Items Similar to "Odalisque yellow" Oil , cm. 40 x 50 1937 free shipping
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Giulio da Milano"Odalisque yellow" Oil , cm. 40 x 50 1937 free shipping1937
1937
About the Item
Odalisque ,yellow,orange, orient
Giulio DA MILANO (Nizza, 1895 - Torino, 1990)
Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patronize La Coupole de Montparnasse (from Kisling to Pascin, from Derain to Vlaminck). He is considered one of most representative exponents of the Turin’s artistic scene in the ‘30s-‘40s, close to the Gruppo dei Sei. His works can be found in the following museums:
Turin, Modern Art Gallery
Milan, Modern Art Gallery
Rome, National Modern Art Gallery
Nice, Musée des Beaux-Arts
Works by Giulio Da Milano are permanently dealt by the Pirra Art Gallery and are published in coloured monographs edited by the Gallery.
- Creator:Giulio da Milano (Nice, 1895 - Turin, 1990, Italian)
- Creation Year:1937
- Dimensions:Height: 30.32 in (77 cm)Width: 18.12 in (46 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Torino, IT
- Reference Number:1stDibs: LU537310890802
About the Seller
4.9
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 1969
1stDibs seller since 2017
122 sales on 1stDibs
- ShippingRetrieving quote...Ships From: TORINO, Italy
- Return PolicyA return for this item may be initiated within 7 days of delivery.
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View All"Blue nude" 1953 Oil cm. 50 x 60
By Edgardo Corbelli
Located in Torino, IT
Edgardo CORBELLI (Turin, 1918 - 1989)
Blue Nude, 1953
Oil on canvas
Signed and dated upper right
From the traditional composition of the 1930s, the painting of Corbelli leads to tec...
Category
1950s Expressionist Nude Paintings
Materials
Canvas, Oil
"Yellow odalisque" cm. 15 x 10 1925
By Giulio da Milano
Located in Torino, IT
odalisque, yellow, orient
Giulio DA MILANO (Nizza, 1895 - Torino, 1990)
Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patronize...
Category
1920s Expressionist Figurative Paintings
Materials
Oil
$2,640 Sale Price
20% Off
"Donna con calze Rosse" Olio su cartone cm. 50 x 70 1984
By Edgardo Corbelli
Located in Torino, IT
Figura femminile con calze rosse
Edgardo CORBELLI (Turin, 1918 - 1989)
From the traditional composition of the 1930s, the painting of Corbelli leads to technical and expressive resu...
Category
1980s Expressionist Figurative Paintings
Materials
Oil
$3,708 Sale Price
20% Off
" Orange Nude "Oil cm. 25 x 60 1952
By Edgardo Corbelli
Located in Torino, IT
Italy,Italian Painter,Women,Nude,Orange,Red ,1952
Edgardo CORBELLI (Turin, 1918 - 1989)
From the traditional composition of the 1930s, the painting of Corbelli leads to technical a...
Category
1950s Expressionist Nude Paintings
Materials
Oil
"Red Odalisque" oil cm. 17 x 12 1947 Offer Free Shipping
By Giulio da Milano
Located in Torino, IT
red, odalisque,orange,yellow
Giulio DA MILANO (Nizza, 1895 - Torino, 1990)
Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patronize La Coupole de Montparnasse (from Kisling to Pascin, from Derain to Vlaminck). He is considered one of most representative exponents of the Turin’s artistic scene in the ‘30s-‘40s, close to the Gruppo dei Sei. His works can be found in the following museums:
Turin, Modern Art Gallery...
Category
1940s Expressionist Figurative Paintings
Materials
Wood Panel
$2,649 Sale Price
20% Off
Free Shipping
"Back " Oil cm. 45 x 75
By Luisa Albert
Located in Torino, IT
Raffinato nudo di schiena
Splendida luce
Category
2010s Realist Nude Paintings
Materials
Oil
You May Also Like
'Young Man in Repose' by Podlach - Large Figurative Nude Young Man Painting
By Betsy Podlach
Located in Carmel, CA
"Man in Repose" is a captivating painting by Betsy Podlach that effortlessly captures a serene and tranquil moment. The artwork portrays a nude, young, and handsome man with closed e...
Category
21st Century and Contemporary Expressionist Nude Paintings
Materials
Oil, Canvas
$13,750 Sale Price
44% Off
Free Shipping
Two ladies with glasses
Located in Wien, 9
Gurami Hagemann was born in Tiblissi in Georgia in 1945. At the age of 15 he received his diploma in painting. From 1965 to 1971 he attended the Art Academy in Tiblissi. In 1993 he r...
Category
20th Century Expressionist Nude Paintings
Materials
Canvas, Oil
Act of love
Located in Wien, 9
Gurami Hagemann was born in Tiblissi in Georgia in 1945. At the age of 15 he received his diploma in painting. From 1965 to 1971 he attended the Art Academy in Tiblissi. In 1993 he r...
Category
20th Century Expressionist Nude Paintings
Materials
Canvas, Oil
$2,832
"Aquarius" Oil Painting 31.5" x 51" inch by Sergey Dolmatov
Located in Culver City, CA
"Aquarius" Oil Painting 31.5" x 51" inch by Sergey Dolmatov
Year: 2014
Category
21st Century and Contemporary Expressionist Figurative Paintings
Materials
Canvas, Oil
Nudes
Located in Missouri, MO
Nudes
By. Salcia Bahnc (Polish, American, 1898-1976)
Signed Lower Middle
Unframed: 14 x 18 inches
Framed: 23 x 26 inches
Painter, illustrator, printmaker, teacher. Born in Dukla, Poland. Though she was born in Dukla, a town in south-eastern Poland, she moved to Prsemysl, one of the largest and most ancient cities of southern Poland, at a young age. Her mother was reportedly descended from the "Van Ast" family, a Dutch dynasty that produced several artists, including Balthasar van der Ast (1593/4 - 1657). According to one art historian she came to New York at the age of five (c. 1903), and another, at the age of eight (c. 1906).
Her family was Jewish and reportedly quite wealthy. Why they would have left imperial Austria, under whose sovereignty either of her proposed birth cities were under, is unknown. However, while these areas did not suffer the pogroms typical in neighboring imperial Russia, the Austro-Hungarian empire had become much more anti-Semetic, which may have hasten there departure. How, according to one source, they ended up living in the Jewish ghetto of New York is extremely puzzling. Did they loose their wealth to some business disaster? Where they forced to leave it behind? Was there some familial tragedy? We may never know.
In her youth she lived first in New York City and then in Boston, Massachusetts, where her family had relatives. It is reported that when she was in fourth grade she was found to be so competent in drawing that for the next two years she taught a drawing class after school for the other children. In Boston, Bahnc's mother eventually remarried and moved the family to Chicago where the young artist was primarily raised.
In Chicago she worked during the days as a sales clerk in a department store. At night she put herself through school at the School of the Art Institute of Chicago (SAIC) and taught at her former alma mater after her graduation during the years 1923-1929. She also studied at the Chicago Academy of Fine Art. She took up design work and began exhibiting painted silk creations at a private Chicago gallery (probably Thurber, see below). The first museum exhibitions she is known to have participated in were held at the Art Institute of Chicago. During this period she became known for her portraits.
Originally a resident alien, she was naturalized at the district court of Chicago, Illinois in July of 1913. In 1920 she lived on East Ontario Street in Chicago in a neighborhood filled with art studios and artists, including James Allen Saint-John (1872-1957), Paul Bartlett (1881-1965), Pauline Palmer (1867-1938), and George Ames Aldrich (1872-1941). It is in Chicago that she saw her greatest success as an artist. In 1927, Chicago art dealer Chester H. Johnson said of her work: "The Art of Salcia Bahnc is a sincere manifestation of the spirit we know as 'Modernism' . . . . . . She is the spirit of the Age, not its Fashion." Local reviewers agreed, one going as far to say that her exhibition was " . . . the most interesting one man show by a young artist that has ever been presented to Chicago, and I keep telling myself that New York will get her if we don't watch out."
She was apparently a favorite and friend of art critic Clarence Joseph Bulliet (1883-1952), who authored a number of books and articles that praised Bahnc's work. Bulliet was central in introducing and popularizing modern art in the mid-western United States. In his book Apples and Madonnas: Emotional Expression in Modern Art (1935) he called Bahnc a "A thorough Expressionist." A year later in his book The Significant Moderns and Their Pictures (1936) he noted that one of her paintings of a nude was ". . . powerful in its elemental brutality."
During this period other critics reported positively on the work she was producing. Ida Ethelwyn Wing reported in a volume of the Delphian Text (1930) that Bahnc, was without doubt, ". . . the most vigorous and intensively original of the American Expressionists." Paul Masserman and Maxwell Baker said of her in their work The Jews come to America (1932) that she was part of a group of artists that were "Chief among modern Jewish painters. . . "
Salcia Bahnc traveled back and forth to Europe during the late 1920s and into the 1930s, a period when she faced the rise of totalitarianism. She wrote about this fact to a fellow artist to whom she commented " . . . about the difficult art scene in Paris . . . . . . and the growing power of fascism." In 1930 she was maintaining a studio in New York City at 1218 East 53rd Street and a residence in Brooklyn, Long Island. She returned to France where she married a French citizen and writer named Eugene Petit (b. 1901) and bore a son there named Alain Petit (b. 1934). She again returned to the United States in November of 1937 and traveled back to France after a brief stay in America. During her stay she continued to exhibit in Chicago, where Quest Galleries gave her a solo show.
Like so many ex-patriot authors and artists who were living in Paris, she found herself trapped in France (first in Paris, then in Mayenne) following the German invasion in 1940. Being of Jewish extraction the situation could prove to be quite dangerous if she were reported or discovered by German authorities. She and her husband were able to obtain passports and escape to Portugal where in August of 1941 they boarded the S. S. Escambion to return to America.
In 1940, American Export Lines, owners of the Escambion, discontinued its normal Mediterranean routes and placed their ships into service sailing from Lisbon, Portugal to New York City. Over the next two years (1940 - 1941) their ships played an important role in transporting thousands of people who were trying to escape the Nazi regime before America's own entry into World War II. One survivor, Ludwig Lowenberg, who sailed on the Escambion on the same day that Bahnc did, reported the ordeal his family endured getting to Lisbon to his own descendants:
"[The family] received their American visa on May 28, 1941, only three days before the U.S. consulate in Stuttgart closed for the duration of World War II. They left Berlin on June 23, 1941, traveling for 27 hours on a locked train to Paris. There they were forced to spend an additional night in the locked train until their coach was attached to a train headed for San Sebastian in Spain. After an overnight hotel stay in San Sebastian, the train (now no longer locked) continued to Lisbon. All in all it took six days from Berlin to Lisbon. They remained for four weeks in Lisbon until they embarked on the Excambion for New York."
Bahnc had given up her citizenship during her time in France and was forced to reapply for naturalization once again upon her return. She was living in New York City at 101 West 85th Street when she was re-naturalized in April of 1947.
Exactly how much of her artwork was lost in Europe is not known. Clearly, she would not have been able to bring much, if anything, with her during her escape. One writer had noted that between 1930 and 1934 she had worked hard to prepare a large group of new works for a show in Paris. Between those, and what she would have produced during the next six years, the actual amount of the loss might have been staggering. Bahnc's 1942 exhibition with Julio de Diego included works recalling the suffering going on in Europe. One work in the exhibition was a portrait of the painter Katherine Dudley, who, at the time, was reportedly interned near Paris.
In the later years of her career she worked extensively as a teacher and illustrator of children's books. In 1950 she taught at the Evanston Art Center, where she lead a demonstration in portrait painting. She authored or illustrated a number of works during and after World War II, including: The House in the Tree and Other Stories of Places, People and Things (1941); Claude Of France: The Story Of Debussy For Young People (1948); Time for Poetry (1951); Hidden Silver (1952); From Many Lands - The Children's Hour, Volume 9 (1969); and That Boy (no date). She returned to teach at the School of the Art Institute of Chicago during 1943-44 and 1947-53; and taught later at the Garrison Forest School in Garrison, Maryland, from 1955-57.
Bahnc was known to have exhibited widely, both in Europe and in America. Her known lifetime exhibitions include: The Art Institute of Chicago, Chicago, IL, 1919-29, 1942 (The 53rd Annual; and Room of Chicago Art: Exhibition of Paintings by Salcia Bahnc and Julio de Diego), 1943; Chicago Architectural...
Category
20th Century Expressionist Nude Paintings
Materials
Oil, Canvas
Price Upon Request
My main enemy. Contemporary Figurative Oil Painting. Woman Power Symbolism. Red
Located in Zofingen, AG
ABOUT THE ARTWORK
"My Main Enemy" presents a compelling narrative of self-reflection and inner turmoil. The canvas speaks volumes through the bold imagery of a woman holding her hea...
Category
2010s Expressionist Nude Paintings
Materials
Canvas, Oil
Recently Viewed
View AllMore Ways To Browse
Milan Modern
Oil Paintings 40x50
Milano Oil Painting
Vlaminck Oil
The Sei
The Odalisque
Odalisque Paintings
La Coupole
Grosso Giacomo
Le Temps
Woman In Red Dress
Mexican Girl
Oil Painting Of Mother Daughter
Primitive Art France
Oil Paintings Of Mother And Daughter
Painting Cafe 20th Century
Profile Woman Painting
Renoir Oil