Continental US - Figurative Paintings

Artist Statement: b. 1964 - Huntington, Indiana I paint in oil glazes because they convey a luminosity that I just can't get with other mediums. I need that special light effect be...

This artwork titled "Volti" c.1990 is an oil painting on canvas by noted Italian artist Umberto Bianchini, 1934-1990. It is signed at the lower left ...

Samuel Henry Baker (British, 1824–1909) Ullswater from Gowbarrow Park, Cumberland, late 19th century Oil on canvas In this sweeping view of Ullswater, nestled in the heart of the La...

A charming, beautifully framed and ready to hang gouache on panel by highly-listed Parisian artist Paul Renard. One of two Paris scenes I currently have on offer by Renard. Actual go...

Listed price includes $150 additional cost of framing. This work is offered by ClampArt in New York City.

A large, dynamic Mid-Century Modern summer landscape painting with standing female bathers by noted Chicago artist, Rudolph Pen. A wonderful example of the artist's uniquely express...

Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...

Christopher Clark's "Florence Ponte Vecchio" is an original, hand made oil and acrylic painting that depicts a bridge in Florence, Italy. Chri...

"Heavy Arms" by Zack Zdrale (US based) is an original oil on panel depicting a nude male model in a pulling motion. Zack Zdrale (b. 1977) takes a traditional approach to his work a...

30 x 24 x 1 inches oil on canvas Inspired by close observations of the natural world and encounters with still moments that give us pause. Lines, shapes and colors encountered in nature, reveal the cycles of decay and regeneration that are life’s constant state of change. The work has a quiet, meditative quality. The subject is portrayed in a manner true to their existence in a specific time and place and selected based on considerations of visual relationships to formal elements of painting. Aspects of photo realism, hard edge and color field techniques are utilized to isolate the uniqueness of the subject’s detail, as well as emphasize flatness and illusion of depth within the two-dimensional space of the painting. About the artist: Frank DiPietro was born and raised in Scranton PA. He received a Bachelor of Art from Bloomsburg University in 1997, majoring in both Painting and Ceramics with a minor in Art History. In 2000 he earned a degree in Art Education from Moore College of Art and Design while continuing his studies in painting. Frank lived in Philadelphia for twelve years painting and teaching at several museums, art centers and schools in the region. In 2010 he and his family moved to Chester County PA, where he currently resides. Frank currently teaches painting classes and workshops at the Delaware Art Museum and Longwood Gardens...

"Apple Feast" (2024) by Olga Karpeisky is an original, handmade oil painting on linen that depicts a branch with red and green apples on a colorful abstracted background.

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE GALLERY OFFERS FREE SHIPPING. ARTIST EXPLANATION OF THE PAINTINGS: Vintage Motorcycle: oil on cradled birch panel. Ready to hang with wire on the back They are blurred. So I paint them with a regular brush, let the paint get partially dry, and then I use a brush to go over it many times to blur the paint. Sometime if it gets too blurred I go back in and do some more painting to define an area, and then use a big special brush to blur the image again. Also seen in this listing are other available paintings by the artist which can be found in a separate listings. Joan Breckwoldt...

Kathryn E. Cherry Rockport Harbor Signed lower right Oil on canvas board 10 1/2 x 12 inches Kathryn Cherry was an influential St. Louis painter, ceramicist, designer, and art educa...

Raymond Bonilla's "Anoop's Place" is an original, handmade oil painting that depicts the façade of a brick building with balconies as the morning light hits its surface. About the Artist: Raymond Bonilla is a nationally recognized illustrator and fine artist in Buffalo, NY. Raymond graduated from the State University in New York at Fredonia in 2005 with a degree in New Media and Illustration. He continued his studies at the Academy of Art University in San Francisco where he completed his Masters of Fine Art in 2009. He was awarded Best in Show in the Great Lakes Emerging Artist Competition, was a finalist in the Artists Magazine Annual Art Competition, has been awarded Gold Medals in advertising from both Society of Illustrators of New York and Los Angeles, and juried into the Communication Arts Illustration Annual. He currently lives in Buffalo, New York where he spends his time painting and teaching part-time at SmART School and Visual Arts Passage. He is represented by Principle Gallery in Alexandria...

Wonderful 18th century Irish or English portrait, attributed to the Irish painter Nathaniel Hone. Nathaniel Hone was born in Dublin but by 1748 had set...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

James Massena March (American, 1953-2021) Untitled Oil on canvas 30 x 48 inches "My paintings are about space, form and energy. I generally start painting without preconceived notio...

Marcel Dyf was mostly known for his effortless way to captures the times of the people. Executing most works on-site, he truly was able to absorb the energy and the day, movement of ...

Morgan Cameron’s (US based) “The Second Sighting” (2024) is an oil painting on panel that depicts a surreal landscape that has a wolf with piercing eyes standing in the moonlight. A...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Classic Figurative Year: 2001 Title: Jesus Christ Size: 20.5"...

In this contemporary beach landscape in oil on canvas mounted on panel, figures in the distance can be seen along the shore of a beach, gazing out at the deep, dark navy blue ocean, ...

Oz El Hai (Israeli, b. 1976) Polychrome Figural Painting Lacquer on Wood (possibly acrylic panel) Oz El Hai, born in Israel in 1976, channels his passion a...

This abstracted figure painting by Juniper Briggs is made with mixed media on cold pressed paper with deckle edges. It features an abstracted woman in a patterned brown and blue dres...

Jonas Lie Frosty Morning, 1923 Signed lower left Oil on canvas 40 x 50 inches Provenance The artist Ainslie Galleries, New York Samuel and Ileen Campbell Wright Museum of Art, Beloi...

Sybiline's (CAN based) "Hemerocallis III" is an original, handmade oil painting that depicts a portrait of a pink and white day lily. About the Artist: Sybiline is a Canadian artis...

"Soey Milk crafts beautiful portraits of women that contain elements of calm alongside calamity. She does this by implementing visual push and pull in all of...

"The Last," a 2013 oil on canvas by Victoria Novak, is a testament to the timeless beauty and elegance of still life painting. Measuring 19.70 x 39.40 i...

A muscular male is seated on a chair, his eyes closed and head tilted toward the sky soaking up the warmth of the sun. "Sogni D'Oro", meaning sweet dreams, is set upon an intricate b...

Wonderful Autumn/Fall landscape by one of Englands finest landscape painters. Born as Benjamin Williams, the artist added the surname Leader (his Father’s middle name) to distingui...

An exceptional impressionistic painting titled 'The Difficult Passage' depicting an afternoon along the River with Figures throughout by Jules René Hervé. Here the scene is set on a ...

David Shingler’s "Utah" (2015) is an original oil painting on wood panel, measuring 5 x 5 inches. Known for his dynamic landscapes rendered through bold and expressive brushstrokes, ...

CARLOS MANUEL SALAZAR RAMIREZ "COMPANEROS" ACRYLIC ON CANVAS, SIGNED COSTA RICA, DATED 1989 16 X 24 INCHES Carlos Manuel Salazar Ramírez Born 1954 Ramírez is a artist born i...

Steven H. Rehfeld (American, born 1954) 'Feast' 2021 Oil paint, canvas, stretcher bars The artist signed the back of the painting. "Feast" by Steven H. Rehfeld emerges as a triumpha...

This abstracted figure painting by Juniper Briggs is made with mixed media on Arches paper with deckle edges. It features a warm, contrasting palette an...

From the Michael Hall Collection, this is a great American scene showing the excitement of the fair. It depicts a time when men wore coats and ties and women had hats at the fair be...

Max Beckmann Holzbrücke, 1922 Signed in pencil lower right Drypoint on cream wove paper 11 3/8 x 9 3/8 inches From the edition of 150 Max Beckmann dreamed up a world of actors, cab...

Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...

Contemporary abstract figurative painting by Frisco Pete, The Wild West Art Wrangler. The work features a central female singer performing at a bar in front of a crowd. Signed, title...

Lucien Delarue (1925-2011) Paris Seine River Scene. "Seine at Paris" Provenance: Newman Gallery, Phila. Label verso. Hand signed on Canvas. Dimensions: H: 25 inches: W: 31.5 inches: Frame: 35 X 41 inches Artist Lucien Delarue was born in Paris in 1925, and he is known for his spectacular cityscape painting. Post Impressionist painter He studied at the studios of Grande Chaumiere, Paris and was a pupil of Maitre Yves Brayer. He is best know as a French Impressionist. He loved to paint the romantic streets of Paris with its stunning architecture and beauty. Also included in his repertoire is colorful French floral still life paintings, South of France country cottages, harbor views, and river scenes. At a very early age Delarue began taking part in exhibitions. Quickly he was talking medals for his works including first prize and the Vermeil-Medaille at the Salon Violet. Other gold medals include the Salon of Vincennes, and the Salon of Clichy (1973). In 1974 he won the silver medal at the Salon des Artistes Francais, and a bronze medal at the "Arts-Sciences-Lettres" exhibition in Paris. He also exhibited works at the Museum of Ile de France in the chateau of Sceaux. He held exhibitions in New York and in San Francisco in the United States. He was a member of the Salon des Artistes Francais and of the French Watercolor Society.Lucien Delarue excelled in recreating the cottages, harbor views, and expressionist architecture of Paris in his artwork. His watercolor paintings include color-rich representations of France's many scenic rivers. Delarue would eventually become a member of the French Watercolor Society and the Salon des Artistes Francais. He showed with Henk Bos...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

“Geometric Symphony” by Koko Hovaguimain Oil on Canvas. Koko Hovaguimain's Geometric Symphony is a breathtaking masterwork that resonates with rhythm, balance, and visual harmony. Wi...

A wonderfully rich beach scene done in Holland in the Mid-20th Century depicting figures in the sand. Some figures are by the water as kids play in the distance with a bicylist as well. The impressionist details are greatly admired as the sun shines on the water beautifully. This painting is signed lower right and comes housed in a simple contemporary silver wood frame with hanging wire on verso. Art measures 23.5 x 31.5 in Framed measures 26.25 x 34 in The Frisian-born artist Henk Gorter...

"Triple Elvis" (Denied) Silkscreen Painting by Charles Lutz Silkscreen and silver enamel paint on canvas with Artist's Denied stamp of the Andy Warhol Art Authentication Board. 82 x 72" inches 2010 This important example was shown alongside works by Warhol in a two-person show "Warhol Revisited (Charles Lutz / Andy Warhol)" at UAB Abroms-Engel Institute for the Visual Arts in 2024. Lutz's 2007 ''Warhol Denied'' series gained international attention by calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on the full-length Elvis Presley paintings by Pop Artist Andy Warhol in 1964, this is likely one of his most iconic images, next to Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando. This is the rarest of the Elvis works from the series, as Lutz sourced a vintage roll of 1960's primed artist linen which was used for this one Elvis. The silkscreen, like Warhol's embraced imperfections, like the slight double image printing of the Elvis image. Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's most recently presented an installation of new sculptures dealing with consumerism at Frank Lloyd Wright's Fallingwater House in 2022. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project is "Officially DENIED" "Warhol" paintings authored by Lutz. Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers. Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." Leonard Bernstein in: Exh. Cat., Boston, The Institute of Contemporary Art and traveling, Elvis + Marilyn 2 x Immortal, 1994-97, p. 9. Andy Warhol "quite simply changed how we all see the world around us." Kynaston McShine in: Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13. In the summer of 1963 Elvis Presley was just twenty-eight years old but already a legend of his time. During the preceding seven years - since Heartbreak Hotel became the biggest-selling record of 1956 - he had recorded seventeen number-one singles and seven number-one albums; starred in eleven films, countless national TV appearances, tours, and live performances; earned tens of millions of dollars; and was instantly recognized across the globe. The undisputed King of Rock and Roll, Elvis was the biggest star alive: a cultural phenomenon of mythic proportions apparently no longer confined to the man alone. As the eminent composer Leonard Bernstein put it, Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." (Exh. Cat., Boston, The Institute of Contemporary Art (and traveling), Elvis + Marilyn 2 x Immortal, 1994, p. 9). In the summer of 1963 Andy Warhol was thirty-four years old and transforming the parameters of visual culture in America. The focus of his signature silkscreen was leveled at subjects he brilliantly perceived as the most important concerns of day to day contemporary life. By appropriating the visual vernacular of consumer culture and multiplying readymade images gleaned from newspapers, magazines and advertising, he turned a mirror onto the contradictions behind quotidian existence. Above all else he was obsessed with themes of celebrity and death, executing intensely multifaceted and complex works in series that continue to resound with universal relevance. His unprecedented practice re-presented how society viewed itself, simultaneously reinforcing and radically undermining the collective psychology of popular culture. He epitomized the tide of change that swept through the 1960s and, as Kynaston McShine has concisely stated, "He quite simply changed how we all see the world around us." (Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13). Thus in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original superstar artist, Double Elvis is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and the lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age. The source image was a publicity still for the movie Flaming Star, starring Presley as the character Pacer Burton and directed by Don Siegel in 1960. The film was originally intended as a vehicle for Marlon Brando and produced by David Weisbart, who had made James Dean's Rebel Without a Cause in 1955. It was the first of two Twentieth Century Fox productions Presley was contracted to by his manager Colonel Tom Parker, determined to make the singer a movie star. For the compulsive movie-fan Warhol, the sheer power of Elvis wielding a revolver as the reluctant gunslinger presented the zenith of subject matter: ultimate celebrity invested with the ultimate power to issue death. Warhol's Elvis is physically larger than life and wears the expression that catapulted him into a million hearts: inexplicably and all at once fearful and resolute; vulnerable and predatory; innocent and explicit. It is the look of David Halberstam's observation that "Elvis Presley was an American original, the rebel as mother's boy, alternately sweet and sullen, ready on demand to be either respectable or rebellious." (Exh. Cat., Boston, Op. Cit.). Indeed, amidst Warhol's art there is only one other subject whose character so ethereally defies categorization and who so acutely conflated total fame with the inevitability of mortality. In Warhol's work, only Elvis and Marilyn harness a pictorial magnetism of mythic proportions. With Marilyn Monroe, whom Warhol depicted immediately after her premature death in August 1962, he discovered a memento mori to unite the obsessions driving his career: glamour, beauty, fame, and death. As a star of the silver screen and the definitive international sex symbol, Marilyn epitomized the unattainable essence of superstardom that Warhol craved. Just as there was no question in 1963, there remains still none today that the male equivalent to Marilyn is Elvis. However, despite his famous 1968 adage, "If you want to know all about Andy Warhol, just look at the surface of my paintings" Warhol's fascination held purpose far beyond mere idolization. As Rainer Crone explained in 1970, Warhol was interested in movie stars above all else because they were "people who could justifiably be seen as the nearest thing to representatives of mass culture." (Rainer Crone, Andy Warhol, New York, 1970, p. 22). Warhol was singularly drawn to the idols of Elvis and Marilyn, as he was to Marlon Brando and Liz Taylor, because he implicitly understood the concurrence between the projection of their image and the projection of their brand. Some years after the present work he wrote, "In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star...So you should always have a product that's not just 'you.' An actress should count up her plays and movies and a model should count up her photographs and a writer should count up his words and an artist should count up his pictures so you always know exactly what you're worth, and you don't get stuck thinking your product is you and your fame, and your aura." (Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again), San Diego, New York and London, 1977, p. 86). The film stars of the late 1950s and early 1960s that most obsessed Warhol embodied tectonic shifts in wider cultural and societal values. In 1971 John Coplans argued that Warhol was transfixed by the subject of Elvis, and to a lesser degree by Marlon Brando and James Dean, because they were "authentically creative, and not merely products of Hollywood's fantasy or commercialism. All three had originative lives, and therefore are strong personalities; all three raised - at one level or another - important questions as to the quality of life in America and the nature of its freedoms. Implicit in their attitude is a condemnation of society and its ways; they project an image of the necessity for the individual to search for his own future, not passively, but aggressively, with commitment and passion." (John Coplans, "Andy Warhol and Elvis Presley," Studio International, vol. 181, no. 930, February 1971, pp. 51-52). However, while Warhol unquestionably adored these idols as transformative heralds, the suggestion that his paintings of Elvis...

Beautifully painted sunset on the river with a single figure in a punt and cattle crossing by the American artist, George Riecke. Most likely a New Orlea...

Gammell Trust #W126. Signed and dated in pencil lower right: "R.H. Ives Gammell, Paris, 1917". This is a very early work and despite the fact that it is squared off for enlargement,...

“Cosmos in Green Glass” is an impressionist oil on canvas painting by Maryann Lucas. It depicts a colorful bouquet of flowers in a glass vase. Signed "Lucas" in lower left corner F...

A whimsical oil painting depicting a park scene in Paris during spring by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produced in the first half...

Devin Michael Roberts' (US based) "Tranquil Twilight" is an oil painting depicting a lake with the moon reflecting off of it. Artist bio/statement: Devin Michael Roberts is an Ameri...

Diego Rivera (1886–1957) was one of the founders of the Mexican muralist movement. After an extended stay in Europe, he returned to Mexico in 1921 and took on a full involvement in t...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

Olja Ivanjicki "Florence or Hell of l'Inconnue De La Seine" original oil circa 1965 Original oil on board. Dimensions 26" wide x 42" high. The frame measures 30" wide x 46" high. Signed and dated at the upper border. She has auction results over $9,000 which was earlier in 2021. Olga Ivanjicki, the daughter of Russian emigrants was born in Pancevo, Danube Banovina. She studied at the Academy of Fine Arts in Belgrade, graduated in 1957, and in the same year she was the only woman among the founders of MEDIALA Belgrade, an art group of painters, writers and architects such as Leonid Šejka, Vladimir Velickovic, Ljubomir Popovic, Miodrag Ðuric. In 1962, she received a scholarship of the Ford Foundation to pursue her art studies in the United States, and in 1978 she was a selected artist of the Fulbright program Artist in Residence at the Rhode Island School of Design. She had over ninety individual exhibitions and participated in numerous national and international group exhibitions. Ivanjicki’s painting was influenced by Symbolism, Surrealism, Pop art and Fantastic art. In the course of her career, the artist received the Vuk Lifetime Achievement Award (Vukova nagrada, 1988), the Seventh of July Award (Sedmojulska nagrada, 1988) and the Karic Award. L'Inconnue de la Seine (English: The Unknown Woman of the...

Melitta Schiffer, painter. b. Trieste, Italy. In her youth, moved to Weimar, Germany with her parents. Studied at Art Academy, Weimar, Germany; Advanced studies with artist Mildan; 1...

Monogrammed lower right, 'DM' for David Monies (Danish, 1812-1894) and dated 1849. Provenance: By descent in the family of the sitter, Peter Andreas Löser (1834–1857). Framed in a su...

Unframed this piece is 8 x 8 "Yellow Jar" by Millie Gosch is a charming 8x8-inch oil on linen board that radiates warmth and simplicity. With expressive brushstrokes and a rich, sun...

America Martin "Plum Trees and Apples" Oil & Acrylic on Canvas 40 x 60 inches 41`.5 x 61.5 inches framed Exploring the identity of both her namesake and country, LA-based America M...

Artist: Henry John Yeend King (English, 1855-1924) Title: "Fetching Water by the River" *Signed by King lower left Circa: 1890 Medium: Original Oil Painting on Canvas Framing: Frame...

A wonderful Impressionist winter pastoral scene of a colorful quaint home by the river. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much fee...

20 x 16 x 1.5 inches oil on canvas Painted with the exactness of a still life photograph, this hard edge realist painting by artist Frank DiPetiro of Lotus leaves and buds about to bloom glows with green luminescence against a pale gray background. Inspired by close observations of the natural world and encounters with still moments that give us pause. Lines, shapes and colors encountered in nature, reveal the cycles of decay and regeneration that are life’s constant state of change. The work has a quiet, meditative quality. The subject is portrayed in a manner true to their existence in a specific time and place and selected based on considerations of visual relationships to formal elements of painting. Aspects of photo realism, hard edge and color field techniques are uti-lized to isolate the uniqueness of the subject’s detail, as well as emphasize flatness and illusion of depth within the two-dimensional space of the painting. About the artist: Frank DiPietro was born and raised in Scranton PA. He received a Bachelor of Art from Bloomsburg University in 1997, majoring in both Painting and Ceramics with a minor in Art History. In 2000 he earned a degree in Art Education from Moore College of Art and Design while continuing his studies in painting. Frank lived in Philadelphia for twelve years painting and teaching at several museums, art centers and schools in the region. In 2010 he and his family moved to Chester County PA, where he currently resides. Frank currently teaches painting classes and workshops at the Delaware Art Museum and Longwood Gardens...

Dutch/English artist Abraham Hulk the Younger (1851-1922) is most known for landscapes of the British countryside. This work is one of a pair (the second work is also available by s...

George Nemethy finds his inspiration in moments of quiet and solitude. Where he finds himself one with the sea and the sky and the tranquil world which he freely escapes to. Trained from an early age by his father Albert Nemethy, a world-renowned painter known best for his large scale steamer boats, George found...