
Etching
Moon and Rose Sisters
Located in Toronto, ON
Image Size: 4" x 4" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2016
Category
2010s Canada - Prints and Multiples
Materials
Etching
Moon and Bat
Located in Toronto, ON
Image Size: 6" x 4" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2016
Category
2010s Canada - Prints and Multiples
Materials
Etching
Living Room
Located in Toronto, ON
9" x 7" Unframed
Original Etching of 20
Hand Signed by Mariko Ando
2012
Category
2010s Canada - Prints and Multiples
Materials
Etching
Little Red Bird
Located in Toronto, ON
Image Size: 7" x 4" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2015
Category
2010s Canada - Prints and Multiples
Materials
Etching
Good Morning Armandy
Located in Toronto, ON
6" x 4 1/4" Unframed
Limited Edition Etching + Aqua Tint + Chine colle,Hand coloured
Hand signed by Mariko Ando
Category
2010s Canada - Prints and Multiples
Materials
Etching
Fish in The Velvet Woods
Located in Toronto, ON
Image Size: 6" x 4.5" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2016
Category
2010s Canada - Prints and Multiples
Materials
Etching
Clown and Flower
Located in Toronto, ON
Image Size: 6" x 3.5" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2015
Category
2010s Canada - Prints and Multiples
Materials
Etching
Black or White
Located in Toronto, ON
Image Size: 7" x 4" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2013
Category
21st Century and Contemporary Canada - Prints and Multiples
Materials
Etching
Bat Chair
Located in Toronto, ON
Image Size: 7" x 4" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2015
Category
21st Century and Contemporary Canada - Prints and Multiples
Materials
Etching
At the Foolish Fair
Located in Toronto, ON
Image Size: 9" x 4.5" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2019
Category
2010s Canada - Prints and Multiples
Materials
Etching
Jack Nicklaus
By Stephen Holland
Located in Toronto, ON
Limited Edition Giclee on Canvas of 69
Hand Signed by Stephen Holland
Autographed by Jack Nicklaus
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Giclée
Mats
By Stephen Holland
Located in Toronto, ON
Limited Edition Serigraph on Paper with Hand Embellishment of 3
Hand Signed by Stephen Holland
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Paper
Dr. Brute's Shield
By General Idea
Located in Toronto, Ontario
In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...
Category
1980s Post-Modern Canada - Prints and Multiples
Materials
Screen
The Honeymoon is Over
By General Idea
Located in Toronto, Ontario
In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond.
The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance.
With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism.
Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles.
This print comes from "Fear Management": a set of 8 prints that celebrates some of General Idea's defining and most beloved motifs by situating them on a crest. This showcases their clever blend of historical fantasy and invented patrimony.
Many of these self-mythologizing crests debuted in 1986 during their exhibition at the Albright-Knox Art Gallery in Buffalo entitled: The Armoury of the 1984 Miss General Idea Pavillion.
This series is a defining example of one of General Idea's most iconic motifs, the crest, which showcases their clever blend of historical fantasy and invented patrimony.
Centered on a handpainted background, "The Honeymoon...
Category
1980s Post-Modern Canada - Prints and Multiples
Materials
Screen
Corona Death
Located in Montreal, Quebec
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Canvas, Digital
Abdala
Located in Montreal, Quebec
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Archival Paper, Digital
Janssen
Located in Montreal, Quebec
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Archival Paper, Digital
Pfizer
Located in Montreal, Quebec
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Archival Paper, Digital
AstraZeneka
Located in Montreal, Quebec
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Archival Paper, Digital
Davenport and Bay
By Charles Pachter
Located in Toronto, Ontario
Charles Pachter is one of the most collected and cherished Canadian artists.
His iconic, uplifting, and patriotic images have independently earned their place in the nation's museum...
Category
1980s Contemporary Canada - Prints and Multiples
Materials
Giclée
There is Hope, If We Rise (Never Idle)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your ev...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Screen
There is Hope, If We Rise (Confront)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice.
Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada.
Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.).
Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Screen
There is Hope, If We Rise (Idle Know More)
By Sonny Assu
Located in Montreal, Quebec
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your ev...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Screen
Autres mouches no 3
By Jean-Paul Riopelle
Located in Westmount, QC
Jean-Paul Riopelle, 1923-2002, Canadian
Autres mouches no 3, 1985
Lithograph on Japan paper
20 1/2 x 26 3/4 in
Signed and numbered in pencil, edition of 75
Catalogue raisonné refer...
Category
Late 20th Century Abstract Canada - Prints and Multiples
Materials
Lithograph
Pantie stains #5
By Cal Lane
Located in Montreal, Quebec
Rust on archival paper
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova ...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Archival Paper
Pantie stains #6
By Cal Lane
Located in Montreal, Quebec
Rust on archival paper
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova ...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Archival Paper
Pantie stains #3
By Cal Lane
Located in Montreal, Quebec
Rust on archival paper
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova ...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Archival Paper
Pantie stains #9
By Cal Lane
Located in Montreal, Quebec
Rust on archival paper
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova ...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Archival Paper
Pantie stains #8
By Cal Lane
Located in Montreal, Quebec
Rust on archival paper
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova ...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Archival Paper
Pantie stains #1
By Cal Lane
Located in Montreal, Quebec
Rust on archival paper
Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova ...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Archival Paper
Acts I-2 #1
Located in Montreal, Quebec
In Acts 2:3 of the Bible, flaming tongues lap at the disciples, conferring upon them the ability to speak languages not their own. These fiery tongues have signified the power of speech, persuasion, and the ability to preach to the masses. Ingrid Bachmann’s tongues in Pinocchio’s Dilemma are glossy as if sugarcoated and boiled into hard candies—a crystallization process. They are the only of her works that people have tried to lick. Alternately seductive and repulsive, they wag mechanically at eye-level, emitting a small wind-up machine language of their own.
The tongue gives the impression an attempt to tell, a revealing of secrets. On the opposing side of the room, a rod extends slowly from a hole in the wall, inching out, then back in. Pinocchio’s nose is an instantly recognizable stand-in for lies, liars, fakes. Pinocchio originated as the protagonist of a 19th-century children’s book by the Italian writer Carlo Collodi, and was most famously adapted by The Walt Disney Company. The pre-Disney Pinocchio is unruly, violent and mischievous; his story was originally intended to be a tragedy in which the marionette is hung from an oak tree branch by his enemies.
Angry Work contains a latent violence—that which is found in childhood games, stories, myths, novels, and in the tools of the everyday. Two 14-foot-long knitting needles—domestic weaponry—lean as dead as stones, cool and silent, against the wall. These weighted objects commune with three bronze tongues, pre-vocalizations, embalmed. Bronze is a silent material.
Two drawings invoke Cassandra, who was promised the gift of prophecy by Apollo. When Apollo appeared to her, she refused his sexual advances. In some iterations of the story, Apollo appeared as a wolf surrounded by mice and spat on her tongue. She awoke with a taste on her tongue. Maybe metallic, maybe red. She had been granted the gift of prophecy, with one condition: no one would believe her. This burdened us with one of the earliest models of hysteria—speaking in tongues, speaking marred truths. Bachmann maintains that Angry Work is not limited to women’s anger, or to personal anger. It’s about generalized anger.
“The red world And corresponding red breezes.” [1]
A cloud of anger, hints of red. An amorphous unknown. “The Airborne Toxic Event” [2] that encapsulates truth, lies, histories repeated, struggle, strife, shock, grappling and anger, anger, anger.
I am told that The Angry Machine weighs 400 pounds and emits a mechanized hum. It will be fenced in, for the protection of both viewers and itself. It will not perform on demand, but at scheduled intervals, only occasionally. It has a projectile that is red. Red is the memory of a children’s game, trying to avoid hitting yourself, to avoid the smack of something against your skin. Red is interiority: the tongue, cheeks, throat and kisses. One can “see red” in a fit of rage. Red is blood, and red is romance — “roses being burned alive.” [3]
[1] Anne Carson...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Watercolor, Screen
Celly 2
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Canada - Prints and Multiples
Materials
Plexiglass, Digital
Celly 4
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Canada - Prints and Multiples
Materials
Plexiglass, Digital
Celly 3
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Canada - Prints and Multiples
Materials
Plexiglass, Digital
Diffraction, trace #1
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Canada - Prints and Multiples
Materials
Digital
Plasma 7
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Canada - Prints and Multiples
Materials
Plexiglass, Digital
Ductile 2
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Canada - Prints and Multiples
Materials
Plexiglass, Digital
Ductile 1
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Canada - Prints and Multiples
Materials
Plexiglass, Digital
The paradise Syndrome, Voyage #30
By Sonny Assu
Located in Montreal, Quebec
Titled after an episode of Star Trek, The Paradise Syndrome features new work by Sonny Assu. Combining Indigenous content with appropriated images and text from marine chart...
Category
2010s Abstract Canada - Prints and Multiples
Materials
Archival Pigment
Nuit Blanche à Tokyo
By Michel Piquette
Located in Montreal, Quebec
It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take root in an aesthetic tr...
Category
2010s Abstract Canada - Prints and Multiples
Materials
Digital
Business As Usual
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
He...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Color
Unending Industry
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
He...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Color
Lay Bare
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
He...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Color
Mapped, Claimed, Evaluated
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Color
Staking Claim
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
He...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Color
White Horizon
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
He...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Color
What Nations Come and Go
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
He...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Color
Desire for Self-Determination
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Color
The Spaces We Breathe
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
He...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Color
Scramble For Maritime Territory
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Contemporary Canada - Prints and Multiples
Materials
Color
Read More
Joan Mitchell’s Rare, Late-Career Diptych Buzzes with Life
Beneath the inky blackness, the painter’s irrepressible energy electrifies this pair of intaglio prints.
The 1stDibs Guide to Types of Abstract Art
Get to know the key movements and artists who have influenced visual culture for more than a century.
Romare Bearden’s Humanity Infuses His Bright, Bold Art
Through collage, painting and printmaking, the artist foregrounded Black life in America in revolutionary new ways.
Andy Warhol and Suzie Frankfurt’s ‘Wild Raspberries’ Cookbook Is an Artful, Fanciful Delight
This set of recipes and original prints might not make you a better chef. But it will make you smile.
Art Brings the Drama in These Intriguing 1stDibs 50 Spaces
The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.
Welcome (Back) to the Wild, Wonderful World of Walasse Ting
Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.
Shapero Modern’s Director Tells Us All about 20th-Century Prints
Tabitha Philpott-Kent knows a lot of art multiples. Here, the London gallery director talks about what makes printmaking so fabulous.
Yoshitomo Nara Puts a Punk Rock Twist on the Traditional Prints of His Ancestors
The forever-rebellious Japanese artist craftily defaces famous Edo Period woodblock prints with “In the Floating World.”
Recently Viewed
View AllMore Ways To Browse
Robert Colquhoun
St Moritz Vintage Ski Poster
Velvet Underground Poster
Vintage Car Poster Rally
Vintage Pan Am Clipper Posters
Vintage Poster Istanbul
Bmw Poster
Brigid Berlin
Dartmouth Ski
Deborah Remington
Figurine Mickey Vintage
Foire De Paris Vintage Poster
Giant Frog
Gino Boccasile
Henri Matisse Goldfish
Homme Nu
Jester Poster
Joan Graber