René Francois Xavier Prinet

An auction at Drouot's in Paris.

Algerian women in an interior. Oil on panel. Signed. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck...

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

Distrust, 2012 Oil on canvas (Signed on reverse) 70.86 H x 70.86 W in 180 H x 180 W cm Radu Rodideal is interested in the atmosphere of his work. Human ...

Description: Fabio Fabbi: A Master of Orientalist Intrigue The painting is signed on the bottom left side. Fabio Fabbi, an esteemed Italian artist of the late 19th and early 20th centuries, emerged as a prominent figure within the Orientalist art movement. Born in Rome in 1861, Fabbi’s passion for capturing the exotic and mysterious landscapes and cultures of the East would define his artistic career and leave an indelible mark on the art world. Fabbi’s artistic journey began with formal training at the Accademia di Belle Arti in Rome, where he developed a deep appreciation for classical techniques and aesthetics. However, it was his encounters with Orientalist themes and subjects that ignited his imagination and set him on a path to becoming a renowned master of Orientalist art. One of Fabbi’s most captivating works, “Harem Girls in the Palace Courtyard,” stands as a testament to his exceptional talent for depicting scenes of intrigue and sensuality within the luxurious settings of the Ottoman Empire. This mesmerizing painting invites viewers into the opulent world of a harem, where a group of beautiful women gracefully gather in a sunlit courtyard. Fabbi’s brushwork skillfully captures the vibrant colors, exquisite textiles, and intricate architectural details that define the environment. In “Harem Girls in the Palace Courtyard,” Fabbi delves into the alluring realm of the harem, exploring the interplay between power, desire, and secrecy. With meticulous attention to detail, he captures the expressions and body language of the women, evoking a sense of mystery and sensuality. The play of light and shadow adds depth and dimension to the composition, further immersing viewers in the rich atmosphere of the scene. Fabbi’s ability to weave narratives within his artworks sets him apart. “Harem Girls in the Palace Courtyard” not only showcases his technical skill but also tells a story—a glimpse into a hidden world that fascinates and captivates. Through his artistry, Fabbi offers a nuanced portrayal of Eastern culture, emphasizing the beauty and complexity that lie beneath the surface. Throughout his career, Fabio Fabbi gained recognition and admiration for his Orientalist works. His paintings were exhibited in prominent galleries across Europe, where audiences marveled at his ability to transport them to distant lands and evoke a sense of wonder and intrigue. Fabbi’s talent for capturing the essence of Orientalist themes and his exquisite attention to detail earned him a place among the most respected artists of his time. Fabio Fabbi’s legacy lives on through his remarkable artworks. His ability to portray the mysteries and allure of the East continues to inspire and captivate art enthusiasts worldwide. “Harem Girls in the Palace Courtyard” exemplifies Fabbi’s mastery of the Orientalist genre, inviting viewers to step into a world of beauty, enchantment, and hidden desires. His paintings exhibited at prestigious venues in Turin and Milan. Knighted in the Order of the Crown of Italy in 1892. Notable works include the Sacred Heart...

JOSÉ BENLLIURE Spanish, 1855 - 1937 TIME FOR DISCUSSION signed "J. Benlliure" (lower left) oil on wood panel 5-1/8 x 8 inches (13 x 20 cm.) framed: 12-1/2 x 14-3/4 inches (31.5 x 37.5 cm.) PROVENANCE Private Spanish Collection José Benlliure Gil (30 September 1855, Valencia – 5 April 1937, Valencia), was a Spanish painter. He was born at Cañamelar, Valencia, studied painting under Francisco Domingo Marqués, and showed from the first such marked talent that he was sent to the Spanish school in Rome. From 1903 to 1913, he was director of the Spanish Academy of Fine Arts. He was one of the select circle pensioned by the Spanish government for residence in Italy and executed several state orders for the decoration of public buildings; but he owes his chief fame to his large historical paintings, notably the "Vision in the Coliseum." He became the leader of the Spanish art colony in Rome, where he practised as painter and sculptor. He married Maria Ortiz...

JOSÉ BENLLIURE Spanish, 1855 - 1937 AT THE INN signed "J. Benlliure" (lower right) oil on wood panel 8-1/2 x 12 inches (21.5 x 30.2 cm.) framed: 19 x 22-1/8 inches (48 x 56 cm.) PROVENANCE Private Spanish Collection José Benlliure Gil (30 September 1855, Valencia – 5 April 1937, Valencia), was a Spanish painter. He was born at Cañamelar, Valencia, studied painting under Francisco Domingo Marqués, and showed from the first such marked talent that he was sent to the Spanish school in Rome. From 1903 to 1913, he was director of the Spanish Academy of Fine Arts. He was one of the select circle pensioned by the Spanish government for residence in Italy and executed several state orders for the decoration of public buildings; but he owes his chief fame to his large historical paintings, notably the "Vision in the Coliseum." He became the leader of the Spanish art colony in Rome, where he practised as painter and sculptor. He married Maria Ortiz...