Connecticut - Paintings

Taste Sweet Revenge Ryan Cronin Oil Paint on Board 48" x 48" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The ...

A Tie as Wide as Ryan Cronin Oil Paint on Board 48" x 38" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw...

This is an abstract encaustic painting by Linda Bigness with silver and gold leaf on board with neutral sides. The painting features a multicolored palette with vibrant teal, red, ye...

Love Can Fly Ryan Cronin Oil Paint on Board 48" x 48" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, al...

When it Rains it Pours II Ryan Cronin Oil Paint on Board 30" x 48" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them...

Me, We, Us Ryan Cronin Oil Paint on Board 48" x 32" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, almo...

The Elk Ryan Cronin Oil Paint on Board 34" x 48" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, almost ...

Mohonk Tulips Ryan Cronin Oil Paint on Board 36" x 60" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, a...

This abstract painting by Roger Mudre is made with acrylic paint over metal leaf on panel. It features nearly opaque light blue circles, arranged in an overlapping pattern to create ...

Vincent Dion's painterly abstractions mimic various printed techniques which reconcile and affirm the introspective presence of the hand. Dion’s use of luminous color becomes his es...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

ODETTA is pleased to present works by Carol Diehl as our Flat File Feature Artist. Opening each drawer in the cabinet presents one in a series of pastel drawings that the artist beg...

PROVENCAL Series: “In [this] series I was exploring the classical influences of the impressionist masters, to build on their ideas to move them forward, yet being true to the many ap...

This abstract painting by Sue De Chiara is made with acrylic paint on canvas. It features a light blue-grey palette, with white circular shapes applied in light, loose strokes across...

PROVENCAL Series: “In [this] series I was exploring the classical influences of the impressionist masters, to build on their ideas to move them forward, yet being true to the many ap...

Hubble Vase from the Hubble collection, Acrylic Paint on Canvas, I bring my sensibility as a sculptor into these recent paintings. Thick textured impasto surfaces combine with lands...

Four and a Half Diptych, from the Flower collection, Acrylic Paint on Canvas, I bring my sensibility as a sculptor into these recent paintings. Thick textured impasto surfaces combi...

Pink Flowers On Table, from the Flower collection, Acrylic Paint on Canvas, I bring my sensibility as a sculptor into these recent paintings. Thick textured impasto surfaces combine...

Orange Flowers, from the Flower collection, Acrylic Paint on Canvas, I bring my sensibility as a sculptor into these recent paintings. Thick textured impasto surfaces combine with l...

Prima Tiger, from the Tiger collection, Acrylic Paint on Canvas, I bring my sensibility as a sculptor into these recent paintings. Thick textured impasto surfaces combine with lands...

Hubble Sky, from the Hubble collection, Acrylic Paint on Canvas, I bring my sensibility as a sculptor into these recent paintings. Thick textured impasto surfaces combine with lands...

Hubble Implosion, from the Hubble collection, Acrylic Paint on Canvas, I bring my sensibility as a sculptor into these recent paintings. Thick textured impasto surfaces combine with...

Hubble Implosion, from the Hubble collection, Acrylic Paint on Canvas, I bring my sensibility as a sculptor into these recent paintings. Thick textured impasto surfaces combine with...

Artist: Ian Hornak (1944-2002) Title: Raphael’s Stairway Year: 1978 Medium: Acrylic on Canvas Size: 48 x 36 inches Condition: Excellent Inscription: Signed recto; signed, dated, and ...

Liz Barber's organic abstract paintings are layered bursts of energy inspired by nature’s movement. Forms and lines fall into a sea of emotion. Shapes and reflections drift into volumetric configurations. She pours colors onto the canvas and watches what happens. Intuitively, she then edits. Barber uses a form of mixed media which allows for more creative freedom and gives the materials a voice. This painting makes a beautiful pair with the Liz Barber painting, "Magnolia 2...

This small abstract painting by Sue De Chiara is made with acrylic paint on board. It features a blue, teal, and green palette and a layered, minimalist composition. The painting is ...

Jane Booth lives and works on the rural midwest prairie where the broad, open vistas of land, water, and sky, act as a foundation for her work. She paints from the inside out, from h...

This small abstract painting by Sue De Chiara is made with acrylic paint on board. It features a blue, teal, and green palette and a layered, minimalist composition. The painting is ...

TIDEPOOLS Series: “[This series] is an ever-changing fluid eco-world that is filled with life. I can not help but reflect upon these tiny systems, a microcosm of the larger cycle of ...

This abstract oil painting by Tony Iadicicco features a light grey palette. The painting has an abstracted landscape composition, with a stark horizon line running through the compos...

Aquaessence on Panel CANTICLES Series: “[These] are my Chants, my sacred songs of contemplation about my experience in painting the mystery within the Tidepools. These works have be...

TIDEPOOLS Series: “[This series] is an ever-changing fluid eco-world that is filled with life. I can not help but reflect upon these tiny systems, a microcosm of the larger cycle of ...

CANTICLES Series: “[These] are my Chants, my sacred songs of contemplation about my experience in painting the mystery within the Tidepools. These works have been inspired by my walk...

I See You, from the Vessel collection, Acrylic Paint on Canvas, 2024 This Painting will be shipped directly from the artist's studio. I bring my sensibility as a sculptor into thes...

Fannie Burr was a highly accomplished painter and one of our earlier American women artists! This very contemporary, fresh and appealing floral study was done circa 1895!! The rarity of this and its virtuoso execution could lend it to being in the collection of a Connecticut museum. Along with her sister Jennie, they were known as the "Burr Sisters". They did focus on paintings of still life and nature which would have been acceptable for a female artist of the period. Fannie studied at the Yale School of Art and then the Art Students League in New York. She was assistant to Julian Alden Weir a major CT impressionist, while he was at Yale teaching. The composition is avant-hard for this date! It is in an exceptional hand carved 22 karat frame of high value, Art Nouveau style. In the estate of 700 or so paintings by Fannie and Jenny Burr it was found that they did not sign most of the paintings. They were not selling their works or represented so much so this is understandable. This has a great provenance! Estate of the artist Julian Eddy by 1962 Connecticut Gallery, Lyme CT...

Blurring the line between mass consumerism and fine art, New York City based artist Jojo Anavim has established his body of work stemming from a background in graphic design and bran...

This abstract painting by Teodora Guererra features a deep teal and pink palette. The artist layers thick strokes of paint using a palette knife in broad, horizontal sweeping strokes...

DAVID DUNLOP is a modern-day old master whose luminous paintings draw from both Renaissance techniques and contemporary science. His paintings have been shown internationally and a...

This abstract painting by Teodora Guererra features a teal, pink, and white palette. The artist layers thick strokes of paint using a palette knife in broad, horizontal sweeping stro...

This is a triptych, but each part is also available to purchase individually. Maura Segal’s abstract works conjure a delicate simplicity. Blocks of color languidly splay behind thi...

This thickly painted and textural work is lush with mother of pearl type colors. It is suggests a nude but plays with the eye in terms of seeing it completely. Few artists could app...

Pretty and well-painted, View of Vevey on the north shore of Lake Geneva. Dating from the early 20th century this painting would have been painted for one of the many visitors who w...

A painterly view of a shaded barn, created in an impressionistic style. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the a...

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...

This contemporary realistic landscape painting by Carol Young captures a barn in a rural setting. It features a vibrant palette, with ...

About the artist: Susan Cohen’s paintings are exhibited with New York City galleries: George Billis, Garvey Simon, First Street,The Painting Center; and the Cynthia Winings Gallery...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint and and lacquer on board. It features light textured and a light blue-grey and yellow palette contrasted by the almost black focal point of the composition. The painting is 14.5" x 19" and measures 16.25" x 20.5" x 2" framed. Signed by the artist in the lower left-hand corner of the painting, it is framed in a floater frame with warm silver face and black sides and is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Hubble Cosmic Kitchen, from the Hubble collection, Acrylic Paint on Canvas I bring my sensibility as a sculptor into these recent paintings. Thick textured impasto surfaces combine ...

Jane Booth lives and works on the rural midwest prairie where the broad, open vistas of land, water, and sky, act as a foundation for her work. She paints from the inside out, from h...

This large abstract painting by Kelly Rossetti is made with acrylic paint and raw canvas pieces assembled on gallery wrapped canvas. It features a light pink and blue palette with ge...

Series: Untitled 1 Encaustic and Oil On Wood Panel Size: 30" x 40" Using unconventional hardware - a blow torch, iron and other heated tools - along with paper, encaustics, photog...

The dust jackets for the artist edition of the catalogue of Ai Weiwei’s 2015 exhibition at the Royal Academy have been individually painted by the artist in one of ten colours: black, white, yellow, red, green, blue, purple, turquoise, lilac and grey. In each, a bold, calligraphic stroke sweeps across the paper to produce a painting of great vibrancy and spontaneity in celebration of the tactile qualities of the medium. Using a fully loaded brush, Ai has allowed the paint to run and dribble down the paper under its own weight, producing works with an affinity to his Coloured Vases, which he creates by dipping antique Chinese ceramics...

Artist: Ian Hornak (1944-2002) Title: Homage to Redon Year: 1997 Medium: Oil on panel Size: 20 x 16 inches Condition: Good Inscription: Signed by artist, recto. Provenance: Estate o...

Signed lower left: Purdy A very cool example of mid-century 50"s abstraction. Harbor is done in a style that was being experimented with particularly in the New York and California ...

This large abstract statement painting by Kelly Rossetti is made with acrylic paint and raw canvas pieces assembled on gallery wrapped canvas. It features a light pink and deep blue ...

About the artist: Susan Cohen’s paintings are exhibited with New York City galleries: George Billis, Garvey Simon, First Street,The Painting Center; and the Cynthia Winings Gallery...

20th Century Oil painting of an Impressionist scene the interior of the artists studio Moroney was born on the 14th of February 1949 in South London. Of...

Outstanding Late Victorian English river harvest landscape. John Horace Hooper lived in London. Landscape painter. English School. A prolific artist evidenced by the frequent appea...