Continental Europe - Figurative Paintings

Joaquim Marsillach i Codony (1905-1986) - Landscape with characters Oil on canvas Oil measures 46x55 cm. Frame measures 69x78 cm. Marsillach Codony...

Janusz Kokot was born in Kalisz in 1960. He studied at the Pedagogical University in Częstochowa at the Art Institute. He practices painting and drawing. In the years 1988 - 2020 he ...

Sylvia van Opstall Up She Goes 120 x 170 cm Framing is possible The artist Sylvia van Opstall comes from all kinds of "worlds that deal with design and classical painting," the des...

Mixed media on paper Original art by DARIA KUSTO The magic flow reality.. Shipped well protected, unframed.

Barber Schaumann is a contemporary artist known for her vibrant, abstract interpretations of the female form. Her work combines bold colors with modern, geometric shapes, blending el...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Mid-Century realist oil on card of a peasant woman, dated 1963 to the reverse. Artist unknown. Presented in gilt and painted wood frame under glass. A charming, grounded painting of...

A majestic miniature painting by Victor Mongodin. Painted with extraordinary detail, it depicts a pretty young lady writing a letter in her boudoir. Mongodin clearly delights in painting fabrics... the silk of her skirt, the cotton of her camisole, as well as the luxurious velvets of the curtains and drapery. And then there is the mystery: who is she writing to? Born in Vire in Normandy in 1819, Victor Mongodin had studied with de Rudder. Working in the French Capital...

Acrylic on canvas Shipped rolled in a tube

Mixed media on paper Shipped well protected, rolled in a tube, unframed I can do commissioned work of any technique, style and size, contact us without obligation

Oil on canvas realized in the mid-20th Century. Mounted on a stretcher. Good condition.

Work on canvas Molded frame in plaster and gilded wood 36 x 40 x 4 cm

"Flowing Through Memories" is a large mixed-media painting (oil and acryl paint) measuring 90 x 90 cm, part of my landscape series "The Geometry of Letting Go". This series is about...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

In The Wool Winder, Emma Ekwall captures a moment of quiet domestic intimacy between a young woman and a man as they wind wool together—she with focused care, he with gentle attentiv...

Resurrection of Christ Attributed to the Master of the Prodigal Son / Jan Mandyn (1500-1560) Oil on panel, 73 x 56 cm (without frame), 81 x 63 cm (with frame) The work was exa...

Madonna with Child and Red Drapery, Flemish School, Oil on Oak Panel, 17th Century Flemish School, 17th century Technique: oil on oak panel with 4 crossbars Dimensions: Height: 43...

Snow of May III is a unique painting by contemporary artist Yiching Chen. The painting is made with mineral pigments on Japanese paper mounted on wood, dimensions are 38 x 46 cm (15 ...

"Summer Delight" is a captivating floral artwork that beautifully encapsulates the essence of summer through a simple bouquet of vibrant flowers in a vase. This piece blends modern I...

Land battle - Antonio Savisio Italia 2006 - Oil on canvas cm.60x90. Gold leaf gilded wooden frame cm.92x122 Maestro Antonio Savisio drew inspiration from the masterpieces of the gr...

Janusz Kokot was born in Kalisz in 1960. He studied at the Pedagogical University in Częstochowa at the Art Institute. He practices painting and drawing. In the years 1988 - 2020 he ...

"Nude in French interior", in a classical room lighted from one side. Part of my Nude in interior series. Nude placed in a a sober classical interior in contrast with the modern rel...

This small oil painting on board (21.5 x 33 cm) is a rare early work by Swedish landscape painter Carl Johansson (1863–1944). Painted during the artist’s 1894 travels to the Canary I...

The Polish artist Ewa Rzeznik reflects reality in her colorful paintings: Fishermen along the French coast, families walking towards the Mon Saint-Michel, children playing in the sur...

Pietro della Vecchia (Vicenza, Italy, 1603 – Venice, Italy, 1678) Title: Bacchus and Ceres Medium: Oil on canvas Dimensions: without frame 109 x 130 cm – with frame 128 x 152 x 8 cm...

Carl Johansson, also known as "Ultramarin Johansson," was a Swedish artist born in 1863 and known for his distinctive blue-toned paintings. His work often depicted landscapes, seascapes, and cityscapes, capturing the beauty and essence of Sweden's natural landscapes. We are proud to offer one of his late works from 1935 for sale. This painting depicts a beautiful landscape from Nordingrå, a small village situated on the High coast of Sweden. The beauty of Nordingrå has captured many artists in the 19th-century, inspiring many famous painters, including Helmer Osslund...

1930s Oil on canvas portrait by S Cousin. The painting is signed bottom right and the subject 'Henri Cousin' titled on the back of the canvas. An engaging ...

Ingrid Smuling Still life in Red 22 x 37 cm ( frame is included in price, size with frame is 35 x 50 cm) Artist Ingrid Smuling, 80 years in August '24, is still most in her element ...

Amy Devlin portrays people, animals, or nature in her works. But what really matters to her is light and water, which she wants to capture in the form of a physical memory. By following her passion for paint, she tries to represent reality and thereby express her feeling in the expressive colors she uses. Her paintings show a fascination with the movement and texture of water, which is depicted in vivid colors in her works. Her hybrid painting style combines realism with impressionism in a very interesting way, providing a different view of the world and our memories of it. Devlin loves the unexpected, looks at things from a crazy angle and imagines. Since 2014 she mainly paints underwater portraits...

Daniela Astone Birchina 50 x 60 cm Oil on canvas The painting is framed ( frame included in price ) Daniela Astone works and lives in Florence. For years she was a teacher on the f...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Tania Rivilis Hidden in dots 30 x 30 cm framed (included in price) 33,5 x 33,5 cm Oilpaint on wood panel Tania Rivilis (b. 1986) 2022 winner of the 'William Locke Price' ( £ 30.0...

Acrylic on canvas. Original art by Daria Kusto. Shipped well protected, rolled in a tube, unframed from Spain.

Monogrammed work Oil on copper Wooden carved frame 57 x 47.5 x 5 cm

View of Riva degli Schiavoni is an original old master artwork realized in the late 18th century by a follower of the School of the italian painter Canaletto. Oil on canvas. An imp...

Ascan LUTTEROTH (Hamburg, 1842 - Hamburg, 1923) Capri, the Faraglioni Oil on canvas H. 46 cm; W. 81 cm Signed lower right Probably circa 1895 Considered the most important Hamburg l...

This striking devotional image, painted by a follower of Jan Gossaert, represents one of the most influential compositions of the Northern Renaissance: Christ on the Cold Stone, or C...

Tempera on cardboard realized by Sirio Pellegrini in 1960s. Hand signed lower right. Includes a coeval wooden frame realized by the artist cm. 59x49. Sirio Pellegrini, born in Rome...

Justus Lundegård grew up in the Swedish village Hörby. He started his art studies at the Royal Swedish Academy of Fine Arts 1880–84 and later in Munich and Paris where he switched to an Impressionist style. In this painting, we can see his later talent for painting white light...

Heidi von Faber Tupperware Containers I Acrylic on linen 80 x 80 cm ( framed/ included in price 85 x 85 cm) Dutch artist Heidi Von Faber lives and works in The Hague. The Stilllli...

Adventure Ahead, a captivating abstract contemporary landscape by Danish artist Steffen Bue. This impressive 100 x 140 cm (39.37 x 55.12 in) acrylic painting draws viewers into a thr...

French school of the 20th Century, Portrait of a young man in green, oil on cardboard panel, cradled on the back 53 x 40 cm This intense portrait is particularly moving and intere...

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surface of the sky with the rough texture of earth or grass. I paint symmetrical reflections in water and rhythmic repetitions of trees. Even an ordinary, seemingly uninteresting fragment of the suburban landscape hides a beauty that I want to see and then transfer to the canvas. I am inspired by nature because it contains a hidden secret of existence. For me, painting it is a reflection on life and passing away. It is an attempt to capture the imperceptible essence, to paint what cannot be seen. I think that my paintings can be a respite, an antidote for a man tired of technology, constant rush, hustle and bustle of the city. Grzegorz Wójcik...

French school of the 18th century After Charles de LA FOSSE (1636 - 1716) The Virgin of the Annunciation Oil on canvas 46 x 37.5 cm (59 x 51 cm with the frame) Beautiful oval frame i...

David van der Linden 'When I live my dream'' 60 x 70 cm (Framed 70x80 cm, frame is included in price) Oil on wood panel David van der Linden is a...

Escuela española; siglo XVIII. San Joaquín, Santa Ana y la Virgen Niña. Es un Óleo sobre cobre anónimo y buena calidad pictórica. Medidas de la obra: 69 x 87 cm. Medidas del marc...

Alfred Wahlberg was a distinguished Swedish landscape painter whose career spanned Germany, France, and Sweden. During his early years, he resided in D...

This artwork makes part of my new period in my artistic expression. This painting dedicated to "Women" series is a special one since it is all about my strong deep personal transfor...

"Angel of Light" is a deeply spiritual artwork that carries a profound personal meaning. During times of crisis or difficult challenges, we often seek comfort in the invisible forces...

Ksenya Istomina 'Watching her sketchbook'' 75 x 75 cm Oil on linen Painted after life, the artist always works with a real scenery. Her realistic but impressionistic paintings look...

ROOD is a unique acrylic on canvas painting by contemporary artist Ramon Enrich, dimensions are 50 × 70 cm (19.7 × 27.6 in). The artwork is signed, sold unframed and comes with a ce...

Jordi Curós Ventura (1930-2007) - Woman in rocking chair - Oil on canvas. Work measurements 61x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish paint...

Citation : Si l'oeil ne contemple pas, l'oeil ne verra pas Animal - Closeup portrait of a cat Technique: oil, acrylic, and ink on old book pages on wooden fram...

Portrait of a woman. Morning in a cafe, a cup of aromatic coffee. The city is waking up, the noise of cars, the sun's glare on the cafe windows. A new day begins.

Daniela Astone Couple #2 50 x 40 cm Oil on wood Daniela Astone works and lives in Florence. For years she was a teacher on the famous Florence Art Academy. Since 2022 she fulltime works as a painter. Her works are all around the world in great collections. For our exhibition 'A Female Gaze' Daniela Astone made a series of paintings where the female aspect of her life is the main subject. This series contains a series of seven paintings where you see a dancing couple. Female- male couples and male-male/ female-female couples. The Currator of Galerie Bonnard says about the paintings by Daniela Astone: The classical structure and narrative paintings show a technique that is special. Her style is virtuoso and her subjects narrative. The keys are loose and subtle. For this artist, standing in front of a painting means...

➡️Vivid Landscape⬅️ ⏩It is signed R Dufils, probably Roland Dufils (1920-1973) Paris 7th ⏪ Roland Dufils was a French painter born in Maromme, a commune in the Normandy region of F...

Original painting by Daria Kusto. 2024y. Acrylic on canvas. The magic flow reality... It is sent rolled in a tube, safe and express shipping to the whole world.

A late 18th Century oil on canvas laid on board of a young beauty in period costume carrying a basket of flowers on her head. Presented in a very fine gilt, period 'Directoire' frame...

Work on canvas Fluffy brown wood frame 76.5 x 63.5 x 3 cm

LADY IN BLACK - Oil on canvas painting, Eugenio De Blasi, Italy, 2011 This is his reinterpretation of a greatest old master painting by Giovanni Boldini. Gold leaf gilded and mohogan...