Continental Europe - Nude Paintings

Impresionist woman nude figure

The safe is an original contemporary artwork, realized in 2018 by the emerging artist Anastasia Kurakina. Mixed colored oil painting on canvas. Origina title: La cassaforte Good ...

"In love, pauses are especially delightful. As if in these moments tenderness accumulates, breaking through then with sweet outpourings."

This art piece is part of the series of unique sizable works called 'Home alone'. By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey ...

Standing Nude by Wim van Broekhoven. Drawing from models and observing urban, industrial and natural landscapes are recurring motifs. Drawing from a model is about representing expr...

"Oil On Canvas "nude With A Fan" Attribution Henri-camille Danger (1857-1937)" Henri-Camille Danger was a French impressionist and modern painter born in 1857. The artist died in 193...

I miss you. 2021. Paper, mixed media, 61x43 cm Act

Vladimir Glushenkov (1948-2009) (May 21, 1948, Riga - December 26, 2009, Riga) - painter, graphic artist, poet, translator. Vladimir Glushkenkov was born in family with Russian-Poli...

Raphael DELORME (1886-1962) Study, preparatory work for “La Princesse” Watercolor and pencil on paper Annotated “La Princesse” 30,5 x 22,5 cm Small folds and small stains Born in 18...

Seated. 1980. Oil on board, 56x45 cm Woman act Ludmila Meilerte (1908 – 2008) - Painter 1940 – The Art Academy of Latvia, the masterclass of V. Purvitis. 1944 – Emigration to Germany. 1948 – Emigration to Australia. L. Meilerte took part at Latvian and Australian art exhibitions. She painted landscapes, still life’s, portraits. Her paintings are expressive and colorful. The artist was awarded in regional exhibitions and competitions. Dunlop Prize 1952, the Gosford Art Prize (1st prize) judged by Sir Russel Drysdale 1971, and the Victorian Artists Society`s Pirstitz Prize and gold medal in 1982. Royal exhibition in Melburn – 1975, 1976. Ludmilla Meilerts is represented in the National Gallery of Victoria, Melbourne; Tasmanian Art...

JEKATERINA GRYAZEVA Born in Latvia, Riga 1968 Education 1979 - 1986 J.Rozentals Secondary Art School (Riga). 1987 - 1993 Academy of Art (Riga, Latvia), department of Graphics,...

Love hate. 2006, oil on canvas, 120x100 cm Erotic portrait of two women on pink background in BDSM style. Stencil art Kristians Brekte (1981) Educati...

“Often an act, in itself worthy of condemnation, becomes laudable due to the intention that inspires it”

Felix Campean's work presents a hyper-realistic human body, displaying every muscle and texture with astonishing precision. The intense colors and slightly distorted shape of the bod...

Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses. Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval frame . Giovanni Battista Viola...

What will you say? 2021. Paper, mixed media, 97x67 cm Act on yellow background

Geisha. 2003. cardboard, author's technique, 60x23 cm Ivars Zaikins (1942-2017) Zaikins Ivars - an artist. He was born in 1942. During of the Soviet Union period, he worked as an a...

Acrylic paint on canvas Signed Unique work Julien CALOT Discover the new works on canvas by the French emerging and talented artist Julien Calot in his personal exhibition "Passenge...

Study 1 by Artist Wim van Broekhoven. A beautiful artwork that looks good in every room and especially in the living room or hallway. Can be framed. Hand Signed. Image Size: 50 x...

Dreamer. 1996. Oil on cardboard, 83x90 cm This depiction of young nude woman lying down on green blue surface shows artist Laimdots Murnieks as a master of forms and color field are...

On the red. 1992. Oil on canvas, 80x100 cm Woman on the red with fruits In 1965 graduated from J. Rozentals Art High School, in 1971 graduated from the Painting Department of the Art Academy of Latvia (diploma thesis supervisor Indulis Zariņš). He has participated in exhibitions since 1970, organized about 20 solo exhibitions, and was a teacher. J. Rozentals Art High School, worked in various painting genres, created monumental wall paintings...

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

Vladimir Glushenkov (1948-2009) (May 21, 1948, Riga - December 26, 2009, Riga) - painter, graphic artist, poet, translator. Vladimir Glushkenkov was born in family with Russian-Poli...

With this figure painted directly from life, and then using reference photos, I made a deliberate effort to keep the colours muted and harmonious - hence the title - and I think I ha...

Romantic Portraits Richir Herman Brussels 1866 – 1942 Belgian Painter Signature: Attributed to Richir Herman Medium: Oil on canvas Dimensions: Image size 67,50 x 62,50 cm, frame size 69,50 x 64,50 cm Biography: Richir Herman Jean Joseph was born in Ixelles (Brussels), on November 4, 1866. He was a Belgian painter of portraits, still lifes, genre paintings, nudes and landscapes. He made decorative paintings to fit into private homes. Richir mainly painted portraits. His clients usually belonged to the higher circles. He portrayed amongst others King Albert and Queen Elisabeth, Cardinal Mercier and Countess d’Oultremont. Less known are the landscape paintings he made Limburg and Kempen, where he regularly stayed with befriended artist Emile Van Doren (1865 – 1949). Herman Richir first studied at the Sint-Joost-ten-Node Academy with Gustave Biot and Charles Hermans, continued his education at the Royal Academy of Fine Arts in Brussels (1884-1889) with the master teacher and artist Jean-Francois Portaels (1818 – 1895). In 1886, during his studies, he won second Prize of Rome for Painting. Richir lived in Schaarbeek. In 1900 he became a teacher of drawing and in 1905 first teacher of painting after nature at the Brussels Academy. He was director there several times 1906-1907, 1910, 1911, 1915-1919, 1925-1927. He was retired in 1927. His pupils included Albert Alleman (1892 – 1933), Éliane de Meuse (1899 – 1993), Paul Hagemans (1884 – 1959), Maurice Mareels (1893 – 1976), Guy Onkelinx (1879 – 1935), Georges Rogy (1897 – 1981), José Storie (1899 – 1961), Charles Swyncop (1895 – 1970), Maurice Schelck...

South, 2020-2022 acrylic on canvas 27 9/16 H x 27 9/16 W in. 70 H x 70 W cm The torrid sun, the infinite blue of the sea, the warmth of summer days, and ordinary people caught in mo...

Women & Water, 2022 acrylic on canvas 19 11/16 H x 19 11/16 W in. 50 H x 50 W cm The torrid sun, the infinite blue of the sea, the warmth of summer days, and ordinary people caught...

Archaic dancer. 1933, paper, mixed media, 20x9.5 cm Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in 1990 his rel...

An original piece from the series "Naked", oil on thick paper. 30 x 40 cm, 2019. In some works, when the artist is able at creating the illusion of soft shadows, nuances of color...

Dawn. 2021. Paper, mixed media, 61x43 cm Act

The title of this painting, together with the subject depicted, underlines the message of Pep Anton Xaus's artworks. Pay especial attention to the donke...

Mythological I (Faun), 2016 Acrylic marker on canvas sheet (signed and dated front left corner) 23 5/8 H x 17 3/4 W in. 60 H x 45 W cm (reproduced at page 23, in the catalogue 'Mythi...

nude portrait "Great old age" china ink 50x65cm on paper dignity and fragility, pathetic and admirable delivered in oak and glass frame

Girl with a hawk Oil on canvas, 80x60 cm Dagnia Cherevichnik (1974) Born in 1974 in Riga. Professional education: 1986-1993 – J. Rozentals Riga Art Secondary School; 1995 - 2001- L...

Genesis Oil Painting on Panel Beginning Bible Adam Eve In Stock Tino Luciano (1953, Sardinië) Like most artists, Luciano started painting at an early age. His paintings can be consi...

In the recent years Maris Abilevs has been exploring the beauty of female shapes by using mixed media and various drawing techniques raging from expressi...

Raphael DELORME (1886-1962) Study of woman's legs Watercolor and pencil on paper Annotated “antithèse” lower right 32 x 21 cm Small traces of folds, tiny tear at the top edge Born ...

Self-portrait at the Beginning of History, 2019 Acrylic on canvas 88 31/32 H x 34 29/64 in. 226 H x 87.5 W cm Rădvan's multifaceted self-portraits are also a reference to Narcissus...

Self-portrait at the Beginning of Time, 2019 Acrylic on canvas 88 31/32 H x 34 29/64 in. 226 H x 87.5 W cm Rădvan's multifaceted self-portraits are also a reference to Narcissus, a ...

Ker-Xavier Roussel Lorry-les-Metz 1867 – 1944 Etang-la-Ville French Painter 'L’après-midi d’un faune' Signature: signed lower left and right Medium: pastel on paper mounted on boar...

"Fascination" abstract acrylic paint on bristol paper linen panel 54x81cm 2014 The title is enough on its own… tonic color chords.

Acrylic paint and charcoal on canvas Unique work Hand-signed by the artist THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly ...

At night. Paper, mixed media, 14.5x8 cm watercolor, ink on paper. Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in 1990 his relatives give his...

Wout Muller (June 18, 1946 – January 24, 2000) was a Dutch painter and graphic artist known for his detailed, often surrealistic works filled with symbolism and fantasy. Born in Hilv...

"Happy is he who can love his wife like a mistress, and unhappy is he who allows his mistress to love him like a husband."

In work/Four figures. Double-sided, cardboard, tempera, 56x47 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Riga in a Russian-Polish-German family. Vladimir Glushenkov...

Mélodie (Melody) Ink on paper 53 x 53 cm A rare square-format nude ink drawing on paper by Grégoire Mathias, perfect for adding a pop of color and movement to compact spaces, art cl...

Odalisque ,yellow,orange, orient Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patronize La Coupole de Montparnasse (from Kisling to Pascin, from Derain to Vlaminck). He is considered one of most representative exponents of the Turin’s artistic scene in the ‘30s-‘40s, close to the Gruppo dei Sei. His works can be found in the following museums: Turin, Modern Art Gallery...

This art piece is part of the series of unique sizable works called 'Home alone'. By using mixed media and expressive sketching techniques the artist Maris Abilevs...

Lemmy Gonthier - Face - Circa 2014 Acrylic Numbered and signed lower right of the work Dimensions: 70 x 50 The human body is at the center of Lemmy's work. His taste for large forma...

Captivating antique man in a thong signed and dated impressionist oil painting on canvas. Atmospheric vintage almost nude portrait oil painting of a man standing. A man stands in a ...

Artist: Vadym Mykhalchuk Title: Smile Year: 2017 Style: Pop Art Materails: Oil on canvas Height: 100 cm Width: 80 cm

Captivating antique man in a thong signed and dated impressionist oil painting on canvas. Atmospheric vintage almost nude portrait oil painting of a man standing. A man stands in a ...

Captivating antique man in a thong signed and dated impressionist oil painting on canvas. Atmospheric vintage almost nude portrait oil painting of a man standing. A man stands in a ...

Charming antique sitting nude oil painting on canvas, signed in the bottom left. This is a stunningly uncomplicated oil painting on canvas of a female sitting nude. With her back t...

In this piece, I sought to capture the fluidity of motion and the vibrant interplay of color. The moon's gentle glow and the tranquil background set a scene of serene introspection, ...

Gustl Stark (1917 Mainz - 2009 ibid.), Small Nude, 1946. Oil on canvas, marouflaged, 54 x 25 cm (picture), 30 x 60 cm (frame), signed "Stark" top left, verso twice signed "Gustav Stark", inscribed by hand as "Small Nude" and dated by hand "1946". With label of the exhibition of the Bundeshaus Bonn from 1956. - Rubbed area in the lower third of the body, at the same level a retouch in the ochre background. I provisional frame. - Abstract Figurativity - About the artwork During the war, Gustl Stark suffered a particularly severe blow for an artist: he lost his right arm. Nevertheless, he continued to devote himself to art, and the painting, created in 1946, immediately after the end of the Nazi reign of terror, testifies to the dawn of a new era. At the same time, the work is a rare example of the artist's early figurative work, as Stark turned entirely to abstract painting as early as 1950. And even this painting is by no means purely figurative; rather, it already illustrates Stark's turn toward abstraction. We see a female nude, but one that remains faceless. This can be read symbolically and in relation to the immediate past epoch, which, in the face of horrors, silences and blinds - literally renders faceless. In this sense, the figure is positioned to 'look back'. But she does not look. While this meaning may resonate and make the painting an important work of the immediate postwar period, Gustl Stark is primarily concerned with something else here, namely art itself. The absence of the face leads to the body becoming something flat. Due to the de-individualization, we do not see a concrete person with his individual features, but a body surface. And indeed, the body is constructed through an extremely planar design. Even the contour lines that form the corporeality have a planar rather than a linear character, especially where they merge into shadow zones of almost the same color. And the surfaces themselves are not modeled. The incarnate parts do not show any plastic gradations; the corporeality is completely withdrawn into the plane, which is also true for the hair. In addition, there is no uniform background against which the figure could appear; rather, the area next to the hair is kept bluish, creating a succession of earth-toned colored areas, which again binds the figure to the surface. Last but not least, the flatness is also forced by the painting technique. Gustl Stark paints directly, a la prima, onto the coarse canvas, whereby the structure of the painting support remains visible in the picture, and in places - around the hair, for example - the canvas itself can be seen. This structural all-over lends the picture a certain flatness. Gustl Stark thus uses the very motif that stands for the corporeality of art par excellence - the female nude - to transform the spatiality of the traditional picture into a flatness characteristic of modern art. And yet, a strong impression of corporeality is created, without being produced by a painterly modeling of the body. The oscillation between flatness and corporeality creates the intense tension of this groundbreaking painting. In Gustl Stark's oeuvre, as a consequence of the abstraction we see here, the figurative is completely stripped away in a further step, which is also a loss when looking at this early key work. About the artist Gustl Stark was the son of a woodcarver and, after an apprenticeship as a decorative painter, attended the State School of Arts and Crafts in Mainz from 1936 to 1937. Although he was severely wounded in the war and lost his right arm, he studied at the Würzburg School of Painting and Drawing from 1943-1944 and then at the Academy of Fine Arts in Nuremberg from 1944-1948. He won a state scholarship at the state art competition in Bad Ischl. Numerous study trips to Sylt, Paris, Switzerland, Austria, Italy, Holland and Belgium followed. Gustl Stark worked in Mainz and was the first artist there to focus on abstract painting. His work quickly gained international recognition, including the Salon Réaliés Nouvelles in Paris. From 1963-1970 he taught at the State University Institute for Art and Work Education in Mainz and from 1970-1975 at the Johannes Gutenberg University. Gustl Stark became particularly famous for his color embossed prints, for which he invented his own technique. Gustl Stark received numerous awards for his work. He received the Art Prize for Painting of the City of Mainz in 1962, the State Prize of Rhineland-Palatinate in 1984, and the Gutenberg Bust of the City of Mainz in 1987. Selected Bibliography Hans Vollmer (Hrsg.): Allgemeines Lexikon der bildenden Künstler des XX. Jahrhunderts, Vierter Band, Leipzig 1958, S. 344. Hans H...

"Coco Chanel's Dreams" is a figurative oil painting by the impressionist Maestro Alexandr Reznichenko. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporar...

"Nudity" is a figurative nude Painting by the impressionist Maestro Dmitriev Alexey Olegovich. About the artwork: TECHNIQUE: oil painting ...

Out of sight 2 2006, canvas, mixed media, 180x140 cm Juris Utāns (1959-2022) was a Latvian painter. Worked in the field of critical realism, social...