Continental Europe - Figurative Paintings

Oil on canvas mounted on cardboard. Realized by Francesco Settimj in the mid-20th Century. Hand signed lower right. Good condition except for some minor losses of colors on edges.

This contemporary abstract expressive impressionist floral painting was created by French artist Natalya Mougenot as part of her newest small collection, titled 🪻**"Primavera"**🪻—a...

A portrait of two young girls by the Royal Portraitist Chen Yanning. Both the artist as well as the sitters of this magnificent portrait are from racial...

Adriana van Zoest Neighbourhoodcat II 13 x 20 cm Framed in a black wooden frame: 22 x 30 cm Oil paint on wood panel Dutch artist, painter, Adriana van Zoest, lives and works in Warm...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Work on canvas Golden wooden frame 66.5 x 56.6 x 3.5 cm

Nicolás Raurich Petre - Costa Brava - Oil on board Oil mesures 14x23 cm. Frame mesures 31x40 cm.

KSENIYA RAI'S WORKS ARE IN MORE THAN 250 PRIVATE COLLECTIONS WORLDWIDE. As an artist, I'm deeply inspired by the pursuit of positivity and the essence of tranquility in our ever-evol...

IN PROTECTRESS, a massive pug, its head resting heavily on the ground, gazes outward with a sorrowful, almost pleading expression. The warm tones of its fur—soft beiges and browns—co...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Mein Sammlungsschwerpunkt vor Galeriegründung war (und ist es bis jetzt) die Kunst der Neuen Sachlichkeit und die ist vor allem ein deutsches Thema. Mich fasziniert der kühle und dis...

Dominika Krechowicz is a professor at the Gdansk GUT Institute Works from the series Alians Of Signs were created from 2010 to 2020. The works consist of 20 parts. The composition s...

Tania Rivilis (b. 1986) Tania Rivilis began painting at the age of 27, after moving to Germany from Russia in 2012. Working hard on technique and creati...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Erik van Elven is a modern painter with a romantic and impressionistic style. Both his brushstrokes and use of color are fresh and done in a fluid way. Erik started years ago to pai...

ANNA WARDĘGA-CZAJA Graduated from the Painting Department at the Academy of Fine Art in Cracow, Poland in 2021. She's dealing with easel painting, wall painting as well as drawing. F...

The Musical Contest between Apollo and Marsyas, by Peter Sion (Antwerp, 1624-1695) Signed in the lower right corner P. Sion 17th century Antwerp School Oil on copper, dim. h. 53 cm, ...

Composition Cubiste (Cubist Composition) Acrylic on canvas 60 x 50 cm A bold and structured cubist composition by Grégoire Mathias, balancing angular abstraction and muted vibrancy through ochre, slate blue, and cream tones. A refined homage to classical Cubism, ideal for collectors and interior designers alike. This acrylic on canvas painting titled Composition cubiste by French artist Greg Mathias exemplifies his distinctive interpretation of geometric abstraction. Influenced by the analytical Cubist movement, the work distills reality into a symphony of angles and layered planes. Triangular and faceted shapes intersect and overlap in a carefully constructed composition, creating visual depth without relying on traditional perspective. Mathias plays with a restrained yet impactful color palette of ochre, slate blue, pale teal, charcoal, and warm neutrals, giving the piece a harmonious architectural balance. The composition invites the eye to travel across textures and interlocking forms—an exploration of spatial tension and rhythm. Though the artist is best known for his Diachronic Cubism, this painting is rooted in a more analytical approach. It recalls early 20th-century abstraction, where reality is fragmented into geometry and form is prioritized over narrative. The result is a piece both timeless and contemporary—suited for refined interiors that embrace strong visual identity. Perfect For: Interior designers sourcing geometric abstract wall art for modern or transitional spaces. A standout piece for accent walls, entryways, hallways, or home libraries. Ideal for collectors seeking statement cubist art in a classic color scheme. Especially suitable for art-forward interiors with modernist or Bauhaus elements. Keywords: Greg Mathias, Composition cubiste, French abstract art, analytical cubism, geometric abstraction, modern cubism painting, acrylic on canvas, blue ochre abstract, cubist wall art, contemporary European art, interior design wall piece, vertical wall art...

Expansion of Consciousness. 2018, oil on canvas, 160x100cm Agate Apkalne. Born in Riga, 1977 Education: 2005 – MA in arts, Art Academy of Latvia 1998 ...

Oil painting on canvas by Elena Mardashova, 60x80 cm. , realized in 2020. Excellent condition.

In crafting this scene, I sought to capture the quiet solitude and contemplative mood of a young woman seated alone amidst the lively energy of a bustling café. Employing a palette r...

Contemporary floral still life figurative gouache on paper painting by Polish artist Bozena Lesiak. Painting is in a small format. Bozena Lesiak's art embodies beauty of nature and i...

A surreal vertical oil painting titled Incident by Rudolf Kosow depicts an immense, detailed black horse's hoof dominating the majority of the composition, set against a muted, textured background. At the bottom right, a small man...

Heidi von Faber Raspberry Jam Acrylic on linen 90 x 90 cm ( framed/ included in price 100 x 100 cm) Dutch artist Heidi Von Faber lives and works in The Hague. The Stillllifes she ...

Martin Koole Museum visit II 120 x 120 cm Acryl on canvas Martin Koole's paintings are distinguished from the work of other painters by his very headstrong way of applying the pain...

Ignasi Mundó Marcet (1918-2012) - woman in white - Oil on canvas Canvas measures 73x60 cm. Frame size 76x63 cm. MUNDO Ignasi Ignasi Mundó trained at the School of La Lonja, with Joa...

By the river. Canvas, cardboard, oil, 55.5x70.5 cm

Dutch artist Nico Heilijgers (1964) works in the tradition of the great seventeenth-century still life painters. In his work we see conventional object...

Dutch Female Artist Liseth Visser is no stranger to the world of portraiture. In the past she was nominated for the 'BP portrait award' from 'Th National...

Here is a painting that will lift you - one feels happy every time one looks at it. It is such a lovely, unusual twist to the theme of the floral still life: here we have flowers, not in a vase, but attached to a wooden front door. I wonder if the artist did this with actual flowers, perhaps for a sweetheart, and then decided to paint the scene? At any rate: who wouldn't want to come home to find a large bunch of glorious lilac as they come home? The artist is Emile Baudoux (1850 -1929), who studied with Humbert and Cabanel. Paris-born, he liked to work in Normandy, where he had his studio. He exhibited his work at the "Salon des Artistes Français" until 1927, where he obtained a gold medal in 1910. The important oil on canvas presented here, dating from 1901, may have been shown at the Salon, as it bears an exhibition number "30" at the upper right of the canvas. Measuring 81 x 60 cm, the overall size including its original large oak frame...

Portrait of Noblewoman is an orignal modern artwork realized by Antonio Feltrinelli in 1930s. Mixed colored oil painting on canvas. Not signed. Label on the back. Antonio Feltrine...

Ramón Pichot Soler (1924-1987) - Woman and flowers - Oil on panel Oil measures 33x41 cm. Frameless. Ramon Pichot i Soler (Figueres, 1924 - Barcelona, May 24, 1996) was a Catalan pai...

A vibrant colourful French portrait of Janine, muse of the artist Armand Avril. Signed and dated mid right. Presented in new contemporary framing under glass. Armand Avril (1926) i...

Portrait Of A Young Woman 2 - Figurative Oil Painting, New Renaissance Contemporary painting oil on canvas

Work on wood Golden wooden frame 73 x 87 x 4 cm

Martin Koole Girl Reading 120 x 120 cm with frame (included in price) 126x126 cm Acryl on canvas Martin Koole's paintings are distinguished from the work of other painters by his ve...

José Salvaggio, pedal artist from France, at Galerie Bonnard! The French artist José Salvaggio finds his subject in the French world around him. You do...

Signed lower left and dated: 15/IX, 1895, Y. Bershadsky - Yuliy (Ioil-Ruvin) Rafailovich Bershadsky (1869 - 1956), Russian - USSR painter and teacher, professor, honored artist of th...

Contemporary floral still life figurative gouache on paper painting by Polish artist Bozena Lesiak. Painting is in a small format. Bozena Lesiak's art embodies beauty of nature and i...

Vicente Romero Redondo was born in Madrid as the eldest of four sons. Due to the work of his father, he grew up in many different towns all over Spain. The family moved back to Madri...

This work is a celebration of the beauty and peculiarity of every woman, regardless of age and figure. The brightly painted woman's body brings a joyful mood to the painting.

Oil painting on wooden panel realized by Marco Fariello in 2025.

Contemporary figurative oil on canvas painting by Polish artist Waldemar Marszalek. Artwork shows four women and two couples. Women are wearing dresses and men are wearing suits. One...

Illegible signature Work on canvas Golden wooden frame 46.5 x 41.5 x 5.5 cm

Sculptor in the Studio - Pygmalion, 2017 Acrylic on canvas 90 35/64 H x 82 43/64 W in. 230 H x 210 W cm The artist's reference to fundamental myths of humanity and their analysis fr...

Louis-Gabriel BLANCHET (Versailles, 1701 – Rome, 1772) Presumed self-portrait of the artist Oil on canvas H. 73 cm; W. 60 cm Circa 1730 Originally presented in a Restoration period frame with a "Mignard" cartouche, this beautiful painting initially appeared to us as a work from northern Italy. However, it exuded a rather French form of refinement, suggesting that its artist may have assimilated a dual influence from both sides of the Alps. We thank our colleague and friend Philippe Mendès for spontaneously and judiciously "bringing out" the name of Louis-Gabriel Blanchet, a Romanized French portraitist, whose spirit and stylistic characteristics we clearly recognize here. Blanchet's "French" years, before his final departure for Rome in 1728, following his winning of the second Grand Prix for painting after Subleyras in 1727, are extremely poorly documented. His father, Gabriel, was valet to Blouin, himself Louis XIV's first valet at the time. According to Thierry Lefrançois, Blanchet was one of the few students of Nicolas Bertin (1667-1736), whose studio he is said to have joined in the early 1720s. At a baptism on March 24, 1724, where he was godfather, he is mentioned as a painter in the picture store of the Duke of Antin, the director of buildings between 1708 and 1736. At this time, he was probably already married to Jeanne Quément, with whom he had a daughter also named Jeanne, who would marry Nicolas Aviet, the son of a valet in the queen's wardrobe, in Versailles in 1738. When Blanchet arrived in Rome in October 1728, he was accompanied by Subleyras, Trémolières, and Slodtz. He enjoyed the goodwill of Vleughels, the director of the Académie de France, which had been based at the Palazzo Mancini since 1725, even though the latter was not always kind to our resident. From 1732, he was under the protection of the Duke of Saint-Aignan when he took up his post as ambassador to Rome. Along with Slodtz and Subleyras, they formed a trio of friends, joined by Joseph Vernet shortly after his arrival in Rome in 1734. Slodtz and Blanchet, on the occasion of Subleyras's marriage in 1739, were there to attest that their friend was not bound by any marital commitment, and Blanchet was a witness at Vernet's wedding in 1745. It is most likely from these early years in Rome that our portrait of the artist dates, the expression and turn of his face irresistibly reminiscent of a self-portrait. The still relatively youthful features may correspond to Blanchet's thirty-something years, and the fluffy wig was still fashionable at this time. The painting fits well with the depiction of a young painter wanting to display both the beginnings of success and a certain simplicity or restraint. A slight smile expresses a form of assurance in this man with a gentle, sincere gaze and a face radiating a keen sense of wit. We find here the air of intimacy present in almost all of Blanchet's portraits, even those from the 1750s and 1760s, as well as an almost complicity with the viewer. The spirit of the painting is quite close to that of the presumed portrait of Bouchardon (painted around 1730) and the portrait of Pannini, painted in 1736, but it possesses a more natural quality, notably thanks to the absence of decorum. Our work exhibits the characteristics of Blanchet's paintings: elegance, luminosity (especially in the whites), vibrant and refined colors (here, the harmony of the garnet of the garment and the slate blue of the background, whose uniformity is tempered by a very sketched landscape and a grove of greenery), light complexions, rather rosy cheekbones, often full lips, and rather tight framing. According to the Academy's rules, Blanchet's stay should have ended in the spring of 1732, but, for reasons unknown, he remained in the Eternal City until his death, as did his friend Subleyras, with whom he shared accommodation until the late 1730s. The latter regularly called upon him to collaborate on his paintings, such as The Meal at Simon's. Through Saint-Aignan's intervention, Blanchet was employed in the late 1730s by the Stuart princely family, then exiled in Italy. He notably produced copies (now lost) after Liotard of the portraits of Charles Edward and Henry Benedict, the sons of James III Stuart. The latter also commissioned three other portraits (now in the National Portrait Gallery in London), whose more formal character contrasts with the intimate spirit of Blanchet's portraits. Blanchet frequented English painters, such as the landscape painter Richard Wilson, and studied with the Scottish portraitist Katherine Read...

KAMIL LISEK (born in 1980) Studied under the guidance of prof. Maciej Świeszewski at the faculty of painting at the Academy of Fine Arts in Gdansk. He graduated with distinction obta...

The laundry is drying 1950s, oil on cardboard, 51x74 cm Published in the book "Biruta Baumane", Anda Treija, Juris Petraškevičs, publisher Galerija Da...

Work on cardboard Golden wooden frame 54 x 45 x 4.5 cm

Françoise Juvin - Comeals in Istanbul, Turkey Reference number FJ148 Framed with a nice gold and silver wood frame with an aging effect. 30,5 x 36,5 c...

Oil paint and pastel on canvas Signed and dated by the artist

The painting "Sweet Dreams" by Sophie Dumont, measuring 31.5 x 31.5 inches (80 x 80 cm), features an abstract composition reminiscent of a bookshelf or folded fabrics. The books are...

Under the Veil 1 (Break Free) - original art - oil on canvas, 80x60cm./ 31.5x23.5in Female nude with veil covering her head. This painting was the 2nd in a series of paintings repre...

Marguerite AROSA (1850-1903), French "Baigneuse" (Bather) Oil on canvas Signed lower left Canvas: 66 1/5" high x 50" wide Frame: 74 1/5" high x 57 1/2" wide This painting was e...

Mixed media on canvas realized by Fernando Porfili (Porfirius) in 1961. Hand signed and dated. Includes a coeval wooden frame. Very good condition.

Italian painter (18th century) - Portrait of a gentleman with an aphorism. 92 x 68cm. Oil on canvas, unframed. - Iscribed on the book: "In the world there are more crazy men than ...

Julijs Vilumainis (1909–1981) Asters. 1979, oil on board, 54,5x42 cm

Contemporary small scale oil on canvas landscape painting by Polish artist Marek Niedojadlo-Cichonski. Artwork depicts Spanish seaside. It is in warm colours. Artwork is sold withou...