Canada - Prints and Multiples

Haiku #56 - Digital Vector Drawing Standing Female Nude Woman Figure Arms Raised This is a limited edition (50) digital black & white print of a dancing female nude, executed in 17 ...

Haiku # 55 - Digital Vector Drawing Female Nude Woman Figure Sitting in Chair This is a limited edition (50) digital black & white print of a seated female nude, executed in 17 vector lines. It is part of a series called Haiku, after the style of Japanese poetry. Haiku translated to English means “cutting”, and refers to two juxtaposing ideas or images. Haiku has 17 “on”, or syllables, and is traditionally written in English on three lines. Using this theme, I have drawn images of female nudes, juxtaposing the colours black and white and using only 17 vector lines. I am experimenting with the economy of line and how to express an artistic idea that will engage the viewer. Deciding on which lines to include and which to exclude was a challenge. This simple drawing describes a nude woman languishing in a chair, viewed from behind, but leaves enough to the viewer’s imagination to complete the artwork in their head. I've drawn this image with my finger on my iPhone, using a vector drawing app that allows me to control the weight of each line by varying the pressure of my fingertip on the screen. Count the vectors in this clever, thought provoking artwork...

A delicate dance of pink, green and black. This limited edition Giclée print is a high-quality reproduction of an original artwork printed on archival paper. Hand painted strokes and...

As always, Caviar20 is thrilled to present the esteemed work of Louise Nevelson - one of the most revered and unique artists of the 20th century. (Also, an artist who continues to b...

A delicate dance of grey and pink. This one-of-a-kind Giclée print is a high-quality reproduction of an original artwork printed on archival paper. Hand painted strokes and embellish...

Haiku #57 - Digital Vector Drawing Seated Female Nude From Rear This is a limited edition (50) digital black & white print of a seated female nude, viewed from behind, and executed ...

Jack Bush (1909-1977) is Canada's most successful abstract artist of the 20th century. Bush was a graduate of OCAD (Ontario College of Art & Design) and a key member of Painters El...

Lorna Simpson (b. 1960) is an American artist renowned as a pioneer of conceptual photography. Her artwork explores the interplay between historical memory, culture, and African-Amer...

Haiku #58 - Digital Vector Drawing Standing Female Nude Viewed Front This is a limited edition (50) digital black & white print of a standing female nude, executed in 17 vector line...

Lorna Simpson (b. 1960) is an American artist renowned as a pioneer of conceptual photography. Her artwork explores the interplay between historical memory, culture, and African-Amer...

Haiku #59 - Digital Vector Drawing Female Standing Nude This is a limited edition (50) digital black & white print of a standing female nude, executed ...

Haiku #61 - Digital Vector Drawing B&W Female Nude Standing Tiptoe This is a limited edition (50) digital black & white print of a standing female nude, executed in 17 vector lines....

Jenny Holzer's menacing (and sometimes humorous) "Truisms" first appeared in the late 1970s in a variety of forms, but initially oriented towards a type of street art. Over the pas...

Haiku #60 - Digital Vector Drawing Female Nude Standing Arranging Hair This is a limited edition (50) digital black & white print of a standing female nude, executed in 17 vector li...

Jean-Paul Riopelle, 1923-2002, Canadian Lied à Émile Nelligan. Planche 5, 1977 -1979 Lithograph 22 x 30 in Signed in pencil “Riopelle” lower right and numbered lower left (edition of...

Serigraph on Shikishi Board Hand Signed by Yoko Ono

"Americana" is a major and consistent theme in Robert Rauschenberg's oeuvre. The artist embraces it, expounds on it, subverts it and dissects it. Not surprisingly political elemen...

Homage to the iconic Jimmy Choo Luxury Shoe. The fusion of digital and hand painted elements give this artwork distinct character and individuality. The one-of-a-kind Giclée print is...

Homage to the iconic Chanel No. 5 perfume. This playful, one-of-a-kind Giclèe print is printed on archival, acid-free, cold press paper. The yellow and black paint strokes are hand painted adding a unique quality to the print. An accent piece to personalize a space. Fits into any 6"x6" frame or add a large matte to make a statement piece. Hand signed. Limited edition, only one available. // Andrea Stajan...

Jacques Hurtubise, Canadian, 1939-2014 JOSETTE , 1969 Serigraph 20 x 20 in titled and numbered lower left (edition of 75); signed and dated 69 lower right.

Homage to the little black dress. Chic and understated, this giclée print is enriched with added hand painted elements giving the print its own unique outcome. The special edition, o...

Haiku #1, 1/50 - Digital Vector Drawing Reclining Female Nude Woman Figure This is a limited edition (50) digital black & white print of a reclining female nude, executed in 17 vect...

In a symphony of colour and form, Alice Teichert created more than 40 black ink and acrylic drawings on mylar which she transferred to silk screens. ‘The Text is Still Unwritten’ is ...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They use photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. This print comes from "Fear Management": a set of 8 prints...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. While the medium frequently changed, General Idea early introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. (The EyeEye crest, for example, reappears in 1993 as a benefit print for the International Festival of Authors) This print comes from "Fear Management": a set of 8 prints...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. While the medium frequently changed, General Idea early introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. (The EyeEye crest, for example, reappears in 1993 as a benefit print for the International Festival of Authors) This print comes from "Fear Management": a set of 8 prints...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. Perhaps one of the earliest of these icons is the pinching hand, or "Hand of the Spirit" which debuts around 1972 and appears frequently throughout the decade. Centered on a hand-painted background, "The Hand of the Spirit of Miss General Idea" features a vibrant crest that displays a hand with fingers curled in a mystical gesture. This print comes from "Fear Management": a set of 8 prints...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They use photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. This print comes from "Fear Management": a set of 8 prints...

12.5" x 24" Limited Edition Print of 495 Hand Signed by Bob Dylan This song of longing for an absent love was written in 1962 and appeared on The Freewheelin’ Bob Dylan – a kind of ...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. This print comes from "Fear Management": a set of 8 prints that celebrates some of General Idea's defining and most beloved motifs by situating them on a crest. This showcases their clever blend of historical fantasy and invented patrimony. Many of these self-mythologizing crests debuted in 1986 during their exhibition at the Albright-Knox Art Gallery in Buffalo entitled: The Armoury of the 1984 Miss General Idea Pavillion. This series is a defining example of one of General Idea's most iconic motifs, the crest, which showcases their clever blend of historical fantasy and invented patrimony. Centered on a handpainted background, "The Honeymoon...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of four decades, they made a significant ...

Roman Numeral Edition 27" x 23" Unframed Limited Edition Giclée and Silkscreen of CL Hand Signed by Sylvester Stallone Collector's Edition 40" x 34" Unframed Limited Edition Giclée ...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American artists that radically defined abstraction and establish...

16" x 20.5" Unframed Limited Edition Print of 195 Hand Signed by Tom Everhart

32" x 20" Unframed Limited Edition Giclée with Hand Embellishment of 100 Hand Signed by Todd White

28" x 20.5" Unframed Limited Edition Giclée with Hand Embellishment of 100 Hand Signed by Todd White

28" x 42" Unframed Limited Edition Giclee of 295 Hand Signed by Thomas Arvid 28" x 42" Unframed Artist Proof of 185 Hand Signed by Thomas Arvid 28" x 42" Unframed Limited Edition Giclee on Metal...

24" x 24" Limited Edition Giclee Numbered of 35 Hand Signed by John-Mark Gleadow 2023 24" x 24" Printers Proof Hand Signed by John-Mark Gleadow 2023 24" x 24" Artist Proof Numbered of 4 Hand Signed by John-Mark Gleadow 2023 The genesis of “Prince” came from a collector who had seen “The Day the Music Died”. As an avid Prince fan, he wanted this homage to him for his home. He had been especially dazzled during a concert when Prince performed at the piano and wanted to capture that moment. Purple Rain is his favorite album and loved how I handled it in “The Day the Music Died” so he wanted it reproduced in the same place – on the left – in his original. A book about Prince’s band rounded out the collector’s vision, and he chose the specific image for the Prince and the Revolution...

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism. Spanish, 1893–1983, Barcelona, Spain, based in Paris and Catalonia, Spain. Details: Joan Miró "Boy with Red Sun" Linocut, 1938 Technique: Original linocut in colours on red Wove paper Publisher: First Edition published by San Lazzaro for XXe Siecle, Paris Image dimensions: 12.37 x 9.62 in (31.5 x 24.7 cm) Signed by the artist within...

26" x 17.5" Unframed Limited Edition Giclée with Hand Embellishment of 100 Hand Signed by Todd White

16" x 20.5" Unframed Limited Edition Print of 195 Hand Signed by Tom Everhart

24" x 40" Unframed Limited Edition Giclee of 295 Hand Signed by Thomas Arvid 24" x 40" Unframed Artist Proof of 185 Hand Signed by Thomas Arvid 24" x 40" Unframed Limited Edition Giclee on Metal...

42" x 28.5" Unframed Limited Edition Giclée & Silkscreen on Paper Hand Signed by Tom Everhart

24" x 18" Limited Edition Giclee Numbered of 25 Hand Signed by John-Mark Gleadow 2023 24" x 18" Printers Proof Hand Signed by John-Mark Gleadow 2023 24" x 18" Artist Proof Number...

23" x 32" Unframed Limited Edition Giclee on Canvas with Hand Embellishment of 195 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’s eyes as those in his stolen scenes serve or are served-wine, coffee, cigarettes, cigars, and martinis. He creates timeless scenes of diverse attraction, of known intimacy. Within the exaggerated features and textured skin of his characters lies truth, yours and theirs. Distinctive bodies and details to lips, eyes, hair, skin, hands and what is held in each, separate and blend his characters’ lives. The smoke that rises from their lips, the drinks that linger at their fingertips, the clothing that adorns their bodies and the crowd created among lovers, friends, patrons and co-workers all speak a certain poetry. Each character depicts the subtleties of what one shows and what one hides. An asymmetrical face tells of an asymmetrical life, of how life wears and how we wear life — what we choose to carry in our hands and on our faces — how we wear ourselves, what smoke and color we stand in. Todd’s paintings are captivating, demanding a second look, often invoking humor or thoughts of familiar feelings — I’ve been there, I know them. Above all, the work is infectious and has caught the attention of the public (galleries cannot keep enough of Todd’s work in stock) as well as celebrities (Vin Diesel, Hugh Hefner, Macaulay Culkin, Eric McCormack, Ryan Stiles and Joe Rogan are collectors of Todd’s oil paintings). But who is the artist behind the art and where did his unique style come from? Todd began in at Warner Bros. Studios while working on the popular series, tiny toons. Through character clean-up and development, Todd began to forge his own artistic style. Shortly thereafter, Todd became part of the lead animation team for the internationally renowned cartoon, sponge bob square pants. Over the next three years, Todd sharpened his eye in storyboarding, illustration and character design. Throughout this period, Todd privately experimented with style and concept, eventually arriving at a process which guides him through every piece. The impact is apparent in his paintings; Todd’s rat-pack-meets-Picasso style results, in part, from his desire to reveal his characters’ innermost thoughts and emotions on their faces. Todd likens his portraits to his favorite episode of the Twilight Zone in which people wore masks that later became their faces and revealed who they truly were. Fast forward ten years later, and until Todd can conceptually see the story in his head, he refuses to paint a single signature knuckle curled around one of his famous martinis. "I actually name my pieces first and then i visualise each face and its personality. Then I develop each person’s story." The stark, unblemished delivery of his subjects is very much intended: whatever isn’t necessary to the story isn’t on my canvas. "I don’t waste a lot of time with backgrounds because they don’t interest me. They aren’t necessary. Instead i focus on what is essential. For example, the hands." Hands are a focal point for Todd, reflecting the subject’s state of mind as much as any body language or facial expression. Everyone’s hands are full of personality he surmises. Take Al Pacino; without his hands, he’s not nearly as interesting to watch. In addition to more obvious influences, such as Austrian expressionist Egon...

22" x 32" Unframed Limited Edition Giclée with Hand Embellishment of 100 Hand Signed by Todd White

Roman Numeral Edition 22" x 25.5" Unframed Limited Edition Giclée and Silkscreen of CL Hand Signed by Sylvester Stallone Collector's Edition 40" x 34" Unframed Limited Edition Giclé...

24" x 20" Unframed Limited Edition Giclée with Hand Embellishment of 100 Hand Signed by Todd White

Open Edition and Artist Proof Etching Hand Signed by Zavi Lerman 2002 6.5" x 9" Unframed Unique 6.5" x 9" Unframed Artist Proof

21.5" x 40" Unframed Limited Edition Giclee on Canvas with Hand Embellishment of 135 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contr...

Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice. Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada. Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.). Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...

16" x 20.5" Unframed Limited Edition Print of 195 Hand Signed by Tom Everhart

51" x 28" Unframed Limited Edition Giclée & Silkscreen on Paper Numbered of 295 Hand Signed by Tom Everhart

12.5" x 24" Limited Edition Print of 495 Hand Signed by Bob Dylan In an urban world somewhat reminiscent of Marcel Carne’s 1945 film Children of Paradise – part circus, part Edwardi...

31" x 30" Unframed Limited Edition Giclee on Canvas with Hand Embellishment of 25 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasti...